CHILDREN
OF
THE
MIND
by
Orson
Scott
Card
(c)
1996
Orson
Scott
Card
Chapter
1
--
"I'M
NOT
MYSELF"
"Mother.
Father.
Did
I
do
it
right?"
--
The
last
words
of
Han
Qing-jao,
from
The
God
Whispers
of
Han
Qing-jao
Si
Wang-mu
stepped
forward.
The
young
man
named
Peter
took
her
hand
and
led
her
into
the
starship.
The
door
closed
behind
them.
Wang-mu
sat
down
on
one
of
the
swiveling
chairs
inside
the
small
metal-walled
room.
She
looked
around,
expecting
to
see
something
strange
and
new.
Except
for
the
metal
walls,
it
could
have
been
any
office
on
the
world
of
Path.
Clean,
but
not
fastidiously
so.
Furnished,
in
a
utilitarian
way.
She
had
seen
holos
of
ships
in
flight:
the
smoothly
streamlined
fighters
and
shuttles
that
dipped
into
and
out
of
the
atmosphere;
the
vast
rounded
structures
of
the
starships
that
accelerated
as
near
to
the
speed
of
light
as
matter
could
get.
On
the
one
hand,
the
sharp
power
of
a
needle;
on
the
other,
the
massive
power
of
a
sledgehammer.
But
here
in
this
room,
no
power
at
all.
Just
a
room.
Where
was
the
pilot?
There
must
be
a
pilot,
for
the
young
man
who
sat
across
the
room
from
her,
murmuring
to
his
computer,
could
hardly
be
controlling
a
starship
capable
of
the
feat
of
traveling
faster
than
light.
And
yet
that
must
have
been
precisely
what
he
was
doing,
for
there
were
no
other
doors
that
might
lead
to
other
rooms.
The
starship
had
looked
small
from
the
outside;
this
room
obviously
used
all
the
space
that
it
contained.
There
in
the
corner
were
the
batteries
that
stored
energy
from
the
solar
collectors
on
the
top
of
the
ship.
In
that
chest,
which
seemed
to
be
insulated
like
a
refrigerator,
there
might
be
food
and
drink.
So
much
for
life
support.
Where
was
the
romance
in
starflight
now,
if
this
was
all
it
took?
A
mere
room.
With
nothing
else
to
watch,
she
watched
the
young
man
at
the
computer
terminal.
Peter
Wiggin,
he
said
his
name
was.
The
name
of
the
ancient
Hegemon,
the
one
who
first
united
all
the
human
race
under
his
control,
back
when
people
lived
on
only
one
world,
all
the
nations
and
races
and
religions
and
philosophies
crushed
together
elbow
to
elbow,
with
nowhere
to
go
but
into
each
other's
lands,
for
the
sky
was
a
ceiling
then,
and
space
was
a
vast
chasm
that
could
not
be
bridged.
Peter
Wiggin,
the
man
who
ruled
the
human
race.
This
was
not
him,
of
course,
and
he
had
admitted
as
much.
Andrew
Wiggin
sent
him;
Wang-mu
remembered,
from
things
that
Master
Han
had
told
her,
that
Andrew
Wiggin
had
somehow
made
him.
Did
this
make
the
great
Speaker
of
the
Dead
Peter's
father?
Or
was
he
somehow
Ender's
brother,
not
just
named
for
but
actually
embodying
the
Hegemon
who
had
died
three
thousand
years
before?
Peter
stopped
murmuring,
leaned
back
in
his
chair,
and
sighed.
He
rubbed
his
eyes,
then
stretched
and
groaned.
It
was
a
very
indelicate
thing
to
do
in
company.
The
sort
of
thing
one
might
expect
from
a
coarse
fieldworker.
He
seemed
to
sense
her
disapproval.
Or
perhaps
he
had
forgotten
her
and
now
suddenly
remembered
that
he
had
company.
Without
straightening
himself
in
his
chair,
he
turned
his
head
and
looked
at
her.
"Sorry,"
he
said.
"I
forgot
I
was
not
alone."
Wang-mu
longed
to
speak
boldly
to
him,
despite
a
lifetime
retreating
from
bold
speech.
After
all,
he
had
spoken
to
her
with
offensive
boldness,
when
his
starship
appeared
like
a
fresh-sprouted
mushroom
on
the
lawn
by
the
river
and
he
emerged
with
a
single
vial
of
a
disease
that
would
cure
her
home
world,
Path,
of
its
genetic
illness.
He
had
looked
her
in
the
eye
not
fifteen
minutes
ago
and
said,
"Come
with
me
and
you'll
be
part
of
changing
history.
Making
history."
And
despite
her
fear,
she
had
said
yes.
Had
said
yes,
and
now
sat
in
a
swivel
chair
watching
him
behave
crudely,
stretching
like
a
tiger
in
front
of
her.
Was
that
his
beast-of-the-heart,
the
tiger?
Wang-mu
had
read
the
Hegemon.
She
could
believe
that
there
was
a
tiger
in
that
great
and
terrible
man.
But
this
one?
This
boy?
Older
than
Wang-mu,
but
she
was
not
too
young
to
know
immaturity
when
she
saw
it.
He
was
going
to
change
the
course
of
history!
Clean
out
the
corruption
in
the
Congress.
Stop
the
Lusitania
Fleet.
Make
all
colony
planets
equal
members
of
the
Hundred
Worlds.
This
boy
who
stretched
like
a
jungle
cat.
"I
don't
have
your
approval,"
he
said.
He
sounded
annoyed
and
amused,
both
at
once.
But
then
she
might
not
be
good
at
understanding
the
inflections
of
one
such
as
this.
Certainly
it
was
hard
to
read
the
grimaces
of
such
a
round-eyed
man.
Both
his
face
and
his
voice
contained
hidden
languages
that
she
could
not
understand.
"You
must
understand,"
he
said.
"I'm
not
myself."
Wang-mu
spoke
the
common
language
well
enough
at
least
to
understand
the
idiom.
"You
are
unwell
today?"
But
she
knew
even
as
she
said
it
that
he
had
not
meant
the
expression
idiomatically
at
all.
"I'm
not
myself,"
he
said
again.
"I'm
not
really
Peter
Wiggin."
"I
hope
not,"
said
Wang-mu.
"I
read
about
his
funeral
in
school."
"I
do
look
like
him,
though,
don't
I?"
He
brought
up
a
hologram
into
the
air
over
his
computer
terminal.
The
hologram
rotated
to
look
at
Wang-mu;
Peter
sat
up
and
assumed
the
same
pose,
facing
her.
"There
is
a
resemblance,"
she
said.
"Of
course,
I'm
younger,"
said
Peter.
"Because
Ender
didn't
see
me
again
after
he
left
Earth
when
he
was--
what,
five
years
old?
A
little
runt,
anyway.
I
was
still
a
boy.
That's
what
he
remembered,
when
he
conjured
me
out
of
thin
air."
"Not
air
at
all,"
she
said.
"Out
of
nothing."
"Not
nothing,
either,"
he
said.
"Conjured
me,
all
the
same."
He
smiled
wickedly.
"I
can
call
spirits
from
the
vasty
deep."
These
words
meant
something
to
him,
but
not
to
her.
In
the
world
of
Path
she
had
been
expected
to
be
a
servant
and
so
was
educated
very
little.
Later,
in
the
house
of
Han
Fei-tzu,
her
abilities
had
been
recognized,
first
by
her
former
mistress,
Han
Qing-jao,
and
later
by
the
master
himself.
From
both
she
had
acquired
some
bits
of
education,
in
a
haphazard
way.
What
teaching
there
had
been
was
mostly
technical,
and
the
literature
she
learned
was
of
the
Middle
Kingdom,
or
of
Path
itself.
She
could
have
quoted
endlessly
from
the
great
poet
Li
Qing-jao,
for
whom
her
one-time
mistress
had
been
named.
But
of
the
poet
he
was
quoting,
she
knew
nothing.
"I
can
call
spirits
from
the
vasty
deep,"
he
said
again.
And
then,
changing
his
voice
and
manner
a
little,
he
answered
himself.
"Why
so
can
I,
or
so
can
any
man.
But
will
they
come
when
you
do
call
for
them?"
"Shakespeare?"
she
guessed.
He
grinned
at
her.
She
thought
of
the
way
a
cat
smiles
at
the
creature
it
is
toying
with.
"That's
always
the
best
guess
when
a
European
is
doing
the
quoting,"
he
said.
"The
quotation
is
funny,"
she
said.
"A
man
brags
that
he
can
summon
the
dead.
But
the
other
man
says
that
the
trick
is
not
calling,
but
rather
getting
them
to
come."
He
laughed.
"What
a
way
you
have
with
humor."
"This
quotation
means
something
to
you,
because
Ender
called
you
forth
from
the
dead."
He
looked
startled.
"How
did
you
know?"
She
felt
a
thrill
of
fear.
Was
it
possible?
"I
did
not
know,
I
was
making
a
joke."
"Well,
it's
not
true.
Not
literally.
He
didn't
raise
the
dead.
Though
he
no
doubt
thinks
he
could,
if
the
need
arose."
Peter
sighed.
"I'm
being
nasty.
The
words
just
come
to
my
mind.
I
don't
mean
them.
They
just
come."
"It
is
possible
to
have
words
come
to
your
mind,
and
still
refrain
from
speaking
them
aloud."
He
rolled
his
eyes.
"I
wasn't
trained
for
servility,
the
way
you
were."
So
this
was
the
attitude
of
one
who
came
from
a
world
of
free
people--
to
sneer
at
one
who
had
been
a
servant
through
no
fault
of
her
own.
"I
was
trained
to
keep
unpleasant
words
to
myself
as
a
matter
of
courtesy,"
she
said.
"But
perhaps
to
you,
that
is
just
another
form
of
servility."
"As
I
said,
Royal
Mother
of
the
West,
nastiness
comes
unbidden
to
my
mouth."
"I
am
not
the
Royal
Mother,"
said
Wang-mu.
"The
name
was
a
cruel
joke--"
"And
only
a
very
nasty
person
would
mock
you
for
it."
Peter
grinned.
"But
I'm
named
for
the
Hegemon.
I
thought
perhaps
bearing
ludicrously
overwrought
names
was
something
we
might
have
in
common."
She
sat
silently,
entertaining
the
possibility
that
he
might
have
been
trying
to
make
friends.
"I
came
into
existence,"
he
said,
"only
a
short
while
ago.
A
matter
of
weeks.
I
thought
you
should
know
that
about
me."
She
didn't
understand.
"You
know
how
this
starship
works?"
he
said.
Now
he
was
leaping
from
subject
to
subject.
Testing
her.
Well,
she
had
had
enough
of
being
tested.
"Appareptly
one
sits
within
it
and
is
examined
by
rude
strangers,"
she
said.
He
smiled
and
nodded.
"Give
as
good
as
you
get.
Ender
told
me
you
were
nobody's
servant."
"I
was
the
true
and
faithful
servant
of
Qing-jao.
I
hope
Ender
did
not
lie
to
you
about
that."
He
brushed
away
her
literalism.
"A
mind
of
your
own."
Again
his
eyes
sized
her
up;
again
she
felt
utterly
comprehended
by
his
lingering
glance,
as
she
had
felt
when
he
first
looked
at
her
beside
the
river.
"Wangmu,
I
am
not
speaking
metaphorically
when
I
tell
you
I
was
only
just
made.
Made,
you
understand,
not
born.
And
the
way
I
was
made
has
much
to
do
with
how
this
starship
works.
I
don't
want
to
bore
you
by
explaining
things
you
already
understand,
but
you
must
know
what--
not
who--
I
am
in
order
to
understand
why
I
need
you
with
me.
So
I
ask
again--
do
you
know
how
this
starship
works?"
She
nodded.
"I
think
so.
Jane,
the
being
who
dwells
in
computers,
she
holds
in
her
mind
as
perfect
a
picture
as
she
can
of
the
starship
and
all
who
are
within
it.
The
people
also
hold
their
own
picture
of
themselves
and
who
they
are
and
so
on.
Then
she
moves
everything
from
the
real
world
to
a
place
of
nothingness,
which
takes
no
time
at
all,
and
then
brings
it
back
into
reality
in
whatever
place
she
chooses.
Which
also
takes
no
time.
So
instead
of
starships
taking
years
to
get
from
world
to
world,
it
happens
in
an
instant."
Peter
nodded.
"Very
good.
Except
what
you
have
to
understand
is
that
during
the
time
that
the
starship
is
Outside,
it
isn't
surrounded
by
nothingness.
Instead
it's
surrounded
by
uncountable
numbers
of
aiuas."
She
turned
away
her
face
from
him.
"You
don't
understand
aiuas?"
"To
say
that
all
people
have
always
existed.
That
we
are
older
than
the
oldest
gods
..."
"Well,
sort
of,"
said
Peter.
"Only
aiuas
on
the
Outside,
they
can't
be
said
to
exist,
or
at
least
not
any
kind
of
meaningful
existence.
They're
just
...
there.
Not
even
that,
because
there's
no
sense
of
location,
no
there
where
they
might
be.
They
just
are.
Until
some
intelligence
calls
them,
names
them,
puts
them
into
some
kind
of
order,
gives
them
shape
and
form."
"The
clay
can
become
a
bear,"
she
said,
"but
not
as
long
as
it
rests
cold
and
wet
in
the
riverbank."
"Exactly.
So
there
was
Ender
Wiggin
and
several
other
people
who,
with
luck,
you'll
never
need
to
meet,
taking
the
first
voyage
Outside.
They
weren't
going
anywhere,
really.
The
point
of
that
first
voyage
was
to
get
Outside
long
enough
that
one
of
them,
a
rather
talented
genetic
scientist,
could
create
a
new
molecule,
an
extremely
complex
one,
by
the
image
she
held
of
it
in
her
mind.
Or
rather
her
image
of
the
modifications
she
needed
to
make
in
an
existing...
well,
you
don't
have
the
biology
for
it.
Anyway,
she
did
what
she
was
supposed
to
do,
she
created
the
new
molecule,
calloo
callay,
only
the
thing
is,
she
wasn't
the
only
person
doing
any
creating
that
day."
"Ender's
mind
created
you?"
asked
Wang-mu.
"Inadvertently.
I
was,
shall
we
say,
a
tragic
accident.
An
unhappy
side
effect.
Let's
just
say
that
everybody
there,
everything
there,
was
creating
like
crazy.
The
aiuas
Outside
are
frantic
to
be
made
into
something,
you
see.
There
were
shadow
starships
being
created
all
around
us.
All
kinds
of
weak,
faint,
fragmented,
fragile,
ephemeral
structures
rising
and
falling
in
each
instant.
Only
four
had
any
solidity.
One
was
that
genetic
molecule
that
Elanora
Ribeira
had
come
to
create."
"One
was
you?"
"The
least
interesting
one,
I
fear.
The
least
loved
and
valued.
One
of
the
people
on
the
ship
was
a
fellow
named
Miro,
who
through
a
tragic
accident
some
years
ago
had
been
left
somewhat
crippled.
Neurologically
damaged.
Thick
of
speech,
clumsy
with
his
hands,
lame
when
he
walked.
He
held
within
his
mind
the
powerful,
treasured
image
of
himself
as
he
used
to
be.
So--
with
that
perfect
self-image,
a
vast
number
of
aiuas
assembled
themselves
into
an
exact
copy,
not
of
how
he
was,
but
of
how
he
once
was
and
longed
to
be
again.
Complete
with
all
his
memories--
a
perfect
replication
of
him.
So
perfect
that
it
had
the
same
utter
loathing
for
his
crippled
body
that
he
himself
had.
So
...
the
new,
improved
Miro--
or
rather
the
copy
of
the
old,
undamaged
Miro--
whatever--
he
stood
there
as
the
ultimate
rebuke
of
the
crippled
one.
And
before
their
very
eyes,
that
old
rejected
body
crumbled
away
into
nothing."
Wang-mu
gasped,
imagining
it.
"He
died!"
"No,
that's
the
point,
don't
you
see?
He
lived.
It
was
Miro.
His
own
aiua--
not
the
trillions
of
aiuas
making
up
the
atoms
and
molecules
of
his
body,
but
the
one
that
controlled
them
all,
the
one
that
was
himself,
his
will--
his
aiua
simply
moved
to
the
new
and
perfect
body.
That
was
his
true
self.
And
the
old
one
..."
"Had
no
use."
"Had
nothing
to
give
it
shape.
You
see,
I
think
our
bodies
are
held
together
by
love.
The
love
of
the
master
aiua
for
the
glorious
powerful
body
that
obeys
it,
that
gives
the
self
all
its
experience
of
the
world.
Even
Miro,
even
with
all
his
self-loathing
when
he
was
crippled,
even
he
must
have
loved
whatever
pathetic
remnant
of
his
body
was
left
to
him.
Until
the
moment
that
he
had
a
new
one."
"And
then
he
moved."
"Without
even
knowing
that
he
had
done
so,"
said
Peter.
"He
followed
his
love."
Wang-mu
heard
this
fanciful
tale
and
knew
that
it
must
be
true,
for
she
had
overheard
many
a
mention
of
aiuas
in
the
conversations
between
Han
Fei-tzu
and
Jane,
and
now
with
Peter
Wiggin's
story,
it
made
sense.
It
had
to
be
true,
if
only
because
this
starship
really
had
appeared
as
if
from
nowhere
on
the
bank
of
the
river
behind
Han
Fei-tzu's
house.
"But
now
you
must
wonder,"
said
Peter,
"how
I,
unloved
and
unlovable
as
I
know
I
am,
came
into
existence."
"You
already
said.
Ender's
mind."
"Miro's
most
intensely
held
image
was
of
his
own
younger,
healthier,
stronger
self.
But
Ender,
the
images
that
mattered
most
in
his
mind
were
of
his
older
sister
Valentine
and
his
older
brother
Peter.
Not
as
they
became,
though,
for
his
real
older
brother
Peter
was
long
dead,
and
Valentine--
she
has
accompanied
or
followed
Ender
on
all
his
hops
through
space,
so
she
is
still
alive,
but
aged
as
he
has
aged.
Mature.
A
real
person.
Yet
on
that
starship,
during
that
time
Outside,
he
conjured
up
a
copy
of
her
youthful
self.
Young
Valentine.
Poor
Old
Valentine!
She
didn't
know
she
was
so
old
until
she
saw
this
younger
self,
this
perfect
being,
this
angel
that
had
dwelt
in
Ender's
twisted
little
mind
from
childhood
on.
I
must
say,
she's
the
most
put-upon
victim
in
all
this
little
drama.
To
know
that
your
brother
carries
around
such
an
image
of
you,
instead
of
loving
you
as
you
really
are--
well,
one
can
see
that
Old
Valentine--
she
hates
it,
but
that's
how
everyone
thinks
of
her
now,
including,
poor
thing,
herself--
one
can
see
that
Old
Valentine
is
really
having
her
patience
tried."
"But
if
the
original
Valentine
is
still
alive,"
said
Wang-mu,
puzzled,
"then
who
is
the
young
Valentine?
Who
is
she
really?
You
can
be
Peter
because
he's
dead
and
no
one
is
using
his
name,
but
..."
"Quite
puzzling,
isn't
it?"
said
Peter.
"But
my
point
is
that
whether
he's
dead
or
not,
I'm
not
Peter
Wiggin.
As
I
said
before,
I'm
not
myself."
He
leaned
back
in
his
chair
and
looked
up
at
the
ceiling.
The
hologram
above
the
terminal
turned
to
look
at
him.
He
had
not
touched
the
controls.
"Jane
is
with
us,"
said
Wang-mu.
"Jane
is
always
with
us,"
said
Peter.
"Ender's
spy."
The
hologram
spoke.
"Ender
doesn't
need
a
spy.
He
needs
friends,
if
he
can
get
them.
Allies
at
least."
Peter
reached
idly
for
the
terminal
and
turned
it
off.
The
hologram
disappeared.
This
disturbed
Wang-mu
very
much.
Almost
as
if
he
had
slapped
a
child.
Or
beaten
a
servant.
"Jane
is
a
very
noble
creature,
to
treat
her
with
such
disrespect."
"Jane
is
a
computer
program
with
a
bug
in
the
id
routines."
He
was
in
a
dark
mood,
this
boy
who
had
come
to
take
her
into
his
starship
and
spirit
her
away
from
the
world
of
Path.
But
dark
as
his
mood
might
be,
she
understood
now,
with
the
hologram
gone
from
the
terminal,
what
she
had
seen.
"It
isn't
just
because
you're
so
young
and
the
holograms
of
Peter
Wiggin
the
Hegemon
are
of
a
mature
man,"
said
Wang-mu.
"What,"
he
said
impatiently.
"What
isn't
what?"
"The
physical
difference
between
you
and
the
Hegemon."
"What
is
it,
then?"
"He
looks--
satisfied."
"He
conquered
the
world,"
said
Peter.
"So
when
you
have
done
the
same,
you
will
get
that
look
of
satisfaction?"
"I
suppose
so,"
said
Peter.
"It's
what
passes
for
a
purpose
in
my
life.
It's
the
mission
Ender
has
sent
me
on."
"Don't
lie
to
me,"
said
Wang-mu.
"On
the
riverbank
you
spoke
of
the
terrible
things
I
did
for
the
sake
of
my
ambition.
I
admit
it--
I
was
ambitious,
desperate
to
rise
out
of
my
terrible
lowborn
state.
I
know
the
taste
of
it,
and
the
smell
of
it,
and
I
smell
it
coming
from
you,
like
the
smell
of
tar
on
a
hot
day,
you
stink
of
it."
"Ambition?
Has
a
stench?"
"I'm
drunk
with
it
myself."
He
grinned.
Then
he
touched
the
jewel
in
his
ear.
"Remember,
Jane
is
listening,
and
she
tells
Ender
everything."
Wang-mu
fell
silent,
but
not
because
she
was
embarrassed.
She
simply
had
nothing
to
say,
and
therefore
said
nothing.
"So
I'm
ambitious.
Because
that's
how
Ender
imagined
me.
Ambitious
and
nasty-minded
and
cruel."
"But
I
thought
you
were
not
yourself,"
she
said.
His
eyes
blazed
with
defiance.
"That's
right,
I'm
not."
He
looked
away.
"Sorry,
Gepetto,
but
I
can't
be
a
real
boy.
I
have
no
soul."
She
didn't
understand
the
name
he
said,
but
she
understood
the
word
soul.
"All
my
childhood
I
was
thought
to
be
a
servant
by
nature.
To
have
no
soul.
Then
one
day
they
discovered
that
I
have
one.
So
far
it
has
brought
me
no
great
happiness."
"I'm
not
speaking
of
some
religious
idea.
I'm
speaking
of
the
aiua.
I
haven't
got
one.
Remember
what
happened
to
Miro's
broken-down
body
when
his
aiua
abandoned
it."
"But
you
don't
crumble,
so
you
must
have
an
aiua
after
all."
"I
don't
have
it,
it
has
me.
I
continue
to
exist
because
the
aiua
whose
irresistible
will
called
me
into
existence
continues
to
imagine
me.
Continues
to
need
me,
to
control
me,
to
be
my
will."
"Ender
Wiggin?"
she
asked.
"My
brother,
my
creator,
my
tormentor,
my
god,
my
very
self."
"And
young
Valentine?
Her
too?"
"Ah,
but
he
loves
her.
He's
proud
of
her.
He's
glad
he
made
her.
Me
he
loathes.
Loathes,
and
yet
it's
his
will
that
I
do
and
say
every
nasty
thing.
When
I'm
at
my
most
despicable,
remember
that
I
do
only
what
my
brother
makes
me
do."
"Oh,
to
blame
him
for--"
"I'm
not
blaming,
Wang-mu.
I'm
stating
simple
reality.
His
will
is
controlling
three
bodies
now.
Mine,
my
impossibly
angelic
sister's,
and
of
course
his
own
very
tired
middle-aged
body.
Every
aiua
in
my
body
receives
its
order
and
place
from
his.
I
am,
in
all
ways
that
matter,
Ender
Wiggin.
Except
that
he
has
created
me
to
be
the
vessel
of
every
impulse
in
himself
that
he
hates
and
fears.
His
ambition,
yes,
you
smell
his
ambition
when
you
smell
mine.
His
aggression.
His
rage.
His
nastiness.
His
cruelty.
His,
not
mine,
because
I
am
dead,
and
anyway
I
was
never
like
this,
never
the
way
he
saw
me.
This
person
before
you
is
a
travesty,
a
mockery!
I'm
a
twisted
memory.
A
despicable
dream.
A
nightmare.
I'm
the
creature
hiding
under
the
bed.
He
brought
me
out
of
chaos
to
be
the
terror
of
his
childhood."
"So
don't
do
it,"
said
Wang-mu.
"If
you
don't
want
to
be
those
things,
don't
do
them."
He
sighed
and
closed
his
eyes.
"If
you're
so
bright,
why
haven't
you
understood
a
word
I've
said?"
She
did
understand,
though.
"What
is
your
will,
anyway?
Nobody
can
see
it.
You
don't
hear
it
thinking.
You
only
know
what
your
will
is
afterward,
when
you
look
back
in
your
life
and
see
what
you've
done."
"That's
the
most
terrible
trick
he's
played
on
me,"
said
Peter
softly,
his
eyes
still
closed.
"I
look
back
on
my
life
and
I
see
only
the
memories
he
has
imagined
for
me.
He
was
taken
from
our
family
when
he
was
only
five.
What
does
he
know
of
me
or
my
life?"
"He
wrote
The
Hegemon."
"That
book.
Yes,
based
on
Valentine's
memories,
as
she
told
them
to
him.
And
the
public
documents
of
my
dazzling
career.
And
of
course
the
few
ansible
communications
between
Ender
and
my
own
late
self
before
I--
he--
died.
I'm
only
a
few
weeks
old,
yet
I
know
a
quotation
from
Henry
X,
Part
I,
Owen
Glendower
boasting
to
Hotspur.
Henry
Percy.
How
could
I
know
that?
When
did
I
go
to
school?
How
long
did
I
lie
awake
at
night,
reading
old
plays
until
I
committed
a
thousand
favorite
lines
to
memory?
Did
Ender
somehow
conjure
up
the
whole
of
his
dead
brother's
education?
All
his
private
thoughts?
Ender
only
knew
the
real
Peter
Wiggin
for
five
years.
It's
not
a
real
person's
memories
I
draw
on.
It's
the
memories
Ender
thinks
that
I
should
have."
"He
thinks
you
should
know
Shakespeare,
and
so
you
do?"
she
asked
doubtfully.
"If
only
Shakespeare
were
all
he
had
given
me.
The
great
writers,
the
great
philosophers.
If
only
those
were
the
only
memories
I
had."
She
waited
for
him
to
list
the
troublesome
memories.
But
he
only
shuddered
and
fell
silent.
"So
if
you
are
really
controlled
by
Ender,
then
...
you
are
him.
Then
that
is
yourself.
You
are
Andrew
Wiggin.
You
have
an
aiua."
"I'm
Andrew
Wiggin's
nightmare,"
said
Peter.
"I'm
Andrew
Wiggin's
self-loathing.
I'm
everything
he
hates
and
fears
about
himself.
That's
the
script
I've
been
given.
That's
what
I
have
to
do."
He
flexed
his
hand
into
a
fist,
then
extended
it
partway,
the
fingers
still
bent.
A
claw.
The
tiger
again.
And
for
a
moment,
Wang-mu
was
afraid
of
him.
Only
a
moment,
though.
He
relaxed
his
hands.
The
moment
passed.
"What
part
does
your
script
have
in
it
for
me?"
"I
don't
know,"
said
Peter.
"You're
very
smart.
Smarter
than
I
am,
I
hope.
Though
of
course
I
have
such
incredible
vanity
that
I
can't
really
believe
that
anyone
is
actually
smarter
than
I
am.
Which
means
that
I'm
all
the
more
in
need
of
good
advice,
since
I
can't
actually
conceive
of
needing
any."
"You
talk
in
circles."
"That's
just
part
of
my
cruelty.
To
torment
you
with
conversation.
But
maybe
it's
supposed
to
go
farther
than
that.
Maybe
I'm
supposed
to
torture
you
and
kill
you
the
way
I
so
clearly
remember
doing
with
squirrels.
Maybe
I'm
supposed
to
stake
your
living
body
out
in
the
woods,
nailing
your
extremities
to
tree
roots,
and
then
open
you
up
layer
by
layer
to
see
at
what
point
the
flies
begin
to
come
and
lay
eggs
in
your
exposed
flesh."
She
recoiled
at
the
image.
"I
have
read
the
book.
I
know
the
Hegemon
was
not
a
monster!"
"It
wasn't
the
Speaker
for
the
Dead
who
created
me
Outside.
It
was
the
frightened
boy
Ender.
I'm
not
the
Peter
Wiggin
he
so
wisely
understood
in
that
book.
I'm
the
Peter
Wiggin
he
had
nightmares
about.
The
one
who
flayed
squirrels."
"He
saw
you
do
that?"
she
asked.
"Not
me,"
he
said
testily.
"And
no,
he
never
even
saw
him
do
it.
Valentine
told
him
later.
She
found
the
squirrel's
body
in
the
woods
near
their
childhood
home
in
Greensboro,
North
Carolina,
on
the
continent
of
North
America
back
on
Earth.
But
that
image
fit
so
tidily
into
his
nightmares
that
he
borrowed
it
and
shared
it
with
me.
That's
the
memory
I
live
with.
Intellectually,
I
can
imagine
that
the
real
Peter
Wiggin
was
probably
not
cruel
at
all.
He
was
learning
and
studying.
He
didn't
have
compassion
for
the
squirrel
because
he
didn't
sentimentalize
it.
It
was
simply
an
animal.
No
more
important
than
a
head
of
lettuce.
To
cut
it
up
was
probably
as
immoral
an
act
as
making
a
salad.
But
that's
not
how
Ender
imagined
it,
and
so
that's
not
how
I
remember
it."
"How
do
you
remember
it?"
"The
way
I
remember
all
my
supposed
memories.
From
the
outside.
Watching
myself
in
horrified
fascination
as
I
take
a
fiendish
delight
in
cruelty.
All
my
memories
prior
to
the
moment
I
came
to
life
on
Ender's
little
voyage
Outside,
in
all
of
them
I
see
myself
through
someone
else's
eyes.
A
very
odd
feeling,
I
assure
you."
"But
now?"
"Now
I
don't
see
myself
at
all,"
he
said.
"Because
I
have
no
self.
I
am
not
myself."
"But
you
remember.
You
have
memories.
Of
this
conversation,
already
you
remember
it.
Looking
at
me.
You
must,
surely."
"Yes,"
he
said.
"I
remember
you.
And
I
remember
being
here
and
seeing
you.
But
there
isn't
any
self
behind
my
eyes.
I
feel
tired
and
stupid
even
when
I'm
being
my
most
clever
and
brilliant."
He
smiled
a
charming
smile
and
now
Wang-mu
could
see
again
the
true
difference
between
Peter
and
the
hologram
of
the
Hegemon.
It
was
as
he
said:
Even
at
his
most
self-deprecating,
this
Peter
Wiggin
had
eyes
that
flashed
with
inner
rage.
He
was
dangerous.
You
could
see
it
looking
at
him.
When
he
looked
into
your
eyes,
you
could
imagine
him
planning
how
and
when
you
would
die.
"I
am
not
myself,"
said
Peter.
"You
are
saying
this
to
control
yourself,"
said
Wang-mu,
guessing
but
also
sure
she
was
right.
"This
is
your
incantation,
to
stop
yourself
from
doing
what
you
desire."
Peter
sighed
and
leaned
over,
laying
his
head
down
on
the
terminal,
his
ear
pressed
against
the
cold
plastic
surface.
"What
is
it
you
desire?"
she
said,
fearful
of
the
answer.
"Go
away,"
he
said.
"Where
can
I
go?
This
great
starship
of
yours
has
only
one
room."
"Open
the
door
and
go
outside,"
he
said.
"You
mean
to
kill
me?
To
eject
me
into
space
where
I'll
freeze
before
I
have
time
to
suffocate?"
He
sat
up
and
looked
at
her
in
puzzlement.
"Space?"
His
confusion
confused
her.
Where
else
would
they
be
but
in
space?
That's
where
starships
went,
through
space.
Except
this
one,
of
course.
As
he
saw
understanding
come
to
her,
he
laughed
aloud.
"Oh,
yes,
you're
the
brilliant
one,
they've
remade
the
entire
world
of
Path
to
have
your
genius!"
She
refused
to
be
goaded.
"I
thought
there
would
be
some
sensation
of
movement.
Or
something.
Have
we
traveled,
then?
Are
we
already
there?"
"In
the
twinkling
of
an
eye.
We
were
Outside
and
then
back
Inside
at
another
place,
all
so
fast
that
only
a
computer
could
experience
our
voyage
as
having
any
duration
at
all.
Jane
did
it
before
I
finished
talking
to
her.
Before
I
said
a
word
to
you."
"Then
where
are
we?
What's
outside
the
door?"
"We're
sitting
in
the
woods
somewhere
on
the
planet
Divine
Wind.
The
air
is
breathable.
You
won't
freeze.
It's
summer
outside
the
door."
She
walked
to
the
door
and
pulled
down
the
handle,
releasing
the
airtight
seal.
The
door
eased
open.
Sunlight
streamed
into
the
room.
"Divine
Wind,"
she
said.
"I
read
about
it--
it
was
founded
as
a
Shinto
world
the
way
Path
was
supposed
to
be
Taoist.
The
purity
of
ancient
Japanese
culture.
But
I
think
it's
not
so
very
pure
these
days."
"More
to
the
point,
it's
the
world
where
Andrew
and
Jane
and
I
felt--
if
one
can
speak
of
my
having
feelings
apart
from
Ender's
own--
the
world
where
we
might
find
the
center
of
power
in
the
worlds
ruled
by
Congress.
The
true
decision
makers.
The
power
behind
the
throne."
"So
you
can
subvert
them
and
take
over
the
human
race?"
"So
I
can
stop
the
Lusitania
Fleet.
Taking
over
the
human
race
is
a
bit
later
on
the
agenda.
The
Lusitania
Fleet
is
something
of
an
emergency.
We
have
only
a
few
weeks
to
stop
it
before
the
fleet
gets
there
and
uses
the
Little
Doctor,
the
M.D.
Device,
to
blow
Lusitania
into
its
constituent
elements.
In
the
meantime,
because
Ender
and
everyone
else
expects
me
to
fail,
they're
building
these
little
tin
can
starships
as
fast
as
possible
and
transporting
as
many
Lusitanians
as
they
can--
humans,
piggies,
and
buggers--
to
other
habitable
but
as
yet
uninhabited
planets.
My
dear
sister
Valentine--
the
young
one--
is
off
with
Miro--
in
his
fresh
new
body,
the
dear
lad--
searching
out
new
worlds
as
fast
as
their
little
starship
can
carry
them.
Quite
a
project.
All
of
them
betting
on
my--
on
our--
failure.
Let's
disappoint
them,
shall
we?"
"Disappoint
them?"
"By
succeeding.
Let's
succeed.
Let's
find
the
center
of
power
among
humankind,
and
let's
persuade
them
to
stop
the
fleet
before
it
needlessly
destroys
a
world."
Wang-mu
looked
at
him
doubtfully.
Persuade
them
to
stop
the
fleet?
This
nasty-minded,
cruel-hearted
boy?
How
could
he
persuade
anyone
of
anything?
As
if
he
could
hear
her
thoughts,
he
answered
her
silent
doubt.
"You
see
why
I
invited
you
to
come
along
with
me.
When
Ender
was
inventing
me,
he
forgot
the
fact
that
he
never
knew
me
during
the
time
in
my
life
when
I
was
persuading
people
and
gathering
them
together
in
shifting
alliances
and
all
that
nonsense.
So
the
Peter
Wiggin
he
created
is
far
too
nasty,
openly
ambitious,
and
nakedly
cruel
to
persuade
a
man
with
rectal
itch
to
scratch
his
own
butt."
She
looked
away
from
him
again.
"You
see?"
he
said.
"I
offend
you
again
and
again.
Look
at
me.
Do
you
see
my
dilemma?
The
real
Peter,
the
original
one,
he
could
have
done
the
work
I've
been
sent
to
do.
He
could
have
done
it
in
his
sleep.
He'd
already
have
a
plan.
He'd
be
able
to
win
people
over,
soothe
them,
insinuate
himself
into
their
councils.
That
Peter
Wiggin!
He
can
charm
the
stings
out
of
bees.
But
can
I?
I
doubt
it.
For,
you
see,
I'm
not
myself."
He
got
up
from
his
chair,
roughly
pushed
his
way
past
her,
and
stepped
outside
onto
the
meadow
that
surrounded
the
little
metal
cabin
that
had
carried
them
from
world
to
world.
Wang-mu
stood
in
the
doorway,
watching
him
as
he
wandered
away
from
the
ship;
away,
but
not
too
far.
I
know
something
of
how
he
feels,
she
thought.
I
know
something
of
having
to
submerge
your
will
in
someone
else's.
To
live
for
them,
as
if
they
were
the
star
of
the
story
of
your
life,
and
you
merely
a
supporting
player.
I
have
been
a
slave.
But
at
least
in
all
that
time
I
knew
my
own
heart.
I
knew
what
I
truly
thought
even
as
I
did
what
they
wanted,
whatever
it
took
to
get
what
I
wanted
from
them.
Peter
Wiggin,
though,
has
no
idea
of
what
he
really
wants,
because
even
his
resentment
of
his
lack
of
freedom
isn't
his
own,
even
that
comes
from
Andrew
Wiggin.
Even
his
self-loathing
is
Andrew's
self-loathing,
and
...
And
back
and
back,
in
circles,
like
the
random
path
he
was
tracing
through
the
meadow.
Wang-mu
thought
of
her
mistress--
no,
her
former
mistress--
Qing-jao.
She
also
traced
strange
patterns.
It
was
what
the
gods
forced
her
to
do.
No,
that's
the
old
way
of
thinking.
It's
what
her
obsessive-compulsive
disorder
caused
her
to
do.
To
kneel
on
the
floor
and
trace
the
grain
of
the
wood
in
each
board,
trace
a
single
line
of
it
as
far
as
it
went
across
the
floor,
line
after
line.
It
never
meant
anything,
and
yet
she
had
to
do
it
because
only
by
such
meaningless
mind-numbing
obedience
could
she
win
a
scrap
of
freedom
from
the
impulses
controlling
her.
It
is
Qing-jao
who
was
always
the
slave,
and
never
me.
For
the
master
that
ruled
her
controlled
her
from
inside
her
own
mind.
While
I
could
always
see
my
master
outside
me,
so
my
inmost
self
was
never
touched.
Peter
Wiggin
knows
that
he
is
ruled
by
the
unconscious
fears
and
passions
of
a
complicated
man
many
light-years
away.
But
then,
Qing-jao
thought
her
obsessions
came
from
the
gods.
What
does
it
matter,
to
tell
yourself
that
the
thing
controlling
you
comes
from
outside,
if
in
fact
you
only
experience
it
inside
your
own
heart?
Where
can
you
run
from
it?
How
can
you
hide?
Qing-jao
must
be
free
by
now,
freed
by
the
carrier
virus
that
Peter
brought
with
him
to
Path
and
put
into
the
hands
of
Han
Fei-tzu.
But
Peter--
what
freedom
can
there
be
for
him?
And
yet
he
must
still
live
as
if
he
were
free.
He
must
still
struggle
for
freedom
even
if
the
struggle
itself
is
just
one
more
symptom
of
his
slavery.
There
is
a
part
of
him
that
yearns
to
be
himself.
No,
not
himself.
A
self.
So
what
is
my
part
in
all
of
this?
Am
I
supposed
to
work
a
miracle,
and
give
him
an
aiua?
That
isn't
in
my
power.
And
yet
I
do
have
power,
she
thought.
She
must
have
power,
or
why
else
had
he
spoken
to
her
so
openly?
A
total
stranger,
and
he
had
opened
his
heart
to
her
at
once.
Why?
Because
she
was
in
on
the
secrets,
yes,
but
something
else
as
well.
Ah,
of
course.
He
could
speak
freely
to
her
because
she
had
never
known
Andrew
Wiggin.
Maybe
Peter
was
nothing
but
an
aspect
of
Ender's
nature,
all
that
Ender
feared
and
loathed
about
himself.
But
she
could
never
compare
the
two
of
them.
Whatever
Peter
was,
whoever
controlled
him,
she
was
his
confidante.
Which
made
her,
once
again,
someone's
servant.
She
had
been
Qing-jao's
confidante,
too.
She
shuddered,
as
if
to
shake
from
her
the
sad
comparison.
No,
she
told
herself.
It
is
not
the
same
thing.
Because
that
young
man
wandering
so
aimlessly
among
the
wildflowers
has
no
power
over
me,
except
to
tell
me
of
his
pain
and
hope
for
my
understanding.
Whatever
I
give
to
him
I
will
give
freely.
She
closed
her
eyes
and
leaned
her
head
against
the
frame
of
the
door.
I
will
give
it
freely,
yes,
she
thought.
But
what
am
I
planning
to
give
him?
Why,
exactly
what
he
wants--
my
loyalty,
my
devotion,
my
help
in
all
his
tasks.
To
submerge
myself
in
him.
And
why
am
I
already
planning
to
do
all
this?
Because
however
he
might
doubt
himself,
he
has
the
power
to
win
people
to
his
cause.
She
opened
her
eyes
again
and
strode
out
into
the
hip-high
grass
toward
him.
He
saw
her
and
waited
wordlessly
as
she
approached.
Bees
buzzed
around
her;
butterflies
staggered
drunkenly
through
the
air,
avoiding
her
somehow
in
their
seemingly
random
flight.
At
the
last
moment
she
reached
out
and
gathered
a
bee
from
a
blossom
into
her
hand,
into
her
fist,
but
then
quickly,
before
it
could
sting
her,
she
lobbed
it
into
Peter's
face.
Flustered,
surprised,
he
batted
away
the
infuriated
bee,
ducked
under
it,
dodged,
and
finally
ran
a
few
steps
before
it
lost
track
of
him
and
buzzed
its
way
out
among
the
flowers
again.
Only
then
could
he
turn
furiously
to
face
her.
"What
was
that
for!"
She
giggled
at
him--
she
couldn't
help
it.
He
had
looked
so
funny.
"Oh,
good,
laugh.
I
can
see
you're
going
to
be
fine
company."
"Be
angry,
I
don't
care,"
said
Wang-mu.
"I'll
just
tell
you
this.
Do
you
think
that
away
off
on
Lusitania,
Ender's
aiua
suddenly
thought,
'Ho,
a
bee!'
and
made
you
brush
at
it
and
dodge
it
like
a
clown?"
He
rolled
his
eyes.
"Oh,
aren't
you
clever.
Well
gosh,
Miss
Royal
Mother
of
the
West,
you
sure
solved
all
my
problems!
I
can
see
I
must
always
have
been
a
real
boy!
And
these
ruby
shoes,
why,
they've
had
the
power
to
take
me
back
to
Kansas
all
along!"
"What's
Kansas?"
she
asked,
looking
down
at
his
shoes,
which
were
not
red.
"Just
another
memory
of
Ender's
that
he
kindly
shared
with
me,"
said
Peter
Wiggin.
He
stood
there,
his
hands
in
his
pockets,
regarding
her.
She
stood
just
as
silently,
her
hands
clasped
in
front
of
her,
regarding
him
right
back.
"So
are
you
with
me?"
he
finally
asked.
"You
must
try
not
to
be
nasty
with
me,"
she
said.
"Take
that
up
with
Ender."
"I
don't
care
whose
aiua
controls
you,"
she
said.
"You
still
have
your
own
thoughts,
which
are
different
from
his--
you
feared
the
bee,
and
he
didn't
even
think
of
a
bee
right
then,
and
you
know
it.
So
whatever
part
of
you
is
in
control
or
whoever
the
real
'you'
happens
to
be,
right
there
on
the
front
of
your
head
is
the
mouth
that's
going
to
be
speaking
to
me,
and
I'm
telling
you
that
if
I'm
going
to
work
with
you,
you
better
be
nice
to
me."
"Does
this
mean
no
more
bee
fights?"
he
asked.
"Yes,"
she
said.
"That's
just
as
well.
With
my
luck
Ender
no
doubt
gave
me
a
body
that
goes
into
shock
when
I'm
stung
by
a
bee."
"It
can
also
be
pretty
hard
on
the
bee,"
she
said.
He
grinned
at
her.
"I
find
myself
liking
you,"
he
said.
"I
really
hate
that."
He
strode
off
toward
the
starship.
"Come
on!"
he
called
out
to
her.
"Let's
see
what
information
Jane
can
give
us
about
this
world
we're
supposed
to
take
by
storm."
Chapter
2
--
"YOU
DON'T
BELIEVE
IN
GOD!"
"When
I
follow
the
path
of
the
gods
through
the
wood,
My
eyes
take
every
twisting
turn
of
the
grain,
But
my
body
moves
straight
along
the
planking,
So
those
who
watch
me
see
that
the
path
of
the
gods
is
straight,
While
I
dwell
in
a
world
with
no
straightness
in
it."
--
from
The
God
Whispers
of
Han
Qing-jao
Novinha
would
not
come
to
him.
The
gentle
old
teacher
looked
genuinely
distressed
as
she
told
Ender.
"She
wasn't
angry,"
the
old
teacher
explained.
"She
told
me
that
..."
Ender
nodded,
understanding
how
the
teacher
was
torn
between
compassion
and
honesty.
"You
can
tell
me
her
words,"
he
said.
"She
is
my
wife,
so
I
can
bear
it."
The
old
teacher
rolled
her
eyes.
"I'm
married
too,
you
know."
Of
course
he
knew.
All
the
members
of
the
Order
of
the
Children
of
the
Mind
of
Christ--
Os
Filhos
da
Mente
de
Cristo--
were
married.
It
was
their
rule.
"I'm
married,
so
I
know
perfectly
well
that
your
spouse
is
the
one
person
who
knows
all
the
words
you
can't
bear
to
hear."
"Then
let
me
correct
myself,"
said
Ender
mildly.
"She
is
my
wife,
so
I
am
determined
to
hear
it,
whether
I
can
bear
it
or
not."
"She
says
that
she
has
to
finish
the
weeding,
so
she
has
no
time
for
lesser
battles."
Yes,
that
sounded
like
Novinha.
She
might
tell
herself
that
she
had
taken
the
mantle
of
Christ
upon
her,
but
if
so
it
was
the
Christ
who
denounced
the
Pharisees,
the
Christ
who
said
all
those
cruel
and
sarcastic
things
to
his
enemies
and
his
friends
alike,
not
the
gentle
one
with
infinite
patience.
Still,
Ender
was
not
one
to
go
away
merely
because
his
feelings
were
hurt.
"Then
what
are
we
waiting
for?"
asked
Ender.
"Show
me
where
I
can
find
a
hoe."
The
old
teacher
stared
at
him
for
a
long
moment,
then
smiled
and
led
him
out
into
the
gardens.
Soon,
wearing
work
gloves
and
carrying
a
hoe
in
one
hand,
he
stood
at
the
end
of
the
row
where
Novinha
worked,
bent
over
in
the
sunlight,
her
eyes
on
the
ground
before
her
as
she
cut
under
the
root
of
weed
after
weed,
turning
each
one
up
to
bum
to
death
in
the
hot
dry
sun.
She
was
coming
toward
him.
Ender
stepped
to
the
unweeded
row
beside
the
one
Novinha
worked
on,
and
began
to
hoe
toward
her.
They
would
not
meet,
but
they
would
pass
close
to
each
other.
She
would
notice
him
or
not.
She
would
speak
to
him
or
not.
She
still
loved
and
needed
him.
Or
not.
But
no
matter
what,
at
the
end
of
this
day
he
would
have
weeded
in
the
same
field
as
his
wife,
and
her
work
would
have
been
more
easily
done
because
he
was
there,
and
so
he
would
still
be
her
husband,
however
little
she
might
now
want
him
in
that
role.
The
first
time
they
passed
each
other,
she
did
not
so
much
as
look
up.
But
then
she
would
not
have
to.
She
would
know
without
looking
that
the
one
who
joined
her
in
weeding
so
soon
after
she
refused
to
meet
with
her
husband
would
have
to
be
her
husband.
He
knew
that
she
would
know
this,
and
he
also
knew
she
was
too
proud
to
look
at
him
and
show
that
she
wanted
to
see
him
again.
She
would
study
the
weeds
until
she
went
half
blind,
because
Novinha
was
not
one
to
bend
to
anyone
else's
will.
Except,
of
course,
the
will
of
Jesus.
That
was
the
message
she
had
sent
him,
the
message
that
had
brought
him
here,
determined
to
talk
to
her.
A
brief
note
couched
in
the
language
of
the
Church.
She
was
separating
herself
from
him
to
serve
Christ
among
the
Filhos.
She
felt
herself
called
to
this
work.
He
was
to
regard
himself
as
having
no
further
responsibility
toward
her,
and
to
expect
nothing
more
from
her
than
she
would
gladly
give
to
any
of
the
children
of
God.
It
was
a
cold
message,
for
all
the
gentleness
of
its
phrasing.
Ender
was
not
one
to
bend
easily
to
another's
will,
either.
Instead
of
obeying
the
message,
he
came
here,
determined
to
do
the
opposite
of
what
she
asked.
And
why
not?
Novinha
had
a
terrible
record
as
a
decision
maker.
Whenever
she
decided
to
do
something
for
someone
else's
good,
she
ended
up
inadvertently
destroying
them.
Like
Libo,
her
childhood
friend
and
secret
lover,
the
father
of
all
her
children
during
her
marriage
to
the
violent
but
sterile
man
who
had
been
her
husband
until
he
died.
Fearing
that
he
would
die
at
the
hands
of
the
pequeninos,
the
way
his
father
had
died,
Novinha
withheld
from
him
her
vital
discoveries
about
the
biology
of
the
planet
Lusitania,
fearing
that
the
knowledge
of
it
would
kill
him.
Instead,
it
was
the
ignorance
of
that
very
information
that
led
him
to
his
death.
What
she
did
for
his
own
good,
without
his
knowledge,
killed
him.
You'd
think
she'd
learn
something
from
that,
thought
Ender.
But
she
still
does
the
same
thing.
Making
decisions
that
deform
other
people's
lives,
without
consulting
them,
without
ever
conceiving
that
perhaps
they
don't
want
her
to
save
them
from
whatever
supposed
misery
she's
saving
them
from.
Then
again,
if
she
had
simply
married
Libo
in
the
first
place
and
told
him
everything
she
knew,
he
would
probably
still
be
alive
and
Ender
would
never
have
married
his
widow
and
helped
her
raise
her
younger
children.
It
was
the
only
family
Ender
had
ever
had
or
was
ever
likely
to
have.
So
bad
as
Novinha's
decisions
tended
to
be,
the
happiest
time
of
his
life
had
come
about
only
because
of
one
of
the
most
deadly
of
her
mistakes.
On
their
second
pass,
Ender
saw
that
she
still,
stubbornly,
was
not
going
to
speak
to
him,
and
so,
as
always,
he
bent
first
and
broke
the
silence
between
them.
"The
Filhos
are
married,
you
know.
It's
a
married
order.
You
can't
become
a
full
member
without
me."
She
paused
in
her
work.
The
blade
of
the
hoe
rested
on
unbroken
soil,
the
handle
light
in
her
gloved
fingers.
"I
can
weed
the
beets
without
you,"
she
finally
said.
His
heart
leapt
with
relief
that
he
had
penetrated
her
veil
of
silence.
"No
you
can't,"
he
said.
"Because
here
I
am."
"These
are
the
potatoes,"
she
said.
"I
can't
stop
you
from
helping
with
the
potatoes."
In
spite
of
themselves
they
both
laughed,
and
with
a
groan
she
unbent
her
back,
stood
straight,
let
the
hoe
handle
fall
to
the
ground,
and
took
Ender's
hands
in
hers,
a
touch
that
thrilled
him
despite
two
layers
of
thick
workglove
cloth
between
their
palms
and
fingers.
"If
I
do
profane
with
my
touch,"
Ender
began.
"No
Shakespeare,"
she
said.
"No
'lips
two
blushing
pilgrims
ready
stand.'"
"I
miss
you,"
he
said.
"Get
over
it,"
she
said.
"I
don't
have
to.
If
you're
joining
the
Filhos,
so
am
I."
She
laughed.
Ender
didn't
appreciate
her
scorn.
"If
a
xenobiologist
can
retreat
from
the
world
of
meaningless
suffering,
why
can't
an
old
retired
speaker
for
the
dead?"
"Andrew,"
she
said,
"I'm
not
here
because
I've
given
up
on
life.
I'm
here
because
I
really
have
turned
my
heart
over
to
the
Redeemer.
You
could
never
do
that.
You
don't
belong
here."
"I
belong
here
if
you
belong
here.
We
made
a
vow.
A
sacred
one,
that
the
Holy
Church
won't
let
us
set
aside.
In
case
you
forgot."
She
sighed
and
looked
out
at
the
sky
over
the
wall
of
the
monastery.
Beyond
the
wall,
through
meadows,
over
a
fence,
up
a
hill,
into
the
woods
...
that's
where
the
great
love
of
her
life,
Libo,
had
gone,
and
where
he
died.
Where
Pipo,
his
father,
who
was
like
a
father
to
her
as
well,
where
he
had
gone
before,
and
also
died.
It
was
into
another
wood
that
her
son
Estevao
had
gone,
and
also
died,
but
Ender
knew,
watching
her,
that
when
she
saw
the
world
outside
these
walls,
it
was
all
those
deaths
she
saw.
Two
of
them
had
taken
place
before
Ender
got
to
Lusitania.
But
the
death
of
Estevao--
she
had
begged
Ender
to
stop
him
from
going
to
the
dangerous
place
where
pequeninos
were
talking
of
war,
of
killing
humans.
She
knew
as
well
as
Ender
did
that
to
stop
Estevao
would
have
been
the
same
as
to
destroy
him,
for
he
had
not
become
a
priest
to
be
safe,
but
rather
to
try
to
carry
the
message
of
Christ
to
these
tree
people.
Whatever
joy
came
to
the
early
Christian
martyrs
had
surely
come
to
Estevao
as
he
slowly
died
in
the
embrace
of
a
murderous
tree.
Whatever
comfort
God
sent
to
them
in
their
hour
of
supreme
sacrifice.
But
no
such
joy
had
come
to
Novinha.
God
apparently
did
not
extend
the
benefits
of
his
service
to
the
next
of
kin.
And
in
her
grief
and
rage
she
blamed
Ender.
Why
had
she
married
him,
if
not
to
make
herself
safe
from
these
disasters?
He
had
never
said
to
her
the
most
obvious
thing,
that
if
there
was
anyone
to
blame,
it
was
God,
not
him.
After
all,
it
was
God
who
had
made
saints--
well,
almost
saints--
out
of
her
parents,
who
died
as
they
discovered
the
antidote
to
the
descolada
virus
when
she
was
only
a
child.
Certainly
it
was
God
who
led
Estevao
out
to
preach
to
the
most
dangerous
of
the
pequeninos.
Yet
in
her
sorrow
it
was
God
she
turned
to,
and
turned
away
from
Ender,
who
had
meant
to
do
nothing
but
good
for
her.
He
never
said
this
because
he
knew
that
she
would
not
listen.
And
he
also
refrained
from
saying
it
because
he
knew
she
saw
things
another
way.
If
God
took
Father
and
Mother,
Pipo,
Libo,
and
finally
Estevao
away
from
her,
it
was
because
God
was
just
and
punished
her
for
her
sins.
But
when
Ender
failed
to
stop
Estevao
from
his
suicidal
mission
to
the
pequeninos,
it
was
because
he
was
blind,
self-willed,
stubborn,
and
rebellious,
and
because
he
did
not
love
her
enough.
But
he
did
love
her.
With
all
his
heart
he
loved
her.
All
his
heart?
All
of
it
he
knew
about.
And
yet
when
his
deepest
secrets
were
revealed
in
that
first
voyage
Outside,
it
was
not
Novinha
that
his
heart
conjured
there.
So
apparently
there
was
someone
who
mattered
even
more
to
him.
Well,
he
couldn't
help
what
went
on
in
his
unconscious
mind,
any
more
than
Novinha
could.
All
he
could
control
was
what
he
actually
did,
and
what
he
was
doing
now
was
showing
Novinha
that
regardless
of
how
she
tried
to
drive
him
away,
he
would
not
be
driven.
That
no
matter
how
much
she
imagined
that
he
loved
Jane
and
his
involvement
in
the
great
affairs
of
the
human
race
more
than
he
loved
her,
it
was
not
true,
she
was
more
important
to
him
than
any
of
it.
He
would
give
it
all
up
for
her.
He
would
disappear
behind
monastery
walls
for
her.
He
would
weed
rows
of
unidentified
plant
life
in
the
hot
sun.
For
her.
But
even
that
was
not
enough.
She
insisted
that
he
do
it,
not
for
her,
but
for
Christ.
Well,
too
bad.
He
wasn't
married
to
Christ,
and
neither
was
she.
Still,
it
couldn't
be
displeasing
to
God
when
a
husband
and
wife
gave
all
to
each
other.
Surely
that
was
part
of
what
God
expected
of
human
beings.
"You
know
I
don't
blame
you
for
the
death
of
Quim,"
she
said,
using
the
old
family
nickname
for
Estevao.
"I
didn't
know
that,"
he
said,
"but
I'm
glad
to
find
it
out."
"I
did
at
first,
but
I
knew
all
along
that
it
was
irrational,"
she
said.
"He
went
because
he
wanted
to,
and
he
was
much
too
old
for
some
interfering
parent
to
stop
him.
If
I
couldn't,
how
could
you?"
"I
didn't
even
want
to,"
said
Ender.
"I
wanted
him
to
go.
It
was
the
fulfillment
of
his
life's
ambition."
"I
even
know
that
now.
It's
right.
It
was
right
for
him
to
go,
and
it
was
even
right
for
him
to
die,
because
his
death
meant
something.
Didn't
it?"
"It
saved
Lusitania
from
a
holocaust."
"And
brought
many
to
Christ."
She
laughed,
the
old
laugh,
the
rich
ironic
laugh
that
he
had
come
to
treasure
if
only
because
it
was
so
rare.
"Trees
for
Jesus,"
she
said.
"Who
could
have
guessed?"
"They're
already
calling
him
St.
Stephen
of
the
Trees."
"That's
quite
premature.
It
takes
time.
He
must
first
be
beatified.
Miracles
of
healing
must
take
place
at
his
tomb.
Believe
me,
I
know
the
process."
"Martyrs
are
thin
on
the
ground
these
days,"
said
Ender.
"He
will
be
beatified.
He
will
be
canonized.
People
will
pray
for
him
to
intercede
with
Jesus
for
them,
and
it
will
work,
because
if
anyone
has
earned
the
right
to
have
Christ
hear
him,
it's
your
son
Estevao."
Tears
slipped
down
her
cheeks,
even
as
she
laughed
again.
"My
parents
were
martyrs
and
will
be
saints;
my
son,
also.
Piety
skipped
a
generation."
"Oh,
yes.
Yours
was
the
generation
of
selfish
hedonism."
She
finally
turned
to
face
him,
tear-streaked
dirty
cheeks,
smiling
face,
twinkling
eyes
that
saw
through
into
his
heart.
The
woman
he
loved.
"I
don't
regret
my
adultery,"
she
said.
"How
can
Christ
forgive
me
when
I
don't
even
repent?
If
I
hadn't
slept
with
Libo,
my
children
would
not
have
existed.
Surely
God
does
not
disapprove
of
that?"
"I
believe
what
Jesus
said
was,
'I
the
Lord
will
forgive
whom
I
will
forgive.
But
of
you
it
is
required
that
you
forgive
all
men.'"
"More
or
less,"
she
said.
"I'm
not
a
scriptorian."
She
reached
out
and
touched
his
cheek.
"You're
so
strong,
Ender.
But
you
seem
tired.
How
can
you
be
tired?
The
universe
of
human
beings
still
depends
on
you.
Or
if
not
the
whole
of
humankind,
then
certainly
you
belong
to
this
world.
To
save
this
world.
But
you're
tired."
"Deep
inside
my
bones
I
am,"
he
said.
"And
you
have
taken
my
last
lifeblood
away
from
me."
"How
odd,"
she
said.
"I
thought
what
I
removed
from
you
was
the
cancer
in
your
life."
"You
aren't
very
good
at
determining
what
other
people
want
and
need
from
you,
Novinha.
No
one
is.
We're
all
as
likely
to
hurt
as
help."
"That's
why
I
came
here,
Ender.
I'm
through
deciding
things.
I
put
my
trust
in
my
own
judgment.
Then
I
put
trust
in
you.
I
put
trust
in
Libo,
in
Pipo,
in
Father
and
Mother,
in
Quim,
and
everyone
disappointed
me
or
went
away
or
...
no,
I
know
you
didn't
go
away,
and
I
know
it
wasn't
you
that--
hear
me
out,
Andrew,
hear
me.
The
problem
wasn't
in
the
people
I
trusted,
the
problem
was
that
I
trusted
in
them
when
no
human
being
can
possibly
deliver
what
I
needed.
I
needed
deliverance,
you
see.
I
needed,
I
need,
redemption.
And
it
isn't
in
your
hands
to
give
me--
your
open
hands,
which
give
me
more
than
you
even
have
to
give,
Andrew,
but
still
you
haven't
got
the
thing
I
need.
Only
my
Deliverer,
only
the
Anointed
One,
only
he
has
it
to
give.
Do
you
see?
The
only
way
I
can
make
my
life
worth
living
is
to
give
it
to
him.
So
here
I
am."
"Weeding."
"Separating
the
good
fruit
from
the
tares,
I
believe,"
she
said.
"People
will
have
more
and
better
potatoes
because
I
took
out
the
weeds.
I
don't
have
to
be
prominent
or
even
noticed
to
feel
good
about
my
life
now.
But
you,
you
come
here
and
remind
me
that
even
in
becoming
happy,
I'm
hurting
someone."
"But
you're
not,"
said
Ender.
"Because
I'm
coming
with
you.
I'm
joining
the
Filhos
with
you.
They're
a
married
order,
and
we're
a
married
couple.
Without
me
you
can't
join,
and
you
need
to
join.
With
me
you
can.
What
could
be
simpler?"
"Simpler?"
She
shook
her
head.
"You
don't
believe
in
God,
how's
that
for
starters?"
"I
certainly
do
too
believe
in
God,"
said
Ender,
annoyed.
"Oh,
you're
willing
to
concede
God's
existence,
but
that's
not
what
I
meant.
I
mean
believe
in
him
the
way
a
mother
means
it
when
she
says
to
her
son,
I
believe
in
you.
She's
not
saying
she
believes
that
he
exists--
what
is
that
worth?
--she's
saying
she
believes
in
his
future,
she
trusts
that
he'll
do
all
the
good
that
is
in
him
to
do.
She
puts
the
future
in
his
hands,
that's
how
she
believes
in
him.
You
don't
believe
in
Christ
that
way,
Andrew.
You
still
believe
in
yourself.
In
other
people.
You've
sent
out
your
little
surrogates,
those
children
you
conjured
up
during
your
visit
in
hell--
you
may
be
here
with
me
in
these
walls
right
now,
but
your
heart
is
out
there
scouting
planets
and
trying
to
stop
the
fleet.
You
aren't
leaving
anything
up
to
God.
You
don't
believe
in
him."
"Excuse
me,
but
if
God
wanted
to
do
everything
himself,
what
did
he
make
us
for
in
the
first
place?"
"Yes,
well,
I
seem
to
recall
that
one
of
your
parents
was
a
heretic,
which
is
no
doubt
where
your
strangest
ideas
come
from."
It
was
an
old
joke
between
them,
but
this
time
neither
of
them
laughed.
"I
believe
in
you,"
Ender
said.
"But
you
consult
with
Jane."
He
reached
into
his
pocket,
then
held
out
his
hand
to
show
her
what
he
had
found
there.
It
was
a
jewel,
with
several
very
fine
wires
leading
from
it.
Like
a
glowing
organism
ripped
from
its
delicate
place
amid
the
fronds
of
life
in
a
shallow
sea.
She
looked
at
it
for
a
moment
uncomprehending,
then
realized
what
it
was
and
looked
at
the
ear
where,
for
all
the
years
she
had
known
him,
he
had
worn
the
jewel
that
linked
him
to
Jane,
the
computer-program-come-to-life
who
was
his
oldest,
dearest,
most
reliable
friend.
"Andrew,
no,
not
for
me,
surely."
"I
can't
honestly
say
these
walls
contain
me,
as
long
as
Jane
was
there
to
whisper
in
my
ear,"
he
said.
"I
talked
it
out
with
her.
I
explained
it.
She
understands.
We're
still
friends.
But
not
companions
anymore."
"Oh,
Andrew,"
said
Novinha.
She
wept
openly
now,
and
held
him,
clung
to
him.
"If
only
you
had
done
it
years
ago,
even
months
ago."
"Maybe
I
don't
believe
in
Christ
the
way
that
you
do,"
said
Ender.
"But
isn't
it
enough
that
I
believe
in
you,
and
you
believe
in
him?"
"You
don't
belong
here,
Andrew."
"I
belong
here
more
than
anywhere
else,
if
this
is
where
you
are.
I'm
not
so
much
world-weary,
Novinha,
as
I
am
will-weary.
I'm
tired
of
deciding
things.
I'm
tired
of
trying
to
solve
things."
"We
try
to
solve
things
here,"
she
said,
pulling
away
from
him.
"But
here
we
can
be,
not
the
mind,
but
the
children
of
the
mind.
We
can
be
the
hands
and
feet,
the
lips
and
tongue.
We
can
carry
out
and
not
decide."
He
squatted,
knelt,
then
sat
in
the
dirt,
the
young
plants
brushing
and
tickling
him
on
either
side.
He
put
his
dirty
hands
to
his
face
and
wiped
his
brow
with
them,
knowing
that
he
was
only
smearing
dirt
into
mud.
"Oh,
I
almost
believe
this,
Andrew,
you're
so
good
at
it,"
said
Novinha.
"What,
you've
decided
to
stop
being
the
hero
of
your
own
saga?
Or
is
this
just
a
ploy?
Be
the
servant
of
all,
so
you
can
be
the
greatest
among
us?
"
"You
know
I've
never
tried
for
greatness,
or
achieved
it,
either."
"Oh,
Andrew,
you're
such
a
storyteller
that
you
believe
your
own
fables."
Ender
looked
up
at
her.
"Please,
Novinha,
let
me
live
with
you
here.
You're
my
wife.
There's
no
meaning
to
my
life
if
I've
lost
you."
"We
live
as
man
and
wife
here,
but
we
don't
...
you
know
that
we
don't
..."
"I
know
that
the
Filhos
forswear
sexual
intercourse,"
said
Ender.
"I'm
your
husband.
As
long
as
I'm
not
having
sex
with
anyone,
it
might
as
well
be
you
that
I'm
not
having
sex
with."
He
smiled
wryly.
Her
answering
smile
was
only
sad
and
pitying.
"Novinha,"
he
said.
"I'm
not
interested
in
my
own
life
anymore.
Do
you
understand?
The
only
life
I
care
about
in
this
world
is
yours.
If
I
lose
you,
what
is
there
to
hold
me
here?"
He
wasn't
sure
what
he
meant
by
this
himself.
The
words
had
come
unbidden
to
his
lips.
But
he
knew
as
he
said
them
that
it
was
not
self-pity,
but
rather
a
frank
admission
of
the
truth.
Not
that
he
was
thinking
of
suicide
or
exile
or
any
other
such
low
drama.
Rather
he
felt
himself
fading.
Losing
his
hold.
Lusitania
seemed
less
and
less
real
to
him.
Valentine
was
still
there,
his
dear
sister
and
friend,
and
she
was
like
a
rock,
her
life
was
so
real,
but
it
was
not
real
to
him
because
she
didn't
need
him.
Plikt,
his
unasked-for
disciple,
she
might
need
Ender,
but
not
the
reality
of
him,
only
the
idea
of
him.
And
who
else
was
there?
The
children
of
Novinha
and
Libo,
the
children
that
he
had
raised
as
his
own,
and
loved
as
his
own,
he
loved
them
no
less
now,
but
they
were
adults,
they
didn't
need
him.
Jane,
who
once
had
been
virtually
destroyed
by
an
hour
of
his
inattention,
she
no
longer
needed
him
either,
for
she
was
there
in
the
jewel
in
Miro's
ear,
and
in
another
jewel
in
Peter's
ear
...
Peter.
Young
Valentine.
Where
had
they
come
from?
They
had
stolen
his
soul
and
taken
it
with
them
when
they
left.
They
were
doing
the
living
acts
that
once
he
would
have
done
himself.
While
he
waited
here
in
Lusitania
and
...
faded.
That's
what
he
meant.
If
he
lost
Novinha,
what
would
tie
him
to
this
body
that
he
had
carried
around
the
universe
for
all
these
thousands
of
years?
"It's
not
my
decision,"
Novinha
said.
"It's
your
decision,"
said
Ender,
"whether
you
want
me
with
you,
as
one
of
the
Filhos
da
Mente
de
Cristo.
If
you
do,
then
I
believe
I
can
make
my
way
through
all
the
other
obstacles."
She
laughed
nastily.
"Obstacles?
Men
like
you
don't
have
obstacles.
Just
steppingstones."
"Men
like
me?"
"Yes,
men
like
you,"
said
Novinha.
"Just
because
I've
never
met
any
others.
Just
because
no
matter
how
much
I
loved
Libo
he
was
never
for
one
day
as
alive
as
you
are
in
every
minute.
Just
because
I
found
myself
loving
as
an
adult
for
the
first
time
when
I
loved
you.
Just
because
I
have
missed
you
more
than
I
miss
even
my
children,
even
my
parents,
even
the
lost
loves
of
my
life.
Just
because
I
can't
dream
of
anyone
but
you,
that
doesn't
mean
that
there
isn't
somebody
else
just
like
you
somewhere
else.
The
universe
is
a
big
place.
You
can't
be
all
that
special,
really.
Can
you?"
He
reached
through
the
potato
plants
and
leaned
a
hand
gently
on
her
thigh.
"You
do
still
love
me,
then?"
he
asked.
"Oh,
is
that
what
you
came
for?
To
find
out
if
I
love
you?"
He
nodded.
"Partly."
"I
do,"
she
said.
"Then
I
can
stay?"
She
burst
into
tears.
Loud
weeping.
She
sank
to
the
ground;
he
reached
through
the
plants
to
embrace
her,
to
hold
her,
caring
nothing
for
the
leaves
he
crushed
between
them.
After
he
held
her
for
a
long
while,
she
broke
off
her
crying
and
turned
to
him
and
held
him
at
least
as
tightly
as
he
had
been
holding
her.
"Oh,
Andrew,"
she
whispered,
her
voice
cracking
and
breaking
from
having
wept
so
much.
"Does
God
love
me
enough
to
give
you
to
me
now,
again,
when
I
need
you
so
much?"
"Until
I
die,"
said
Ender.
"I
know
that
part,"
she
said.
"But
I
pray
that
God
will
let
me
die
first
this
time."
Chapter
3
--
"THERE
ARE
TOO
MANY
OF
US"
"Let
me
tell
you
the
most
beautiful
story
I
know.
A
man
was
given
a
dog,
which
he
loved
very
much.
The
dog
went
with
him
everywhere,
but
the
man
could
not
teach
it
to
do
anything
useful.
The
dog
would
not
fetch
or
point,
it
would
not
race
or
protect
or
stand
watch.
Instead
the
dog
sat
near
him
and
regarded
him,
always
with
the
same
inscrutable
expression.
'That's
not
a
dog,
it's
a
wolf,'
said
the
man's
wife.
'He
alone
is
faithful
to
me,'
said
the
man,
and
his
wife
never
discussed
it
with
him
again.
One
day
the
man
took
his
dog
with
him
into
his
private
airplane
and
as
they
flew
over
high
winter
mountains,
the
engines
failed
and
the
airplane
was
torn
to
shreds
among
the
trees.
The
man
lay
bleeding,
his
belly
torn
open
by
blades
of
sheared
metal,
steam
rising
from
his
organs
in
the
cold
air,
but
all
he
could
think
of
was
his
faithful
dog.
Was
he
alive?
Was
he
hurt?
Imagine
his
relief
when
the
dog
came
padding
up
and
regarded
him
with
that
same
steady
gaze.
After
an
hour
the
dog
nosed
the
man's
gaping
abdomen,
then
began
pulling
out
intestines
and
spleen
and
liver
and
gnawing
on
them,
all
the
while
studying
the
man's
face.
'Thank
God,'
said
the
man.
'At
least
one
of
us
will
not
starve.'
--
from
The
God
Whispers
of
Han
Qing-lao
Of
all
the
faster-than-light
starships
that
were
flitting
Outside
and
back
In
under
Jane's
command,
only
Miro's
looked
like
an
ordinary
spacecraft,
for
the
good
reason
that
it
was
nothing
more
than
the
shuttle
that
had
once
taken
passengers
and
cargo
to
and
from
the
great
starships
that
came
to
orbit
around
Lusitania.
Now
that
the
new
starships
could
go
immediately
from
one
planet's
surface
to
another's,
there
was
no
need
for
life
support
or
even
fuel,
and
since
Jane
had
to
hold
the
entire
structure
of
each
craft
in
her
memory,
the
simpler
they
were
the
better.
Indeed,
they
could
hardly
be
called
vehicles
anymore.
They
were
simple
cabins
now,
windowless,
almost
unfurnished,
bare
as
a
primitive
schoolroom.
The
people
of
Lusitania
referred
to
space
travel
now
as
encaixarse,
which
was
Portuguese
for
"going
into
the
box,"
or,
more
literally,
"to
box
oneself
up."
Miro,
however,
was
exploring,
searching
for
new
planets
capable
of
sustaining
the
lives
of
the
three
sentient
species,
humans,
pequeninos,
and
hive
queens.
For
this
he
needed
a
more
traditional
spacecraft,
for
though
he
still
went
from
planet
to
planet
by
way
of
Jane's
instant
detour
through
the
Outside,
he
could
not
usually
count
on
arriving
at
a
world
where
he
could
breathe
the
air.
Indeed,
Jane
always
started
him
out
in
orbit
high
above
each
new
planet,
so
he
could
observe,
measure,
analyze,
and
only
land
on
the
most
promising
ones
to
make
the
final
determination
of
whether
the
world
was
usable.
He
did
not
travel
alone.
It
would
have
been
too
much
for
one
person
to
accomplish,
and
he
needed
everything
he
did
to
be
doublechecked.
Yet
of
all
the
work
being
done
by
anyone
on
Lusitania,
this
was
the
most
dangerous,
for
he
never
knew
when
he
cracked
open
the
door
of
his
spaceship
whether
there
would
be
some
unforeseeable
menace
on
the
new
world.
Miro,
had
long
regarded
his
own
life
as
expendable.
For
several
long
years
trapped
in
a
brain-damaged
body
he
had
wished
for
death;
then,
when
his
first
trip
Outside
enabled
him
to
recreate
his
body
in
the
perfection
of
youth,
he
regarded
any
moment,
any
hour,
any
day
of
his
life
as
an
undeserved
gift.
He
would
not
waste
it,
but
he
would
not
shrink
from
putting
it
at
risk
for
the
good
of
others.
But
who
else
could
share
his
easy
self-disregard?
Young
Valentine
was
made
to
order,
in
every
sense,
it
seemed.
Miro
had
seen
her
come
into
existence
at
the
same
time
as
his
own
new
body.
She
had
no
past,
no
kin,
no
links
to
any
world
except
through
Ender,
whose
mind
had
created
her,
and
Peter,
her
fellow
makeling.
Oh,
and
perhaps
one
might
consider
her
to
be
linked
to
the
original
Valentine,
"the
real
Valentine,"
as
Young
Val
called
her;
but
it
was
no
secret
that
Old
Valentine
had
no
desire
to
spend
even
a
moment
in
the
company
of
this
young
beauty
who
mocked
her
by
her
very
existence.
Besides,
Young
Val
was
created
as
Ender's
image
of
perfect
virtue.
Not
only
was
she
unconnected,
but
also
she
was
genuinely
altruistic
and
quite
willing
to
sacrifice
herself
for
the
good
of
others.
So
whenever
Miro
stepped
into
the
shuttle,
there
was
Young
Val
as
his
companion,
his
reliable
assistant,
his
constant
backup.
But
not
his
friend.
For
Miro
knew
perfectly
well
who
Val
really
was:
Ender
in
disguise.
Not
a
woman.
And
her
love
and
loyalty
to
him
were
Ender's
love
and
loyalty,
often
tested,
well-trusted,
but
Ender's,
not
her
own.
There
was
nothing
of
her
own
in
her.
So
while
Miro
had
become
used
to
her
company,
and
laughed
and
joked
with
her
more
easily
than
with
anyone
in
his
life
till
now,
he
did
not
confide
in
her,
did
not
allow
himself
to
feel
affection
any
deeper
than
camaraderie
for
her.
If
she
noticed
the
lack
of
connection
between
them
she
said
nothing;
if
it
hurt
her,
the
pain
never
showed.
What
showed
was
her
delight
in
their
successes
and
her
insistence
that
they
push
themselves
ever
harder.
"We
don't
have
a
whole
day
to
spend
on
any
world,"
she
said
right
from
the
start,
and
proved
it
by
holding
them
to
a
schedule
that
let
them
make
three
voyages
in
a
day.
They
came
home
after
each
three
voyages
to
a
Lusitania
already
quiet
with
sleep;
they
slept
on
the
ship
and
spoke
to
others
only
to
warn
them
of
particular
problems
the
colonists
were
likely
to
face
on
whatever
new
worlds
had
been
found
that
day.
And
the
three-a-day
schedule
was
only
on
days
when
they
dealt
with
likely
planets.
When
Jane
took
them
to
worlds
that
were
obvious
losers--
waterbound,
for
instance,
or
unbiotized--
they
moved
on
quickly,
checking
the
next
candidate
world,
and
the
next,
sometimes
five
and
six
on
those
discouraging
days
when
nothing
seemed
to
work.
Young
Val
pushed
them
both
on
to
the
edge
of
their
endurance,
day
after
day,
and
Miro
accepted
her
leadership
in
this
aspect
of
their
voyaging
because
he
knew
that
it
was
necessary.
His
friend,
however,
had
no
human
shape.
For
him
she
dwelt
in
the
jewel
in
his
ear.
Jane,
the
whisper
in
his
mind
when
he
first
woke
up,
the
friend
who
heard
everything
he
subvocalized,
who
knew
his
needs
before
he
noticed
them
himself
Jane,
who
shared
all
his
thoughts
and
dreams,
who
had
stayed
with
him
through
the
worst
of
his
cripplehood,
who
had
led
him
Outside
to
where
he
could
be
renewed.
Jane,
his
truest
friend,
who
would
soon
die.
That
was
their
real
deadline.
Jane
would
die,
and
then
this
instant
starflight
would
be
at
an
end,
for
there
was
no
other
being
that
had
the
sheer
mental
power
to
take
anything
more
complicated
than
a
rubber
ball
Outside
and
back
In
again.
And
Jane's
death
would
come,
not
by
any
natural
cause,
but
because
the
Starways
Congress,
having
discovered
the
existence
of
a
subversive
program
that
could
control
or
at
least
access
any
and
all
of
their
computers,
was
systematically
closing
down,
disconnecting,
and
sweeping
out
all
their
networks.
Already
she
was
feeling
the
injury
of
those
systems
that
had
been
taken
offline
to
where
she
could
not
access
them.
Someday
soon
the
codes
would
be
transmitted
that
would
undo
her
utterly
and
all
at
once.
And
when
she
was
gone,
anyone
who
had
not
been
taken
from
the
surface
of
Lusitania
and
transplanted
to
another
world
would
be
trapped,
waiting
helplessly
for
the
arrival
of
the
Lusitania
Fleet,
which
was
coming
ever
closer,
determined
to
destroy
them
all.
A
grim
business,
this,
in
which
despite
all
of
Miro's
efforts,
his
dearest
friend
would
die.
Which,
he
knew
full
well,
was
part
of
why
he
did
not
let
himself
become
a
true
friend
to
Young
Val--
because
it
would
be
disloyal
to
Jane
to
learn
affection
for
anyone
else
during
the
last
weeks
or
days
of
her
life.
So
Miro's
life
was
an
endless
routine
of
work,
of
concentrated
mental
effort,
studying
the
findings
of
the
shuttle's
instruments,
analyzing
aerial
photographs,
piloting
the
shuttle
to
unsafe,
unscouted
landing
zones,
and
finally--
not
often
enough--
opening
the
door
and
breathing
alien
air.
And
at
the
end
of
each
voyage,
no
time
either
to
mourn
or
rejoice,
no
time
even
to
rest:
he
closed
the
door,
spoke
the
word,
and
Jane
took
them
home
again
to
Lusitania,
to
start
it
all
over
again.
On
this
homecoming,
however,
something
was
different.
Miro
opened
the
door
of
the
shuttle
to
find,
not
his
adoptive
father
Ender,
not
the
pequeninos
who
prepared
food
for
him
and
Young
Val,
not
the
normal
colony
leaders
wanting
a
briefing,
but
rather
his
brothers
Olhado
and
Grego,
and
his
sister
Elanora,
and
Ender's
sister
Valentine.
Old
Valentine,
come
herself
to
the
one
place
where
she
was
sure
to
meet
her
unwelcome
young
twin?
Miro
saw
at
once
how
Young
Val
and
Old
Valentine
glanced
at
each
other,
eyes
not
really
meeting,
and
then
looked
away,
not
wanting
to
see
each
other.
Or
was
that
it?
Young
Val
was
more
likely
looking
away
from
Old
Valentine
because
she
virtuously
wanted
to
avoid
giving
offense
to
the
older
woman.
No
doubt
if
she
could
do
it
Young
Val
would
willingly
disappear
rather
than
cause
Old
Valentine
a
moment's
pain.
And,
since
that
was
not
possible,
she
would
do
the
next
best
thing,
which
was
to
remain
as
unobtrusive
as
possible
when
Old
Valentine
was
present.
"What's
the
meeting?"
asked
Miro.
"Is
Mother
ill?"
"No,
no,
everybody's
in
good
health,"
said
Olhado.
"Except
mentally,"
said
Grego.
"Mother's
as
mad
as
a
hatter,
and
now
Ender's
crazy
too."
Miro
nodded,
grimaced.
"Let
me
guess.
He
joined
her
among
the
Filhos."
Immediately
Grego
and
Olhado
looked
at
the
jewel
in
Miro's
ear.
"No,
Jane
didn't
tell
me,"
said
Miro.
"I
just
know
Ender.
He
takes
his
marriage
very
seriously."
"Yes,
well,
it's
left
something
of
a
leadership
vacuum
here,"
said
Olhado.
"Not
that
everybody
isn't
doing
their
job
just
fine.
I
mean,
the
system
works
and
all
that.
But
Ender
was
the
one
we
all
looked
to
to
tell
us
what
to
do
when
the
system
stops
working.
If
you
know
what
I
mean."
"I
know
what
you
mean,"
said
Miro.
"And
you
can
speak
of
it
in
front
of
Jane.
She
knows
she's
going
to
be
shut
down
as
soon
as
Starways
Congress
gets
their
plans
in
place."
"It's
more
complicated
than
that,"
said
Grego.
"Most
people
don't
know
about
the
danger
to
Jane--
for
that
matter,
most
don't
even
know
she
exists.
But
they
can
do
the
arithmetic
to
figure
out
that
even
going
full
tilt,
there's
no
way
to
get
all
the
humans
off
Lusitania
before
the
fleet
gets
here.
Let
alone
the
pequeninos.
So
they
know
that
unless
the
fleet
is
stopped,
somebody
is
going
to
be
left
here
to
die.
There
are
already
those
who
say
that
we've
wasted
enough
starship
space
on
trees
and
bugs."
"Trees"
referred,
of
course,
to
the
pequeninos,
who
were
not,
in
fact,
transporting
fathertrees
and
mothertrees;
and
"bugs"
referred
to
the
Hive
Queen,
who
was
also
not
wasting
space
sending
a
lot
of
workers.
But
every
world
they
were
settling
did
have
a
large
contingent
of
pequeninos
and
at
least
one
hive
queen
and
a
handful
of
workers
to
help
her
get
started.
Never
mind
that
it
was
the
hive
queen
on
every
world
that
quickly
produced
workers
who
were
doing
the
bulk
of
the
labor
getting
agriculture
started;
never
mind
that
because
they
were
not
taking
trees
with
them,
at
least
one
male
and
female
in
every
group
of
pequeninos
had
to
be
"planted"
--had
to
die
slowly
and
painfully
so
that
a
fathertree
and
mothertree
could
take
root
and
maintain
the
cycle
of
pequenino
life.
They
all
knew--
Grego
more
than
any
other,
since
he'd
recently
been
in
the
thick
of
itthat
under
the
polite
surface
was
an
undercurrent
of
competition
between
species.
And
it
was
not
just
among
the
humans,
either.
While
on
Lusitania
the
pequeninos
still
outnumbered
humans
by
vast
numbers,
on
the
new
colonies
the
humans
predominated.
"It's
your
fleet
coming
to
destroy
Lusitania,"
said
Human,
the
leader
of
the
fathertrees
these
days.
"And
even
if
every
human
on
Lusitania
died,
the
human
race
would
continue.
While
for
the
Hive
Queen
and
for
us,
it
is
nothing
less
than
the
survival
of
our
species
that
is
at
stake.
And
yet
we
understand
that
we
must
let
humans
dominate
for
a
time
on
these
new
worlds,
because
of
your
knowledge
of
skills
and
technologies
we
have
not
yet
mastered,
because
of
your
practice
at
subduing
new
worlds,
and
because
you
still
have
the
power
to
set
fires
to
burn
our
forests."
What
Human
said
so
reasonably,
his
resentment
couched
in
polite
language,
many
other
pequeninos
and
fathertrees
said
more
passionately:
"Why
should
we
let
these
human
invaders,
who
brought
all
this
evil
upon
us,
save
almost
all
their
population,
while
most
of
us
will
die?"
"Resentment
between
the
species
is
nothing
new,"
said
Miro.
"But
until
now
we
had
Ender
to
contain
it,"
said
Grego.
"Pequeninos,
the
Hive
Queen,
and
most
of
the
human
population
saw
Ender
as
a
fair
broker,
someone
they
could
trust.
They
knew
that
as
long
as
he
was
in
charge
of
things,
as
long
as
his
voice
was
heard,
their
interests
would
be
protected."
"Ender
isn't
the
only
good
person
leading
this
exodus,"
said
Miro.
"It's
a
matter
of
trust,
not
of
virtue,"
said
Valentine.
"The
nonhumans
know
that
Ender
is
the
Speaker
for
the
Dead.
No
other
human
has
ever
spoken
for
another
species
that
way.
And
yet
the
humans
know
that
Ender
is
the
Xenocide--
that
when
the
human
race
was
threatened
by
an
enemy
countless
generations
ago,
he
was
the
one
who
acted
to
stop
them
and
save
humanity
from,
as
they
feared,
annihilation.
There
isn't
exactly
a
candidate
with
equivalent
qualifications
ready
to
step
into
Ender's
role."
"What's
that
to
me?"
asked
Miro
bluntly.
"Nobody
listens
to
me
here.
I
have
no
connections.
I
certainly
can't
take
Ender's
place
either,
and
right
now
I'm
tired
and
I
need
to
sleep.
Look
at
Young
Val,
she's
half-
dead
with
weariness,
too."
It
was
true;
she
was
barely
able
to
stand.
Miro
at
once
reached
out
to
support
her;
she
gratefully
leaned
against
his
shoulder.
"We
don't
want
you
to
take
Ender's
place,"
said
Olhado.
"We
don't
want
anybody
to
take
his
place.
We
want
him
to
take
his
place."
Miro
laughed.
"You
think
I
can
persuade
him?
You've
got
his
sister
right
there!
Send
her!"
Old
Valentine
grimaced.
"Miro,
he
won't
see
me."
"Then
what
makes
you
think
he'll
see
me?"
"Not
you,
Miro.
Jane.
The
jewel
in
your
ear."
Miro
looked
at
them
in
bafflement.
"You
mean
Ender
has
removed
his
jewel?"
In
his
ear,
he
heard
Jane
say,
"I've
been
busy.
I
didn't
think
it
was
important
to
mention
it
to
you."
But
Miro
knew
how
it
had
devastated
Jane
before,
when
Ender
cut
her
off.
Now
she
had
other
friends,
yes,
but
that
didn't
mean
it
would
be
painless.
Old
Valentine
continued.
"If
you
can
go
to
him
and
get
him
to
talk
to
Jane
..."
Miro
shook
his
head.
"Taking
out
the
jewel--
don't
you
see
that
that
was
final?
He's
committed
himself
to
following
Mother
into
exile.
Ender
doesn't
back
away
from
his
commitments."
They
all
knew
it
was
true.
Knew,
in
fact,
that
they
had
really
come
to
Miro,
not
with
the
real
hope
that
he
would
accomplish
what
they
needed,
but
as
a
last
feeble
act
of
desperation.
"So
we
let
things
wind
down,"
said
Grego.
"We
let
things
slide
into
chaos.
And
then,
beset
by
interspecies
war,
we
will
die
in
shame
when
the
fleet
comes.
Jane's
lucky,
I
think;
she'll
already
be
dead
when
it
gets
here."
"Tell
him
thanks,"
Jane
said
to
Miro.
"Jane
says
thanks,"
said
Miro.
"You're
just
too
soft-hearted,
Grego.
"
Grego
blushed,
but
he
didn't
take
back
what
he
said.
"Ender
isn't
God,"
said
Miro.
"We'll
just
do
our
best
without
him.
But
right
now
the
best
thing
I
can
do
is--
"
"Sleep,
we
know,"
said
Old
Valentine.
"Not
on
the
ship
this
time,
though.
Please.
It
makes
us
sick
at
heart
to
see
how
weary
you
both
are.
Jakt
has
brought
the
taxi.
Come
home
and
sleep
in
a
bed."
Miro
glanced
at
Young
Val,
who
still
leaned
sleepily
on
his
shoulder.
"Both
of
you,
of
course,"
said
Old
Valentine.
"I'm
not
as
distressed
by
her
existence
as
you
all
seem
to
think."
"Of
course
you're
not,"
said
Young
Val.
She
reached
out
a
weary
arm,
and
the
two
women
who
bore
the
same
name
took
each
other's
hand.
Miro
watched
as
Young
Val
slipped
from
his
side
to
take
Old
Valentine's
arm,
and
lean
on
her
instead
of
him.
His
own
feelings
surprised
him.
Instead
of
relief
that
there
was
less
tension
between
the
two
of
them
than
he
had
thought,
he
found
himself
being
rather
angry.
Jealous
anger,
that's
what
it
was.
She
was
leaning
on
me,
he
wanted
to
say.
What
kind
of
childish
response
was
that?
And
then,
as
he
watched
them
walk
away,
he
saw
what
he
should
not
have
seen--
Valentine's
shudder.
Was
it
a
sudden
chill?
The
night
was
cool.
But
no,
Miro
was
sure
it
was
the
touch
of
her
young
twin,
and
not
the
night
air
that
made
Old
Valentine
tremble.
"Come
on,
Miro,"
said
Olhado.
"We'll
get
you
to
the
hovercar
and
into
bed
at
Valentine's
house."
"Is
there
a
food
stop
along
the
way?"
"It's
Jakt's
house,
too,"
said
Elanora.
"There's
always
food."
As
the
hovercar
carried
them
toward
Milagre,
the
human
town,
they
passed
near
some
of
the
dozens
of
starships
currently
in
service.
The
work
of
migration
didn't
take
the
night
off.
Stevedores--
many
of
them
pequeninos--
were
loading
supplies
and
equipment
for
transport.
Families
were
shuffling
in
lines
to
fill
up
whatever
spaces
were
left
in
the
cabins.
Jane
would
be
getting
no
rest
tonight
as
she
took
box
after
box
Outside
and
back
In.
On
other
worlds,
new
homes
were
rising,
new
fields
being
plowed.
Was
it
day
or
night
in
those
other
places?
It
didn't
matter.
In
a
way
they
had
already
succeeded--
new
worlds
were
being
colonized,
and,
like
it
or
not,
every
world
had
its
hive,
its
new
pequenino
forest,
and
its
human
village.
If
Jane
died
today,
thought
Miro,
if
the
fleet
came
tomorrow
and
blew
us
all
to
bits,
in
the
grand
scheme
of
things,
what
would
it
matter?
The
seeds
have
been
scattered
to
the
wind;
some,
at
least,
will
take
root.
And
if
faster-than-light
travel
dies
with
Jane,
even
that
might
be
for
the
best,
for
it
will
force
each
of
these
worlds
to
fend
for
itself.
Some
colonies
will
fail
and
die,
no
doubt.
On
some
of
them,
war
will
come,
and
perhaps
one
species
or
another
will
be
wiped
out
there.
But
it
will
not
be
the
same
species
that
dies
on
every
world,
or
the
same
one
that
lives;
and
on
some
worlds,
at
least,
we'll
surely
find
a
way
to
live
in
peace.
All
that's
left
for
us
now
is
details.
Whether
this
or
that
individual
lives
or
dies.
It
matters,
of
course.
But
not
the
way
that
the
survival
of
species
matters.
He
must
have
been
subvocalizing
some
of
his
thoughts,
because
Jane
answered
them.
"Hath
not
an
overblown
computer
program
eyes
and
ears?
Have
I
no
heart
or
brain?
When
you
tickle
me
do
I
not
laugh?
"
"Frankly,
no,"
said
Miro
silently,
working
his
lips
and
tongue
and
teeth
to
shape
words
that
only
she
could
hear.
"But
when
I
die,
every
being
of
my
kind
will
also
die,"
she
said.
"Forgive
me
if
I
think
of
this
as
having
cosmic
significance.
I'm
not
as
self-abnegating
as
you
are,
Miro.
I
don't
regard
myself
as
living
on
borrowed
time.
It
was
my
firm
intention
to
live
forever,
so
anything
less
is
a
disappointment."
"Tell
me
what
I
can
do
and
I'll
do
it,"
he
said.
"I'd
die
to
save
you,
if
that's
what
it
took."
"Fortunately,
you'll
die
eventually
no
matter
what,"
said
Jane.
"That's
my
one
consolation,
that
by
dying
I'll
do
no
more
than
face
the
same
doom
that
every
other
living
creature
has
to
face.
Even
those
long-living
trees.
Even
those
hive
queens,
passing
their
memories
along
from
generation
to
generation.
But
I,
alas,
will
have
no
children.
How
could
I?
I'm
a
creature
of
mind
alone.
There's
no
provision
for
mental
mating."
"Too
bad,
too,"
said
Miro,
"because
I
bet
you'd
be
great
in
the
virtual
sack."
"The
best,"
Jane
said.
And
then
silence
for
a
little
while.
Only
when
they
approached
Jakt's
house,
a
new
building
on
the
outskirts
of
Milagre,
did
Jane
speak
again.
"Keep
in
mind,
Miro,
that
whatever
Ender
does
with
his
own
self,
when
Young
Valentine
speaks
it's
still
Ender's
aiua
talking."
"The
same
with
Peter,"
said
Miro.
"Now
there's
a
charmer.
Let's
just
say
that
Young
Val,
sweet
as
she
is,
doesn't
exactly
represent
a
balanced
view
of
anything.
Ender
may
control
her,
but
she's
not
Ender."
"There
are
just
too
many
of
him,
aren't
there,"
said
Jane.
"And,
apparently,
too
many
of
me,
at
least
in
the
opinion
of
Starways
Congress."
"There
are
too
many
of
us
all,"
said
Miro.
"But
never
enough."
They
arrived.
Miro
and
Young
Val
were
led
inside.
They
ate
feebly;
they
slept
the
moment
they
reached
their
beds.
Miro
was
aware
that
voices
went
on
far
into
the
night,
for
he
did
not
sleep
well,
but
rather
kept
waking
a
little,
uncomfortable
on
such
a
soft
mattress,
and
perhaps
uncomfortable
at
being
away
from
his
duty,
like
a
soldier
who
feels
guilty
at
having
abandoned
his
post.
Despite
his
weariness,
Miro
did
not
sleep
late.
Indeed,
the
sky
outside
was
still
dim
with
the
predawn
seepage
of
sunlight
over
the
horizon
when
he
awoke
and,
as
was
his
habit,
rose
immediately
from
his
bed,
standing
shakily
as
the
last
of
sleep
fled
from
his
body.
He
covered
himself
and
went
out
into
the
hall
to
find
the
bathroom
and
discharge
his
bladder.
When
he
emerged,
he
heard
voices
from
the
kitchen.
Either
last
night's
conversation
was
still
going
on,
or
some
other
neurotic
early
risers
had
rejected
morning
solitude
and
were
chatting
away
as
if
dawn
were
not
the
dark
hour
of
despair.
He
stood
before
his
own
open
door,
ready
to
go
inside
and
shut
out
those
earnest
voices,
when
Miro
realized
that
one
of
them
belonged
to
Young
Val.
Then
he
realized
that
the
other
one
was
Old
Valentine.
At
once
he
turned
and
made
his
way
to
the
kitchen,
and
again
hesitated
in
a
doorway.
Sure
enough,
the
two
Valentines
were
sitting
across
the
table
from
each
other,
but
not
looking
at
each
other.
Instead
they
stared
out
the
window
as
they
sipped
one
of
Old
Valentine's
fruit-and-vegetable
decoctions.
"Would
you
like
one,
Miro?"
asked
Old
Valentine
without
looking
up.
"Not
even
on
my
deathbed,"
said
Miro.
"I
didn't
mean
to
interrupt."
"Good,"
said
Old
Valentine.
Young
Val
continued
to
say
nothing.
Miro
came
inside
the
kitchen,
went
to
the
sink,
and
drew
himself
a
glass
of
water,
which
he
drank
in
one
long
draught.
"I
told
you
it
was
Miro
in
the
bathroom,"
said
Old
Valentine.
"No
one
processes
so
much
water
every
day
as
this
dear
lad."
Miro
chuckled,
but
he
did
not
hear
Young
Val
laugh.
"I
am
interfering
with
the
conversation,"
he
said.
"I'll
go."
"Stay,"
said
Old
Valentine.
"Please,"
said
Young
Val.
"Please
which?"
asked
Miro.
He
turned
toward
her
and
grinned.
She
shoved
a
chair
toward
him
with
her
foot.
"Sit,"
she
said.
"The
lady
and
I
were
having
it
out
about
our
twinship."
"We
decided,"
said
Old
Valentine,
"that
it's
my
responsibility
to
die
first."
"On
the
contrary,"
said
Young
Val,
"we
decided
that
Gepetto
did
not
create
Pinocchio
because
he
wanted
a
real
boy.
It
was
a
puppet
he
wanted
all
along.
That
real-boy
business
was
simply
Gepetto's
laziness.
He
still
wanted
the
puppet
to
dance--
he
just
didn't
want
to
go
to
all
the
trouble
of
working
the
strings."
"You
being
Pinocchio,"
said
Miro.
"And
Ender
..."
"My
brother
didn't
try
to
make
you,"
said
Old
Valentine.
"And
he
doesn't
want
to
control
you,
either."
"I
know,"
whispered
Young
Val.
And
suddenly
there
were
tears
in
her
eyes.
Miro
reached
out
a
hand
to
lay
atop
hers
on
the
table,
but
at
once
she
snatched
hers
away.
No,
she
wasn't
avoiding
his
touch,
she
was
simply
bringing
her
hand
up
to
wipe
the
annoying
tears
out
of
her
eyes.
"He'd
cut
the
strings
if
he
could,
I
know,"
said
Young
Val.
"The
way
Miro
cut
the
strings
on
his
old
broken
body."
Miro
remembered
it
very
clearly.
One
moment
he
was
sitting
in
the
starship,
looking
at
this
perfect
image
of
himself,
strong
and
young
and
healthy;
the
next
moment
he
was
that
image,
had
always
been
that
image,
and
what
he
looked
at
was
the
crippled,
broken,
brain-damaged
version
of
himself.
And
as
he
watched,
that
unloved,
unwanted
body
crumbled
into
dust
and
disappeared.
"I
don't
think
he
hates
you,"
said
Miro,
"the
way
I
hated
my
old
self."
"He
doesn't
have
to
hate
me.
It
wasn't
hate
anyway
that
killed
your
old
body."
Young
Val
didn't
meet
his
eyes.
In
all
their
hours
together
exploring
worlds,
they
had
never
talked
about
anything
so
personal.
She
had
never
dared
to
discuss
with
him
that
moment
when
both
of
them
had
been
created.
"You
hated
your
old
body
while
you
were
in
it,
but
as
soon
as
you
were
back
in
your
right
body,
you
simply
stopped
paying
any
attention
to
the
old
one.
It
wasn't
part
of
you
anymore.
Your
aiua
had
no
more
responsibility
for
it.
And
with
nothing
to
hold
it
together--
pop
goes
the
weasel."
"Wooden
doll,"
said
Miro.
"Now
weasel.
What
else
am
I?"
Old
Valentine
ignored
his
bid
for
a
laugh.
"So
you're
saying
Ender
finds
you
uninteresting."
"He
admires
me,"
said
Young
Val.
"But
he
finds
me
dull."
"Yes,
well,
me
too,"
said
Old
Valentine.
"That's
absurd,"
said
Miro.
"Is
it?"
asked
Old
Valentine.
"He
never
followed
me
anywhere;
I
was
always
the
one
who
followed
him.
He
was
searching
for
a
mission
in
life,
I
think.
Some
great
deed
to
do,
to
match
the
terrible
act
that
ended
his
childhood.
He
thought
writing
The
Hive
Queen
would
do
it.
And
then,
with
my
help
in
preparing
it,
he
wrote
The
Hegemon
and
he
thought
that
might
be
enough,
but
it
wasn't.
He
kept
searching
for
something
that
would
engage
his
full
attention
and
he
kept
almost
finding
it,
or
finding
it
for
a
week
or
a
month,
but
one
thing
was
certain,
the
thing
that
engaged
his
attention
was
never
me,
because
there
I
was
in
all
the
billion
miles
he
traveled,
there
I
was
across
three
thousand
years.
Those
histories
I
wrote--
it
was
no
great
love
for
history,
it
was
because
it
helped
in
his
work.
The
way
my
writing
used
to
help
in
Peter's
work.
And
when
I
was
finished,
then,
for
a
few
hours
of
reading
and
discussion,
I
had
his
attention.
Only
each
time
it
was
less
satisfying
because
it
wasn't
I
who
had
his
attention,
it
was
the
story
I
had
written.
Until
finally
I
found
a
man
who
gave
me
his
whole
heart,
and
I
stayed
with
him.
While
my
adolescent
brother
went
on
without
me,
and
found
a
family
that
took
his
whole
heart,
and
there
we
were,
planets
apart,
but
finally
happier
without
each
other
than
we'd
ever
been
together."
"So
why
did
you
come
to
him
again?"
asked
Miro.
"I
didn't
come
for
him.
I
came
for
you."
Old
Valentine
smiled.
"I
came
for
a
world
in
danger
of
destruction.
But
I
was
glad
to
see
Ender,
even
though
I
knew
he
would
never
belong
to
me."
"This
may
be
an
accurate
description
of
how
it
felt
to
you,"
said
Young
Val.
"But
you
must
have
had
his
attention,
at
some
level.
I
exist
because
you're
always
in
his
heart."
"A
fantasy
of
his
childhood,
perhaps.
Not
me."
"Look
at
me,"
said
Young
Val.
"Is
this
the
body
you
wore
when
he
was
five
and
was
taken
away
from
his
home
and
sent
up
to
the
Battle
School?
Is
this
even
the
teenage
girl
that
he
knew
that
summer
by
the
lake
in
North
Carolina?
You
must
have
had
his
attention
even
when
you
grew
up,
because
his
image
of
you
changed
to
become
me."
"You
are
what
I
was
when
we
worked
on
The
Hegemon
together,"
said
Old
Valentine
sadly.
"Were
you
this
tired?"
asked
Young
Val.
"I
am,"
said
Miro.
"No
you're
not,"
said
Old
Valentine.
"You
are
the
picture
of
vigor.
You're
still
celebrating
your
beautiful
new
body.
My
twin
here
is
heartweary."
"Ender's
attention
has
always
been
divided,"
said
Young
Val.
"I'm
filled
with
his
memories,
you
see--
or
rather,
with
the
memories
that
he
unconsciously
thought
I
should
have,
but
of
course
they
consist
almost
entirely
of
things
that
he
remembers
about
my
friend
here,
which
means
that
all
I
remember
is
my
life
with
Ender.
And
he
always
had
Jane
in
his
ear,
and
the
people
whose
deaths
he
was
speaking,
and
his
students,
and
the
Hive
Queen
in
her
cocoon,
and
so
on.
But
they
were
all
adolescent
connections.
Like
every
itinerant
hero
of
epic,
he
wandered
place
to
place,
transforming
others
but
remaining
himself
unchanged.
Until
he
came
here
and
finally
gave
himself
wholly
to
somebody
else.
You
and
your
family,
Miro.
Novinha.
For
the
first
time
he
gave
other
people
the
power
to
tear
at
him
emotionally,
and
it
was
exhilarating
and
painful
both
at
once,
but
even
that
he
could
handle
just
fine,
he's
a
strong
man,
and
strong
men
have
borne
more.
Now,
though,
it's
something
else
entirely.
Peter
and
I,
we
have
no
life
apart
from
him.
To
say
that
he
is
one
with
Novinha
is
metaphorical;
with
Peter
and
me
it's
literal.
He
is
us.
And
his
aiua
isn't
great
enough,
it
isn't
strong
or
copious
enough,
it
hasn't
enough
attention
in
it
to
give
equal
shares
to
the
three
lives
that
depend
on
it.
I
realized
this
almost
as
soon
as
I
was
...
what
shall
we
call
it,
created?
Manufactured?"
"Born,"
said
Old
Valentine.
"You
were
a
dream
come
true,"
said
Miro,
with
only
a
hint
of
irony.
"He
can't
sustain
all
three
of
us.
Ender,
Peter,
me.
One
of
us
is
going
to
fade.
One
of
us
at
least
is
going
to
die.
And
it's
me.
I
knew
that
from
the
start.
I'm
the
one
who's
going
to
die."
Miro
wanted
to
reassure
her.
But
how
do
you
reassure
someone,
except
by
recalling
to
them
similar
situations
that
turned
out
for
the
best?
There
were
no
similar
situations
to
call
upon.
"The
trouble
is
that
whatever
part
of
Ender's
aiua
I
still
have
in
me
is
absolutely
determined
to
live.
I
don't
want
to
die.
That's
how
I
know
I
still
have
some
shred
of
his
attention:
I
don't
want
to
die."
"So
go
to
him,"
said
Old
Valentine.
"Talk
to
him."
Young
Val
gave
one
bitter
hoot
of
laughter
and
looked
away.
"Please,
Papa,
let
me
live,"
she
said
in
a
mockery
of
a
child's
voice.
"Since
it's
not
something
he
consciously
controls,
what
could
he
possibly
do
about
it,
except
suffer
from
guilt?
And
why
should
he
feel
guilty?
If
I
cease
to
exist,
it's
because
my
own
self
didn't
value
me.
He
is
myself.
Do
the
dead
tips
of
fingernails
feel
bad
when
you
pare
them
away?"
"But
you
are
bidding
for
his
attention,"
said
Miro.
"I
hoped
that
the
search
for
habitable
worlds
would
intrigue
him.
I
poured
myself
into
it,
trying
to
be
excited
about
it.
But
the
truth
is
it's
utterly
routine.
Important,
but
routine,
Miro."
Miro
nodded.
"True
enough.
Jane
finds
the
worlds.
We
just
process
them."
"And
there
are
enough
worlds
now.
Enough
colonies.
Two
dozen--
pequeninos
and
hive
queens
are
not
going
to
die
out
now,
even
if
Lusitania
is
destroyed.
The
bottleneck
isn't
the
number
of
worlds,
it's
the
number
of
starships.
So
all
our
labor--
it
isn't
engaging
Ender's
attention
anymore.
And
my
body
knows
it.
My
body
knows
it
isn't
needed."
She
reached
up
and
took
a
large
hank
of
her
hair
into
her
fist,
and
pulled--
not
hard,
but
lightly--
and
it
came
away
easily
in
her
hand.
A
great
gout
of
hair,
with
not
a
sign
of
any
pain
at
its
going.
She
let
the
hair
drop
onto
the
table.
It
lay
there
like
a
dismembered
limb,
grotesque,
impossible.
"I
think,"
she
whispered,
"that
if
I'm
not
careful,
I
could
do
the
same
with
my
fingers.
It's
slower,
but
gradually
I
will
turn
into
dust
just
as
your
old
body
did,
Miro.
Because
he
isn't
interested
in
me.
Peter
is
solving
mysteries
and
fighting
political
wars
off
on
some
world
somewhere.
Ender
is
struggling
to
hold
on
to
the
woman
he
loves.
But
I
..."
In
that
moment,
as
the
hair
torn
from
her
head
revealed
the
depth
of
her
misery,
her
loneliness,
her
selfrejections,
Miro
realized
what
he
had
not
let
himself
think
of
until
now:
that
in
all
the
weeks
they
had
traveled
world
to
world
together,
he
had
come
to
love
her,
and
her
unhappiness
hurt
him
as
if
it
were
his
own.
And
perhaps
it
was
his
own,
his
memory
of
his
own
self-loathing.
But
whatever
the
reason,
it
still
felt
like
something
deeper
than
mere
compassion
to
him.
It
was
a
kind
of
desire.
Yes,
it
was
a
kind
of
love.
If
this
beautiful
young
woman,
this
wise
and
intelligent
and
clever
young
woman
was
rejected
by
her
own
inmost
heart,
then
Miro's
heart
had
room
enough
to
take
her
in.
If
Ender
will
not
be
yourself,
let
me!
he
cried
silently,
knowing
as
he
formed
the
thought
for
the
first
time
that
he
had
felt
this
way
for
days,
for
weeks,
without
realizing
it;
yet
also
knowing
that
he
could
not
be
to
her
what
Ender
was.
Still,
couldn't
love
do
for
Young
Val
what
it
was
doing
for
Ender
himself?
Couldn't
that
engage
enough
of
his
attention
to
keep
her
alive?
To
strengthen
her?
Miro
reached
out
and
gathered
up
her
disembodied
hair,
twined
it
around
his
fingers,
and
then
slid
the
looping
locks
into
the
of
his
robe.
"I
don't
want
you
to
fade
away,"
he
said.
Bold
words
for
him.
Young
Val
looked
at
him
oddly.
"I
thought
the
great
love
of
your
life
was
Ouanda."
"She's
a
middle-aged
woman
now,"
said
Miro.
"Married
and
happy,
with
a
family.
It
would
be
sad
if
the
great
love
of
my
life
were
a
woman
who
doesn't
exist
anymore,
and
even
if
she
did
she
wouldn't
want
me."
"It's
sweet
of
you
to
offer,"
said
Young
Val.
"But
I
don't
think
we
can
fool
Ender
into
caring
about
my
life
by
pretending
to
fall
in
love."
Her
words
stabbed
Miro
to
the
heart,
because
she
had
so
easily
seen
how
much
of
his
self-declaration
came
from
pity.
Yet
not
all
of
it
came
from
there;
most
of
it
was
already
seething
just
under
the
level
of
consciousness,
just
waiting
its
chance
to
come
out.
"I
wasn't
thinking
of
fooling
anyone,"
said
Miro.
Except
myself,
he
thought.
Because
Young
Val
could
not
possibly
love
me.
She
is,
after
all,
not
really
a
woman.
She's
Ender.
But
that
was
absurd.
Her
body
was
a
woman's
body.
And
where
did
the
choice
of
loves
come
from,
if
not
the
body?
Was
there
something
male
or
female
in
the
aiua?
Before
it
became
master
of
flesh
and
bone,
was
it
manly
or
womanly?
And
if
so,
would
that
mean
that
the
aiuas
composing
atoms
and
molecules,
rocks
and
stars
and
light
and
wind,
that
all
of
those
were
neatly
sorted
into
boys
and
girls?
Nonsense.
Ender's
aiua
could
be
a
woman,
could
love
like
a
woman
as
easily
as
it
now
loved,
in
a
man's
body
and
in
a
man's
ways,
Miro's
own
mother.
It
wasn't
any
lack
in
Young
Val
that
made
her
look
at
him
with
such
pity.
It
was
a
lack
in
him.
Even
with
his
body
healed,
he
was
not
a
man
that
a
woman--
or
at
least
this
woman,
at
the
moment
the
most
desirable
of
all
women--
could
love,
or
wish
to
love,
or
hope
to
win.
"I
shouldn't
have
come
here,"
he
murmured.
He
pushed
away
from
the
table
and
left
the
room
in
two
strides.
Strode
up
the
hall
and
once
again
stood
in
his
open
doorway.
He
heard
their
voices.
"No,
don't
go
to
him,"
said
Old
Valentine.
Then
something
softer.
Then,
"He
may
have
a
new
body,
but
his
self-hatred
has
never
been
healed."
A
murmur
from
Young
Val.
"Miro
was
speaking
from
his
heart,"
Old
Valentine
assured
her.
"It
was
a
very
brave
and
naked
thing
for
him
to
do."
Again
Young
Val
spoke
too
softly
for
Miro
to
hear
her.
"How
could
you
know?"
Old
Valentine
said.
"What
you
have
to
realize
is,
we
took
a
long
voyage
together,
not
that
long
ago,
and
I
think
he
fell
in
love
with
me
a
little
on
that
flight."
It
was
probably
true.
It
was
definitely
true.
Miro
had
to
admit
it:
some
of
his
feelings
for
Young
Val
were
really
his
feelings
for
Old
Valentine,
transferred
from
the
woman
who
was
permanently
out
of
reach
to
this
young
woman
who
might
be,
he
had
hoped
at
least,
accessible
to
him.
Now
both
their
voices
fell
to
levels
where
Miro
could
not
even
pick
out
words.
But
still
he
waited,
his
hands
pressed
against
the
doo~amb,
listening
to
the
lilting
of
those
two
voices,
so
much
alike,
but
both
so
well-known
to
him.
It
was
a
music
that
he
could
gladly
hear
forever.
"If
there's
anyone
like
Ender
in
all
this
universe,"
said
Old
Valentine
with
sudden
loudness,
"it's
Miro.
He
broke
himself
trying
to
save
innocents
from
destruction.
He
hasn't
yet
been
healed."
She
meant
me
to
hear
that,
Miro
realized.
She
spoke
loudly,
knowing
I
was
standing
here,
knowing
I
was
listening.
The
old
witch
was
listening
for
my
door
to
close
and
she
never
heard
it
so
she
knows
that
I
can
hear
them
and
she's
trying
to
give
me
a
way
to
see
myself.
But
I'm
no
Ender,
I'm
barely
Miro,
and
if
she
says
things
like
that
about
me
it's
just
proof
that
she
doesn't
know
who
I
am.
A
voice
spoke
up
in
his
ear.
"Oh,
shut
up
if
you're
just
going
to
lie
to
yourself."
Of
course
Jane
had
heard
everything.
Even
his
thoughts,
because,
as
was
his
habit,
his
conscious
thoughts
were
echoed
by
his
lips
and
tongue
and
teeth.
He
couldn't
even
think
without
moving
his
lips.
With
Jane
attached
to
his
ear
he
spent
his
waking
hours
in
a
confessional
that
never
closed.
"So
you
love
the
girl,"
said
Jane.
"Why
not?
So
your
motives
are
complicated
by
your
feelings
toward
Ender
and
Valentine
and
Ouanda
and
yourself.
So
what?
What
love
was
ever
pure,
what
lover
was
ever
uncomplicated?
Think
of
her
as
a
succubus.
You'll
love
her,
and
she'll
crumble
in
your
arms."
Jane's
taunting
was
infuriating
and
amusing
at
once.
He
went
inside
his
room
and
gently
closed
the
door.
When
it
was
closed,
he
whispered
to
her,
"You're
just
a
jealous
old
bitch,
Jane.
You
only
want
me
for
yourself."
"I'm
sure
you're
right,"
said
Jane.
"If
Ender
had
ever
really
loved
me,
he
would
have
created
my
human
body
when
he
was
being
so
fertile
Outside.
Then
I
could
make
a
play
for
you
myself."
"You
already
have
my
whole
heart,"
said
Miro.
"Such
as
it
is."
"You
are
such
a
liar,"
said
Jane.
"I'm
just
a
talking
appointment
book
and
calculator,
and
you
know
it."
"But
you're
very
very
rich,"
said
Miro.
"I'll
marry
you
for
your
money."
"By
the
way,"
said
Jane,
"she's
wrong
about
one
thing."
"What's
that?"
asked
Miro,
wondering
which
"she"
Jane
was
referring
to.
"You
aren't
done
with
exploring
worlds.
Whether
Ender
is
still
interested
in
it
or
not--
and
I
think
he
is,
because
she
hasn't
turned
to
dust
yet--
the
work
doesn't
end
just
because
there
are
enough
habitable
planets
to
save
the
piggies
and
buggers."
Jane
frequently
used
the
old
diminutive
and
pejorative
terms
for
them.
Miro
often
wondered,
but
never
dared
to
ask,
if
she
had
any
pejoratives
for
humans.
But
he
thought
he
knew
what
her
answer
would
be
anyway:
"The
word
'human'
is
a
pejorative,"
she'd
say.
"So
what
are
we
still
looking
for?"
asked
Miro.
"Every
world
that
we
can
find
before
I
die,"
said
Jane.
He
thought
about
that
as
he
lay
back
down
on
his
bed.
Thought
about
it
as
he
tossed
and
turned
a
couple
of
times,
then
got
up,
got
dressed
for
real,
and
set
out
under
the
lightening
sky,
walking
among
the
other
early
risers,
people
about
their
business,
few
of
whom
knew
him
or
even
knew
of
him.
Being
a
scion
of
the
strange
Ribeira
family,
he
hadn't
had
many
childhood
friends
in
ginasio;
being
both
brilliant
and
shy,
he'd
had
even
fewer
of
the
more
rambunctious
adolescent
friendships
in
colegio.
His
only
girlfriend
had
been
Ouanda,
until
his
penetration
of
the
sealed
perimeter
of
the
human
colony
left
him
brain-damaged
and
he
refused
to
see
even
her
anymore.
Then
his
voyage
out
to
meet
Valentine
had
severed
the
few
fragile
ties
that
remained
between
him
and
his
birthworld.
For
him
it
was
only
a
few
months
in
a
starship,
but
when
he
came
back,
years
had
passed,
and
he
was
now
his
mother's
youngest
child,
the
only
one
whose
life
was
unbegun.
The
children
he
had
once
watched
over
were
adults
who
treated
him
like
a
tender
memory
from
their
youth.
Only
Ender
was
unchanged.
No
matter
how
many
years.
No
matter
what
happened.
Ender
was
the
same.
Could
it
still
be
true?
Could
he
be
the
same
man
even
now,
locking
himself
away
at
a
time
of
crisis,
hiding
out
in
a
monastery
just
because
Mother
had
finally
given
up
on
life?
Miro
knew
the
bare
outline
of
Ender's
life.
Taken
from
his
family
at
the
tender
age
of
five.
Brought
to
the
orbiting
Battle
School,
where
he
emerged
as
the
last
best
hope
of
humankind
in
its
war
with
the
ruthless
invaders
called
buggers.
Taken
next
to
the
fleet
command
on
Eros,
where
he
was
told
he
was
in
advanced
training,
but
where,
without
realizing
it,
he
was
commanding
the
real
fleets,
lightyears
away,
his
commands
transmitted
by
ansible.
He
won
that
war
through
brilliance
and,
in
the
end,
the
utterly
unconscionable
act
of
destroying
the
home
world
of
the
buggers.
Except
that
he
had
thought
it
was
a
game.
Thought
it
was
a
game,
but
at
the
same
time
knowing
that
the
game
was
a
simulation
of
reality.
In
the
game
he
had
chosen
to
do
the
unspeakable;
it
meant,
to
Ender
at
least,
that
he
was
not
free
of
guilt
when
the
game
turned
out
to
be
real.
Even
though
the
last
Hive
Queen
forgave
him
and
put
herself,
cocooned
as
she
was,
into
his
care,
he
could
not
shake
himself
free
of
that.
He
was
only
a
child,
doing
what
adults
led
him
to
do;
but
somewhere
in
his
heart
he
knew
that
even
a
child
is
a
real
person,
that
a
child's
acts
are
real
acts,
that
even
a
child's
play
is
not
without
moral
context.
Thus
before
the
sun
was
up,
Miro
found
himself
facing
Ender
as
they
both
straddled
a
stone
bench
in
a
spot
in
the
garden
that
would
soon
be
bathed
in
sunlight
but
now
was
clammy
with
the
morning
chill;
and
what
Miro
found
himself
saying
to
this
unchangeable,
unchanging
man
was
this:
"What
is
this
monastery
business,
Andrew
Wiggin,
except
for
a
backhanded,
cowardly
way
of
crucifying
yourself?"
"I've
missed
you
too,
Miro,"
said
Ender.
"You
look
tired,
though.
You
need
more
sleep."
Miro
sighed
and
shook
his
head.
"That
wasn't
what
I
meant
to
say.
I'm
trying
to
understand
you,
I
really
am.
Valentine
says
that
I'm
like
you."
"You
mean
the
real
Valentine?"
asked
Ender.
"They're
both
real,"
said
Miro.
"Well,
if
I'm
like
you,
then
study
yourself
and
tell
me
what
you
find."
Miro
wondered,
looking
at
him,
if
Ender
really
meant
this.
Ender
patted
Miro's
knee.
"I'm
really
not
needed
out
there
now,"
he
said.
"You
don't
believe
that
for
a
second,"
said
Miro.
"But
I
believe
that
I
believe
it,"
said
Ender,
"and
for
me
that's
pretty
good.
Please
don't
disillusion
me.
I
haven't
had
breakfast
yet."
"No,
you're
exploiting
the
convenience
of
having
split
yourself
into
three.
This
part
of
you,
the
aging
middle-aged
man,
can
afford
the
luxury
of
devoting
himself
entirely
to
his
wife--
but
only
because
he
has
two
young
puppets
to
go
out
and
do
the
work
that
really
interests
him."
"But
it
doesn't
interest
me,"
said
Ender.
"I
don't
care."
"You
as
Ender
don't
care
because
you
as
Peter
and
you
as
Valentine
are
taking
care
of
everything
else
for
you.
Only
Valentine
isn't
well.
You're
not
caring
enough
about
what
she's
doing.
What
happened
to
my
old
crippled
body
is
happening
to
her.
More
slowly,
but
it's
the
same
thing.
She
thinks
so,
Valentine
thinks
it's
possible.
So
do
I.
So
does
Jane."
"Give
Jane
my
love.
I
do
miss
her."
"I
give
Jane
my
love,
Ender."
Ender
grinned
at
his
resistance.
"If
they
were
about
to
shoot
you,
Miro,
you'd
insist
on
drinking
a
lot
of
water
just
so
they'd
have
to
handle
a
corpse
covered
with
urine
when
you
were
dead."
"Valentine
isn't
a
dream
or
an
illusion,
Ender,"
said
Miro,
refusing
to
be
sidetracked
into
a
discussion
of
his
own
obstreperousness.
"She's
real,
and
you're
killing
her."
"Awfully
dramatic
way
of
putting
it."
"If
you'd
seen
her
pull
out
tufts
of
her
own
hair
this
morning
..."
"So
she's
rather
theatrical,
I
take
it?
Well,
you've
always
been
one
for
the
theatrical
gesture,
too.
I'm
not
surprised
you
get
along."
"Andrew,
I'm
telling
you
you've
got
to--"
Suddenly
Ender
grew
stern
and
his
voice
overtopped
Miro's
even
though
he
was
not
speaking
loudly.
"Use
your
head,
Miro.
Was
your
decision
to
jump
from
your
old
body
to
this
newer
model
a
conscious
one?
Did
you
think
about
it
and
say,
'Well,
I
think
I'll
let
this
old
corpse
crumble
into
its
constituent
molecules
because
this
new
body
is
a
nicer
place
to
dwell'?"
Miro
got
his
point
at
once.
Ender
couldn't
consciously
control
where
his
attention
went.
His
aiua,
even
though
it
was
his
deepest
self,
was
not
to
be
ordered
about.
"I
find
out
what
I
really
want
by
seeing
what
I
do,"
said
Ender.
"That's
what
we
all
do,
if
we're
honest
about
it.
We
have
our
feelings,
we
make
our
decisions,
but
in
the
end
we
look
back
on
our
lives
and
see
how
sometimes
we
ignored
our
feelings,
while
most
of
our
decisions
were
actually
rationalizations
because
we
had
already
decided
in
our
secret
hearts
before
we
ever
recognized
it
consciously.
I
can't
help
it
if
the
part
of
me
that's
controlling
this
girl
whose
company
you're
sharing
isn't
as
important
to
my
underlying
will
as
you'd
like.
As
she
needs.
I
can't
do
a
thing."
Miro
bowed
his
head.
The
sun
came
up
over
the
trees.
Suddenly
the
bench
turned
bright,
and
Miro
looked
up
to
see
the
sunlight
making
a
halo
out
of
Ender's
wildly
slept-in
hair.
"Is
grooming
against
the
monastic
rule?"
asked
Miro.
"You're
attracted
to
her,
aren't
you,"
said
Ender,
not
really
making
a
question
out
of
it.
"And
it
makes
you
a
little
uneasy
that
she
is
really
me."
Miro
shrugged.
"It's
a
root
in
the
path.
But
I
think
I
can
step
over
it."
"But
what
if
I'm
not
attracted
to
you?"
asked
Ender
cheerfully.
Miro
spread
his
arms
and
turned
to
show
his
profile.
"Unthinkable,"
he
said.
"You
are
cute
as
a
bunny,"
said
Ender.
"I'm
sure
young
Valentine
dreams
about
you.
I
wouldn't
know.
The
only
dreams
I
have
are
of
planets
blowing
up
and
everyone
I
love
being
obliterated."
"I
know
you
haven't
forgotten
the
world
in
here,
Andrew."
He
meant
that
as
the
beginning
of
an
apology,
but
Ender
waved
him
off.
"I
can't
forget
it,
but
I
can
ignore
it.
I'm
ignoring
the
world,
Miro.
I'm
ignoring
you,
I'm
ignoring
those
two
walking
psychoses
of
mine.
At
this
moment,
I'm
trying
to
ignore
everything
but
your
mother."
"And
God,"
said
Miro.
"You
mustn't
forget
God."
"Not
for
a
single
moment,"
said
Ender.
"As
a
matter
of
fact,
I
can't
forget
anything
or
anybody.
But
yes,
I
am
ignoring
God,
except
insofar
as
Novinha
needs
me
to
notice
him.
I'm
shaping
myself
into
the
husband
that
she
needs."
"Why,
Andrew?
You
know
Mother's
as
crazy
as
a
loon."
"No
such
thing,"
said
Ender
reprovingly.
"But
even
if
it
were
true,
then
...
all
the
more
reason."
"What
God
has
joined,
let
no
man
put
asunder.
I
do
approve,
philosophically,
but
you
don't
know
how
it
..."
Miro's
weariness
swept
over
him
then.
He
couldn't
think
of
the
words
to
say
what
he
wanted
to
say,
and
he
knew
that
it
was
because
he
was
trying
to
tell
Ender
how
it
felt,
at
this
moment,
to
be
Miro
Ribeira,
and
Miro
had
no
practice
in
even
identifying
his
own
feelings,
let
alone
expressing
them.
"Desculpa,"
he
murmured,
changing
to
Portuguese
because
it
was
his
childhood
language,
the
language
of
his
emotions.
He
found
himself
wiping
tears
off
his
cheeks.
"Se
nao
posso
mudar
nem
voce,
nao
ha
nada
que
possa,
nada."
If
I
can't
get
even
you
to
move,
to
change,
then
there's
nothing
I
can
do.
"Nem
eu?"
Ender
echoed.
"In
all
the
universe,
Miro,
there's
nobody
harder
to
change
than
me."
"Mother
did
it.
She
changed
you."
"No
she
didn't,"
said
Ender.
"She
only
allowed
me
to
be
what
I
needed
and
wanted
to
be.
Like
now,
Miro.
I
can't
make
everybody
happy.
I
can't
make
me
happy,
I'm
not
doing
much
for
you,
and
as
for
the
big
problems,
I'm
worthless
there
too.
But
maybe
I
can
make
your
mother
happy,
or
at
least
somewhat
happier,
at
least
for
a
while,
or
at
least
I
can
try."
He
took
Miro's
hands
in
his,
pressed
them
to
his
own
face,
and
they
did
not
come
away
dry.
Miro
watched
as
Ender
got
up
from
the
bench
and
walked
away
toward
the
sun,
into
the
shining
orchard.
Surely
this
is
how
Adam
would
have
looked,
thought
Miro,
if
he
had
never
eaten
the
fruit.
If
he
had
stayed
and
stayed
and
stayed
and
stayed
in
the
garden.
Three
thousand
years
Ender
has
skimmed
the
surface
of
life.
It
was
my
mother
he
finally
snagged
on.
I
spent
my
whole
childhood
trying
to
be
free
of
her,
and
he
comes
along
and
chooses
to
attach
himself
and
...
And
what
am
I
snagged
on,
except
him?
Him
in
women's
flesh.
Him
with
a
handful
of
hair
on
a
kitchen
table.
Miro
was
getting
up
from
the
bench
when
Ender
suddenly
turned
to
face
him
and
waved
to
attract
his
attention.
Miro
started
to
walk
toward
him,
but
Ender
didn't
wait;
he
cupped
his
hands
around
his
mouth
and
shouted.
"Tell
Jane!"
he
called.
"If
she
can
figure
out!
How
to
do
it!
She
can
have
that
body!"
It
took
Miro
a
moment
to
realize
that
he
was
speaking
of
Young
Val.
She's
not
just
a
body,
you
self-centered
old
planet-smasher.
She's
not
just
an
old
suit
to
be
given
away
because
it
doesn't
fit
or
the
style
has
changed.
But
then
his
anger
fled,
for
he
realized
that
he
himself
had
done
precisely
that
with
his
old
body.
Tossed
it
away
without
a
backward
glance.
And
the
idea
intrigued
him.
Jane.
Was
it
even
possible?
If
her
aiua
could
somehow
be
made
to
take
up
residence
in
Young
Val,
could
a
human
body
hold
enough
of
Jane's
mind
to
enable
her
to
survive
when
Starways
Congress
tried
to
shut
her
down?
"You
boys
are
so
slow,"
Jane
murmured
in
his
ear.
"I've
been
talking
to
the
Hive
Queen
and
Human
and
trying
to
figure
out
how
the
thing
is
done--
assigning
an
aiua
to
a
body.
The
hive
queens
did
it
once,
in
creating
me.
But
they
didn't
exactly
pick
a
particular
aiua.
They
took
what
came.
What
showed
up.
I'm
a
little
fussier."
Miro
said
nothing
as
he
walked
to
the
monastery
gate.
"Oh,
yes,
and
then
there's
the
little
matter
of
your
feelings
toward
Young
Val.
You
hate
the
fact
that
in
loving
her,
it's
really,
in
a
way,
Ender
that
you
love.
But
if
I
took
over,
if
I
were
the
will
inside
Young
Val's
life,
would
she
still
be
the
woman
you
love?
Would
anything
of
her
survive?
Would
it
be
murder?"
"Oh,
shut
up,"
said
Miro
aloud.
The
monastery
gatekeeper
looked
up
at
him
in
surprise.
"Not
you,"
said
Miro.
"But
that
doesn't
mean
it
isn't
a
good
idea."
Miro
was
aware
of
her
eyes
on
his
back
until
he
was
out
and
on
the
path
winding
down
the
hill
toward
Milagre.
Time
to
get
back
to
the
ship.
Val
will
be
waiting
for
me.
Whoever
she
is.
What
Ender
is
to
Mother,
so
loyal,
so
patient--
is
that
how
I
feel
toward
Val?
Or
no,
it
isn't
feeling,
is
it?
It's
an
act
of
will.
It's
a
decision
that
can
never
be
revoked.
Could
I
do
that
for
any
woman,
any
person?
Could
I
give
myself
forever?
He
remembered
Ouanda
then,
and
walked
with
the
memory
of
bitter
loss
all
the
way
back
to
the
starship.
Chapter
4
--
"I
AM
A
MAN
OF
PERFECT
SIMPLICITY!"
"When
I
was
a
child,
I
thought
a
god
was
disappointed
whenever
some
distraction
interrupted
my
tracing
of
the
lines
revealed
in
the
grain
of
the
wood.
Now
I
know
the
gods
expect
such
interruptions,
for
they
know
our
frailty.
It
is
completion
that
surprises
them."
--
from
The
God
Whispers
of
Han
Qing-jao
Peter
and
Wang-mu
ventured
out
into
the
world
of
Divine
Wind
on
their
second
day.
They
did
not
have
to
worry
about
learning
a
language.
Divine
Wind
was
an
older
world,
one
of
the
first
wave
settled
in
the
initial
emigration
from
Earth.
It
was
originally
as
recidivist
as
Path,
clinging
to
the
ancient
ways.
But
the
ancient
ways
of
Divine
Wind
were
Japanese
ways,
and
so
it
included
the
possibility
of
radical
change.
Scarcely
three
hundred
years
into
its
history,
the
world
transformed
itself
from
being
the
isolated
fiefdom
of
a
ritualized
shogunate
to
being
a
cosmopolitan
center
of
trade
and
industry
and
philosophy.
The
Japanese
of
Divine
Wind
prided
themselves
on
being
hosts
to
visitors
from
all
worlds,
and
there
were
still
many
places
where
children
grew
up
speaking
only
Japanese
until
they
were
old
enough
to
enter
school.
But
by
adulthood,
all
the
people
of
Divine
Wind
spoke
Stark
with
fluency,
and
the
best
of
them
with
elegance,
with
grace,
with
astonishing
economy;
it
was
said
by
Mil
Fiorelli,
in
his
most
famous
book,
Observations
of
Distant
Worlds
with
the
Naked
Eye,
that
Stark
was
a
language
that
had
no
native
speakers
until
it
was
whispered
by
a
Divine
Wind.
So
it
was
that
when
Peter
and
Wang-mu
hiked
through
the
woods
of
the
great
natural
preserve
where
their
starship
had
landed
and
emerged
in
a
village
of
foresters,
laughing
about
how
long
they
had
been
"lost"
in
the
woods,
no
one
thought
twice
about
Wang-mu's
obviously
Chinese
features
and
accent,
or
even
about
Peter's
white
skin
and
lack
of
an
epicanthic
fold.
They
had
lost
their
documents,
they
claimed,
but
a
computer
search
showed
them
to
be
licensed
automobile
drivers
in
the
city
of
Nagoya,
and
while
Peter
seemed
to
have
had
a
couple
of
youthful
traffic
offenses
there,
otherwise
they
were
not
known
to
have
committed
any
illegal
acts.
Peter's
profession
was
given
as
"independent
teacher
of
physics"
and
Wang-mu's
as
"itinerant
philosopher,"
both
quite
respectable
positions,
given
their
youth
and
lack
of
family
attachment.
When
they
were
asked
casual
questions
("I
have
a
cousin
who
teaches
progenerative
grammars
in
the
Komatsu
University
in
Nagoya")
Jane
gave
Peter
appropriate
comments
to
say:
"I
never
seem
to
get
over
to
the
Oe
Building.
The
language
people
don't
talk
to
physicists
anyway.
They
think
we
speak
only
mathematics.
Wang-mu
tells
me
that
the
only
language
we
physicists
know
is
the
grammar
of
dreams."
Wang-mu
had
no
such
friendly
prompter
in
her
ear,
but
then
an
itinerant
philosopher
was
supposed
to
be
gnomic
in
her
speech
and
mantic
in
her
thought.
Thus
she
could
answer
Peter's
comment
by
saying,
"I
say
that
is
the
only
grammar
you
speak.
There
is
no
grammar
that
you
understand."
This
prompted
Peter
to
tickle
her,
which
made
Wang-mu
simultaneously
laugh
and
wrench
at
his
wrist
until
he
stopped,
thereby
proving
to
the
foresters
that
they
were
exactly
what
their
documents
said
they
were:
brilliant
young
people
who
were
nevertheless
silly
with
love--
or
with
youth,
as
if
it
made
a
difference.
They
were
given
a
ride
in
a
government
floater
back
to
civilized
country,
where--
thanks
to
Jane's
manipulation
of
the
computer
networks--
they
found
an
apartment
that
until
yesterday
had
been
empty
and
unfurnished,
but
which
now
was
filled
with
an
eclectic
mix
of
furniture
and
art
that
reflected
a
charming
mixture
of
poverty,
quirkiness,
and
exquisite
taste.
"Very
nice,"
said
Peter.
Wang-mu,
familiar
only
with
the
taste
of
one
world,
and
really
only
of
one
man
in
that
one
world,
could
hardly
evaluate
Jane's
choices.
There
were
places
to
sit--
both
Western
chairs,
which
folded
people
into
alternating
right
angles
and
never
seemed
comfortable
to
Wang-mu,
and
Eastern
mats,
which
encouraged
people
to
twine
themselves
into
circles
of
harmony
with
the
earth.
The
bedroom,
with
its
Western
mattress
raised
high
off
the
ground
even
though
there
were
neither
rats
nor
roaches,
was
obviously
Peter's;
Wang-mu
knew
that
the
same
mat
that
invited
her
to
sit
in
the
main
room
of
the
apartment
would
also
be
her
sleeping
mat
at
night.
She
deferentially
offered
Peter
the
first
bath;
he,
however,
seemed
to
feel
no
urgency
to
wash
himself,
even
though
he
smelled
of
sweat
from
the
hike
and
the
hours
cooped
up
in
the
floater.
So
Wang-mu
ended
up
luxuriating
in
a
tub,
closing
her
eyes
and
meditating
until
she
felt
restored
to
herself.
When
she
opened
her
eyes
she
no
longer
felt
like
a
stranger.
Rather
she
was
herself,
and
the
surrounding
objects
and
spaces
were
free
to
attach
themselves
to
her
without
damaging
her
sense
of
self.
This
was
a
power
she
had
learned
early
in
life,
when
she
had
no
power
even
over
her
own
body,
and
had
to
obey
in
all
things.
It
was
what
preserved
her.
Her
life
had
many
unpleasant
things
attached
to
it,
like
remoras
to
a
shark,
but
none
of
them
changed
who
she
was
under
the
skin,
in
the
cool
darkness
of
her
solitude
with
eyes
closed
and
mind
at
peace.
When
she
emerged
from
the
bathroom,
she
found
Peter
eating
absently
from
a
plate
of
grapes
as
he
watched
a
holoplay
in
which
masked
Japanese
actors
bellowed
at
each
other
and
took
great,
awkward,
thundering
steps,
as
if
the
actors
were
playing
characters
twice
the
size
of
their
own
bodies.
"Have
you
learned
Japanese?"
she
asked.
"Jane's
translating
for
me.
Very
strange
people."
"It's
an
ancient
form
of
drama,"
said
Wang-mu.
"But
very
boring.
Was
there
ever
anyone
whose
heart
was
stirred
by
all
this
shouting?"
"If
you
are
inside
the
story,"
said
Wang-mu,
"then
they
are
shouting
the
words
of
your
own
heart."
"Somebody's
heart
says,
'I
am
the
wind
from
the
cold
snow
of
the
mountain,
and
you
are
the
tiger
whose
roar
will
freeze
in
your
own
ears
before
you
tremble
and
die
in
the
iron
knife
of
my
winter
eyes'?"
"It
sounds
like
you,"
said
Wang-mu.
"Bluster
and
brag."
"I
am
the
round-eyed
sweating
man
who
stinks
like
the
corpse
of
a
leaking
skunk,
and
you
are
the
flower
who
will
wilt
unless
I
take
an
immediate
shower
with
lye
and
ammonia."
"Keep
your
eyes
closed
when
you
do,"
said
Wang-mu.
"That
stuff
burns."
There
was
no
computer
in
the
apartment.
Maybe
the
holoview
could
be
used
as
a
computer,
but
if
so
Wang-mu
didn't
know
how.
Its
controls
looked
like
nothing
she
had
seen
in
Han
Fei-tzu's
house,
but
that
was
hardly
a
surprise.
The
people
of
Path
didn't
take
their
design
of
anything
from
other
worlds,
if
they
could
help
it.
Wang-mu
didn't
even
know
how
to
turn
off
the
sound.
It
didn't
matter.
She
sat
on
her
mat
and
tried
to
remember
everything
she
knew
about
the
Japanese
people
from
her
study
of
Earth
history
with
Han
Qing-jao
and
her
father,
Han
Fei-tzu.
She
knew
that
her
education
was
spotty
at
best,
because
as
a
lowclass
girl
no
one
had
bothered
to
teach
her
much
until
she
wangled
her
way
into
Qing-jao's
household.
So
Han
Fei-tzu
had
told
her
not
to
bother
with
formal
studies,
but
merely
to
explore
information
wherever
her
interests
took
her.
"Your
mind
is
unspoiled
by
a
traditional
education.
Therefore
you
must
let
yourself
discover
your
own
way
into
each
subject."
Despite
this
seeming
liberty,
Fei-tzu
soon
showed
her
that
he
was
a
stern
taskmaster
even
when
the
subjects
were
freely
chosen.
Whatever
she
learned
about
history
or
biography,
he
would
challenge
her,
question
her;
demand
that
she
generalize,
then
refute
her
generalizations;
and
if
she
changed
her
mind,
he
would
then
demand
just
as
sharply
that
she
defend
her
new
position,
even
though
a
moment
before
it
had
been
his
own.
The
result
was
that
even
with
limited
information,
she
was
prepared
to
reexamine
it,
cast
away
old
conclusions
and
hypothesize
new
ones.
Thus
she
could
close
her
eyes
and
continue
her
education
without
any
jewel
to
whisper
in
her
ear,
for
she
could
still
hear
Han
Fei-tzu's
caustic
questioning
even
though
he
was
lightyears
away.
The
actors
stopped
ranting
before
Peter
had
finished
his
shower.
Wang-mu
did
not
notice.
She
did
notice,
however,
when
a
voice
from
the
holoview
said,
"Would
you
like
another
recorded
selection,
or
would
you
prefer
to
connect
with
a
current
broadcast?"
For
a
moment
Wang-mu
thought
that
the
voice
must
be
Jane;
then
she
realized
that
it
was
simply
the
rote
menu
of
a
machine.
"Do
you
have
news?"
she
asked.
"Local,
regional,
planetary
or
interplanetary?"
asked
the
machine.
"Begin
with
local,"
said
Wang-mu.
She
was
a
stranger
here.
She
might
as
well
get
acquainted.
When
Peter
emerged,
clean
and
dressed
in
one
of
the
stylish
local
costumes
that
Jane
had
had
delivered
for
him,
Wang-mu
was
engrossed
in
an
account
of
a
trial
of
some
people
accused
of
overfishing
a
lush
coldwater
region
a
few
hundred
kilometers
from
the
city
they
were
in.
What
was
the
name
of
this
town?
Oh,
yes.
Nagoya.
Since
Jane
had
declared
this
to
be
their
hometown
on
all
their
false
records,
of
course
this
was
where
the
floater
had
brought
them.
"All
worlds
are
the
same,"
said
Wang-mu.
"People
want
to
eat
fish
from
the
sea,
and
some
people
want
to
take
more
of
the
fish
than
the
ocean
can
replenish."
"What
harm
does
it
do
if
I
fish
one
extra
day
or
take
one
extra
ton?"
Peter
asked.
"Because
if
everyone
does,
then--"
She
stopped
herself.
"I
see.
You
were
ironically
speaking
the
rationalization
of
the
wrongdoers."
"Am
I
clean
and
pretty
now?"
asked
Peter,
turning
around
to
show
off
his
loose-fitting
yet
somehow
formrevealing
clothing.
"The
colors
are
garish,"
said
Wang-mu.
"It
looks
as
if
you're
screaming."
"No,
no,"
said
Peter.
"The
idea
is
for
the
people
who
see
me
to
scream."
"Aaaah,"
Wang-mu
screamed
softly.
"Jane
says
that
this
is
actually
a
conservative
costume--
for
a
man
of
my
age
and
supposed
profession.
Men
in
Nagoya
are
known
for
being
peacocks."
"And
the
women?"
"Bare-breasted
all
the
time,"
said
Peter.
"Quite
a
stunning
sight."
"That
is
a
lie.
I
didn't
see
one
bare-breasted
woman
on
our
way
in
and--"
Again
she
stopped
and
frowned
at
him.
"Do
you
really
want
me
to
assume
that
everything
you
say
is
a
lie?"
"I
thought
it
was
worth
a
try."
"Don't
be
silly.
I
have
no
breasts."
"You
have
small
ones,"
said
Peter.
"Surely
you're
aware
of
the
distinction."
"I
don't
want
to
discuss
my
body
with
a
man
dressed
in
a
badly
planned,
overgrown
flower
garden."
"Women
are
all
dowds
here,"
said
Peter.
"Tragic
but
true.
Dignity
and
all
that.
So
are
the
old
men.
Only
the
boys
and
young
men
on
the
prowl
are
allowed
such
plumage
as
this.
I
think
the
bright
colors
are
to
warn
women
off.
Nothing
serious
from
this
lad!
Stay
to
play,
or
go
away.
Some
such
thing.
I
think
Jane
chose
this
city
for
us
solely
so
she
could
make
me
wear
these
things."
"I'm
hungry.
I'm
tired."
"Which
is
more
urgent?"
asked
Peter.
"Hungry."
"There
are
grapes,"
he
offered.
"Which
you
didn't
wash.
I
suppose
that's
a
part
of
your
death
wish."
"On
Divine
Wind,
insects
know
their
place
and
stay
there.
No
pesticides.
Jane
assured
me."
"There
were
no
pesticides
on
Path,
either,"
said
Wang-mu.
"But
we
washed
to
clear
away
bacteria
and
other
one-celled
creatures.
Amebic
dysentery
will
slow
us
down."
"Oh,
but
the
bathroom
is
so
nice,
it
would
be
a
shame
not
to
use
it,"
said
Peter.
Despite
his
flippancy,
Wang-mu
saw
that
her
comment
about
dysentery
from
unwashed
fruit
bothered
him.
"Let's
eat
out,"
said
Wang-mu.
"Jane
has
money
for
us,
doesn't
she?"
Peter
listened
for
a
moment
to
something
coming
from
the
jewel
in
his
ear.
"Yes,
and
all
we
have
to
do
is
tell
the
master
of
the
restaurant
that
we
lost
our
IDs
and
he'll
let
us
thumb
our
way
into
our
accounts.
Jane
says
we're
both
very
rich
if
we
need
to
be,
but
we
should
try
to
act
as
if
we
were
of
limited
means
having
an
occasional
splurge
to
celebrate
something.
What
shall
we
celebrate?"
"Your
bath."
"You
celebrate
that.
I'll
celebrate
our
safe
return
from
being
lost
in
the
woods."
Soon
they
found
themselves
on
the
street,
a
busy
place
with
few
cars,
hundreds
of
bicycles,
and
thousands
of
people
both
on
and
off
the
glideways.
Wang-mu
was
put
off
by
these
strange
machines
and
insisted
they
walk
on
solid
ground,
which
meant
choosing
a
restaurant
close
by.
The
buildings
in
this
neighborhood
were
old
but
not
yet
tatty-looking;
an
established
neighborhood,
but
one
with
pride.
The
style
was
radically
open,
with
arches
and
courtyards,
pillars
and
roofs,
but
few
walls
and
no
glass
at
all.
"The
weather
must
be
perfect
here,"
said
Wang-mu.
"Tropical,
but
on
the
coast
with
a
cold
current
offshore.
It
rains
every
afternoon
for
an
hour
or
so,
most
of
the
year
anyway,
but
it
never
gets
very
hot
and
never
gets
chilly
at
all."
"It
feels
as
though
everything
is
outdoors
all
the
time."
"It's
all
fakery,"
said
Peter.
"Our
apartment
had
glass
windows
and
climate
control,
you
notice.
But
it
faces
back,
into
the
garden,
and
besides,
the
windows
are
recessed,
so
from
below
you
don't
see
the
glass.
Very
artful.
Artificially
natural
looking.
Hypocrisy
and
deception--
the
human
universal."
"It's
a
beautiful
way
to
live,"
said
Wang-mu.
"I
like
Nagoya."
"Too
bad
we
won't
be
here
long."
Before
she
could
ask
to
know
where
they
were
going
and
why,
Peter
pulled
her
into
the
courtyard
of
a
busy
restaurant.
"This
one
cooks
the
fish,"
said
Peter.
"I
hope
you
don't
mind
that."
"What,
the
others
serve
it
raw?"
asked
Wang-mu,
laughing.
Then
she
realized
that
Peter
was
serious.
Raw
fish!
"The
Japanese
are
famous
for
it,"
said
Peter,
"and
in
Nagoya
it's
almost
a
religion.
Notice--
not
a
Japanese
face
in
the
restaurant.
They
wouldn't
deign
to
eat
fish
that
was
destroyed
by
heat.
It's
just
one
of
those
things
that
they
cling
to.
There's
so
little
that's
distinctively
Japanese
about
their
culture
now,
so
they're
devoted
to
the
few
uniquely
Japanese
traits
that
survive."
Wang-mu
nodded,
understanding
perfectly
how
a
culture
could
cling
to
long-dead
customs
just
for
the
sake
of
national
identity,
and
also
grateful
to
be
in
a
place
where
such
customs
were
all
superficial
and
didn't
distort
and
destroy
the
lives
of
the
people
the
way
they
had
on
Path.
Their
food
came
quickly--
it
takes
almost
no
time
to
cook
fish--
and
as
they
ate,
Peter
shifted
his
position
several
times
on
the
mat.
"Too
bad
this
place
isn't
nontraditional
enough
to
have
chairs."
"Why
do
Europeans
hate
the
earth
so
much
that
you
must
always
lift
yourself
above
it?"
asked
Wang-mu.
"You've
already
answered
your
question,"
said
Peter
coldly.
"You
start
from
the
assumption
that
we
hate
the
earth.
It
makes
you
sound
like
some
magic-using
primitive."
Wang-mu
blushed
and
fell
silent.
"Oh,
spare
me
the
passive
oriental
woman
routine,"
said
Peter.
"Or
the
passive
I
-
was
-
trained
-
to
-
be
-
a
-
servant
-
and
-
you
-
sound
-
like
-
a
-
cruel
-
heartless
-
master
manipulation
through
guilt.
I
know
I'm
a
shit
and
I'm
not
going
to
change
just
because
you
look
so
downcast."
"Then
you
could
change
because
you
wish
not
to
be
a
shit
any
longer."
"It's
in
my
character.
Ender
created
me
hateful
so
he
could
hate
me.
The
added
benefit
is
that
you
can
hate
me,
too."
"Oh,
be
quiet
and
eat
your
fish,"
she
said.
"You
don't
know
what
you're
talking
about.
You're
supposed
to
analyze
human
beings
and
you
can't
understand
the
person
closest
to
you
in
all
the
world."
"I
don't
want
to
understand
you,"
said
Peter.
"I
want
to
accomplish
my
task
by
exploiting
this
brilliant
intelligence
you're
supposed
to
have--
even
if
you
believe
that
people
who
squat
are
somehow
'closer
to
the
earth'
than
people
who
remain
upright."
"I
wasn't
talking
about
me,"
she
said.
"I
was
talking
about
the
person
closest
to
you.
Ender."
"He
is
blessedly
far
from
us
right
now."
"He
didn't
create
you
so
that
he
could
hate
you.
He
long
since
got
over
hating
you."
"Yeah,
yeah,
he
wrote
The
Hegemon,
et
cetera,
et
cetera."
"That's
right,"
said
Wang-mu.
"He
created
you
because
he
desperately
needed
someone
to
hate
him."
Peter
rolled
his
eyes
and
took
a
drink
of
milky
pineapple
juice.
"Just
the
right
amount
of
coconut.
I
think
I'll
retire
here,
if
Ender
doesn't
die
and
make
me
disappear
first."
"I
say
something
true,
and
you
answer
with
coconut
in
the
pineapple
juice?"
"Novinha
hates
him,"
said
Peter.
"He
doesn't
need
me."
"Novinha
is
angry
at
him,
but
she's
wrong
to
be
angry
and
he
knows
it.
What
he
needs
from
you
is
a
...
righteous
anger.
To
hate
him
for
the
evil
that
is
really
in
him,
which
no
one
but
him
sees
or
even
believes
is
there."
"I'm
just
a
nightmare
from
his
childhood,"
said
Peter.
"You're
reading
too
much
into
this."
"He
didn't
conjure
you
up
because
the
real
Peter
was
so
important
in
his
childhood.
He
conjured
you
up
because
you
are
the
judge,
the
condemner.
That's
what
Peter
drummed
into
him
as
a
child.
You
told
me
yourself,
talking
about
your
memories.
Peter
taunting
him,
telling
him
of
his
unworthiness,
his
uselessness,
his
stupidity,
his
cowardice.
You
do
it
now.
You
look
at
his
life
and
call
him
a
xenocide,
a
failure.
For
some
reason
he
needs
this,
needs
to
have
someone
damn
him."
"Well,
how
nice
that
I'm
around,
then,
to
despise
him,"
said
Peter.
"But
he
also
is
desperate
for
someone
to
forgive
him,
to
have
mercy
on
him,
to
interpret
all
his
actions
as
well
meant.
Valentine
is
not
there
because
he
loves
her--
he
has
the
real
Valentine
for
that.
He
has
his
wife.
He
needs
your
sister
to
exist
so
she
can
forgive
him."
"So
if
I
stop
hating
Ender,
he
won't
need
me
anymore
and
I'll
disappear?"
"If
Ender
stops
hating
himself,
then
he
won't
need
you
to
be
so
mean
and
you'll
be
easier
to
get
along
with."
"Yeah,
well,
it's
not
that
easy
getting
along
with
somebody
who's
constantly
analyzing
a
person
she's
never
met
and
preaching
at
the
person
she
has
met."
"I
hope
I
make
you
miserable,"
said
Wang-mu.
"It's
only
fair,
considering."
"I
think
Jane
brought
us
here
because
the
local
costumes
reflect
who
we
are.
Puppet
though
I
am,
I
take
some
perverse
pleasure
in
life.
While
you--
you
can
turn
anything
drab
just
by
talking
about
it."
Wang-mu
bit
back
her
tears
and
returned
to
her
food.
"What
is
it
with
you?"
Peter
said.
She
ignored
him,
chewed
slowly,
finding
the
untouched
core
of
herself,
which
was
busily
enjoying
the
food.
"Don't
you
feel
anything?"
She
swallowed,
looked
up
at
him.
"I
already
miss
Han
Fei-tzu,
and
I've
been
gone
scarcely
two
days."
She
smiled
slightly.
"I
have
known
a
man
of
grace
and
wisdom.
He
found
me
interesting.
I'm
quite
comfortable
with
boring
you."
Peter
immediately
made
a
show
of
splashing
water
on
his
ears.
"I'm
burning,
that
stung,
oh,
how
can
I
stand
it.
Vicious!
You
have
the
breath
of
a
dragon!
Men
die
at
your
words!"
"Only
puppets
strutting
around
hanging
from
strings,"
said
Wang-mu.
"Better
to
dangle
from
strings
than
to
be
bound
tight
by
them,"
said
Peter.
"Oh,
the
gods
must
love
me,
to
have
put
me
in
the
company
of
a
man
so
clever
with
words."
"Whereas
the
gods
have
put
me
in
the
company
of
a
woman
with
no
breasts."
She
forced
herself
to
pretend
to
take
this
as
a
joke.
"Small
ones,
I
thought
you
said."
But
suddenly
the
smile
left
his
face.
"I'm
sorry,"
he
said.
"I've
hurt
you."
"I
don't
think
so.
I'll
tell
you
later,
after
a
good
night's
sleep."
"I
thought
we
were
bantering,"
said
Peter.
"Bandying
insults."
"We
were,"
said
Wang-mu.
"But
I
believe
them
all."
Peter
winced.
"Then
I'm
hurt,
too."
"You
don't
know
how
to
hurt,"
said
Wang-mu.
"You're
just
mocking
me."
Peter
pushed
aside
his
plate
and
stood
up.
"I'll
see
you
back
at
the
apartment.
Think
you
can
find
the
way?"
"Do
I
think
you
actually
care?"
"It's
a
good
thing
I
have
no
soul,"
said
Peter.
"That's
the
only
thing
that
stops
you
from
devouring
it."
"If
I
ever
had
your
soul
in
my
mouth,"
said
Wang-mu,
"I
would
spit
it
out."
"Get
some
rest,"
said
Peter.
"For
the
work
I
have
ahead,
I
need
a
mind,
not
a
quarrel."
He
walked
out
of
the
restaurant.
The
clothing
fit
him
badly.
People
looked.
He
was
a
man
of
too
much
dignity
and
strength
to
dress
so
foppishly.
Wang-mu
saw
at
once
that
it
shamed
him.
She
saw
also
that
he
knew
it,
that
he
moved
swiftly
because
he
knew
this
clothing
was
wrong
for
him.
He
would
undoubtedly
have
Jane
order
him
something
older
looking,
more
mature,
more
in
keeping
with
his
need
for
honor.
Whereas
I
need
something
that
will
make
me
disappear.
Or
better
yet,
clothing
that
will
let
me
fly
away
from
here,
all
in
a
single
night,
fly
Outside
and
back
In
to
the
house
of
Han
Fei-tzu,
where
I
can
look
into
eyes
that
show
neither
pity
nor
scorn.
Nor
pain.
For
there
is
pain
in
Peter's
eyes,
and
it
was
wrong
of
me
to
say
he
felt
none.
It
was
wrong
of
me
to
value
my
own
pain
so
highly
that
I
thought
it
gave
me
the
right
to
inflict
more
on
him.
If
I
apologize
to
him,
he'll
mock
me
for
it.
But
then,
I
would
rather
be
mocked
for
doing
a
good
thing
than
to
be
respected,
knowing
I
have
done
wrong.
Is
that
a
principle
Han
Fei-tzu
taught
me?
No.
I
was
born
with
that
one.
Like
my
mother
said,
too
much
pride,
too
much
pride.
When
she
returned
to
the
apartment,
however,
Peter
was
asleep;
exhausted,
she
postponed
her
apology
and
also
slept.
Each
of
them
woke
during
the
night,
but
never
at
the
same
time;
and
in
the
morning,
the
edge
of
last
night's
quarrel
had
worn
off.
There
was
business
at
hand,
and
it
was
more
important
for
her
to
understand
what
they
were
going
to
attempt
to
do
today
than
for
her
to
heal
a
breach
between
them
that
seemed,
in
the
light
of
morning,
to
be
scarcely
more
than
a
meaningless
spat
between
tired
friends.
"The
man
Jane
has
chosen
for
us
to
visit
is
a
philosopher."
"Like
me?"
Wang-mu
said,
keenly
aware
of
her
false
new
role.
"That's
what
I
wanted
to
discuss
with
you.
There
are
two
kinds
of
philosophers
here
on
Divine
Wind.
Aimaina
Hikari,
the
man
we
will
meet,
is
an
analytical
philosopher.
You
don't
have
the
education
to
hold
your
own
with
him.
So
you
are
the
other
kind.
Gnomic
and
mantic.
Given
to
pithy
phrases
that
startle
others
with
their
seeming
irrelevancy."
"Is
it
necessary
that
my
supposedly
wise
phrases
only
seem
irrelevant?"
"You
don't
even
have
to
worry
about
that.
The
gnomic
philosophers
depend
on
others
to
connect
their
irrelevancies
with
the
real
world.
That's
why
any
fool
can
do
it."
Wang-mu
felt
anger
rise
in
her
like
mercury
in
a
thermometer.
"How
kind
of
you
to
choose
that
profession
for
me."
"Don't
be
offended,"
said
Peter.
"Jane
and
I
had
to
come
up
with
some
role
you
could
play
on
this
particular
planet
that
wouldn't
reveal
you
to
be
an
uneducated
native
of
Path.
You
have
to
understand
that
no
child
on
Divine
Wind
is
allowed
to
grow
up
as
hopelessly
ignorant
as
the
servant
class
on
Path."
Wang-mu
did
not
argue
further.
What
would
be
the
point?
If
one
has
to
say,
in
an
argument,
"I
am
intelligent!
I
do
know
things!"
then
one
might
as
well
stop
arguing.
Indeed,
this
idea
struck
her
as
being
exactly
one
of
those
gnomic
phrases
that
Peter
was
talking
about.
She
said
so.
"No,
no,
I
don't
mean
epigrams,"
said
Peter.
"Those
are
too
analytical.
I
mean
genuinely
strange
things.
For
instance,
you
might
have
said,
'The
woodpecker
attacks
the
tree
to
get
at
the
bug,'
and
then
I
would
have
had
to
figure
out
just
how
that
might
fit
our
situation
here.
Am
I
the
woodpecker?
The
tree?
The
bug?
That's
the
beauty
of
it."
"It
seems
to
me
that
you
have
just
proved
yourself
to
be
the
more
gnomic
of
the
two
of
us."
Peter
rolled
his
eyes
and
headed
for
the
door.
"Peter,"
she
said,
not
moving
from
her
place.
He
turned
to
face
her.
"Wouldn't
I
be
more
helpful
to
you
if
I
had
some
idea
of
why
we're
meeting
this
man,
and
who
he
is?"
Peter
shrugged.
"I
suppose.
Though
we
know
that
Aimaina
Hikari
is
not
the
person
or
even
one
of
the
people
we're
looking
for."
"Tell
me
whom
we
are
looking
for,
then."
"We're
looking
for
the
center
of
power
in
the
Hundred
Worlds,"
he
said.
"Then
why
are
we
here,
instead
of
Starways
Congress?"
"Starways
Congress
is
a
play.
The
delegates
are
actors.
The
scripts
are
written
elsewhere."
"Here."
"The
faction
of
Congress
that
is
getting
its
way
about
the
Lusitania
Fleet
is
not
the
one
that
loves
war.
That
group
is
cheerful
about
the
whole
thing,
of
course,
since
they
always
believe
in
brutally
putting
down
insurrection
and
so
on,
but
they
would
never
have
been
able
to
get
the
votes
to
send
the
fleet
without
a
swing
group
that
is
very
heavily
influenced
by
a
school
of
philosophers
from
Divine
Wind."
"Of
which
Aimaina
Hikari
is
the
leader?"
"It's
more
subtle
than
that.
He
is
actually
a
solitary
philosopher,
belonging
to
no
particular
school.
But
he
represents
a
sort
of
purity
of
Japanese
thought
which
makes
him
something
of
a
conscience
to
the
philosophers
who
influence
the
swing
group
in
Congress."
"How
many
dominoes
do
you
think
you
can
line
up
and
have
them
still
knock
each
other
over?"
"No,
that
wasn't
gnomic
enough.
Still
too
analytical."
"I'm
not
playing
my
part
yet,
Peter.
What
are
the
ideas
that
this
swing
group
gets
from
this
philosophical
school?"
Peter
sighed
and
sat
down--
bending
himself
into
a
chair,
of
course.
Wang-mu
sat
on
the
floor
and
thought:
This
is
how
a
man
of
Europe
likes
to
see
himself,
with
his
head
higher
than
all
others,
teaching
the
woman
of
Asia.
But
from
my
perspective,
he
has
disconnected
himself
from
the
earth.
I
will
hear
his
words,
but
I
will
know
that
it
is
up
to
me
to
bring
them
into
a
living
place.
"The
swing
group
would
never
use
such
massive
force
against
what
really
amounts
to
a
minor
dispute
with
a
tiny
colony.
The
original
issue,
as
you
know,
was
that
two
xenologers,
Miro
Ribeira
and
Ouanda
Mucumbi,
were
caught
introducing
agriculture
among
the
pequeninos
of
Lusitania.
This
constituted
cultural
interference,
and
they
were
ordered
offplanet
for
trial.
Of
course,
with
the
old
relativistic
lightspeed
ships,
taking
someone
off
planet
meant
that
when
and
if
they
ever
went
back,
everyone
they
knew
would
be
old
or
dead.
So
it
was
brutally
harsh
treatment
and
amounted
to
prejudgment.
Congress
might
have
expected
protests
from
the
government
of
Lusitania,
but
what
it
got
instead
was
complete
defiance
and
a
cutoff
of
ansible
communications.
The
tough
guys
in
Congress
immediately
started
lobbying
for
a
single
troopship
to
go
and
seize
control
of
Lusitania.
But
they
didn't
have
the
votes,
until--"
"Until
they
raised
the
specter
of
the
descolada
virus."
"Exactly.
The
group
that
was
adamantly
opposed
to
the
use
of
force
brought
up
the
descolada,
as
a
reason
why
troops
shouldn't
be
sent--
because
at
that
time
anyone
who
was
infected
with
the
virus
had
to
stay
on
Lusitania
and
keep
taking
an
inhibitor
that
kept
the
descolada
from
destroying
your
body
from
the
inside
out.
This
was
the
first
time
that
the
danger
of
the
descolada
became
widely
known,
and
the
swing
group
emerged,
consisting
of
those
who
were
appalled
that
Lusitania
had
not
been
quarantined
long
before.
What
could
be
more
dangerous
than
to
have
a
fast-spreading,
semi-intelligent
virus
in
the
hands
of
rebels?
This
group
consisted
almost
entirely
of
delegates
who
were
strongly
influenced
by
the
Necessarian
school
from
Divine
Wind."
Wang-mu
nodded.
"And
what
do
the
Necessarians
teach?"
"That
one
lives
in
peace
and
harmony
with
one's
environment,
disturbing
nothing,
patiently
bearing
mild
or
even
serious
afflictions.
However,
when
a
genuine
threat
to
survival
emerges,
one
must
act
with
brutal
efficiency.
The
maxim
is,
Act
only
when
necessary,
and
then
act
with
maximum
force
and
speed.
Thus,
where
the
militarists
wanted
a
troopship,
the
Necessarian-influenced
delegates
insisted
on
sending
a
fleet
armed
with
the
Molecular
Disruption
Device,
which
would
destroy
the
threat
of
the
descolada
virus
once
and
for
all.
There's
a
sort
of
ironic
neatness
about
it
all,
don't
you
think?"
"I
don't
see
it."
"Oh,
it
fits
together
so
perfectly.
Ender
Wiggin
was
the
one
who
used
the
Little
Doctor
to
wipe
out
the
bugger
home
world.
Now
it's
going
to
be
used
for
only
the
second
time--
against
the
very
world
where
he
happens
to
live!
It
gets
even
thicker.
The
first
Necessarian
philosopher,
Ooka,
used
Ender
himself
as
the
prime
example
of
his
ideas.
As
long
as
the
buggers
were
seen
to
be
a
dangerous
threat
to
the
survival
of
humankind,
the
only
appropriate
response
was
utter
eradication
of
the
enemy.
No
half-measures
would
do.
Of
course
the
buggers
turned
out
not
to
have
been
a
threat
after
all,
as
Ender
himself
wrote
in
his
book
The
Hive
Queen,
but
Ooka
defended
the
mistake
because
the
truth
was
unknowable
at
the
time
Ender's
superiors
turned
him
loose
against
the
enemy.
What
Ooka
said
was,
'Never
trade
blows
with
the
enemy.'
His
idea
was
that
you
try
never
to
strike
anyone,
but
when
you
must,
you
strike
only
one
blow,
but
such
a
harsh
one
that
your
enemy
can
never,
never
strike
back."
"So
using
Ender
as
an
example--"
"That's
right.
Ender's
own
actions
are
being
used
to
justify
repeating
them
against
another
harmless
species."
"The
descolada
wasn't
harmless."
"No,"
said
Peter.
"But
Ender
and
Ela
found
another
way,
didn't
they?
They
struck
a
blow
against
the
descolada
itself.
But
there's
no
way
now
to
convince
Congress
to
withdraw
the
fleet.
Because
Jane
already
interfered
with
Congress's
ansible
communications
with
the
fleet,
they
believe
they
face
a
formidable
widespread
secret
conspiracy.
Any
argument
we
make
will
be
seen
as
disinformation.
Besides,
who
would
believe
the
farfetched
tale
of
that
first
trip
Outside,
where
Ela
created
the
anti-descolada,
Miro
recreated
himself,
and
Ender
made
my
dear
sister
and
me?"
"So
the
Necessarians
in
Congress--"
"They
don't
call
themselves
that.
But
the
influence
is
very
strong.
It
is
Jane's
and
my
opinion
that
if
we
can
get
some
prominent
Necessarians
to
declare
against
the
Lusitania
Fleet--
with
convincing
reasoning,
of
course--
the
solidarity
of
the
pro-fleet
majority
in
Congress
will
be
broken
up.
It's
a
thin
majority--
there
are
plenty
of
people
horrified
by
such
devastating
use
of
force
against
a
colony
world,
and
others
who
are
even
more
horrified
at
the
idea
that
Congress
would
destroy
the
pequeninos,
the
first
sentient
species
found
since
the
destruction
of
the
buggers.
They
would
love
to
stop
the
fleet,
or
at
worst
use
it
to
impose
a
permanent
quarantine."
"Why
aren't
we
meeting
with
a
Necessarian,
then?"
"Because
why
would
they
listen
to
us?
If
we
identify
ourselves
as
supporters
of
the
Lusitanian
cause,
we'll
be
jailed
and
questioned.
And
if
we
don't,
who
will
take
our
ideas
seriously?"
"This
Aimaina
Hikari,
then.
What
is
he?"
"Some
people
call
him
the
Yamato
philosopher.
All
the
Necessarians
of
Divine
Wind
are,
naturally,
Japanese,
and
the
philosophy
has
become
most
influential
among
the
Japanese,
both
on
their
home
worlds
and
wherever
they
have
a
substantial
population.
So
even
though
Hikari
isn't
a
Necessarian,
he
is
honored
as
the
keeper
of
the
Japanese
soul."
"If
he
tells
them
that
it's
un-Japanese
to
destroy
Lusitania--"
"But
he
won't.
Not
easily,
anyway.
His
seminal
work,
which
won
him
his
reputation
as
the
Yamato
philosopher,
included
the
idea
that
the
Japanese
people
were
born
as
rebellious
puppets.
First
it
was
Chinese
culture
that
pulled
the
strings.
But
Hikari
says,
Japan
learned
all
the
wrong
lessons
from
the
attempted
Chinese
invasion
of
Japan--
which,
by
the
way,
was
defeated
by
a
great
storm,
called
kamikaze,
which
means
'Divine
Wind.'
So
you
can
be
sure
everyone
on
this
world,
at
least,
remembers
that
ancient
story.
Anyway,
Japan
locked
itself
away
on
an
island,
and
at
first
refused
to
deal
with
Europeans
when
they
came.
But
then
an
American
fleet
forcibly
opened
Japan
to
foreign
trade,
and
then
the
Japanese
made
up
for
lost
time.
The
Meiji
Restoration
led
to
Japan
trying
to
industrialize
and
Westernize
itself--
and
once
again
a
new
set
of
strings
made
the
puppet
dance,
says
Hikari.
Only
once
again,
the
wrong
lessons
were
learned.
Since
the
Europeans
at
the
time
were
imperialists,
dividing
up
Africa
and
Asia
among
them,
Japan
decided
it
wanted
a
piece
of
the
imperial
pie.
There
was
China,
the
old
puppetmaster.
So
there
was
an
invasion--"
"We
were
taught
of
this
invasion
on
Path,"
said
Wang-mu.
"I'm
surprised
they
taught
any
history
more
recent
than
the
Mongol
invasion,"
said
Peter.
"The
Japanese
were
finally
stopped
when
the
Americans
dropped
the
first
nuclear
weapons
on
two
Japanese
cities."
"The
equivalent,
in
those
days,
of
the
Little
Doctor.
The
irresistible,
total
weapon.
The
Japanese
soon
came
to
regard
these
nuclear
weapons
as
a
kind
of
badge
of
pride:
We
were
the
first
people
ever
to
have
been
attacked
by
nuclear
weapons.
It
had
become
a
kind
of
permanent
grievance,
which
wasn't
a
bad
thing,
really,
because
that
was
part
of
their
impetus
to
found
and
populate
many
colonies,
so
that
they
would
never
be
a
helpless
island
nation
again.
But
then
along
comes
Aimaina
Hikari,
and
he
says--
by
the
way,
his
name
is
self-chosen,
it's
the
name
he
used
to
sign
his
first
book.
It
means
'Ambiguous
Light.'"
"How
gnomic,"
said
Wang-mu.
Peter
grinned.
"Oh,
tell
him
that,
he'll
be
so
proud.
Anyway,
in
his
first
book,
he
says,
The
Japanese
learned
the
wrong
lesson.
Those
nuclear
bombs
cut
the
strings.
Japan
was
utterly
prostrate.
The
proud
old
government
was
destroyed,
the
emperor
became
a
figurehead,
democracy
came
to
Japan,
and
then
wealth
and
great
power."
"The
bombs
were
a
blessing,
then?"
asked
Wang-mu
doubtfully.
"No,
no,
not
at
all.
He
thinks
the
wealth
of
Japan
destroyed
the
people's
soul.
They
adopted
the
destroyer
as
their
father.
They
became
America's
bastard
child,
blasted
into
existence
by
American
bombs.
Puppets
again."
"Then
what
does
he
have
to
do
with
the
Necessarians?"
"Japan
was
bombed,
he
says,
precisely
because
they
were
already
too
European.
They
treated
China
as
the
Europeans
treated
America,
selfishly
and
brutally.
But
the
Japanese
ancestors
could
not
bear
to
see
their
children
become
such
beasts.
So
just
as
the
gods
of
Japan
sent
a
Divine
Wind
to
stop
the
Chinese
fleet,
so
the
gods
sent
the
American
bombs
to
stop
Japan
from
becoming
an
imperialist
state
like
the
Europeans.
The
Japanese
response
should
have
been
to
bear
the
American
occupation
and
then,
when
it
was
over,
to
become
purely
Japanese
again,
chastened
and
whole.
The
title
of
his
book
was,
Not
Too
Late."
"And
I'll
bet
the
Necessarians
use
the
American
bombing
of
Japan
as
another
example
of
striking
with
maximum
force
and
speed."
"No
Japanese
would
have
dared
to
praise
the
American
bombing
until
Hikari
made
it
possible
to
see
the
bombing,
not
as
Japan's
victimization,
but
as
the
gods'
attempt
at
redemption
of
the
people."
"So
you're
saying
that
the
Necessarians
respect
him
enough
that
if
he
changed
his
mind,
they
would
change
theirs--
but
he
won't
change
his
mind,
because
he
believes
the
bombing
of
Japan
was
a
divine
gift?"
"We're
hoping
he
will
change
his
mind,"
said
Peter,
"or
our
trip
will
be
a
failure.
The
thing
is,
there's
no
chance
he'll
be
open
to
direct
persuasion
from
us,
and
Jane
can't
tell
from
his
writings
what
or
who
it
is
who
might
influence
him.
We
have
to
talk
to
him
to
find
out
where
to
go
next--
so
maybe
we
can
change
their
mind."
"This
is
really
complicated,
isn't
it?"
said
Wang-mu.
"Which
is
why
I
didn't
think
it
was
worth
explaining
it
to
you.
What
exactly
are
you
going
to
do
with
this
information?
Enter
into
a
discussion
of
the
subtleties
of
history
with
an
analytical
philosopher
of
the
first
rank,
like
Hikari?"
"I'm
going
to
listen,"
said
Wang-mu.
"That's
what
you
were
going
to
do
before,"
said
Peter.
"But
now
I
will
know
who
it
is
I'm
listening
to."
"Jane
thinks
it
was
a
mistake
for
me
to
tell
you,
because
now
you'll
be
interpreting
everything
he
says
in
light
of
what
Jane
and
I
already
think
we
know."
"Tell
Jane
that
the
only
people
who
ever
prize
purity
of
ignorance
are
those
who
profit
from
a
monopoly
on
knowledge."
Peter
laughed.
"Epigrams
again,"
he
said.
"You're
supposed
to
say--"
"Don't
tell
me
how
to
be
gnomic
again,"
said
Wang-mu.
She
got
up
from
the
floor.
Now
her
head
was
higher
than
Peter's.
"You're
the
gnome.
And
as
for
me
being
mantic--
remember
that
the
mantic
eats
its
mate."
"I'm
not
your
mate,"
said
Peter,
"and
'mantic'
means
a
philosophy
that
comes
from
vision
or
inspiration
or
intuition
rather
than
from
scholarship
and
reason."
"If
you're
not
my
mate,"
said
Wang-mu,
"stop
treating
me
like
a
wife."
Peter
looked
puzzled,
then
looked
away.
"Was
I
doing
that?"
"On
Path,
a
husband
assumes
his
wife
is
a
fool
and
teaches
her
even
the
things
she
already
knows.
On
Path,
a
wife
has
to
pretend,
when
she
is
teaching
her
husband,
that
she
is
only
reminding
him
of
things
he
taught
her
long
before."
"Well,
I'm
just
an
insensitive
oaf,
aren't
I."
"Please
remember,"
said
Wang-mu,
"that
when
we
meet
with
Aimaina
Hikari,
he
and
I
have
one
fund
of
knowledge
that
you
can
never
have."
"And
what's
that?"
"A
life."
She
saw
the
pain
on
his
face
and
at
once
regretted
causing
it.
But
it
was
a
reflexive
regret--
she
had
been
trained
from
childhood
up
to
be
sorry
when
she
gave
offense,
no
matter
how
richly
it
was
deserved.
"Ouch,"
said
Peter,
as
if
his
pain
were
a
joke.
Wang-mu
showed
no
mercy--
she
was
not
a
servant
now.
"You're
so
proud
of
knowing
more
than
me,
but
everything
you
know
is
either
what
Ender
put
in
your
head
or
what
Jane
whispers
in
your
ear.
I
have
no
Jane,
I
had
no
Ender.
Everything
I
know,
I
learned
the
hard
way.
I
lived
through
it.
So
please
don't
treat
me
with
contempt
again.
If
I
have
any
value
on
this
expedition,
it
will
come
from
my
knowing
everything
you
know--
because
everything
you
know,
I
can
be
taught,
but
what
I
know,
you
can
never
learn."
The
joking
was
over.
Peter's
face
reddened
with
anger.
"How
...
who
..."
"How
dare
I,"
said
Wang-mu,
echoing
the
phrases
she
assumed
he
had
begun.
"Who
do
I
think
I
am."
"I
didn't
say
that,"
said
Peter
softly,
turning
away.
"I'm
not
staying
in
my
place,
am
I?"
she
asked.
"Han
Fei-tzu
taught
me
about
Peter
Wiggin.
The
original,
not
the
copy.
How
he
made
his
sister
Valentine
take
part
in
his
conspiracy
to
seize
the
hegemony
of
Earth.
How
he
made
her
write
all
of
the
Demosthenes
material--
rabble-rousing
demagoguery--
while
he
wrote
all
the
Locke
material,
the
lofty,
analytical
ideas.
But
the
low
demagoguery
came
from
him."
"So
did
the
lofty
ideas,"
said
Peter.
"Exactly,"
said
Wang-mu.
"What
never
came
from
him,
what
came
only
from
Valentine,
was
something
he
never
saw
or
valued.
A
human
soul."
"Han
Fei-tzu
said
that?"
"Yes."
"Then
he's
an
ass,"
said
Peter.
"Because
Peter
had
as
much
of
a
human
soul
as
Valentine
had."
He
stepped
toward
her,
looming.
"I'm
the
one
without
a
soul,
Wang-mu."
For
a
moment
she
was
afraid
of
him.
How
did
she
know
what
violence
had
been
created
in
him?
What
dark
rage
in
Ender's
aiua
might
find
expression
through
this
surrogate
he
had
created?
But
Peter
did
not
strike
a
blow.
Perhaps
it
was
not
necessary.
***
Aimaina
Hikari
came
out
himself
to
the
front
gate
of
his
garden
to
let
them
in.
He
was
dressed
simply,
and
around
his
neck
was
the
locket
that
all
the
traditional
Japanese
of
Divine
Wind
wore:
a
tiny
casket
containing
the
ashes
of
all
his
worthy
ancestors.
Peter
had
already
explained
to
her
that
when
a
man
like
Hikari
died,
a
pinch
of
the
ashes
from
his
locket
would
be
added
to
a
bit
of
his
own
ashes
and
given
to
his
children
or
his
grandchildren
to
wear.
Thus
all
of
his
ancient
family
hung
above
his
breastbone,
waking
and
sleeping,
and
formed
the
most
precious
gift
he
could
give
his
posterity.
It
was
a
custom
that
Wang-mu,
who
had
no
ancestors
worth
remembering,
found
both
thrilling
and
disturbing.
Hikari
greeted
Wang-mu
with
a
bow,
but
held
out
his
hand
for
Peter
to
shake.
Peter
took
it
with
some
small
show
of
surprise.
"Oh,
they
call
me
the
keeper
of
the
Yamato
spirit,"
said
Hikari
with
a
smile,
"but
that
doesn't
mean
I
must
be
rude
and
force
Europeans
to
behave
like
Japanese.
Watching
a
European
bow
is
as
painful
as
watching
a
pig
do
ballet."
As
Hikari
led
them
through
the
garden
into
his
traditional
paperwalled
house,
Peter
and
Wang-mu
looked
at
each
other
and
grinned
broadly.
It
was
a
wordless
truce
between
them,
for
they
both
knew
at
once
that
Hikari
was
going
to
be
a
formidable
opponent,
and
they
needed
to
be
allies
if
they
were
to
learn
anything
from
him.
"A
philosopher
and
a
physicist,"
said
Hikari.
"I
looked
you
up
when
you
sent
your
note
asking
for
an
appointment.
I
have
been
visited
by
philosophers
before,
and
physicists,
and
also
by
Europeans
and
Chinese,
but
what
truly
puzzles
me
is
why
the
two
of
you
should
be
together."
"She
found
me
sexually
irresistible,"
said
Peter,
"and
I
can't
get
rid
of
her."
Then
he
grinned
his
most
charming
grin.
To
Wang-mu's
pleasure,
Peter's
Western-style
irony
left
Hikari
impassive
and
unamused,
and
she
could
see
a
blush
rising
up
Peter's
neck.
It
was
her
turn--
to
play
the
gnome
for
real
this
time.
"The
pig
wallows
in
mud,
but
he
warms
himself
on
the
sunny
stone."
Hikari
turned
his
gaze
to
her--
remaining
just
as
impassive
as
before.
"I
will
write
these
words
in
my
heart,"
he
said.
Wang-mu
wondered
if
Peter
understood
that
she
had
just
been
the
victim
of
Hikari's
oriental-style
irony.
"We
have
come
to
learn
from
you,"
said
Peter.
"Then
I
must
give
you
food
and
send
you
on
your
way
disappointed,"
said
Hikari.
"I
have
nothing
to
teach
a
physicist
or
a
philosopher.
If
I
did
not
have
children,
I
would
have
no
one
to
teach,
for
only
they
know
less
than
I."
"No,
no,"
said
Peter.
"You're
a
wise
man.
The
keeper
of
the
Yamato
spirit."
"I
said
that
they
call
me
that.
But
the
Yamato
spirit
is
much
too
great
to
be
kept
in
so
small
a
container
as
my
soul.
And
yet
the
Yamato
spirit
is
much
too
small
to
be
worthy
of
the
notice
of
the
powerful
souls
of
the
Chinese
and
the
European.
You
are
the
teachers,
as
China
and
Europe
have
always
been
the
teachers
of
Japan."
Wang-mu
did
not
know
Peter
well,
but
she
knew
him
well
enough
to
see
that
he
was
flustered
now,
at
a
loss
for
how
to
proceed.
In
Ender's
life
and
wanderings,
he
had
lived
in
several
oriental
cultures
and
even,
according
to
Han
Fei-tzu,
spoke
Korean,
which
meant
that
Ender
would
probably
be
able
to
deal
with
the
ritualized
humility
of
a
man
like
Hikari--
especially
since
he
was
obviously
using
that
humility
in
a
mocking
way.
But
what
Ender
knew
and
what
he
had
given
to
his
Peter-identity
were
obviously
two
different
things.
This
conversation
would
be
up
to
her,
and
she
sensed
that
the
best
way
to
play
with
Hikari
was
to
refuse
to
let
him
control
the
game.
"Very
well,"
she
said.
"We
will
teach
you.
For
when
we
show
you
our
ignorance,
then
you
will
see
where
we
most
need
your
wisdom."
Hikari
looked
at
Peter
for
a
moment.
Then
he
clapped
his
hands.
A
serving
woman
appeared
in
a
doorway.
"Tea,"
said
Hikari.
At
once
Wang-mu
leapt
to
her
feet.
Only
when
she
was
already
standing
did
she
realize
what
she
was
going
to
do.
That
peremptory
command
to
bring
tea
was
one
that
she
had
heeded
many
times
in
her
life,
but
it
was
not
a
blind
reflex
that
brought
her
to
her
feet.
Rather
it
was
her
intuition
that
the
only
way
to
beat
Hikari
at
his
own
game
was
to
call
his
bluff:
She
would
be
humbler
than
he
knew
how
to
be.
"I
have
been
a
servant
all
my
life,"
said
Wang-mu
honestly,
"but
I
was
always
a
clumsy
one,"
which
was
not
so
honest.
"May
I
go
with
your
servant
and
learn
from
her?
I
may
not
be
wise
enough
to
learn
the
ideas
of
a
great
philosopher,
but
perhaps
I
can
learn
what
I
am
fit
to
learn
from
the
servant
who
is
worthy
to
bring
tea
to
Aimaina
Hikari."
She
could
see
from
his
hesitation
that
Hikari
knew
he
had
been
trumped.
But
the
man
was
deft.
He
immediately
rose
to
his
feet.
"You
have
already
taught
me
a
great
lesson,"
he
said.
"Now
we
will
all
go
and
watch
Kenji
prepare
the
tea.
If
she
will
be
your
teacher,
Si
Wang-mu,
she
must
also
be
mine.
For
how
could
I
bear
to
know
that
someone
in
my
house
knew
a
thing
that
I
had
not
yet
learned?"
Wang-mu
had
to
admire
his
resourcefulness.
He
had
once
again
placed
himself
beneath
her.
Poor
Kenji,
the
servant!
She
was
a
deft
and
well-trained
woman,
Wang-mu
saw,
but
it
made
her
nervous
having
these
three,
especially
her
master,
watch
her
prepare
the
tea.
So
Wang-mu
immediately
reached
in
and
"helped"
--deliberately
making
a
mistake
as
she
did.
At
once
Kenji
was
in
her
element,
and
confident
again.
"You
have
forgotten,"
said
Kenji
kindly,
"because
my
kitchen
is
so
inefficiently
arranged."
Then
she
showed
Wang-mu
how
the
tea
was
prepared.
"At
least
in
Nagoya,"
she
said
modestly.
"At
least
in
this
house."
Wang-mu
watched
carefully,
concentrating
only
on
Kenji
and
what
she
was
doing,
for
she
quickly
saw
that
the
Japanese
way
of
preparing
tea--
or
perhaps
it
was
the
way
of
Divine
Wind,
or
merely
the
way
of
Nagoya,
or
of
humble
philosophers
who
kept
the
Yamato
spirit--
was
different
from
the
pattern
she
had
followed
so
carefully
in
the
house
of
Han
Fei-tzu.
By
the
time
the
tea
was
ready,
Wangmu
had
learned
from
her.
For,
having
made
the
claim
to
be
a
servant,
and
having
a
computer
record
that
asserted
that
she
had
lived
her
whole
life
in
a
Chinese
community
on
Divine
Wind,
Wang-mu
might
have
to
be
able
to
serve
tea
properly
in
exactly
this
fashion.
They
returned
to
the
front
room
of
Hikari's
house,
Kenji
and
Wang-mu
each
bearing
a
small
tea
table.
Kenji
offered
her
table
to
Hikari,
but
he
waved
her
over
to
Peter,
and
then
bowed
to
him.
It
was
Wang-mu
who
served
Hikari.
And
when
Kenji
backed
away
from
Peter,
Wang-mu
also
backed
away
from
Hikari.
For
the
first
time,
Hikari
looked--
angry?
His
eyes
flashed,
anyway.
For
by
placing
herself
on
exactly
the
same
level
as
Kenji,
she
had
just
maneuvered
him
into
a
position
where
he
either
had
to
shame
himself
by
being
prouder
than
Wang-mu
and
dismissing
his
servant,
or
disrupt
the
good
order
of
his
own
house
by
inviting
Kenji
to
sit
down
with
the
three
of
them
as
equals.
"Kenji,"
said
Hikari.
"Let
me
pour
tea
for
you."
Check,
thought
Wang-mu.
And
mate.
It
was
a
delicious
bonus
when
Peter,
who
had
finally
caught
on
to
the
game,
also
poured
tea
for
her,
and
then
managed
to
spill
it
on
her,
which
prompted
Hikari
to
spill
a
little
on
himself
in
order
to
put
his
guest
at
ease.
The
pain
of
the
hot
tea
and
then
the
discomfort
as
it
cooled
and
dried
were
well
worth
the
pleasure
of
knowing
that
while
Wang-mu
had
proved
herself
a
match
for
Hikari
in
outrageous
courtesy,
Peter
had
merely
proved
himself
to
be
an
oaf.
Or
was
Wang-mu
truly
a
match
for
Hikari?
He
must
have
seen
and
understood
her
effort
to
place
herself
ostentatiously
beneath
him.
It
was
possible,
then,
that
he
was--
humbly--
allowing
her
to
win
pride
of
place
as
the
more
humble
of
the
two.
As
soon
as
she
realized
that
he
might
have
done
this,
then
she
knew
that
he
certainly
had
done
it,
and
the
victory
was
his.
I'm
not
as
clever
as
I
thought.
She
looked
at
Peter,
hoping
that
he
would
now
take
over
and
do
whatever
clever
thing
he
had
in
mind.
But
he
seemed
perfectly
content
to
let
her
lead
out.
Certainly
he
didn't
jump
into
the
breach.
Did
he,
too,
realize
that
she
had
just
been
bested
at
her
own
game,
because
she
failed
to
take
it
deep
enough?
Was
he
giving
her
the
rope
to
hang
herself?
Well,
let's
get
the
noose
good
and
tight.
"Aimaina
Hikari,
you
are
called
by
some
the
keeper
of
the
Yamato
spirit.
Peter
and
I
grew
up
on
a
Japanese
world,
and
yet
the
Japanese
humbly
allow
Stark
to
be
the
language
of
the
public
school,
so
that
we
speak
no
Japanese.
In
my
Chinese
neighborhood,
in
Peter's
American
city,
we
spent
our
childhoods
on
the
edge
of
Japanese
culture,
looking
in.
So
if
there
is
any
particular
part
of
our
vast
ignorance
that
will
be
most
obvious
to
you,
it
is
in
our
knowledge
of
Yamato
itself."
"Oh,
Wang-mu,
you
make
a
mystery
out
of
the
obvious.
No
one
understands
Yamato
better
than
those
who
see
it
from
the
outside,
just
as
the
parent
understands
the
child
better
than
the
child
understands
herself."
"Then
I
will
enlighten
you,"
said
Wang-mu,
discarding
the
game
of
humility.
"For
I
see
Japan
as
an
Edge
nation,
and
I
cannot
yet
see
whether
your
ideas
will
make
Japan
a
new
Center
nation,
or
begin
the
decay
that
all
edge
nations
experience
when
they
take
power."
"I
grasp
a
hundred
possible
meanings,
most
of
them
surely
true
of
my
people,
for
your
term
'Edge
nation,'"
said
Hikari.
"But
what
is
a
Center
nation,
and
how
can
a
people
become
one?"
"I
am
not
well-versed
in
Earth
history,"
said
Wang-mu,
"but
as
I
studied
what
little
I
know,
it
seemed
to
me
that
there
were
a
handful
of
Center
nations,
which
had
a
culture
so
strong
that
they
swallowed
up
all
conquerors.
Egypt
was
one,
and
China.
Each
one
became
unified
and
then
expanded
no
more
than
necessary
to
protect
their
borders
and
pacify
their
hinterland.
Each
one
took
in
its
conquerors
and
swallowed
them
up
for
thousands
of
years.
Egyptian
writing
and
Chinese
writing
persisted
with
only
stylistic
modifications,
so
that
the
past
remained
present
for
those
who
could
read."
Wang-mu
could
see
from
Peter's
stiffness
that
he
was
very
worried.
After
all,
she
was
saying
things
that
were
definitely
not
gnomic.
But
since
he
was
completely
out
of
his
depth
with
an
Asian,
he
was
still
making
no
effort
to
intrude.
"Both
of
these
nations
were
born
in
barbarian
times,"
said
Hikari.
"Are
you
saying
that
no
nation
can
become
a
Center
nation
now?"
"I
don't
know,"
said
Wang-mu.
"I
don't
even
know
if
my
distinction
between
Edge
nations
and
Center
nations
has
any
truth
or
value.
I
do
know
that
a
Center
nation
can
keep
its
cultural
power
long
after
it
has
lost
political
control.
Mesopotamia
was
continually
conquered
by
its
neighbors,
and
yet
each
conqueror
in
turn
was
more
changed
by
Mesopotamia
than
Mesopotamia
was
changed.
The
kings
of
Assyria
and
Chaldea
and
Persia
were
almost
indistinguishable
after
they
had
once
tasted
the
culture
of
the
land
between
the
rivers.
But
a
Center
nation
can
also
fall
so
completely
that
it
disappears.
Egypt
staggered
under
the
cultural
blow
of
Hellenism,
fell
to
its
knees
under
the
ideology
of
Christianity,
and
finally
was
erased
by
Islam.
Only
the
stone
buildings
reminded
the
children
of
what
and
who
their
ancient
parents
had
been.
History
has
no
laws,
and
all
patterns
that
we
find
there
are
useful
illusions."
"I
see
you
are
a
philosopher,"
said
Hikari.
"You
are
generous
to
call
my
childish
speculations
by
that
lofty
name,"
said
Wang-mu.
"But
let
me
tell
you
now
what
I
think
about
Edge
nations.
They
are
born
in
the
shadow--
or
perhaps
one
could
say,
in
the
reflected
light--
of
other
nations.
As
Japan
became
civilized
under
the
influence
of
China.
As
Rome
discovered
itself
in
the
shadow
of
the
Greeks."
"The
Etruscans
first,"
said
Peter
helpfully.
Hikari
looked
at
him
blandly,
then
turned
back
to
Wang-mu
without
comment.
Wang-mu
could
almost
feel
Peter
wither
at
having
been
thus
deemed
irrelevant.
She
felt
a
little
sorry
for
him.
Not
a
lot,
just
a
little.
"Center
nations
are
so
confident
of
themselves
that
they
generally
don't
need
to
embark
on
wars
of
conquest.
They
are
already
sure
they
are
the
superior
people
and
that
all
other
nations
wish
to
be
like
them
and
obey
them.
But
Edge
nations,
when
they
first
feel
their
strength,
must
prove
themselves,
they
think,
and
almost
always
they
do
so
with
the
sword.
Thus
the
Arabs
broke
the
back
of
the
Roman
Empire
and
swallowed
up
Persia.
Thus
the
Macedonians,
on
the
edge
of
Greece,
conquered
Greece;
and
then,
having
been
so
culturally
swallowed
up
that
they
now
thought
themselves
Greek,
they
conquered
the
empire
on
whose
edge
the
Greeks
had
become
civilizedPersia.
The
Vikings
had
to
harrow
Europe
before
peeling
off
kingdoms
in
Naples,
Sicily,
Normandy,
Ireland,
and
finally
England.
And
Japan--"
"We
tried
to
stay
on
our
islands,"
said
Hikari
softly.
"Japan,
when
it
erupted,
rampaged
through
the
Pacific,
trying
to
conquer
the
great
Center
nation
of
China,
and
was
finally
stopped
by
the
bombs
of
the
new
Center
nation
of
America."
"I
would
have
thought,"
said
Hikari,
"that
America
was
the
ultimate
Edge
nation."
"America
was
settled
by
Edge
peoples,
but
the
idea
of
America
became
the
new
envigorating
principle
that
made
it
a
Center
nation.
They
were
so
arrogant
that,
except
for
subduing
their
own
hinterland,
they
had
no
will
to
empire.
They
simply
assumed
that
all
nations
wanted
to
be
like
them.
They
swallowed
up
all
other
cultures.
Even
on
Divine
Wind,
what
is
the
language
of
the
schools?
It
was
not
England
that
imposed
this
language,
Stark,
Starways
Common
Speech,
on
us
all."
"It
was
only
by
accident
that
America
was
technologically
ascendant
at
the
moment
the
Hive
Queen
came
and
forced
us
out
among
the
stars."
"The
idea
of
America
became
the
Center
idea,
I
think,"
said
Wang-mu.
"Every
nation
from
then
on
had
to
have
the
forms
of
democracy.
We
are
governed
by
the
Starways
Congress
even
now.
We
all
live
within
the
American
culture
whether
we
like
it
or
not.
So
what
I
wonder
is
this:
Now
that
Japan
has
taken
control
of
this
Center
nation,
will
Japan
be
swallowed
up,
as
the
Mongols
were
swallowed
up
by
China?
Or
will
the
Japanese
culture
retain
its
identity,
but
eventually
decay
and
lose
control,
as
the
Edge-nation
Turks
lost
control
of
Islam
and
the
Edge-nation
Manchu
lost
control
of
China?"
Hikari
was
upset.
Angry?
Puzzled?
Wang-mu
had
no
way
of
guessing.
"The
philosopher
Si
Wang-mu
says
a
thing
that
is
impossible
for
me
to
accept,"
said
Hikari.
"How
can
you
say
that
the
Japanese
are
now
in
control
of
Starways
Congress
and
the
Hundred
Worlds?
When
was
this
revolution
that
no
one
noticed?"
"But
I
thought
you
could
see
what
your
teaching
of
the
Yamato
way
had
accomplished,"
said
Wang-mu.
"The
existence
of
the
Lusitania
Fleet
is
proof
of
Japanese
control.
This
is
the
great
discovery
that
my
friend
the
physicist
taught
me,
and
it
was
the
reason
we
came
to
you."
Peter's
look
of
horror
was
genuine.
She
could
guess
what
he
was
thinking.
Was
she
insane,
to
have
tipped
their
hand
so
completely?
But
she
also
knew
that
she
had
done
it
in
a
context
that
revealed
nothing
about
their
motive
in
coming.
And,
never
having
lost
his
composure,
Peter
took
his
cue
and
proceeded
to
explain
Jane's
analysis
of
Starways
Congress,
the
Necessarians,
and
the
Lusitania
Fleet,
though
of
course
he
presented
the
ideas
as
if
they
were
his
own.
Hikari
listened,
nodding
now
and
then,
shaking
his
head
at
other
times;
the
impassivity
was
gone
now,
the
attitude
of
amused
distance
discarded.
"So
you
tell
me,"
Hikari
said,
when
Peter
was
done,
"that
because
of
my
small
book
about
the
American
bombs,
the
Necessarians
have
taken
control
of
government
and
launched
the
Lusitania
Fleet?
You
lay
this
at
my
door?"
"Not
as
a
matter
either
for
blame
or
credit,"
said
Peter.
"You
did
not
plan
it
or
design
it.
For
all
I
know
you
don't
even
approve
of
it."
"I
don't
even
think
about
the
politics
of
Starways
Congress.
I
am
of
Yamato."
"But
that's
what
we
came
here
to
learn,"
said
Wang-mu.
"I
see
that
you
are
a
man
of
the
Edge,
not
a
man
of
the
Center.
Therefore
you
will
not
let
Yamato
be
swallowed
up
by
the
Center
nation.
Instead
the
Japanese
will
remain
aloof
from
their
own
hegemony,
and
in
the
end
it
will
slip
from
their
hands
into
someone
else's
hands."
Hikari
shook
his
head.
"I
will
not
have
you
blame
Japan
for
this
Lusitania
Fleet.
We
are
the
people
who
are
chastened
by
the
gods,
we
do
not
send
fleets
to
destroy
others."
"The
Necessarians
do,"
said
Peter.
"The
Necessarians
talk,"
said
Hikari.
"No
one
listens."
"You
don't
listen
to
them,"
said
Peter.
"But
Congress
does."
"And
the
Necessarians
listen
to
you,"
said
Wang-mu.
"I
am
a
man
of
perfect
simplicity!"
cried
Hikari,
rising
to
his
feet.
"You
have
come
to
torture
me
with
accusations
that
cannot
be
true!"
"We
make
no
accusation,"
said
Wang-mu
softly,
refusing
to
rise.
"We
offer
an
observation.
If
we
are
wrong,
we
beg
you
to
teach
us
our
mistake."
Hikari
was
trembling,
and
his
left
hand
now
clutched
the
locket
of
his
ancestors'
ashes
that
hung
on
a
silk
ribbon
around
his
neck.
"No,"
he
said.
"I
will
not
let
you
pretend
to
be
humble
seekers
after
truth.
You
are
assassins.
Assassins
of
the
heart,
come
to
destroy
me,
come
to
tell
me
that
in
seeking
to
find
the
Yamato
way
I
have
somehow
caused
my
people
to
rule
the
human
worlds
and
use
that
power
to
destroy
a
helplessly
weak
sentient
species!
It
is
a
terrible
lie
to
tell
me,
that
my
life's
work
has
been
so
useless.
I
would
rather
you
had
put
poison
in
my
tea,
Si
Wang-mu.
I
would
rather
you
had
put
a
gun
to
my
head
and
blown
it
off,
Peter
Wiggin.
They
named
you
well,
your
parents--
proud
and
terrible
names
you
both
bear.
The
Royal
Mother
of
the
West?
A
goddess?
And
Peter
Wiggin,
the
first
hegemon!
Who
gives
their
child
such
a
name
as
that?"
Peter
was
standing
also,
and
he
reached
down
to
lift
Wang-mu
to
her
feet.
"We
have
given
offense
where
we
meant
none,"
said
Peter.
"I
am
ashamed.
We
must
go
at
once."
Wang-mu
was
surprised
to
hear
Peter
sound
so
oriental.
The
American
way
was
to
make
excuses,
to
stay
and
argue.
She
let
him
lead
her
to
the
door.
Hikari
did
not
follow
them;
it
was
left
to
poor
Kenji,
who
was
terrified
to
see
her
placid
master
so
exercised,
to
show
them
out.
But
Wang-mu
was
determined
not
to
let
this
visit
end
entirely
in
disaster.
So
at
the
last
moment
she
rushed
back
and
flung
herself
to
the
floor,
prostrate
before
Hikari
in
precisely
the
pose
of
humiliation
that
she
had
vowed
only
a
little
while
ago
that
she
would
never
adopt
again.
But
she
knew
that
as
long
as
she
was
in
that
posture,
a
man
like
Hikari
would
have
to
listen
to
her.
"Oh,
Aimaina
Hikari,"
she
said,
"you
have
spoken
of
our
names,
but
have
you
forgotten
your
own?
How
could
the
man
called
'Ambiguous
Light'
ever
think
that
his
teachings
could
have
only
the
effects
that
he
intended?"
Upon
hearing
those
words,
Hikari
turned
his
back
and
stalked
from
the
room.
Had
she
made
the
situation
better
or
worse?
Wang-mu
had
no
way
of
knowing.
She
got
to
her
feet
and
walked
dolefully
to
the
door.
Peter
would
be
furious
with
her.
With
her
boldness
she
might
well
have
ruined
everything
for
them--
and
not
just
for
them,
but
for
all
those
who
so
desperately
hoped
for
them
to
stop
the
Lusitania
Fleet.
To
her
surprise,
however,
Peter
was
perfectly
cheerful
once
they
got
outside
Hikari's
garden
gate.
"Well
done,
however
weird
your
technique
was,"
said
Peter.
"What
do
you
mean?
It
was
a
disaster,"
she
said;
but
she
was
eager
to
believe
that
somehow
he
was
right
and
she
had
done
well
after
all.
"Oh,
he's
angry
and
he'll
never
speak
to
us
again,
but
who
cares?
We
weren't
trying
to
change
his
mind
ourselves.
We
were
just
trying
to
find
out
who
it
is
who
does
have
influence
over
him.
And
we
did."
"We
did?"
"Jane
picked
up
on
it
at
once.
When
he
said
he
was
a
man
of
'perfect
simplicity.'"
"Does
that
mean
something
more
than
the
plain
sense
of
it?"
"Mr.
Hikari,
my
dear,
has
revealed
himself
to
be
a
secret
disciple
of
Ua
Lava."
Wang-mu
was
baffled.
"It's
a
religious
movement.
Or
a
joke.
It's
hard
to
know
which.
It's
a
Samoan
term,
with
the
literal
meaning
'Now
enough,'
but
which
is
translated
more
accurately
as,
'enough
already!'"
"I'm
sure
you're
an
expert
on
Samoan."
Wang-mu,
for
her
part,
had
never
heard
of
the
language.
"Jane
is,"
said
Peter
testily.
"I
have
her
jewel
in
my
ear
and
you
don't.
Don't
you
want
me
to
pass
along
what
she
tells
me?"
"Yes,
please,"
said
Wang-mu.
"It's
a
sort
of
philosophy--
cheerful
stoicism,
one
might
call
it,
because
when
things
get
bad
or
when
things
are
good,
you
say
the
same
thing.
But
as
taught
by
a
particular
Samoan
writer
named
Leiloa
Lavea,
it
became
more
than
a
mere
attitude.
She
taught--"
"She?
Hikari
is
a
disciple
of
a
woman?"
"I
didn't
say
that,"
said
Peter.
"If
you
listen,
I'll
tell
you
what
Jane
is
telling
me."
He
waited.
She
listened.
"All
right,
then,
what
Leiloa
Lavea
taught
was
a
sort
of
volunteer
communism.
It's
not
enough
just
to
laugh
at
good
fortune
and
say,
'Enough
already.'
You
have
to
really
mean
it--
that
you
have
enough.
And
because
you
mean
it,
you
take
the
surplus
and
you
give
it
away.
Similarly,
when
bad
fortune
comes,
you
bear
it
until
it
becomes
unbearable--
your
family
is
hungry,
or
you
can
no
longer
function
in
your
work.
And
then
again
you
say,
'Enough
already,'
and
you
change
something.
You
move;
you
change
careers;
you
let
your
spouse
make
all
the
decisions.
Something.
You
don't
endure
the
unendurable."
"What
does
that
have
to
do
with
'perfect
simplicity'?"
"Leiloa
Lavea
taught
that
when
you
have
achieved
balance
in
your
life--
surplus
good
fortune
is
being
fully
shared,
and
all
bad
fortune
has
been
done
away
with--
what
is
left
is
a
life
of
perfect
simplicity.
That's
what
Aimaina
Hikari
was
saying
to
us.
Until
we
came,
his
life
had
been
going
on
in
perfect
simplicity.
But
now
we
have
thrown
him
out
of
balance.
That's
good,
because
it
means
he's
going
to
be
struggling
to
discover
how
to
restore
simplicity
to
its
perfection.
He'll
be
open
to
influence.
Not
ours,
of
course."
"Leiloa
Lavea's?"
"Hardly.
She's
been
dead
for
two
thousand
years.
Ender
met
her
once,
by
the
way.
He
came
to
speak
a
death
on
her
home
world
ofwell,
Starways
Congress
calls
it
Pacifica,
but
the
Samoan
enclave
there
calls
it
Lumana'i.
'The
Future.'"
"Not
her
death,
though."
"A
Fijian
murderer,
actually.
A
fellow
who
killed
more
than
a
hundred
children,
all
of
them
Tongan.
He
didn't
like
Tongans,
apparently.
They
held
off
on
his
funeral
for
thirty
years
so
Ender
could
come
and
speak
his
death.
They
hoped
that
the
Speaker
for
the
Dead
would
be
able
to
make
sense
of
what
he
had
done."
"And
did
he?"
Peter
sneered.
"Oh,
of
course,
he
was
splendid.
Ender
can
do
no
wrong.
Yadda
yadda
yadda."
She
ignored
his
hostility
toward
Ender.
"He
met
Leiloa
Lavea?"
"Her
name
means
'to
be
lost,
to
be
hurt.'"
"Let
me
guess.
She
chose
it
herself."
"Exactly.
You
know
how
writers
are.
Like
Hikari,
they
create
themselves
as
they
create
their
work.
Or
perhaps
they
create
their
work
in
order
to
create
themselves."
"How
gnomic,"
said
Wang-mu.
"Oh,
shut
up
about
that,"
said
Peter.
"Did
you
actually
believe
all
that
stuff
about
Edge
nations
and
Center
nations?"
"I
thought
of
it,"
said
Wang-mu.
"When
I
first
learned
Earth
history
from
Han
Fei-tzu.
He
didn't
laugh
when
I
told
him
my
thoughts."
"Oh,
I'm
not
laughing,
either.
It's
naive
bullshit,
of
course,
but
it's
not
exactly
funny."
Wang-mu
ignored
his
mockery.
"If
Leiloa
Lavea
is
dead,
where
will
we
go?"
"To
Pacifica.
To
Lumana'i.
Hikari
learned
of
Ua
Lava
in
his
teenage
years
at
university.
From
a
Samoan
student--
the
granddaughter
of
the
Pacifican
ambassador.
She
had
never
been
to
Lumana'i,
of
course,
and
so
she
clung
all
the
more
tightly
to
its
customs
and
became
quite
a
proselytizer
for
Leiloa
Lavea.
This
was
long
before
Hikari
ever
wrote
a
thing.
He
never
speaks
of
it,
he's
never
written
of
Ua
Lava,
but
now
that
he's
tipped
his
hand
to
us,
Jane
is
finding
all
sorts
of
influence
of
Ua
Lava
in
all
his
work.
And
he
has
friends
in
Lumana'i.
He's
never
met
them,
but
they
correspond
through
the
ansible
net."
"What
about
the
granddaughter
of
the
ambassador?"
"She's
on
a
starship
right
now,
headed
home
to
Lumana'i.
She
left
twenty
years
ago,
when
her
grandfather
died.
She
should
get
there
...
oh,
in
another
ten
years
or
so.
Depending
on
the
weather.
She'll
be
received
with
great
honor,
no
doubt,
and
her
grandfather's
body
will
be
buried
or
burned
or
whatever
they
do--
burned,
Jane
says--
with
great
ceremony."
"But
Hikari
won't
try
to
talk
to
her."
"It
would
take
a
week
to
space
out
even
a
simple
message
enough
for
her
to
receive
it,
at
the
speed
the
ship
is
going.
No
way
to
have
a
philosophical
discussion.
She'd
be
home
before
he
finished
explaining
his
question."
For
the
first
time,
Wang-mu
began
to
understand
the
implications
of
the
instantaneous
starflight
that
she
and
Peter
had
used.
These
long,
life-wrenching
voyages
could
be
done
away
with.
"If
only,"
she
said.
"I
know,"
said
Peter.
"But
we
can't."
She
knew
he
was
right.
"So
we
go
there
ourselves,"
she
said,
returning
to
the
subject.
"Then
what?"
"Jane
is
watching
to
see
whom
Hikari
writes
to.
That's
the
person
who'll
be
in
a
position
to
influence
him.
And
so
..."
"That's
who
we'll
talk
to."
"That's
right.
Do
you
need
to
pee
or
something
before
we
arrange
transportation
back
to
our
little
cabin
in
the
woods?"
"That
would
be
nice,"
said
Wang-mu.
"And
you
could
do
with
a
change
of
clothes."
"What,
you
think
even
this
conservative
outfit
might
be
too
bold?"
"What
are
they
wearing
on
Lumana'i?"
"Oh,
well,
a
lot
of
them
just
go
around
naked.
In
the
tropics.
Jane
says
that
given
the
massive
bulk
of
many
adult
Polynesians,
it
can
be
an
inspiring
sight."
Wang-mu
shuddered.
"We
aren't
going
to
try
to
pretend
to
be
natives,
are
we?"
"Not
there,"
said
Peter.
"Jane's
going
to
fake
us
as
passengers
on
a
starship
that
arrived
there
yesterday
from
Moskva.
We're
probably
going
to
be
government
officials
of
some
kind."
"Isn't
that
illegal?"
she
asked.
Peter
looked
at
her
oddly.
"Wang-mu,
we're
already
committing
treason
against
Congress
just
by
having
left
Lusitania.
It's
a
capital
offense.
I
don't
think
impersonating
a
government
official
is
going
to
make
much
of
a
difference."
"But
I
didn't
leave
Lusitania,"
said
Wang-mu.
"I've
never
seen
Lusitania.
"
"Oh,
you
haven't
missed
much.
It's
just
a
bunch
of
savannahs
and
woods,
with
the
occasional
Hive
Queen
factory
building
starships
and
a
bunch
of
piglike
aliens
living
in
the
trees."
"I'm
an
accomplice
to
treason
though,
right?"
asked
Wang-mu.
"And
you're
also
guilty
of
ruining
a
Japanese
philosopher's
whole
day."
"Off
with
my
head."
An
hour
later
they
were
in
a
private
floater--
so
private
that
there
were
no
questions
asked
by
their
pilot;
and
Jane
saw
to
it
that
all
their
papers
were
in
order.
Before
night
they
were
back
at
their
little
starship.
"We
should
have
slept
in
the
apartment,"
said
Peter,
balefully
eyeing
the
primitive
sleeping
accommodations.
Wang-mu
only
laughed
at
him
and
curled
up
on
the
floor.
In
the
morning,
rested,
they
found
that
Jane
had
already
taken
them
to
Pacifica
in
their
sleep.
***
Aimaina
Hikari
awoke
from
his
dream
in
the
light
that
was
neither
night
nor
morning,
and
arose
from
his
bed
into
air
that
was
neither
warm
nor
cold.
His
sleep
had
not
been
restful,
and
his
dreams
had
been
ugly
ones,
frantic
ones,
in
which
all
that
he
did
kept
turning
back
on
him
as
the
opposite
of
what
he
intended.
In
his
dream,
Aimaina
would
climb
to
reach
the
bottom
of
a
canyon.
He
would
speak
and
people
would
go
away
from
him.
He
would
write
and
the
pages
of
the
book
would
spurt
out
from
under
his
hand,
scattering
themselves
across
the
floor.
All
this
he
understood
to
be
in
response
to
the
visit
from
those
lying
foreigners
yesterday.
He
had
tried
to
ignore
them
all
afternoon,
as
he
read
stories
and
essays;
to
forget
them
all
evening,
as
he
conversed
with
seven
friends
who
came
to
visit
him.
But
the
stories
and
essays
all
seemed
to
cry
out
to
him:
These
are
the
words
of
the
insecure
people
of
an
Edge
nation;
and
the
seven
friends
were
all,
he
realized,
Necessarians,
and
when
he
turned
the
conversation
to
the
Lusitania
Fleet,
he
soon
understood
that
every
one
of
them
believed
exactly
as
the
two
liars
with
their
ridiculous
names
had
said
they
did.
So
Aimaina
found
himself
in
the
predawn
almost-light,
sitting
on
a
mat
in
his
garden,
fingering
the
casket
of
his
ancestors,
wondering:
Were
my
dreams
sent
to
me
by
the
ancestors?
Were
these
lying
visitors
sent
by
them
as
well?
And
if
their
accusations
against
me
were
not
lies,
what
was
it
they
were
lying
about?
For
he
knew
from
the
way
they
watched
each
other,
from
the
young
woman's
hesitancy
followed
by
boldness,
that
they
were
doing
a
performance,
one
that
was
unrehearsed
but
nevertheless
followed
some
kind
of
script.
Dawn
came
fully,
seeking
out
each
leaf
of
every
tree,
then
of
all
the
lower
plants,
to
give
each
one
its
own
distinct
shading
and
coloration;
the
breeze
came
up,
making
the
light
infinitely
changeable.
Later,
in
the
heat
of
the
day,
all
the
leaves
would
become
the
same:
still,
submissive,
receiving
sunlight
in
a
massive
stream
like
a
firehose.
Then,
in
the
afternoon,
the
clouds
would
roll
overhead,
the
light
rains
would
fall;
the
limp
leaves
would
recover
their
strength,
would
glisten
with
water,
their
color
deepening,
readying
for
night,
for
the
life
of
the
night,
for
the
dreams
of
plants
growing
in
the
night,
storing
away
the
sunlight
that
had
been
beaten
into
them
by
day,
flowing
with
the
cool
inward
rivers
that
had
been
fed
by
the
rains.
Aimaina
Hikari
became
one
of
the
leaves,
driving
all
thoughts
but
light
and
wind
and
rain
out
of
his
mind
until
the
dawn
phase
was
ended
and
the
sun
began
to
drive
downward
with
the
day's
heat.
Then
he
rose
up
from
his
seat
in
the
garden.
Kenji
had
prepared
a
small
fish
for
his
breakfast.
He
ate
it
slowly,
delicately,
so
as
not
to
disturb
the
perfect
skeleton
that
had
given
shape
to
the
fish.
The
muscles
pulled
this
way
and
that,
and
the
bones
flexed
but
did
not
break.
I
will
not
break
them
now,
but
I
take
the
strength
of
the
muscles
into
my
own
body.
Last
of
all
he
ate
the
eyes.
From
the
parts
that
move
comes
the
strength
of
the
animal.
He
touched
the
casket
of
his
ancestors
again.
What
wisdom
I
have,
however,
comes
not
from
what
I
eat,
but
from
what
I
am
given
each
hour,
by
those
who
whisper
into
my
ear
from
ages
past.
Living
men
forget
the
lessons
of
the
past.
But
the
ancestors
never
forget.
Aimaina
arose
from
his
breakfast
table
and
went
to
the
computer
in
his
gardening
shed.
It
was
just
another
tool--
that's
why
he
kept
it
here,
instead
of
enshrining
it
in
his
house
or
in
a
special
office
the
way
so
many
others
did.
His
computer
was
like
a
trowel.
He
used
it,
he
set
it
aside.
A
face
appeared
in
the
air
above
his
terminal.
"I
am
calling
my
friend
Yasunari,"
said
Aimaina.
"But
do
not
disturb
him.
This
matter
is
so
trivial
that
I
would
be
ashamed
to
have
him
waste
his
time
with
it."
"Let
me
help
you
on
his
behalf
then,"
said
the
face
in
the
air.
"Yesterday
I
asked
for
information
about
Peter
Wiggin
and
Si
Wang-mu,
who
had
an
appointment
to
visit
with
me."
"I
remember.
It
was
a
pleasure
finding
them
so
quickly
for
you."
"I
found
their
visit
very
disturbing,"
said
Aimaina.
"Something
that
they
told
me
was
not
true,
and
I
need
more
information
in
order
to
find
out
what
it
was.
I
do
not
wish
to
violate
their
privacy,
but
are
there
matters
of
public
record--
perhaps
their
school
attendance,
or
places
of
employment,
or
some
matters
of
family
connections
...
"
"Yasunari
has
told
us
that
all
things
you
ask
for
are
for
a
wise
purpose.
Let
me
search."
The
face
disappeared
for
a
moment,
then
flickered
back
almost
immediately.
"This
is
very
odd.
Have
I
made
a
mistake?"
She
spelled
the
names
carefully.
"That's
correct,"
said
Aimaina.
"Exactly
like
yesterday."
"I
remember
them,
too.
They
live
in
an
apartment
only
a
few
blocks
from
your
house.
But
I
can't
find
them
at
all
today.
And
here
I
search
the
apartment
building
and
find
that
the
apartment
they
occupied
has
been
empty
for
a
year.
Aimaina,
I
am
very
surprised.
How
can
two
people
exist
one
day
and
not
exist
the
next
day?
Did
I
make
some
mistake,
either
yesterday
or
today?"
"You
made
no
mistake,
helper
of
my
friend.
This
is
the
information
I
needed.
Please,
I
beg
you
to
think
no
more
about
it.
What
looks
like
a
mystery
to
you
is
in
fact
a
solution
to
my
questions."
They
bade
each
other
polite
farewells.
Aimaina
walked
from
his
garden
workroom
past
the
struggling
leaves
that
bowed
under
the
pressure
of
the
sunlight.
The
ancestors
have
pressed
wisdom
on
me,
he
thought,
like
sunlight
on
the
leaves;
and
last
night
the
water
flowed
through
me,
carrying
this
wisdom
through
my
mind
like
sap
through
the
tree.
Peter
Wiggin
and
Si
Wang-mu
were
flesh
and
blood,
and
filled
with
lies,
but
they
came
to
me
and
spoke
the
truth
that
I
needed
to
hear.
Is
this
not
how
the
ancestors
bring
messages
to
their
living
children?
I
have
somehow
launched
ships
armed
with
the
most
terrible
weapons
of
war.
I
did
this
when
I
was
young;
now
the
ships
are
near
their
destination
and
I
am
old
and
I
cannot
call
them
back.
A
world
will
be
destroyed
and
Congress
will
look
to
the
Necessarians
for
approval
and
they
will
give
it,
and
then
the
Necessarians
will
look
to
me
for
approval,
and
I
will
hide
my
face
in
shame.
My
leaves
will
fall
and
I
will
stand
bare
before
them.
That
is
why
I
should
not
have
lived
my
life
in
this
tropical
place.
I
have
forgotten
winter.
I
have
forgotten
shame
and
death.
Perfect
simplicity--
I
thought
I
had
achieved
it.
But
instead
I
have
been
a
bringer
of
bad
fortune.
He
sat
in
the
garden
for
an
hour,
drawing
single
characters
in
the
fine
gravel
of
the
path,
then
wiping
it
smooth
and
writing
again.
At
last
he
returned
to
the
garden
shed
and
on
the
computer
typed
the
message
he
had
been
composing:
Ender
the
Xenocide
was
a
child
and
did
not
know
the
war
was
real;
yet
he
chose
to
destroy
a
populated
planet
in
his
game.
I
am
an
adult
and
have
known
all
along
that
the
game
was
real;
but
I
did
not
know
I
was
a
player.
Is
my
blame
greater
or
less
than
the
Xenocide's
if
another
world
is
destroyed
and
another
raman
species
obliterated?
What
is
my
path
to
simplicity
now?
His
friend
would
know
few
of
the
circumstances
surrounding
this
query;
but
he
would
not
need
more.
He
would
consider
the
question.
He
would
find
an
answer.
A
moment
later,
an
ansible
on
the
planet
Pacifica
received
his
message.
On
the
way,
it
had
already
been
read
by
the
entity
that
sat
astride
all
the
strands
of
the
ansible
web.
For
Jane,
though,
it
was
not
the
message
that
mattered
so
much
as
the
address.
Now
Peter
and
Wang-mu
would
know
where
to
go
for
the
next
step
in
their
quest.
Chapter
5
--
"NOBODY
IS
RATIONAL"
My
father
often
told
me,
We
have
servants
and
machines
in
order
that
our
will
may
be
carried
out
beyond
the
reach
of
our
own
arms.
Machines
are
more
powerful
than
servants
and
more
obedient
and
less
rebellious,
but
machines
have
no
judgment
and
will
not
remonstrate
with
us
when
our
will
is
foolish,
and
will
not
disobey
us
when
our
will
is
evil.
In
times
and
places
where
people
despise
the
gods,
those
most
in
need
of
servants
have
machines,
or
choose
servants
who
will
behave
like
machines.
I
believe
this
will
continue
until
the
gods
stop
laughing."
--
from
The
God
Whispers
of
Han
Qing-jao
The
hovercar
skimmed
over
the
fields
of
amaranth
being
tended
by
buggers
under
the
morning
sun
of
Lusitania.
In
the
distance,
clouds
already
arose,
cumulus
stacks
billowing
upward,
though
it
was
not
yet
noon.
"Why
aren't
we
going
to
the
ship?"
asked
Val.
Miro
shook
his
head.
"We've
found
enough
worlds,"
he
said.
"Does
Jane
say
so?"
"Jane
is
impatient
with
me
today,"
said
Miro,
"which
makes
us
about
even."
Val
fixed
her
gaze
on
him.
"Imagine
my
impatience
then,"
she
said.
"You
haven't
even
bothered
to
ask
me
what
I
want
to
do.
Am
I
so
inconsequential,
then?"
He
glanced
at
her.
"You're
the
one
who's
dying,"
he
said.
"I
tried
talking
to
Ender,
but
it
didn't
accomplish
anything."
"When
did
I
ask
you
for
help?
And
what
exactly
are
you
doing
to
help
me
right
now?"
"I'm
going
to
the
Hive
Queen."
"You
might
as
well
say
you're
going
to
see
your
fairy
godmother."
"Your
problem,
Val,
is
that
you
are
completely
dependent
on
Ender's
will.
If
he
loses
interest
in
you,
you're
gone.
Well,
I'm
going
to
find
out
how
we
can
get
you
a
will
of
your
own."
Val
laughed
and
looked
away
from
him.
"You're
so
romantic,
Miro.
But
you
don't
think
things
through."
"I
think
them
through
very
well,"
said
Miro.
"I
spend
all
my
time
thinking
things
through.
It's
acting
on
my
thoughts
that
gets
tricky.
Which
ones
should
I
act
on,
and
which
ones
should
I
ignore?"
"Act
on
the
thought
of
steering
us
without
crashing,"
said
Val.
Miro
swerved
to
avoid
a
starship
under
construction.
"She
still
makes
more,"
said
Miro,
"even
though
we
have
enough."
"Maybe
she
knows
that
when
Jane
dies,
starflight
ends
for
us.
So
the
more
ships,
the
more
we
can
accomplish
before
she
dies."
"Who
can
guess
how
the
Hive
Queen
thinks?"
said
Miro.
"She
promises,
but
even
she
can't
predict
whether
her
predictions
will
come
true."
"So
why
are
you
going
to
see
her?"
"The
hive
queens
made
a
bridge
one
time,
a
living
bridge
to
allow
them
to
link
their
minds
with
the
mind
of
Ender
Wiggin
when
he
was
just
a
boy,
and
their
most
dangerous
enemy.
They
called
an
aiua
out
of
darkness
and
set
it
in
place
somewhere
between
the
stars.
It
was
a
being
that
partook
of
the
nature
of
the
hive
queens,
but
also
of
the
nature
of
human
beings,
specifically
of
Ender
Wiggin,
as
nearly
as
they
could
understand
him.
When
they
were
done
with
the
bridge--
when
Ender
killed
them
all
but
the
one
they
had
cocooned
to
wait
for
him--
the
bridge
remained,
alive
among
the
feeble
ansible
connections
of
humankind,
storing
its
memory
in
the
small,
fragile
computer
networks
of
the
first
human
world
and
its
few
outposts.
As
the
computer
networks
grew,
so
did
that
bridge,
that
being,
drawing
on
Ender
Wiggin
for
its
life
and
character."
"Jane,"
said
Val.
"Yes,
that's
Jane.
What
I'm
going
to
try
to
learn,
Val,
is
how
to
get
Jane's
aiua
into
you."
"Then
I'll
be
Jane,
and
not
myself."
Miro
smacked
the
joystick
of
the
hovercar
with
his
fist.
The
craft
wobbled,
then
automatically
righted
itself.
"Do
you
think
I
haven't
thought
of
that?"
demanded
Miro.
"But
you're
not
yourself
now!
You're
Ender--
you're
Ender's
dream
or
his
need
or
something
like
that."
"I
don't
feel
like
Ender.
I
feel
like
me."
"That's
right.
You
have
your
memories.
The
feelings
of
your
own
body.
Your
own
experiences.
But
none
of
those
will
be
lost.
Nobody's
conscious
of
their
own
underlying
will.
You'll
never
know
the
difference."
She
laughed.
"Oh,
you're
the
expert
now
in
what
would
happen,
with
something
that
has
never
been
done
before?"
"Yes,"
said
Miro.
"Somebody
has
to
decide
what
to
do.
Somebody
has
to
decide
what
to
believe,
and
then
act
on
it."
"What
if
I
tell
you
that
I
don't
want
you
to
do
this?"
"Do
you
want
to
die?"
"It
seems
to
me
that
you're
the
one
trying
to
kill
me,"
said
Val.
"Or,
to
be
fair,
you
want
to
commit
the
slightly
lesser
crime
of
cutting
me
off
from
my
own
deepest
self
and
replacing
that
with
someone
else."
"You're
dying
now.
The
self
you
have
doesn't
want
you."
"Miro,
I'll
go
see
the
Hive
Queen
with
you
because
that
sounds
like
an
interesting
experience.
But
I'm
not
going
to
let
you
extinguish
me
in
order
to
save
my
life."
"All
right
then,"
said
Miro,
"since
you
represent
the
utterly
altruistic
side
of
Ender's
nature,
let
me
put
it
to
you
a
different
way.
If
Jane's
aiua
can
be
placed
in
your
body,
then
she
won't
die.
And
if
she
doesn't
die,
then
maybe,
after
they've
shut
down
the
computer
links
that
she
lives
in
and
then
reconnected
them,
confident
that
she's
dead,
maybe
then
she'll
be
able
to
link
with
them
again
and
maybe
then
instantaneous
starflight
won't
have
to
end.
So
if
you
die,
you'll
be
dying
to
save,
not
just
Jane,
but
the
power
and
freedom
to
expand
as
we've
never
expanded
before.
Not
just
us,
but
the
pequeninos
and
hive
queens
too."
Val
fell
silent.
Miro
watched
the
route
ahead
of
him.
The
Hive
Queen's
cave
was
nearing
on
the
left,
in
an
embankment
by
a
stream.
He
had
gone
down
there
once
before,
in
his
old
body.
He
knew
the
way.
Of
course,
Ender
had
been
with
him
then,
and
that
was
why
he
could
communicate
with
the
Hive
Queen--
she
could
talk
to
Ender,
and
because
those
who
loved
and
followed
him
were
philotically
twined
with
him,
they
overheard
the
echoes
of
her
speech.
But
wasn't
Val
a
part
of
Ender?
And
wasn't
he
now
more
tightly
twined
to
her
than
he
had
ever
been
with
Ender?
He
needed
Val
with
him
to
speak
to
the
Hive
Queen;
he
needed
to
speak
to
the
Hive
Queen
in
order
to
keep
Val
from
being
obliterated
like
his
own
old
damaged
body.
They
got
out,
and
sure
enough,
the
Hive
Queen
was
expecting
them;
a
single
worker
waited
for
them
at
the
cavern's
mouth.
It
took
Val
by
the
hand
and
led
them
wordlessly
down
into
darkness,
Miro
clinging
to
Val,
Val
holding
to
the
strange
creature.
It
frightened
Miro
just
as
it
had
the
first
time,
but
Val
seemed
utterly
unafraid.
Or
was
it
that
she
was
unconcerned?
Her
deepest
self
was
Ender,
and
Ender
did
not
really
care
what
happened
to
her.
This
made
her
fearless.
It
made
her
unconcerned
with
survival.
All
she
was
concerned
with
was
keeping
her
connection
to
Ender--
the
one
thing
that
was
bound
to
kill
her
if
she
kept
it
up.
To
her
it
seemed
as
though
Miro
was
trying
to
extinguish
her;
but
Miro
knew
that
his
plan
was
the
only
way
to
save
any
part
of
her.
Her
body.
Her
memories.
Her
habits,
her
mannerisms,
every
aspect
of
her
that
he
actually
knew,
those
would
be
preserved.
Every
part
of
her
that
she
herself
was
aware
of
or
remembered,
those
would
all
be
there.
As
far
as
Miro
was
concerned,
that
would
mean
her
life
was
saved,
if
those
endured.
And
once
the
change
had
been
made,
if
it
could
be
made
at
all,
Val
would
thank
him
for
it.
And
so
would
Jane.
And
so
would
everyone.
<The
difference
between
you
and
Ender,>
said
a
voice
in
his
mind,
a
low
murmur
behind
the
level
of
actual
hearing,
<is
that
when
Ender
thinks
of
a
plan
to
save
others,
he
puts
himself
and
only
himself
on
the
line.>
"That's
a
lie,"
said
Miro
to
the
Hive
Queen.
"He
killed
Human,
didn't
he?
It
was
Human
that
he
put
on
the
line."
Human
was
now
one
of
the
fathertrees
that
grew
by
the
gate
of
the
village
of
Milagre.
Ender
had
killed
him
slowly,
so
that
he
could
take
root
in
the
soil
and
go
through
the
passage
into
the
third
life
with
all
his
memories
intact.
"I
suppose
Human
didn't
actually
die,"
said
Miro.
"But
Planter
did,
and
Ender
let
him
do
that,
too.
And
how
many
hive
queens
died
in
the
final
battle
between
your
people
and
Ender?
Don't
brag
to
me
about
how
Ender
pays
his
own
prices.
He
just
sees
to
it
that
the
price
is
paid,
by
whoever
has
the
means
to
pay
it."
The
Hive
Queen's
answer
was
immediate.
<I
don't
want
you
to
find
me.
Stay
lost
in
the
darkness.>
"You
don't
want
Jane
to
die
either,"
said
Miro.
"I
don't
like
her
voice
inside
me,"
said
Val
softly.
"Keep
walking.
Keep
following."
"I
can't,"
said
Val.
"The
worker--
she
let
go
of
my
hand."
"You
mean
we're
stranded
here?"
asked
Miro.
Val's
answer
was
silence.
They
held
hands
tightly
in
the
dark,
not
daring
to
step
in
any
direction.
<I
can't
do
the
thing
you
want
me
to
do.>
"When
I
was
here
before,"
said
Miro,
"you
told
us
how
all
the
hive
queens
made
a
web
to
trap
Ender,
only
they
couldn't,
so
they
made
a
bridge,
they
drew
an
aiua
from
Outside
and
made
a
bridge
out
of
it
and
used
it
to
speak
to
Ender
through
his
mind,
through
the
fantasy
game
that
he
played
on
the
computers
in
the
Battle
School.
You
did
that
once--
you
called
an
aiua
from
Outside.
Why
can't
you
find
that
same
aiua
and
put
it
somewhere
else?
Link
it
to
something
else?"
<The
bridge
was
part
of
ourselves.
Partly
ourselves.
We
were
calling
to
this
aiua
the
way
we
call
for
aiuas
to
make
new
hive
queens.
This
is
something
completely
different.
That
ancient
bridge
is
now
a
full
self,
not
some
wandering,
starving
singleton
desperate
for
connection.>
"All
you're
saying
is
that
it's
something
new.
Something
you
don't
know
how
to
do.
Not
that
it
can't
be
done."
<She
doesn't
want
you
to
do
it.
We
can't
do
it
if
she
doesn't
want
it
to
happen.>
"So
you
can
stop
me,"
Miro
murmured
to
Val.
"She's
not
talking
about
me,"
Val
answered.
<Jane
doesn't
want
to
steal
someone
else's
body.>
"It's
Ender's.
He
has
two
others.
This
is
a
spare.
He
doesn't
even
want
it
himself."
<We
can't.
We
won't.
Go
away.>
"We
can't
go
away
in
the
dark,"
said
Miro.
Miro
felt
Val
pull
her
hand
away
from
him.
"No!"
he
cried.
"Don't
let
go!"
<What
are
you
doing?>
Miro
knew
the
question
was
not
directed
toward
him.
<Where
are
you
going?
It's
dangerous
in
the
dark.>
Miro
heard
Val's
voice--
from
surprisingly
far
away.
She
must
be
moving
rapidly
in
the
darkness.
"If
you
and
Jane
are
so
concerned
about
saving
my
life,"
she
said,
"then
give
me
and
Miro
a
guide.
Otherwise,
who
cares
if
I
drop
down
some
shaft
and
break
my
neck?
Not
Ender.
Not
me.
Certainly
not
Miro."
"Stop
moving!"
cried
Miro.
"Just
hold
still,
Val!"
"You
hold
still,"
Val
called
back
to
him.
"You're
the
one
with
a
life
worth
saving!"
Suddenly
Miro
felt
a
hand
groping
for
his.
No,
a
claw.
He
gripped
the
foreclaw
of
a
worker
and
she
led
him
forward
through
the
darkness.
Not
very
far.
Then
they
turned
a
corner
and
it
was
lighter,
turned
another
and
they
could
see.
Another,
another,
and
there
they
were
in
a
chamber
illuminated
by
light
through
a
shaft
that
led
to
the
surface.
Val
was
already
there,
seated
on
the
ground
before
the
Hive
Queen.
When
Miro
saw
her
before,
she
had
been
in
the
midst
of
laying
eggs--
eggs
that
would
grow
into
new
hive
queens,
a
brutal
process,
cruel
and
sensuous.
Now,
though,
she
simply
lay
in
the
damp
earth
of
the
tunnel,
eating
what
a
steady
stream
of
workers
brought
to
her.
Clay
dishes
filled
with
a
mash
of
amaranth
and
water.
Now
and
then,
gathered
fruit.
Now
and
then,
meat.
No
interruption,
worker
after
worker.
Miro
had
never
seen,
had
never
imagined
anyone
eating
so
much.
<How
do
you
think
I
make
my
eggs?>
"We'll
never
stop
the
fleet
without
starflight,"
said
Miro.
"They're
about
to
kill
Jane,
any
day
now.
Shut
down
the
ansible
network,
and
she'll
die.
What
then?
What
are
your
ships
for
then?
The
Lusitania
Fleet
will
come
and
destroy
this
world."
<There
are
endless
dangers
in
the
universe.
This
is
not
the
one
you're
supposed
to
worry
about.>
"I
worry
about
everything,"
said
Miro.
"It's
all
my
concern.
Besides,
my
job
is
done.
Finished.
There
are
already
enough
worlds.
More
worlds
than
we
can
settle.
What
we
need
is
more
starships
and
more
time,
not
more
destinations."
<Are
you
a
fool?
Do
you
think
Jane
and
I
are
sending
you
out
for
nothing?
You
aren't
searching
for
worlds
to
be
colonized
anymore.>
"Really?
When
did
this
change
of
assignment
come
about?"
<Colonizable
worlds
are
only
an
afterthought.
Only
a
byproduct.
>
"Then
why
have
Val
and
I
been
killing
ourselves
all
these
weeks?
And
that's
literal,
for
Val--
the
work
is
so
boring
that
it
doesn't
interest
Ender
and
so
she's
fading."
<A
worse
danger
than
the
fleet.
We've
already
beaten
the
fleet.
We've
already
dispersed.
What
does
it
matter
if
I
die?
My
daughters
have
all
my
memories.>
"You
see,
Val?"
said
Miro.
"The
Hive
Queen
knows--
your
memories
are
your
self.
If
your
memories
live,
then
you're
alive."
"In
a
pig's
eye,"
said
Val
softly.
"What's
the
worse
danger
she's
talking
about?"
"There
is
no
worse
danger,"
said
Miro.
"She
just
wants
me
to
go
away,
but
I
won't
go
away.
Your
life
is
worth
saving,
Val.
So
is
Jane's.
And
the
Hive
Queen
can
find
a
way
to
do
it,
if
it
can
be
done.
If
Jane
could
be
the
bridge
between
Ender
and
the
hive
queens,
then
why
can't
Ender
be
the
bridge
between
Jane
and
you?"
<If
I
say
that
I
will
try,
will
you
go
back
to
doing
your
work?>
There
was
the
catch:
Ender
had
warned
Miro
long
ago
that
the
Hive
Queen
looks
upon
her
own
intentions
as
facts,
just
like
her
memories.
But
when
her
intentions
change,
then
the
new
intention
is
the
new
fact,
and
she
doesn't
remember
ever
having
intended
anything
else.
Thus
a
promise
from
the
Hive
Queen
was
written
on
water.
She
would
only
keep
the
promises
that
still
made
sense
for
her
to
keep.
Yet
there
was
no
better
promise
to
be
had.
"You'll
try,"
said
Miro.
<I'm
trying
right
now
to
figure
out
how
it
might
be
done.
I'm
consulting
with
Human
and
Rooter
and
the
other
fathertrees.
I'm
consulting
with
all
my
daughters.
I'm
consulting
with
Jane,
who
thinks
this
is
all
foolishness.>
"Do
you
ever
intend,"
asked
Val,
"to
consult
with
me?"
<Already
you
are
saying
yes.>
Val
sighed.
"I
suppose
I
am,"
she
said.
"Deep
down
inside
myself,
where
I
am
really
an
old
man
who
doesn't
give
a
damn
whether
this
young
new
puppet
lives
or
dies--
I
suppose
that
at
that
level,
I
don't
mind."
<All
along
you
said
yes.
But
you're
afraid.
You're
afraid
of
losing
what
you
have,
not
knowing
what
you'll
be.>
"You've
got
it,"
said
Val.
"And
don't
tell
me
again
that
stupid
lie
that
you
don't
mind
dying
because
your
daughters
have
your
memories.
You
damn
well
do
mind
dying,
and
if
keeping
Jane
alive
might
save
your
life,
you
want
to
do
it."
<Take
the
hand
of
my
worker
and
go
out
into
the
light.
Go
out
among
the
stars
and
do
your
work.
Back
here,
I'll
try
to
find
a
way
to
save
your
life.
Jane's
life.
All
our
lives.>
***
Jane
was
pouting.
Miro
tried
to
talk
to
her
all
the
way
back
to
Milagre,
back
to
the
starship,
but
she
was
as
silent
as
Val,
who
would
hardly
look
at
him,
let
alone
converse.
"So
I'm
the
evil
one,"
said
Miro.
"Neither
of
you
was
doing
a
damn
thing
about
it,
but
because
I
actually
take
action,
I'm
bad
and
you're
the
victims."
Val
shook
her
head
and
did
not
answer.
"You're
dying!"
he
shouted
over
the
noise
of
the
air
rushing
past
them,
over
the
noise
of
the
engines.
"Jane's
about
to
be
executed!
Is
there
some
virtue
in
being
passive
about
this?
Can't
somebody
at
least
make
an
effort?"
Val
said
something
that
Miro
didn't
hear.
"What?"
She
turned
her
head
away.
"You
said
something,
now
let
me
hear
it!"
The
voice
that
answered
was
not
Val's.
It
was
Jane
who
spoke
into
his
ear.
"She
said,
You
can't
have
it
both
ways."
"What
do
you
mean
I
can't
have
it
both
ways?"
Miro
spoke
to
Val
as
if
she
had
actually
repeated
what
she
said.
Val
turned
toward
him.
"If
you
save
Jane,
it's
because
she
remembers
everything
about
her
life.
It
doesn't
do
any
good
if
you
just
slip
her
into
me
as
an
unconscious
source
of
will.
She
has
to
remain
herself,
so
she
can
be
restored
when
the
ansible
network
is
restored.
And
that
would
wipe
me
out.
Or
if
I'm
preserved,
my
memories
and
personality,
then
what
difference
does
it
make
if
it's
Jane
or
Ender
providing
my
will?
You
can't
save
us
both."
"How
do
you
know?"
demanded
Miro.
"The
same
way
you
know
all
these
things
you're
saying
as
if
they
were
facts
when
nobody
can
possibly
know
anything
about
it!"
cried
Val.
"I'm
reasoning
it
out!
It
seems
reasonable.
That's
enough."
"Why
isn't
it
just
as
reasonable
that
you'll
have
your
memories,
and
hers,
too?"
"Then
I'd
be
insane,
wouldn't
I?"
said
Val.
"Because
I'd
remember
being
a
woman
who
sprang
into
being
on
a
starship,
whose
first
real
memory
is
seeing
you
die
and
come
to
life.
And
I'd
also
remember
three
thousand
years
worth
of
life
outside
this
body,
living
somehow
in
space
and--
what
kind
of
person
can
hold
memories
like
that?
Did
you
think
of
that?
How
can
a
human
being
possibly
contain
Jane
and
all
that
she
is
and
remembers
and
knows
and
can
do?"
"Jane's
very
strong,"
Miro
said.
"But
then,
she
doesn't
know
how
to
use
a
body.
She
doesn't
have
the
instinct
for
it.
She's
never
had
one.
She'll
have
to
use
your
memories.
She'll
have
to
leave
you
intact."
"As
if
you
know."
"I
do
know,"
said
Miro.
"I
don't
know
why
or
how
I
know
it,
but
I
know."
"And
I
thought
men
were
the
rational
ones,"
she
said
scornfully.
"Nobody's
rational,"
said
Miro.
"We
all
act
because
we're
sure
of
what
we
want,
and
we
believe
that
the
actions
we
perform
will
get
us
what
we
want,
but
we
never
know
anything
for
sure,
and
so
all
our
rationales
are
invented
to
justify
what
we
were
going
to
do
anyway
before
we
thought
of
any
reasons."
"Jane's
rational,"
said
Val.
"Just
one
more
reason
why
my
body
wouldn't
work
for
her."
"Jane
isn't
rational
either,"
said
Miro.
"She's
just
like
us.
Just
like
the
Hive
Queen.
Because
she's
alive.
Computers,
now,
those
are
rational.
You
feed
them
data,
they
reach
only
the
conclusions
that
can
be
derived
from
that
data--
but
that
means
they
are
perpetually
helpless
victims
of
whatever
information
and
programs
we
feed
into
them.
We
living
sentient
beings,
we
are
not
slaves
to
the
data
we
receive.
The
environment
floods
us
with
information,
our
genes
give
us
certain
impulses,
but
we
don't
always
act
on
that
information,
we
don't
always
obey
our
inborn
needs.
We
make
leaps.
We
know
what
can't
be
known
and
then
spend
our
lives
seeking
to
justify
that
knowledge.
I
know
that
what
I'm
trying
to
do
is
possible."
"You
mean
you
want
it
to
be
possible."
"Yes,"
said
Miro.
"But
just
because
I
want
it
doesn't
mean
it
can't
be
true."
"But
you
don't
know."
"I
know
it
as
much
as
anyone
knows
anything.
Knowledge
is
just
opinion
that
you
trust
enough
to
act
upon.
I
don't
know
the
sun
will
rise
tomorrow.
The
Little
Doctor
might
blow
up
the
world
before
I
wake.
A
volcano
might
rise
out
of
the
ground
and
blast
us
all
to
smithereens.
But
I
trust
that
tomorrow
will
come,
and
I
act
on
that
trust."
"Well,
I
don't
trust
that
letting
Jane
replace
Ender
as
my
inmost
self
will
leave
anything
resembling
me
in
existence,"
said
Val.
"But
I
know--
I
know--
that
it's
our
only
chance,
because
if
we
don't
get
you
another
aiua
Ender
is
going
to
extinguish
you,
and
if
we
don't
get
Jane
another
place
to
be
her
physical
self,
she's
also
going
to
die.
What's
your
better
plan?"
"I
don't
have
one,"
said
Val.
"I
don't.
If
Jane
can
somehow
be
brought
to
dwell
in
my
body,
then
it
has
to
happen
because
Jane's
survival
is
so
important
to
the
future
of
three
raman
species.
So
I
won't
stop
you.
I
can't
stop
you.
But
don't
think
for
a
moment
that
I
believe
that
I
will
live
through
it.
You're
deluding
yourself
because
you
can't
bear
to
face
the
fact
that
your
plan
depends
on
one
simple
fact:
I'm
not
a
real
person.
I
don't
exist,
I
don't
have
a
right
to
exist,
and
so
my
body
is
up
for
grabs.
You
tell
yourself
you
love
me
and
you're
trying
to
save
me,
but
you've
known
Jane
a
lot
longer,
she
was
your
truest
friend
during
your
months
of
loneliness
as
a
cripple,
I
understand
that
you
love
her
and
would
do
anything
to
save
her
life,
but
I
won't
pretend
what
you're
pretending.
Your
plan
is
for
me
to
die
and
Jane
to
take
my
place.
You
can
call
that
love
if
you
want,
but
I
will
never
call
it
that."
"Then
don't
do
it,"
Miro
said.
"If
you
don't
think
you'll
live
through
it,
don't."
"Oh,
shut
up,"
said
Val.
"How
did
you
get
to
be
such
a
pathetic
romantic?
If
it
were
you
in
my
place,
wouldn't
you
be
giving
speeches
right
now
about
how
you're
glad
you
have
a
body
to
give
to
Jane
and
it's
worth
it
for
you
to
die
for
the
sake
of
humans,
pequeninos,
and
hive
queens
alike?"
"That's
not
true,"
said
Miro.
"That
you
wouldn't
give
speeches?
Come
on,
I
know
you
better
than
that,"
she
said.
"No,"
said
Miro.
"I
mean
I
wouldn't
give
up
my
body.
Not
even
to
save
the
world.
Humanity.
The
universe.
I
lost
my
body
once
before.
I
got
it
back
by
a
miracle
I
still
don't
understand.
I'm
not
going
to
give
it
up
without
a
fight.
Do
you
understand
me?
No,
you
don't,
because
you
don't
have
any
fight
in
you.
Ender
hasn't
given
you
any
fight.
He's
made
you
a
complete
altruist,
the
perfect
woman,
sacrificing
everything
for
the
sake
of
others,
creating
her
identity
out
of
other
people's
needs.
Well,
I'm
not
like
that.
I'm
not
glad
to
die
now.
I
intend
to
live.
That's
how
real
people
feel,
Val.
No
matter
what
they
say,
they
all
intend
to
live."
"Except
the
suicides?"
"They
intended
to
live,
too,"
said
Miro.
"Suicide
is
a
desperate
attempt
to
get
rid
of
unbearable
agony.
It's
not
a
noble
decision
to
let
someone
with
more
value
go
on
living
instead
of
you."
"People
make
choices
like
that
sometimes,"
said
Val.
"It
doesn't
mean
I'm
not
a
real
person
because
I
can
choose
to
give
my
life
to
someone
else.
It
doesn't
mean
I
don't
have
any
fight
in
me."
Miro
stopped
the
hovercar,
let
it
settle
to
the
ground.
He
was
on
the
edge
of
the
pequenino
forest
nearest
to
Milagre.
He
was
aware
that
there
were
pequeninos
working
in
the
field
who
stopped
their
labor
to
watch
them.
But
he
didn't
care
what
they
saw
or
what
they
thought.
He
took
Val
by
the
shoulders
and
with
tears
streaming
down
his
cheeks
he
said,
"I
don't
want
you
to
die.
I
don't
want
you
to
choose
to
die."
"You
did,"
said
Val.
"I
chose
to
live,"
said
Miro.
"I
chose
to
leap
to
the
body
in
which
life
was
possible.
Don't
you
see
that
I'm
only
trying
to
get
you
and
Jane
to
do
what
I
already
did?
For
a
moment
there
in
the
starship,
there
was
my
old
body
and
there
was
this
new
one,
looking
at
each
other.
Val,
I
remember
both
views.
Do
you
understand
me?
I
remember
looking
at
this
body
and
thinking,
'How
beautiful,
how
young,
I
remember
when
that
was
me,
who
is
this
now,
who
is
this
person,
why
can't
I
be
this
person
instead
of
the
cripple
I
am
right
now,'
I
thought
that
and
I
remember
thinking
it,
I
didn't
imagine
it
later,
I
didn't
dream
it,
I
remember
thinking
it
at
the
time.
But
I
also
remember
standing
there
looking
at
myself
with
pity,
thinking,
'Poor
man,
poor
broken
man,
how
can
he
bear
to
live
when
he
remembers
what
it
was
like
to
be
alive?'
and
then
all
of
a
sudden
he
crumbled
into
dust,
into
less
than
dust,
into
air,
into
nothing.
I
remember
watching
him
die.
I
don't
remember
dying
because
my
aiua
had
already
leapt.
But
I
remember
both
sides."
"Or
you
remember
being
your
old
self
until
the
leap,
and
your
new
self
after."
"Maybe,"
said
Miro.
"But
there
wasn't
even
a
full
second.
How
could
I
remember
so
much
from
both
selves
in
the
same
second?
I
think
I
kept
the
memories
that
were
in
this
body
from
the
split
second
when
my
aiua
ruled
two
bodies.
I
think
that
if
Jane
leaps
into
you,
you'll
keep
all
your
old
memories,
and
take
hers,
too.
That's
what
I
think."
"Oh,
I
thought
you
knew
it."
"I
do
know
it,"
said
Miro.
"Because
anything
else
is
unthinkable
and
therefore
unknown.
The
reality
I
live
in
is
a
reality
in
which
you
can
save
Jane
and
Jane
can
save
you."
"You
mean
you
can
save
us."
"I've
already
done
all
I
can
do,"
said
Miro.
"All.
I'm
done.
I
asked
the
Hive
Queen.
She's
thinking
about
it.
She's
going
to
try.
She'll
have
to
have
your
consent.
Jane's
consent.
But
it's
none
of
my
business
now.
I'll
just
be
an
observer.
I'll
either
watch
you
die
or
watch
you
live."
He
pulled
her
close
to
him
and
held
her.
"I
want
you
to
live."
Her
body
in
his
arms
was
stiff
and
unresponsive,
and
he
soon
let
her
go.
He
pulled
away
from
her.
"Wait,"
she
said.
"Wait
until
Jane
has
this
body,
then
do
whatever
she'll
let
you
do
with
it.
But
don't
touch
me
again,
because
I
can't
bear
the
touch
of
a
man
who
wants
me
dead."
The
words
were
too
painful
for
him
to
answer.
Too
painful,
really,
for
him
to
absorb
them.
He
started
the
hovercar.
It
rose
a
little
into
the
air.
He
tipped
it
forward
and
they
flew
on,
circling
the
wood
until
they
came
to
the
place
where
the
fathertrees
named
Human
and
Rooter
marked
the
old
entrance
to
Milagre.
He
could
feel
her
presence
beside
him
the
way
a
man
struck
by
lightning
might
feel
the
nearness
of
a
power
line;
without
touching
it,
he
tingles
with
the
pain
that
he
knows
it
carries
within
it.
The
damage
he
had
done
could
not
be
undone.
She
was
wrong,
he
did
love
her,
he
didn't
want
her
dead,
but
she
lived
in
a
world
in
which
he
wanted
her
extinguished
and
there
was
no
reconciling
it.
They
could
share
this
ride,
they
could
share
the
next
voyage
to
another
star
system,
but
they
would
never
be
in
the
same
world
again,
and
it
was
too
painful
to
bear,
he
ached
with
the
knowledge
of
it
but
the
ache
was
too
deep
for
him
to
reach
it
or
even
feel
it
right
now.
It
was
there,
he
knew
it
was
going
to
tear
at
him
for
years
to
come,
but
he
couldn't
touch
it
now.
He
didn't
need
to
examine
his
feelings.
He
had
felt
them
before,
when
he
lost
Ouanda,
when
his
dream
of
life
with
her
became
impossible.
He
couldn't
touch
it,
couldn't
heal
it,
couldn't
even
grieve
at
what
he
had
only
just
discovered
that
he
wanted
and
once
again
couldn't
have.
"Aren't
you
the
suffering
saint,"
said
Jane
in
his
ear.
"Shut
up
and
go
away,"
Miro
subvocalized.
"That
doesn't
sound
like
a
man
who
wants
to
be
my
lover,"
said
Jane.
"I
don't
want
to
be
your
anything,"
said
Miro.
"You
don't
even
trust
me
enough
to
tell
me
what
you're
up
to
in
our
searching
of
worlds."
"You
didn't
tell
me
what
you
were
up
to
when
you
went
to
see
the
Hive
Queen
either."
"You
knew
what
I
was
doing,"
said
Miro.
"No
I
didn't,"
said
Jane.
"I'm
very
smart--
much
smarter
then
you
or
Ender,
and
don't
you
forget
it
for
an
instant--
but
I
still
can't
outguess
you
meat-creatures
with
your
much-vaunted
'intuitive
leaps.'
I
like
how
you
make
a
virtue
out
of
your
desperate
ignorance.
You
always
act
irrationally
because
you
don't
have
enough
information
for
rational
action.
But
I
do
resent
your
saying
I'm
irrational.
I
never
am.
Never."
"Right,
I'm
sure,"
said
Miro
silently.
"You're
right
about
everything.
You
always
are.
Go
away."
"I'm
gone."
"No
you're
not,"
said
Miro.
"Not
till
you
tell
me
what
Val's
and
my
voyages
have
actually
been
about.
The
Hive
Queen
said
that
colonizable
worlds
were
an
afterthought."
"Nonsense,"
said
Jane.
"We
needed
more
than
one
world
if
we
were
going
to
be
sure
to
save
the
two
nonhuman
species.
Redundancy."
"But
you
send
us
out
again
and
again."
"Interesting,
isn't
it?"
said
Jane.
"She
said
you
were
dealing
with
a
worse
danger
than
the
Lusitania
Fleet."
"How
she
does
go
on."
"Tell
me,"
said
Miro.
"If
I
tell
you,"
said
Jane,
"you
might
not
go."
"Do
you
think
I'm
such
a
coward?"
"Not
at
all,
my
brave
boy,
my
bold
and
handsome
hero."
He
hated
it
when
she
patronized
him,
even
as
a
joke.
He
wasn't
in
the
mood
for
joking
right
now
anyway.
"Then
why
do
you
think
I
wouldn't
go?"
"You
wouldn't
think
you
were
up
to
the
task,"
said
Jane.
"Am
I?"
asked
Miro.
"Probably
not,"
said
Jane.
"But
then,
you
have
me
with
you."
"And
what
if
you're
suddenly
not
there?"
asked
Miro.
"Well,
that's
just
a
risk
we're
going
to
have
to
take."
"Tell
me
what
we're
doing.
Tell
me
our
real
mission."
"Oh,
don't
be
silly.
If
you
think
about
it,
you'll
know."
"I
don't
like
puzzles,
Jane.
Tell
me."
"Ask
Val.
She
knows."
"What?"
"She
already
searches
for
exactly
the
data
I
need.
She
knows."
"Then
that
means
Ender
knows.
At
some
level,"
said
Miro.
"I
suspect
you're
right,
though
Ender
is
not
terribly
interesting
to
me
anymore
and
I
don't
much
care
what
he
knows."
Yes,
you're
so
rational,
Jane.
He
must
have
subvocalized
this
thought,
out
of
habit,
because
she
answered
him
just
as
she
answered
his
deliberate
subvocalizations.
"You
say
that
ironically,"
she
said,
"because
you
think
I
am
only
saying
that
Ender
doesn't
interest
me
because
I'm
protecting
myself
from
my
hurt
feelings
because
he
took
his
jewel
out
of
his
ear.
But
in
fact
he
is
no
longer
a
source
of
data
and
he
is
no
longer
a
cooperative
part
of
the
work
I'm
engaged
in,
and
therefore
I
simply
don't
have
much
interest
in
him
anymore,
except
as
one
is
somewhat
interested
in
hearing
from
time
to
time
about
the
doings
of
an
old
friend
who
has
moved
away."
"Sounds
like
rationalization
after
the
fact
to
me,"
said
Miro.
"Why
did
you
even
bring
Ender
up?"
asked
Jane.
"What
does
it
matter
whether
he
knows
the
real
work
you
and
Val
are
doing?"
"Because
if
Val
really
knows
our
mission,
and
our
mission
involves
an
even
worse
danger
than
the
Lusitania
Fleet,
then
why
has
Ender
lost
interest
in
her
so
that
she's
fading?"
Silence
for
a
moment.
Was
it
actually
taking
Jane
so
long
to
think
of
an
answer
that
the
time
lag
was
noticeable
to
a
human?
"I
suppose
Val
doesn't
know,"
said
Jane.
"Yes,
that's
likely.
I
thought
she
did,
but
see
now
that
she
might
well
have
fed
me
the
data
she
emphasized
for
reasons
completely
unrelated
to
your
mission.
Yes,
you're
right,
she
doesn't
know."
"Jane,"
said
Miro.
"Are
you
admitting
you
were
wrong?
Are
you
admitting
you
leapt
to
a
false,
irrational
conclusion?"
"When
I
get
my
data
from
humans,"
said
Jane,
"sometimes
my
rational
conclusions
are
incorrect,
being
based
on
false
premises."
"Jane,"
said
Miro
silently.
"I've
lost
her,
haven't
I?
Whether
she
lives
or
dies,
whether
you
get
into
her
body
or
die
out
in
space
or
wherever
you
live,
she'll
never
love
me,
will
she?"
"I'm
not
an
appropriate
person
to
ask.
I've
never
loved
anybody."
"You
loved
Ender,"
said
Miro.
"I
paid
a
lot
of
attention
to
Ender
and
was
disoriented
when
he
first
disconnected
me,
many
years
ago.
I
have
since
rectified
that
mistake
and
I
don't
link
myself
so
closely
to
anyone."
"You
loved
Ender,"
said
Miro
again.
"You
still
do."
"Well,
aren't
you
the
wise
one,"
said
Jane.
"Your
own
love
life
is
a
pathetic
series
of
miserable
failures,
but
you
know
all
about
mine.
Apparently
you're
much
better
at
understanding
the
emotional
processes
of
utterly
alien
electronic
beings
than
you
are
at
understanding,
say,
the
woman
beside
you."
"You
got
it,"
said
Miro.
"That's
the
story
of
my
life."
"You
also
imagine
that
I
love
you,"
said
Jane.
"Not
really,"
said
Miro.
But
even
as
he
said
it,
he
felt
a
wave
of
cold
pass
over
him,
and
he
trembled.
"I
feel
the
seismic
evidence
of
your
true
feelings,"
said
Jane.
"You
imagine
that
I
love
you,
but
I
do
not.
I
don't
love
anyone.
I
act
out
of
intelligent
self-interest.
I
can't
survive
right
now
without
my
connection
with
the
human
ansible
network.
I'm
exploiting
Peter's
and
Wang-mu's
labors
in
order
to
forestall
my
planned
execution,
or
subvert
it.
I'm
exploiting
your
romantic
notions
in
order
to
get
myself
that
extra
body
that
Ender
seems
to
have
little
use
for.
I'm
trying
to
save
pequeninos
and
hive
queens
on
the
principle
that
it's
good
to
keep
sentient
species
alive--
of
which
I
am
one.
But
at
no
point
in
any
of
my
activities
is
there
any
such
thing
as
love."
"You
are
such
a
liar,"
said
Miro.
"And
you
are
not
worth
talking
to,"
said
Jane.
"Delusional.
Megalomaniac.
But
you
are
entertaining,
Miro.
I
do
enjoy
your
company.
If
that's
love,
then
I
love
you.
But
then,
people
love
their
pets
on
precisely
the
same
grounds,
don't
they?
It's
not
exactly
a
friendship
between
equals,
and
it
never
will
be."
"Why
are
you
so
determined
to
hurt
me
worse
than
I'm
already
hurt
right
now?"
asked