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Speedreed

CHILDREN

OF

THE

MIND

by

Orson

Scott

Card

(c)

1996

Orson

Scott

Card

Chapter

1

--

"I'M

NOT

MYSELF"

"Mother.

Father.

Did

I

do

it

right?"

--

The

last

words

of

Han

Qing-jao,

from

The

God

Whispers

of

Han

Qing-jao

Si

Wang-mu

stepped

forward.

The

young

man

named

Peter

took

her

hand

and

led

her

into

the

starship.

The

door

closed

behind

them.

Wang-mu

sat

down

on

one

of

the

swiveling

chairs

inside

the

small

metal-walled

room.

She

looked

around,

expecting

to

see

something

strange

and

new.

Except

for

the

metal

walls,

it

could

have

been

any

office

on

the

world

of

Path.

Clean,

but

not

fastidiously

so.

Furnished,

in

a

utilitarian

way.

She

had

seen

holos

of

ships

in

flight:

the

smoothly

streamlined

fighters

and

shuttles

that

dipped

into

and

out

of

the

atmosphere;

the

vast

rounded

structures

of

the

starships

that

accelerated

as

near

to

the

speed

of

light

as

matter

could

get.

On

the

one

hand,

the

sharp

power

of

a

needle;

on

the

other,

the

massive

power

of

a

sledgehammer.

But

here

in

this

room,

no

power

at

all.

Just

a

room.

Where

was

the

pilot?

There

must

be

a

pilot,

for

the

young

man

who

sat

across

the

room

from

her,

murmuring

to

his

computer,

could

hardly

be

controlling

a

starship

capable

of

the

feat

of

traveling

faster

than

light.

And

yet

that

must

have

been

precisely

what

he

was

doing,

for

there

were

no

other

doors

that

might

lead

to

other

rooms.

The

starship

had

looked

small

from

the

outside;

this

room

obviously

used

all

the

space

that

it

contained.

There

in

the

corner

were

the

batteries

that

stored

energy

from

the

solar

collectors

on

the

top

of

the

ship.

In

that

chest,

which

seemed

to

be

insulated

like

a

refrigerator,

there

might

be

food

and

drink.

So

much

for

life

support.

Where

was

the

romance

in

starflight

now,

if

this

was

all

it

took?

A

mere

room.

With

nothing

else

to

watch,

she

watched

the

young

man

at

the

computer

terminal.

Peter

Wiggin,

he

said

his

name

was.

The

name

of

the

ancient

Hegemon,

the

one

who

first

united

all

the

human

race

under

his

control,

back

when

people

lived

on

only

one

world,

all

the

nations

and

races

and

religions

and

philosophies

crushed

together

elbow

to

elbow,

with

nowhere

to

go

but

into

each

other's

lands,

for

the

sky

was

a

ceiling

then,

and

space

was

a

vast

chasm

that

could

not

be

bridged.

Peter

Wiggin,

the

man

who

ruled

the

human

race.

This

was

not

him,

of

course,

and

he

had

admitted

as

much.

Andrew

Wiggin

sent

him;

Wang-mu

remembered,

from

things

that

Master

Han

had

told

her,

that

Andrew

Wiggin

had

somehow

made

him.

Did

this

make

the

great

Speaker

of

the

Dead

Peter's

father?

Or

was

he

somehow

Ender's

brother,

not

just

named

for

but

actually

embodying

the

Hegemon

who

had

died

three

thousand

years

before?

Peter

stopped

murmuring,

leaned

back

in

his

chair,

and

sighed.

He

rubbed

his

eyes,

then

stretched

and

groaned.

It

was

a

very

indelicate

thing

to

do

in

company.

The

sort

of

thing

one

might

expect

from

a

coarse

fieldworker.

He

seemed

to

sense

her

disapproval.

Or

perhaps

he

had

forgotten

her

and

now

suddenly

remembered

that

he

had

company.

Without

straightening

himself

in

his

chair,

he

turned

his

head

and

looked

at

her.

"Sorry,"

he

said.

"I

forgot

I

was

not

alone."

Wang-mu

longed

to

speak

boldly

to

him,

despite

a

lifetime

retreating

from

bold

speech.

After

all,

he

had

spoken

to

her

with

offensive

boldness,

when

his

starship

appeared

like

a

fresh-sprouted

mushroom

on

the

lawn

by

the

river

and

he

emerged

with

a

single

vial

of

a

disease

that

would

cure

her

home

world,

Path,

of

its

genetic

illness.

He

had

looked

her

in

the

eye

not

fifteen

minutes

ago

and

said,

"Come

with

me

and

you'll

be

part

of

changing

history.

Making

history."

And

despite

her

fear,

she

had

said

yes.

Had

said

yes,

and

now

sat

in

a

swivel

chair

watching

him

behave

crudely,

stretching

like

a

tiger

in

front

of

her.

Was

that

his

beast-of-the-heart,

the

tiger?

Wang-mu

had

read

the

Hegemon.

She

could

believe

that

there

was

a

tiger

in

that

great

and

terrible

man.

But

this

one?

This

boy?

Older

than

Wang-mu,

but

she

was

not

too

young

to

know

immaturity

when

she

saw

it.

He

was

going

to

change

the

course

of

history!

Clean

out

the

corruption

in

the

Congress.

Stop

the

Lusitania

Fleet.

Make

all

colony

planets

equal

members

of

the

Hundred

Worlds.

This

boy

who

stretched

like

a

jungle

cat.

"I

don't

have

your

approval,"

he

said.

He

sounded

annoyed

and

amused,

both

at

once.

But

then

she

might

not

be

good

at

understanding

the

inflections

of

one

such

as

this.

Certainly

it

was

hard

to

read

the

grimaces

of

such

a

round-eyed

man.

Both

his

face

and

his

voice

contained

hidden

languages

that

she

could

not

understand.

"You

must

understand,"

he

said.

"I'm

not

myself."

Wang-mu

spoke

the

common

language

well

enough

at

least

to

understand

the

idiom.

"You

are

unwell

today?"

But

she

knew

even

as

she

said

it

that

he

had

not

meant

the

expression

idiomatically

at

all.

"I'm

not

myself,"

he

said

again.

"I'm

not

really

Peter

Wiggin."

"I

hope

not,"

said

Wang-mu.

"I

read

about

his

funeral

in

school."

"I

do

look

like

him,

though,

don't

I?"

He

brought

up

a

hologram

into

the

air

over

his

computer

terminal.

The

hologram

rotated

to

look

at

Wang-mu;

Peter

sat

up

and

assumed

the

same

pose,

facing

her.

"There

is

a

resemblance,"

she

said.

"Of

course,

I'm

younger,"

said

Peter.

"Because

Ender

didn't

see

me

again

after

he

left

Earth

when

he

was--

what,

five

years

old?

A

little

runt,

anyway.

I

was

still

a

boy.

That's

what

he

remembered,

when

he

conjured

me

out

of

thin

air."

"Not

air

at

all,"

she

said.

"Out

of

nothing."

"Not

nothing,

either,"

he

said.

"Conjured

me,

all

the

same."

He

smiled

wickedly.

"I

can

call

spirits

from

the

vasty

deep."

These

words

meant

something

to

him,

but

not

to

her.

In

the

world

of

Path

she

had

been

expected

to

be

a

servant

and

so

was

educated

very

little.

Later,

in

the

house

of

Han

Fei-tzu,

her

abilities

had

been

recognized,

first

by

her

former

mistress,

Han

Qing-jao,

and

later

by

the

master

himself.

From

both

she

had

acquired

some

bits

of

education,

in

a

haphazard

way.

What

teaching

there

had

been

was

mostly

technical,

and

the

literature

she

learned

was

of

the

Middle

Kingdom,

or

of

Path

itself.

She

could

have

quoted

endlessly

from

the

great

poet

Li

Qing-jao,

for

whom

her

one-time

mistress

had

been

named.

But

of

the

poet

he

was

quoting,

she

knew

nothing.

"I

can

call

spirits

from

the

vasty

deep,"

he

said

again.

And

then,

changing

his

voice

and

manner

a

little,

he

answered

himself.

"Why

so

can

I,

or

so

can

any

man.

But

will

they

come

when

you

do

call

for

them?"

"Shakespeare?"

she

guessed.

He

grinned

at

her.

She

thought

of

the

way

a

cat

smiles

at

the

creature

it

is

toying

with.

"That's

always

the

best

guess

when

a

European

is

doing

the

quoting,"

he

said.

"The

quotation

is

funny,"

she

said.

"A

man

brags

that

he

can

summon

the

dead.

But

the

other

man

says

that

the

trick

is

not

calling,

but

rather

getting

them

to

come."

He

laughed.

"What

a

way

you

have

with

humor."

"This

quotation

means

something

to

you,

because

Ender

called

you

forth

from

the

dead."

He

looked

startled.

"How

did

you

know?"

She

felt

a

thrill

of

fear.

Was

it

possible?

"I

did

not

know,

I

was

making

a

joke."

"Well,

it's

not

true.

Not

literally.

He

didn't

raise

the

dead.

Though

he

no

doubt

thinks

he

could,

if

the

need

arose."

Peter

sighed.

"I'm

being

nasty.

The

words

just

come

to

my

mind.

I

don't

mean

them.

They

just

come."

"It

is

possible

to

have

words

come

to

your

mind,

and

still

refrain

from

speaking

them

aloud."

He

rolled

his

eyes.

"I

wasn't

trained

for

servility,

the

way

you

were."

So

this

was

the

attitude

of

one

who

came

from

a

world

of

free

people--

to

sneer

at

one

who

had

been

a

servant

through

no

fault

of

her

own.

"I

was

trained

to

keep

unpleasant

words

to

myself

as

a

matter

of

courtesy,"

she

said.

"But

perhaps

to

you,

that

is

just

another

form

of

servility."

"As

I

said,

Royal

Mother

of

the

West,

nastiness

comes

unbidden

to

my

mouth."

"I

am

not

the

Royal

Mother,"

said

Wang-mu.

"The

name

was

a

cruel

joke--"

"And

only

a

very

nasty

person

would

mock

you

for

it."

Peter

grinned.

"But

I'm

named

for

the

Hegemon.

I

thought

perhaps

bearing

ludicrously

overwrought

names

was

something

we

might

have

in

common."

She

sat

silently,

entertaining

the

possibility

that

he

might

have

been

trying

to

make

friends.

"I

came

into

existence,"

he

said,

"only

a

short

while

ago.

A

matter

of

weeks.

I

thought

you

should

know

that

about

me."

She

didn't

understand.

"You

know

how

this

starship

works?"

he

said.

Now

he

was

leaping

from

subject

to

subject.

Testing

her.

Well,

she

had

had

enough

of

being

tested.

"Appareptly

one

sits

within

it

and

is

examined

by

rude

strangers,"

she

said.

He

smiled

and

nodded.

"Give

as

good

as

you

get.

Ender

told

me

you

were

nobody's

servant."

"I

was

the

true

and

faithful

servant

of

Qing-jao.

I

hope

Ender

did

not

lie

to

you

about

that."

He

brushed

away

her

literalism.

"A

mind

of

your

own."

Again

his

eyes

sized

her

up;

again

she

felt

utterly

comprehended

by

his

lingering

glance,

as

she

had

felt

when

he

first

looked

at

her

beside

the

river.

"Wangmu,

I

am

not

speaking

metaphorically

when

I

tell

you

I

was

only

just

made.

Made,

you

understand,

not

born.

And

the

way

I

was

made

has

much

to

do

with

how

this

starship

works.

I

don't

want

to

bore

you

by

explaining

things

you

already

understand,

but

you

must

know

what--

not

who--

I

am

in

order

to

understand

why

I

need

you

with

me.

So

I

ask

again--

do

you

know

how

this

starship

works?"

She

nodded.

"I

think

so.

Jane,

the

being

who

dwells

in

computers,

she

holds

in

her

mind

as

perfect

a

picture

as

she

can

of

the

starship

and

all

who

are

within

it.

The

people

also

hold

their

own

picture

of

themselves

and

who

they

are

and

so

on.

Then

she

moves

everything

from

the

real

world

to

a

place

of

nothingness,

which

takes

no

time

at

all,

and

then

brings

it

back

into

reality

in

whatever

place

she

chooses.

Which

also

takes

no

time.

So

instead

of

starships

taking

years

to

get

from

world

to

world,

it

happens

in

an

instant."

Peter

nodded.

"Very

good.

Except

what

you

have

to

understand

is

that

during

the

time

that

the

starship

is

Outside,

it

isn't

surrounded

by

nothingness.

Instead

it's

surrounded

by

uncountable

numbers

of

aiuas."

She

turned

away

her

face

from

him.

"You

don't

understand

aiuas?"

"To

say

that

all

people

have

always

existed.

That

we

are

older

than

the

oldest

gods

..."

"Well,

sort

of,"

said

Peter.

"Only

aiuas

on

the

Outside,

they

can't

be

said

to

exist,

or

at

least

not

any

kind

of

meaningful

existence.

They're

just

...

there.

Not

even

that,

because

there's

no

sense

of

location,

no

there

where

they

might

be.

They

just

are.

Until

some

intelligence

calls

them,

names

them,

puts

them

into

some

kind

of

order,

gives

them

shape

and

form."

"The

clay

can

become

a

bear,"

she

said,

"but

not

as

long

as

it

rests

cold

and

wet

in

the

riverbank."

"Exactly.

So

there

was

Ender

Wiggin

and

several

other

people

who,

with

luck,

you'll

never

need

to

meet,

taking

the

first

voyage

Outside.

They

weren't

going

anywhere,

really.

The

point

of

that

first

voyage

was

to

get

Outside

long

enough

that

one

of

them,

a

rather

talented

genetic

scientist,

could

create

a

new

molecule,

an

extremely

complex

one,

by

the

image

she

held

of

it

in

her

mind.

Or

rather

her

image

of

the

modifications

she

needed

to

make

in

an

existing...

well,

you

don't

have

the

biology

for

it.

Anyway,

she

did

what

she

was

supposed

to

do,

she

created

the

new

molecule,

calloo

callay,

only

the

thing

is,

she

wasn't

the

only

person

doing

any

creating

that

day."

"Ender's

mind

created

you?"

asked

Wang-mu.

"Inadvertently.

I

was,

shall

we

say,

a

tragic

accident.

An

unhappy

side

effect.

Let's

just

say

that

everybody

there,

everything

there,

was

creating

like

crazy.

The

aiuas

Outside

are

frantic

to

be

made

into

something,

you

see.

There

were

shadow

starships

being

created

all

around

us.

All

kinds

of

weak,

faint,

fragmented,

fragile,

ephemeral

structures

rising

and

falling

in

each

instant.

Only

four

had

any

solidity.

One

was

that

genetic

molecule

that

Elanora

Ribeira

had

come

to

create."

"One

was

you?"

"The

least

interesting

one,

I

fear.

The

least

loved

and

valued.

One

of

the

people

on

the

ship

was

a

fellow

named

Miro,

who

through

a

tragic

accident

some

years

ago

had

been

left

somewhat

crippled.

Neurologically

damaged.

Thick

of

speech,

clumsy

with

his

hands,

lame

when

he

walked.

He

held

within

his

mind

the

powerful,

treasured

image

of

himself

as

he

used

to

be.

So--

with

that

perfect

self-image,

a

vast

number

of

aiuas

assembled

themselves

into

an

exact

copy,

not

of

how

he

was,

but

of

how

he

once

was

and

longed

to

be

again.

Complete

with

all

his

memories--

a

perfect

replication

of

him.

So

perfect

that

it

had

the

same

utter

loathing

for

his

crippled

body

that

he

himself

had.

So

...

the

new,

improved

Miro--

or

rather

the

copy

of

the

old,

undamaged

Miro--

whatever--

he

stood

there

as

the

ultimate

rebuke

of

the

crippled

one.

And

before

their

very

eyes,

that

old

rejected

body

crumbled

away

into

nothing."

Wang-mu

gasped,

imagining

it.

"He

died!"

"No,

that's

the

point,

don't

you

see?

He

lived.

It

was

Miro.

His

own

aiua--

not

the

trillions

of

aiuas

making

up

the

atoms

and

molecules

of

his

body,

but

the

one

that

controlled

them

all,

the

one

that

was

himself,

his

will--

his

aiua

simply

moved

to

the

new

and

perfect

body.

That

was

his

true

self.

And

the

old

one

..."

"Had

no

use."

"Had

nothing

to

give

it

shape.

You

see,

I

think

our

bodies

are

held

together

by

love.

The

love

of

the

master

aiua

for

the

glorious

powerful

body

that

obeys

it,

that

gives

the

self

all

its

experience

of

the

world.

Even

Miro,

even

with

all

his

self-loathing

when

he

was

crippled,

even

he

must

have

loved

whatever

pathetic

remnant

of

his

body

was

left

to

him.

Until

the

moment

that

he

had

a

new

one."

"And

then

he

moved."

"Without

even

knowing

that

he

had

done

so,"

said

Peter.

"He

followed

his

love."

Wang-mu

heard

this

fanciful

tale

and

knew

that

it

must

be

true,

for

she

had

overheard

many

a

mention

of

aiuas

in

the

conversations

between

Han

Fei-tzu

and

Jane,

and

now

with

Peter

Wiggin's

story,

it

made

sense.

It

had

to

be

true,

if

only

because

this

starship

really

had

appeared

as

if

from

nowhere

on

the

bank

of

the

river

behind

Han

Fei-tzu's

house.

"But

now

you

must

wonder,"

said

Peter,

"how

I,

unloved

and

unlovable

as

I

know

I

am,

came

into

existence."

"You

already

said.

Ender's

mind."

"Miro's

most

intensely

held

image

was

of

his

own

younger,

healthier,

stronger

self.

But

Ender,

the

images

that

mattered

most

in

his

mind

were

of

his

older

sister

Valentine

and

his

older

brother

Peter.

Not

as

they

became,

though,

for

his

real

older

brother

Peter

was

long

dead,

and

Valentine--

she

has

accompanied

or

followed

Ender

on

all

his

hops

through

space,

so

she

is

still

alive,

but

aged

as

he

has

aged.

Mature.

A

real

person.

Yet

on

that

starship,

during

that

time

Outside,

he

conjured

up

a

copy

of

her

youthful

self.

Young

Valentine.

Poor

Old

Valentine!

She

didn't

know

she

was

so

old

until

she

saw

this

younger

self,

this

perfect

being,

this

angel

that

had

dwelt

in

Ender's

twisted

little

mind

from

childhood

on.

I

must

say,

she's

the

most

put-upon

victim

in

all

this

little

drama.

To

know

that

your

brother

carries

around

such

an

image

of

you,

instead

of

loving

you

as

you

really

are--

well,

one

can

see

that

Old

Valentine--

she

hates

it,

but

that's

how

everyone

thinks

of

her

now,

including,

poor

thing,

herself--

one

can

see

that

Old

Valentine

is

really

having

her

patience

tried."

"But

if

the

original

Valentine

is

still

alive,"

said

Wang-mu,

puzzled,

"then

who

is

the

young

Valentine?

Who

is

she

really?

You

can

be

Peter

because

he's

dead

and

no

one

is

using

his

name,

but

..."

"Quite

puzzling,

isn't

it?"

said

Peter.

"But

my

point

is

that

whether

he's

dead

or

not,

I'm

not

Peter

Wiggin.

As

I

said

before,

I'm

not

myself."

He

leaned

back

in

his

chair

and

looked

up

at

the

ceiling.

The

hologram

above

the

terminal

turned

to

look

at

him.

He

had

not

touched

the

controls.

"Jane

is

with

us,"

said

Wang-mu.

"Jane

is

always

with

us,"

said

Peter.

"Ender's

spy."

The

hologram

spoke.

"Ender

doesn't

need

a

spy.

He

needs

friends,

if

he

can

get

them.

Allies

at

least."

Peter

reached

idly

for

the

terminal

and

turned

it

off.

The

hologram

disappeared.

This

disturbed

Wang-mu

very

much.

Almost

as

if

he

had

slapped

a

child.

Or

beaten

a

servant.

"Jane

is

a

very

noble

creature,

to

treat

her

with

such

disrespect."

"Jane

is

a

computer

program

with

a

bug

in

the

id

routines."

He

was

in

a

dark

mood,

this

boy

who

had

come

to

take

her

into

his

starship

and

spirit

her

away

from

the

world

of

Path.

But

dark

as

his

mood

might

be,

she

understood

now,

with

the

hologram

gone

from

the

terminal,

what

she

had

seen.

"It

isn't

just

because

you're

so

young

and

the

holograms

of

Peter

Wiggin

the

Hegemon

are

of

a

mature

man,"

said

Wang-mu.

"What,"

he

said

impatiently.

"What

isn't

what?"

"The

physical

difference

between

you

and

the

Hegemon."

"What

is

it,

then?"

"He

looks--

satisfied."

"He

conquered

the

world,"

said

Peter.

"So

when

you

have

done

the

same,

you

will

get

that

look

of

satisfaction?"

"I

suppose

so,"

said

Peter.

"It's

what

passes

for

a

purpose

in

my

life.

It's

the

mission

Ender

has

sent

me

on."

"Don't

lie

to

me,"

said

Wang-mu.

"On

the

riverbank

you

spoke

of

the

terrible

things

I

did

for

the

sake

of

my

ambition.

I

admit

it--

I

was

ambitious,

desperate

to

rise

out

of

my

terrible

lowborn

state.

I

know

the

taste

of

it,

and

the

smell

of

it,

and

I

smell

it

coming

from

you,

like

the

smell

of

tar

on

a

hot

day,

you

stink

of

it."

"Ambition?

Has

a

stench?"

"I'm

drunk

with

it

myself."

He

grinned.

Then

he

touched

the

jewel

in

his

ear.

"Remember,

Jane

is

listening,

and

she

tells

Ender

everything."

Wang-mu

fell

silent,

but

not

because

she

was

embarrassed.

She

simply

had

nothing

to

say,

and

therefore

said

nothing.

"So

I'm

ambitious.

Because

that's

how

Ender

imagined

me.

Ambitious

and

nasty-minded

and

cruel."

"But

I

thought

you

were

not

yourself,"

she

said.

His

eyes

blazed

with

defiance.

"That's

right,

I'm

not."

He

looked

away.

"Sorry,

Gepetto,

but

I

can't

be

a

real

boy.

I

have

no

soul."

She

didn't

understand

the

name

he

said,

but

she

understood

the

word

soul.

"All

my

childhood

I

was

thought

to

be

a

servant

by

nature.

To

have

no

soul.

Then

one

day

they

discovered

that

I

have

one.

So

far

it

has

brought

me

no

great

happiness."

"I'm

not

speaking

of

some

religious

idea.

I'm

speaking

of

the

aiua.

I

haven't

got

one.

Remember

what

happened

to

Miro's

broken-down

body

when

his

aiua

abandoned

it."

"But

you

don't

crumble,

so

you

must

have

an

aiua

after

all."

"I

don't

have

it,

it

has

me.

I

continue

to

exist

because

the

aiua

whose

irresistible

will

called

me

into

existence

continues

to

imagine

me.

Continues

to

need

me,

to

control

me,

to

be

my

will."

"Ender

Wiggin?"

she

asked.

"My

brother,

my

creator,

my

tormentor,

my

god,

my

very

self."

"And

young

Valentine?

Her

too?"

"Ah,

but

he

loves

her.

He's

proud

of

her.

He's

glad

he

made

her.

Me

he

loathes.

Loathes,

and

yet

it's

his

will

that

I

do

and

say

every

nasty

thing.

When

I'm

at

my

most

despicable,

remember

that

I

do

only

what

my

brother

makes

me

do."

"Oh,

to

blame

him

for--"

"I'm

not

blaming,

Wang-mu.

I'm

stating

simple

reality.

His

will

is

controlling

three

bodies

now.

Mine,

my

impossibly

angelic

sister's,

and

of

course

his

own

very

tired

middle-aged

body.

Every

aiua

in

my

body

receives

its

order

and

place

from

his.

I

am,

in

all

ways

that

matter,

Ender

Wiggin.

Except

that

he

has

created

me

to

be

the

vessel

of

every

impulse

in

himself

that

he

hates

and

fears.

His

ambition,

yes,

you

smell

his

ambition

when

you

smell

mine.

His

aggression.

His

rage.

His

nastiness.

His

cruelty.

His,

not

mine,

because

I

am

dead,

and

anyway

I

was

never

like

this,

never

the

way

he

saw

me.

This

person

before

you

is

a

travesty,

a

mockery!

I'm

a

twisted

memory.

A

despicable

dream.

A

nightmare.

I'm

the

creature

hiding

under

the

bed.

He

brought

me

out

of

chaos

to

be

the

terror

of

his

childhood."

"So

don't

do

it,"

said

Wang-mu.

"If

you

don't

want

to

be

those

things,

don't

do

them."

He

sighed

and

closed

his

eyes.

"If

you're

so

bright,

why

haven't

you

understood

a

word

I've

said?"

She

did

understand,

though.

"What

is

your

will,

anyway?

Nobody

can

see

it.

You

don't

hear

it

thinking.

You

only

know

what

your

will

is

afterward,

when

you

look

back

in

your

life

and

see

what

you've

done."

"That's

the

most

terrible

trick

he's

played

on

me,"

said

Peter

softly,

his

eyes

still

closed.

"I

look

back

on

my

life

and

I

see

only

the

memories

he

has

imagined

for

me.

He

was

taken

from

our

family

when

he

was

only

five.

What

does

he

know

of

me

or

my

life?"

"He

wrote

The

Hegemon."

"That

book.

Yes,

based

on

Valentine's

memories,

as

she

told

them

to

him.

And

the

public

documents

of

my

dazzling

career.

And

of

course

the

few

ansible

communications

between

Ender

and

my

own

late

self

before

I--

he--

died.

I'm

only

a

few

weeks

old,

yet

I

know

a

quotation

from

Henry

X,

Part

I,

Owen

Glendower

boasting

to

Hotspur.

Henry

Percy.

How

could

I

know

that?

When

did

I

go

to

school?

How

long

did

I

lie

awake

at

night,

reading

old

plays

until

I

committed

a

thousand

favorite

lines

to

memory?

Did

Ender

somehow

conjure

up

the

whole

of

his

dead

brother's

education?

All

his

private

thoughts?

Ender

only

knew

the

real

Peter

Wiggin

for

five

years.

It's

not

a

real

person's

memories

I

draw

on.

It's

the

memories

Ender

thinks

that

I

should

have."

"He

thinks

you

should

know

Shakespeare,

and

so

you

do?"

she

asked

doubtfully.

"If

only

Shakespeare

were

all

he

had

given

me.

The

great

writers,

the

great

philosophers.

If

only

those

were

the

only

memories

I

had."

She

waited

for

him

to

list

the

troublesome

memories.

But

he

only

shuddered

and

fell

silent.

"So

if

you

are

really

controlled

by

Ender,

then

...

you

are

him.

Then

that

is

yourself.

You

are

Andrew

Wiggin.

You

have

an

aiua."

"I'm

Andrew

Wiggin's

nightmare,"

said

Peter.

"I'm

Andrew

Wiggin's

self-loathing.

I'm

everything

he

hates

and

fears

about

himself.

That's

the

script

I've

been

given.

That's

what

I

have

to

do."

He

flexed

his

hand

into

a

fist,

then

extended

it

partway,

the

fingers

still

bent.

A

claw.

The

tiger

again.

And

for

a

moment,

Wang-mu

was

afraid

of

him.

Only

a

moment,

though.

He

relaxed

his

hands.

The

moment

passed.

"What

part

does

your

script

have

in

it

for

me?"

"I

don't

know,"

said

Peter.

"You're

very

smart.

Smarter

than

I

am,

I

hope.

Though

of

course

I

have

such

incredible

vanity

that

I

can't

really

believe

that

anyone

is

actually

smarter

than

I

am.

Which

means

that

I'm

all

the

more

in

need

of

good

advice,

since

I

can't

actually

conceive

of

needing

any."

"You

talk

in

circles."

"That's

just

part

of

my

cruelty.

To

torment

you

with

conversation.

But

maybe

it's

supposed

to

go

farther

than

that.

Maybe

I'm

supposed

to

torture

you

and

kill

you

the

way

I

so

clearly

remember

doing

with

squirrels.

Maybe

I'm

supposed

to

stake

your

living

body

out

in

the

woods,

nailing

your

extremities

to

tree

roots,

and

then

open

you

up

layer

by

layer

to

see

at

what

point

the

flies

begin

to

come

and

lay

eggs

in

your

exposed

flesh."

She

recoiled

at

the

image.

"I

have

read

the

book.

I

know

the

Hegemon

was

not

a

monster!"

"It

wasn't

the

Speaker

for

the

Dead

who

created

me

Outside.

It

was

the

frightened

boy

Ender.

I'm

not

the

Peter

Wiggin

he

so

wisely

understood

in

that

book.

I'm

the

Peter

Wiggin

he

had

nightmares

about.

The

one

who

flayed

squirrels."

"He

saw

you

do

that?"

she

asked.

"Not

me,"

he

said

testily.

"And

no,

he

never

even

saw

him

do

it.

Valentine

told

him

later.

She

found

the

squirrel's

body

in

the

woods

near

their

childhood

home

in

Greensboro,

North

Carolina,

on

the

continent

of

North

America

back

on

Earth.

But

that

image

fit

so

tidily

into

his

nightmares

that

he

borrowed

it

and

shared

it

with

me.

That's

the

memory

I

live

with.

Intellectually,

I

can

imagine

that

the

real

Peter

Wiggin

was

probably

not

cruel

at

all.

He

was

learning

and

studying.

He

didn't

have

compassion

for

the

squirrel

because

he

didn't

sentimentalize

it.

It

was

simply

an

animal.

No

more

important

than

a

head

of

lettuce.

To

cut

it

up

was

probably

as

immoral

an

act

as

making

a

salad.

But

that's

not

how

Ender

imagined

it,

and

so

that's

not

how

I

remember

it."

"How

do

you

remember

it?"

"The

way

I

remember

all

my

supposed

memories.

From

the

outside.

Watching

myself

in

horrified

fascination

as

I

take

a

fiendish

delight

in

cruelty.

All

my

memories

prior

to

the

moment

I

came

to

life

on

Ender's

little

voyage

Outside,

in

all

of

them

I

see

myself

through

someone

else's

eyes.

A

very

odd

feeling,

I

assure

you."

"But

now?"

"Now

I

don't

see

myself

at

all,"

he

said.

"Because

I

have

no

self.

I

am

not

myself."

"But

you

remember.

You

have

memories.

Of

this

conversation,

already

you

remember

it.

Looking

at

me.

You

must,

surely."

"Yes,"

he

said.

"I

remember

you.

And

I

remember

being

here

and

seeing

you.

But

there

isn't

any

self

behind

my

eyes.

I

feel

tired

and

stupid

even

when

I'm

being

my

most

clever

and

brilliant."

He

smiled

a

charming

smile

and

now

Wang-mu

could

see

again

the

true

difference

between

Peter

and

the

hologram

of

the

Hegemon.

It

was

as

he

said:

Even

at

his

most

self-deprecating,

this

Peter

Wiggin

had

eyes

that

flashed

with

inner

rage.

He

was

dangerous.

You

could

see

it

looking

at

him.

When

he

looked

into

your

eyes,

you

could

imagine

him

planning

how

and

when

you

would

die.

"I

am

not

myself,"

said

Peter.

"You

are

saying

this

to

control

yourself,"

said

Wang-mu,

guessing

but

also

sure

she

was

right.

"This

is

your

incantation,

to

stop

yourself

from

doing

what

you

desire."

Peter

sighed

and

leaned

over,

laying

his

head

down

on

the

terminal,

his

ear

pressed

against

the

cold

plastic

surface.

"What

is

it

you

desire?"

she

said,

fearful

of

the

answer.

"Go

away,"

he

said.

"Where

can

I

go?

This

great

starship

of

yours

has

only

one

room."

"Open

the

door

and

go

outside,"

he

said.

"You

mean

to

kill

me?

To

eject

me

into

space

where

I'll

freeze

before

I

have

time

to

suffocate?"

He

sat

up

and

looked

at

her

in

puzzlement.

"Space?"

His

confusion

confused

her.

Where

else

would

they

be

but

in

space?

That's

where

starships

went,

through

space.

Except

this

one,

of

course.

As

he

saw

understanding

come

to

her,

he

laughed

aloud.

"Oh,

yes,

you're

the

brilliant

one,

they've

remade

the

entire

world

of

Path

to

have

your

genius!"

She

refused

to

be

goaded.

"I

thought

there

would

be

some

sensation

of

movement.

Or

something.

Have

we

traveled,

then?

Are

we

already

there?"

"In

the

twinkling

of

an

eye.

We

were

Outside

and

then

back

Inside

at

another

place,

all

so

fast

that

only

a

computer

could

experience

our

voyage

as

having

any

duration

at

all.

Jane

did

it

before

I

finished

talking

to

her.

Before

I

said

a

word

to

you."

"Then

where

are

we?

What's

outside

the

door?"

"We're

sitting

in

the

woods

somewhere

on

the

planet

Divine

Wind.

The

air

is

breathable.

You

won't

freeze.

It's

summer

outside

the

door."

She

walked

to

the

door

and

pulled

down

the

handle,

releasing

the

airtight

seal.

The

door

eased

open.

Sunlight

streamed

into

the

room.

"Divine

Wind,"

she

said.

"I

read

about

it--

it

was

founded

as

a

Shinto

world

the

way

Path

was

supposed

to

be

Taoist.

The

purity

of

ancient

Japanese

culture.

But

I

think

it's

not

so

very

pure

these

days."

"More

to

the

point,

it's

the

world

where

Andrew

and

Jane

and

I

felt--

if

one

can

speak

of

my

having

feelings

apart

from

Ender's

own--

the

world

where

we

might

find

the

center

of

power

in

the

worlds

ruled

by

Congress.

The

true

decision

makers.

The

power

behind

the

throne."

"So

you

can

subvert

them

and

take

over

the

human

race?"

"So

I

can

stop

the

Lusitania

Fleet.

Taking

over

the

human

race

is

a

bit

later

on

the

agenda.

The

Lusitania

Fleet

is

something

of

an

emergency.

We

have

only

a

few

weeks

to

stop

it

before

the

fleet

gets

there

and

uses

the

Little

Doctor,

the

M.D.

Device,

to

blow

Lusitania

into

its

constituent

elements.

In

the

meantime,

because

Ender

and

everyone

else

expects

me

to

fail,

they're

building

these

little

tin

can

starships

as

fast

as

possible

and

transporting

as

many

Lusitanians

as

they

can--

humans,

piggies,

and

buggers--

to

other

habitable

but

as

yet

uninhabited

planets.

My

dear

sister

Valentine--

the

young

one--

is

off

with

Miro--

in

his

fresh

new

body,

the

dear

lad--

searching

out

new

worlds

as

fast

as

their

little

starship

can

carry

them.

Quite

a

project.

All

of

them

betting

on

my--

on

our--

failure.

Let's

disappoint

them,

shall

we?"

"Disappoint

them?"

"By

succeeding.

Let's

succeed.

Let's

find

the

center

of

power

among

humankind,

and

let's

persuade

them

to

stop

the

fleet

before

it

needlessly

destroys

a

world."

Wang-mu

looked

at

him

doubtfully.

Persuade

them

to

stop

the

fleet?

This

nasty-minded,

cruel-hearted

boy?

How

could

he

persuade

anyone

of

anything?

As

if

he

could

hear

her

thoughts,

he

answered

her

silent

doubt.

"You

see

why

I

invited

you

to

come

along

with

me.

When

Ender

was

inventing

me,

he

forgot

the

fact

that

he

never

knew

me

during

the

time

in

my

life

when

I

was

persuading

people

and

gathering

them

together

in

shifting

alliances

and

all

that

nonsense.

So

the

Peter

Wiggin

he

created

is

far

too

nasty,

openly

ambitious,

and

nakedly

cruel

to

persuade

a

man

with

rectal

itch

to

scratch

his

own

butt."

She

looked

away

from

him

again.

"You

see?"

he

said.

"I

offend

you

again

and

again.

Look

at

me.

Do

you

see

my

dilemma?

The

real

Peter,

the

original

one,

he

could

have

done

the

work

I've

been

sent

to

do.

He

could

have

done

it

in

his

sleep.

He'd

already

have

a

plan.

He'd

be

able

to

win

people

over,

soothe

them,

insinuate

himself

into

their

councils.

That

Peter

Wiggin!

He

can

charm

the

stings

out

of

bees.

But

can

I?

I

doubt

it.

For,

you

see,

I'm

not

myself."

He

got

up

from

his

chair,

roughly

pushed

his

way

past

her,

and

stepped

outside

onto

the

meadow

that

surrounded

the

little

metal

cabin

that

had

carried

them

from

world

to

world.

Wang-mu

stood

in

the

doorway,

watching

him

as

he

wandered

away

from

the

ship;

away,

but

not

too

far.

I

know

something

of

how

he

feels,

she

thought.

I

know

something

of

having

to

submerge

your

will

in

someone

else's.

To

live

for

them,

as

if

they

were

the

star

of

the

story

of

your

life,

and

you

merely

a

supporting

player.

I

have

been

a

slave.

But

at

least

in

all

that

time

I

knew

my

own

heart.

I

knew

what

I

truly

thought

even

as

I

did

what

they

wanted,

whatever

it

took

to

get

what

I

wanted

from

them.

Peter

Wiggin,

though,

has

no

idea

of

what

he

really

wants,

because

even

his

resentment

of

his

lack

of

freedom

isn't

his

own,

even

that

comes

from

Andrew

Wiggin.

Even

his

self-loathing

is

Andrew's

self-loathing,

and

...

And

back

and

back,

in

circles,

like

the

random

path

he

was

tracing

through

the

meadow.

Wang-mu

thought

of

her

mistress--

no,

her

former

mistress--

Qing-jao.

She

also

traced

strange

patterns.

It

was

what

the

gods

forced

her

to

do.

No,

that's

the

old

way

of

thinking.

It's

what

her

obsessive-compulsive

disorder

caused

her

to

do.

To

kneel

on

the

floor

and

trace

the

grain

of

the

wood

in

each

board,

trace

a

single

line

of

it

as

far

as

it

went

across

the

floor,

line

after

line.

It

never

meant

anything,

and

yet

she

had

to

do

it

because

only

by

such

meaningless

mind-numbing

obedience

could

she

win

a

scrap

of

freedom

from

the

impulses

controlling

her.

It

is

Qing-jao

who

was

always

the

slave,

and

never

me.

For

the

master

that

ruled

her

controlled

her

from

inside

her

own

mind.

While

I

could

always

see

my

master

outside

me,

so

my

inmost

self

was

never

touched.

Peter

Wiggin

knows

that

he

is

ruled

by

the

unconscious

fears

and

passions

of

a

complicated

man

many

light-years

away.

But

then,

Qing-jao

thought

her

obsessions

came

from

the

gods.

What

does

it

matter,

to

tell

yourself

that

the

thing

controlling

you

comes

from

outside,

if

in

fact

you

only

experience

it

inside

your

own

heart?

Where

can

you

run

from

it?

How

can

you

hide?

Qing-jao

must

be

free

by

now,

freed

by

the

carrier

virus

that

Peter

brought

with

him

to

Path

and

put

into

the

hands

of

Han

Fei-tzu.

But

Peter--

what

freedom

can

there

be

for

him?

And

yet

he

must

still

live

as

if

he

were

free.

He

must

still

struggle

for

freedom

even

if

the

struggle

itself

is

just

one

more

symptom

of

his

slavery.

There

is

a

part

of

him

that

yearns

to

be

himself.

No,

not

himself.

A

self.

So

what

is

my

part

in

all

of

this?

Am

I

supposed

to

work

a

miracle,

and

give

him

an

aiua?

That

isn't

in

my

power.

And

yet

I

do

have

power,

she

thought.

She

must

have

power,

or

why

else

had

he

spoken

to

her

so

openly?

A

total

stranger,

and

he

had

opened

his

heart

to

her

at

once.

Why?

Because

she

was

in

on

the

secrets,

yes,

but

something

else

as

well.

Ah,

of

course.

He

could

speak

freely

to

her

because

she

had

never

known

Andrew

Wiggin.

Maybe

Peter

was

nothing

but

an

aspect

of

Ender's

nature,

all

that

Ender

feared

and

loathed

about

himself.

But

she

could

never

compare

the

two

of

them.

Whatever

Peter

was,

whoever

controlled

him,

she

was

his

confidante.

Which

made

her,

once

again,

someone's

servant.

She

had

been

Qing-jao's

confidante,

too.

She

shuddered,

as

if

to

shake

from

her

the

sad

comparison.

No,

she

told

herself.

It

is

not

the

same

thing.

Because

that

young

man

wandering

so

aimlessly

among

the

wildflowers

has

no

power

over

me,

except

to

tell

me

of

his

pain

and

hope

for

my

understanding.

Whatever

I

give

to

him

I

will

give

freely.

She

closed

her

eyes

and

leaned

her

head

against

the

frame

of

the

door.

I

will

give

it

freely,

yes,

she

thought.

But

what

am

I

planning

to

give

him?

Why,

exactly

what

he

wants--

my

loyalty,

my

devotion,

my

help

in

all

his

tasks.

To

submerge

myself

in

him.

And

why

am

I

already

planning

to

do

all

this?

Because

however

he

might

doubt

himself,

he

has

the

power

to

win

people

to

his

cause.

She

opened

her

eyes

again

and

strode

out

into

the

hip-high

grass

toward

him.

He

saw

her

and

waited

wordlessly

as

she

approached.

Bees

buzzed

around

her;

butterflies

staggered

drunkenly

through

the

air,

avoiding

her

somehow

in

their

seemingly

random

flight.

At

the

last

moment

she

reached

out

and

gathered

a

bee

from

a

blossom

into

her

hand,

into

her

fist,

but

then

quickly,

before

it

could

sting

her,

she

lobbed

it

into

Peter's

face.

Flustered,

surprised,

he

batted

away

the

infuriated

bee,

ducked

under

it,

dodged,

and

finally

ran

a

few

steps

before

it

lost

track

of

him

and

buzzed

its

way

out

among

the

flowers

again.

Only

then

could

he

turn

furiously

to

face

her.

"What

was

that

for!"

She

giggled

at

him--

she

couldn't

help

it.

He

had

looked

so

funny.

"Oh,

good,

laugh.

I

can

see

you're

going

to

be

fine

company."

"Be

angry,

I

don't

care,"

said

Wang-mu.

"I'll

just

tell

you

this.

Do

you

think

that

away

off

on

Lusitania,

Ender's

aiua

suddenly

thought,

'Ho,

a

bee!'

and

made

you

brush

at

it

and

dodge

it

like

a

clown?"

He

rolled

his

eyes.

"Oh,

aren't

you

clever.

Well

gosh,

Miss

Royal

Mother

of

the

West,

you

sure

solved

all

my

problems!

I

can

see

I

must

always

have

been

a

real

boy!

And

these

ruby

shoes,

why,

they've

had

the

power

to

take

me

back

to

Kansas

all

along!"

"What's

Kansas?"

she

asked,

looking

down

at

his

shoes,

which

were

not

red.

"Just

another

memory

of

Ender's

that

he

kindly

shared

with

me,"

said

Peter

Wiggin.

He

stood

there,

his

hands

in

his

pockets,

regarding

her.

She

stood

just

as

silently,

her

hands

clasped

in

front

of

her,

regarding

him

right

back.

"So

are

you

with

me?"

he

finally

asked.

"You

must

try

not

to

be

nasty

with

me,"

she

said.

"Take

that

up

with

Ender."

"I

don't

care

whose

aiua

controls

you,"

she

said.

"You

still

have

your

own

thoughts,

which

are

different

from

his--

you

feared

the

bee,

and

he

didn't

even

think

of

a

bee

right

then,

and

you

know

it.

So

whatever

part

of

you

is

in

control

or

whoever

the

real

'you'

happens

to

be,

right

there

on

the

front

of

your

head

is

the

mouth

that's

going

to

be

speaking

to

me,

and

I'm

telling

you

that

if

I'm

going

to

work

with

you,

you

better

be

nice

to

me."

"Does

this

mean

no

more

bee

fights?"

he

asked.

"Yes,"

she

said.

"That's

just

as

well.

With

my

luck

Ender

no

doubt

gave

me

a

body

that

goes

into

shock

when

I'm

stung

by

a

bee."

"It

can

also

be

pretty

hard

on

the

bee,"

she

said.

He

grinned

at

her.

"I

find

myself

liking

you,"

he

said.

"I

really

hate

that."

He

strode

off

toward

the

starship.

"Come

on!"

he

called

out

to

her.

"Let's

see

what

information

Jane

can

give

us

about

this

world

we're

supposed

to

take

by

storm."

Chapter

2

--

"YOU

DON'T

BELIEVE

IN

GOD!"

"When

I

follow

the

path

of

the

gods

through

the

wood,

My

eyes

take

every

twisting

turn

of

the

grain,

But

my

body

moves

straight

along

the

planking,

So

those

who

watch

me

see

that

the

path

of

the

gods

is

straight,

While

I

dwell

in

a

world

with

no

straightness

in

it."

--

from

The

God

Whispers

of

Han

Qing-jao

Novinha

would

not

come

to

him.

The

gentle

old

teacher

looked

genuinely

distressed

as

she

told

Ender.

"She

wasn't

angry,"

the

old

teacher

explained.

"She

told

me

that

..."

Ender

nodded,

understanding

how

the

teacher

was

torn

between

compassion

and

honesty.

"You

can

tell

me

her

words,"

he

said.

"She

is

my

wife,

so

I

can

bear

it."

The

old

teacher

rolled

her

eyes.

"I'm

married

too,

you

know."

Of

course

he

knew.

All

the

members

of

the

Order

of

the

Children

of

the

Mind

of

Christ--

Os

Filhos

da

Mente

de

Cristo--

were

married.

It

was

their

rule.

"I'm

married,

so

I

know

perfectly

well

that

your

spouse

is

the

one

person

who

knows

all

the

words

you

can't

bear

to

hear."

"Then

let

me

correct

myself,"

said

Ender

mildly.

"She

is

my

wife,

so

I

am

determined

to

hear

it,

whether

I

can

bear

it

or

not."

"She

says

that

she

has

to

finish

the

weeding,

so

she

has

no

time

for

lesser

battles."

Yes,

that

sounded

like

Novinha.

She

might

tell

herself

that

she

had

taken

the

mantle

of

Christ

upon

her,

but

if

so

it

was

the

Christ

who

denounced

the

Pharisees,

the

Christ

who

said

all

those

cruel

and

sarcastic

things

to

his

enemies

and

his

friends

alike,

not

the

gentle

one

with

infinite

patience.

Still,

Ender

was

not

one

to

go

away

merely

because

his

feelings

were

hurt.

"Then

what

are

we

waiting

for?"

asked

Ender.

"Show

me

where

I

can

find

a

hoe."

The

old

teacher

stared

at

him

for

a

long

moment,

then

smiled

and

led

him

out

into

the

gardens.

Soon,

wearing

work

gloves

and

carrying

a

hoe

in

one

hand,

he

stood

at

the

end

of

the

row

where

Novinha

worked,

bent

over

in

the

sunlight,

her

eyes

on

the

ground

before

her

as

she

cut

under

the

root

of

weed

after

weed,

turning

each

one

up

to

bum

to

death

in

the

hot

dry

sun.

She

was

coming

toward

him.

Ender

stepped

to

the

unweeded

row

beside

the

one

Novinha

worked

on,

and

began

to

hoe

toward

her.

They

would

not

meet,

but

they

would

pass

close

to

each

other.

She

would

notice

him

or

not.

She

would

speak

to

him

or

not.

She

still

loved

and

needed

him.

Or

not.

But

no

matter

what,

at

the

end

of

this

day

he

would

have

weeded

in

the

same

field

as

his

wife,

and

her

work

would

have

been

more

easily

done

because

he

was

there,

and

so

he

would

still

be

her

husband,

however

little

she

might

now

want

him

in

that

role.

The

first

time

they

passed

each

other,

she

did

not

so

much

as

look

up.

But

then

she

would

not

have

to.

She

would

know

without

looking

that

the

one

who

joined

her

in

weeding

so

soon

after

she

refused

to

meet

with

her

husband

would

have

to

be

her

husband.

He

knew

that

she

would

know

this,

and

he

also

knew

she

was

too

proud

to

look

at

him

and

show

that

she

wanted

to

see

him

again.

She

would

study

the

weeds

until

she

went

half

blind,

because

Novinha

was

not

one

to

bend

to

anyone

else's

will.

Except,

of

course,

the

will

of

Jesus.

That

was

the

message

she

had

sent

him,

the

message

that

had

brought

him

here,

determined

to

talk

to

her.

A

brief

note

couched

in

the

language

of

the

Church.

She

was

separating

herself

from

him

to

serve

Christ

among

the

Filhos.

She

felt

herself

called

to

this

work.

He

was

to

regard

himself

as

having

no

further

responsibility

toward

her,

and

to

expect

nothing

more

from

her

than

she

would

gladly

give

to

any

of

the

children

of

God.

It

was

a

cold

message,

for

all

the

gentleness

of

its

phrasing.

Ender

was

not

one

to

bend

easily

to

another's

will,

either.

Instead

of

obeying

the

message,

he

came

here,

determined

to

do

the

opposite

of

what

she

asked.

And

why

not?

Novinha

had

a

terrible

record

as

a

decision

maker.

Whenever

she

decided

to

do

something

for

someone

else's

good,

she

ended

up

inadvertently

destroying

them.

Like

Libo,

her

childhood

friend

and

secret

lover,

the

father

of

all

her

children

during

her

marriage

to

the

violent

but

sterile

man

who

had

been

her

husband

until

he

died.

Fearing

that

he

would

die

at

the

hands

of

the

pequeninos,

the

way

his

father

had

died,

Novinha

withheld

from

him

her

vital

discoveries

about

the

biology

of

the

planet

Lusitania,

fearing

that

the

knowledge

of

it

would

kill

him.

Instead,

it

was

the

ignorance

of

that

very

information

that

led

him

to

his

death.

What

she

did

for

his

own

good,

without

his

knowledge,

killed

him.

You'd

think

she'd

learn

something

from

that,

thought

Ender.

But

she

still

does

the

same

thing.

Making

decisions

that

deform

other

people's

lives,

without

consulting

them,

without

ever

conceiving

that

perhaps

they

don't

want

her

to

save

them

from

whatever

supposed

misery

she's

saving

them

from.

Then

again,

if

she

had

simply

married

Libo

in

the

first

place

and

told

him

everything

she

knew,

he

would

probably

still

be

alive

and

Ender

would

never

have

married

his

widow

and

helped

her

raise

her

younger

children.

It

was

the

only

family

Ender

had

ever

had

or

was

ever

likely

to

have.

So

bad

as

Novinha's

decisions

tended

to

be,

the

happiest

time

of

his

life

had

come

about

only

because

of

one

of

the

most

deadly

of

her

mistakes.

On

their

second

pass,

Ender

saw

that

she

still,

stubbornly,

was

not

going

to

speak

to

him,

and

so,

as

always,

he

bent

first

and

broke

the

silence

between

them.

"The

Filhos

are

married,

you

know.

It's

a

married

order.

You

can't

become

a

full

member

without

me."

She

paused

in

her

work.

The

blade

of

the

hoe

rested

on

unbroken

soil,

the

handle

light

in

her

gloved

fingers.

"I

can

weed

the

beets

without

you,"

she

finally

said.

His

heart

leapt

with

relief

that

he

had

penetrated

her

veil

of

silence.

"No

you

can't,"

he

said.

"Because

here

I

am."

"These

are

the

potatoes,"

she

said.

"I

can't

stop

you

from

helping

with

the

potatoes."

In

spite

of

themselves

they

both

laughed,

and

with

a

groan

she

unbent

her

back,

stood

straight,

let

the

hoe

handle

fall

to

the

ground,

and

took

Ender's

hands

in

hers,

a

touch

that

thrilled

him

despite

two

layers

of

thick

workglove

cloth

between

their

palms

and

fingers.

"If

I

do

profane

with

my

touch,"

Ender

began.

"No

Shakespeare,"

she

said.

"No

'lips

two

blushing

pilgrims

ready

stand.'"

"I

miss

you,"

he

said.

"Get

over

it,"

she

said.

"I

don't

have

to.

If

you're

joining

the

Filhos,

so

am

I."

She

laughed.

Ender

didn't

appreciate

her

scorn.

"If

a

xenobiologist

can

retreat

from

the

world

of

meaningless

suffering,

why

can't

an

old

retired

speaker

for

the

dead?"

"Andrew,"

she

said,

"I'm

not

here

because

I've

given

up

on

life.

I'm

here

because

I

really

have

turned

my

heart

over

to

the

Redeemer.

You

could

never

do

that.

You

don't

belong

here."

"I

belong

here

if

you

belong

here.

We

made

a

vow.

A

sacred

one,

that

the

Holy

Church

won't

let

us

set

aside.

In

case

you

forgot."

She

sighed

and

looked

out

at

the

sky

over

the

wall

of

the

monastery.

Beyond

the

wall,

through

meadows,

over

a

fence,

up

a

hill,

into

the

woods

...

that's

where

the

great

love

of

her

life,

Libo,

had

gone,

and

where

he

died.

Where

Pipo,

his

father,

who

was

like

a

father

to

her

as

well,

where

he

had

gone

before,

and

also

died.

It

was

into

another

wood

that

her

son

Estevao

had

gone,

and

also

died,

but

Ender

knew,

watching

her,

that

when

she

saw

the

world

outside

these

walls,

it

was

all

those

deaths

she

saw.

Two

of

them

had

taken

place

before

Ender

got

to

Lusitania.

But

the

death

of

Estevao--

she

had

begged

Ender

to

stop

him

from

going

to

the

dangerous

place

where

pequeninos

were

talking

of

war,

of

killing

humans.

She

knew

as

well

as

Ender

did

that

to

stop

Estevao

would

have

been

the

same

as

to

destroy

him,

for

he

had

not

become

a

priest

to

be

safe,

but

rather

to

try

to

carry

the

message

of

Christ

to

these

tree

people.

Whatever

joy

came

to

the

early

Christian

martyrs

had

surely

come

to

Estevao

as

he

slowly

died

in

the

embrace

of

a

murderous

tree.

Whatever

comfort

God

sent

to

them

in

their

hour

of

supreme

sacrifice.

But

no

such

joy

had

come

to

Novinha.

God

apparently

did

not

extend

the

benefits

of

his

service

to

the

next

of

kin.

And

in

her

grief

and

rage

she

blamed

Ender.

Why

had

she

married

him,

if

not

to

make

herself

safe

from

these

disasters?

He

had

never

said

to

her

the

most

obvious

thing,

that

if

there

was

anyone

to

blame,

it

was

God,

not

him.

After

all,

it

was

God

who

had

made

saints--

well,

almost

saints--

out

of

her

parents,

who

died

as

they

discovered

the

antidote

to

the

descolada

virus

when

she

was

only

a

child.

Certainly

it

was

God

who

led

Estevao

out

to

preach

to

the

most

dangerous

of

the

pequeninos.

Yet

in

her

sorrow

it

was

God

she

turned

to,

and

turned

away

from

Ender,

who

had

meant

to

do

nothing

but

good

for

her.

He

never

said

this

because

he

knew

that

she

would

not

listen.

And

he

also

refrained

from

saying

it

because

he

knew

she

saw

things

another

way.

If

God

took

Father

and

Mother,

Pipo,

Libo,

and

finally

Estevao

away

from

her,

it

was

because

God

was

just

and

punished

her

for

her

sins.

But

when

Ender

failed

to

stop

Estevao

from

his

suicidal

mission

to

the

pequeninos,

it

was

because

he

was

blind,

self-willed,

stubborn,

and

rebellious,

and

because

he

did

not

love

her

enough.

But

he

did

love

her.

With

all

his

heart

he

loved

her.

All

his

heart?

All

of

it

he

knew

about.

And

yet

when

his

deepest

secrets

were

revealed

in

that

first

voyage

Outside,

it

was

not

Novinha

that

his

heart

conjured

there.

So

apparently

there

was

someone

who

mattered

even

more

to

him.

Well,

he

couldn't

help

what

went

on

in

his

unconscious

mind,

any

more

than

Novinha

could.

All

he

could

control

was

what

he

actually

did,

and

what

he

was

doing

now

was

showing

Novinha

that

regardless

of

how

she

tried

to

drive

him

away,

he

would

not

be

driven.

That

no

matter

how

much

she

imagined

that

he

loved

Jane

and

his

involvement

in

the

great

affairs

of

the

human

race

more

than

he

loved

her,

it

was

not

true,

she

was

more

important

to

him

than

any

of

it.

He

would

give

it

all

up

for

her.

He

would

disappear

behind

monastery

walls

for

her.

He

would

weed

rows

of

unidentified

plant

life

in

the

hot

sun.

For

her.

But

even

that

was

not

enough.

She

insisted

that

he

do

it,

not

for

her,

but

for

Christ.

Well,

too

bad.

He

wasn't

married

to

Christ,

and

neither

was

she.

Still,

it

couldn't

be

displeasing

to

God

when

a

husband

and

wife

gave

all

to

each

other.

Surely

that

was

part

of

what

God

expected

of

human

beings.

"You

know

I

don't

blame

you

for

the

death

of

Quim,"

she

said,

using

the

old

family

nickname

for

Estevao.

"I

didn't

know

that,"

he

said,

"but

I'm

glad

to

find

it

out."

"I

did

at

first,

but

I

knew

all

along

that

it

was

irrational,"

she

said.

"He

went

because

he

wanted

to,

and

he

was

much

too

old

for

some

interfering

parent

to

stop

him.

If

I

couldn't,

how

could

you?"

"I

didn't

even

want

to,"

said

Ender.

"I

wanted

him

to

go.

It

was

the

fulfillment

of

his

life's

ambition."

"I

even

know

that

now.

It's

right.

It

was

right

for

him

to

go,

and

it

was

even

right

for

him

to

die,

because

his

death

meant

something.

Didn't

it?"

"It

saved

Lusitania

from

a

holocaust."

"And

brought

many

to

Christ."

She

laughed,

the

old

laugh,

the

rich

ironic

laugh

that

he

had

come

to

treasure

if

only

because

it

was

so

rare.

"Trees

for

Jesus,"

she

said.

"Who

could

have

guessed?"

"They're

already

calling

him

St.

Stephen

of

the

Trees."

"That's

quite

premature.

It

takes

time.

He

must

first

be

beatified.

Miracles

of

healing

must

take

place

at

his

tomb.

Believe

me,

I

know

the

process."

"Martyrs

are

thin

on

the

ground

these

days,"

said

Ender.

"He

will

be

beatified.

He

will

be

canonized.

People

will

pray

for

him

to

intercede

with

Jesus

for

them,

and

it

will

work,

because

if

anyone

has

earned

the

right

to

have

Christ

hear

him,

it's

your

son

Estevao."

Tears

slipped

down

her

cheeks,

even

as

she

laughed

again.

"My

parents

were

martyrs

and

will

be

saints;

my

son,

also.

Piety

skipped

a

generation."

"Oh,

yes.

Yours

was

the

generation

of

selfish

hedonism."

She

finally

turned

to

face

him,

tear-streaked

dirty

cheeks,

smiling

face,

twinkling

eyes

that

saw

through

into

his

heart.

The

woman

he

loved.

"I

don't

regret

my

adultery,"

she

said.

"How

can

Christ

forgive

me

when

I

don't

even

repent?

If

I

hadn't

slept

with

Libo,

my

children

would

not

have

existed.

Surely

God

does

not

disapprove

of

that?"

"I

believe

what

Jesus

said

was,

'I

the

Lord

will

forgive

whom

I

will

forgive.

But

of

you

it

is

required

that

you

forgive

all

men.'"

"More

or

less,"

she

said.

"I'm

not

a

scriptorian."

She

reached

out

and

touched

his

cheek.

"You're

so

strong,

Ender.

But

you

seem

tired.

How

can

you

be

tired?

The

universe

of

human

beings

still

depends

on

you.

Or

if

not

the

whole

of

humankind,

then

certainly

you

belong

to

this

world.

To

save

this

world.

But

you're

tired."

"Deep

inside

my

bones

I

am,"

he

said.

"And

you

have

taken

my

last

lifeblood

away

from

me."

"How

odd,"

she

said.

"I

thought

what

I

removed

from

you

was

the

cancer

in

your

life."

"You

aren't

very

good

at

determining

what

other

people

want

and

need

from

you,

Novinha.

No

one

is.

We're

all

as

likely

to

hurt

as

help."

"That's

why

I

came

here,

Ender.

I'm

through

deciding

things.

I

put

my

trust

in

my

own

judgment.

Then

I

put

trust

in

you.

I

put

trust

in

Libo,

in

Pipo,

in

Father

and

Mother,

in

Quim,

and

everyone

disappointed

me

or

went

away

or

...

no,

I

know

you

didn't

go

away,

and

I

know

it

wasn't

you

that--

hear

me

out,

Andrew,

hear

me.

The

problem

wasn't

in

the

people

I

trusted,

the

problem

was

that

I

trusted

in

them

when

no

human

being

can

possibly

deliver

what

I

needed.

I

needed

deliverance,

you

see.

I

needed,

I

need,

redemption.

And

it

isn't

in

your

hands

to

give

me--

your

open

hands,

which

give

me

more

than

you

even

have

to

give,

Andrew,

but

still

you

haven't

got

the

thing

I

need.

Only

my

Deliverer,

only

the

Anointed

One,

only

he

has

it

to

give.

Do

you

see?

The

only

way

I

can

make

my

life

worth

living

is

to

give

it

to

him.

So

here

I

am."

"Weeding."

"Separating

the

good

fruit

from

the

tares,

I

believe,"

she

said.

"People

will

have

more

and

better

potatoes

because

I

took

out

the

weeds.

I

don't

have

to

be

prominent

or

even

noticed

to

feel

good

about

my

life

now.

But

you,

you

come

here

and

remind

me

that

even

in

becoming

happy,

I'm

hurting

someone."

"But

you're

not,"

said

Ender.

"Because

I'm

coming

with

you.

I'm

joining

the

Filhos

with

you.

They're

a

married

order,

and

we're

a

married

couple.

Without

me

you

can't

join,

and

you

need

to

join.

With

me

you

can.

What

could

be

simpler?"

"Simpler?"

She

shook

her

head.

"You

don't

believe

in

God,

how's

that

for

starters?"

"I

certainly

do

too

believe

in

God,"

said

Ender,

annoyed.

"Oh,

you're

willing

to

concede

God's

existence,

but

that's

not

what

I

meant.

I

mean

believe

in

him

the

way

a

mother

means

it

when

she

says

to

her

son,

I

believe

in

you.

She's

not

saying

she

believes

that

he

exists--

what

is

that

worth?

--she's

saying

she

believes

in

his

future,

she

trusts

that

he'll

do

all

the

good

that

is

in

him

to

do.

She

puts

the

future

in

his

hands,

that's

how

she

believes

in

him.

You

don't

believe

in

Christ

that

way,

Andrew.

You

still

believe

in

yourself.

In

other

people.

You've

sent

out

your

little

surrogates,

those

children

you

conjured

up

during

your

visit

in

hell--

you

may

be

here

with

me

in

these

walls

right

now,

but

your

heart

is

out

there

scouting

planets

and

trying

to

stop

the

fleet.

You

aren't

leaving

anything

up

to

God.

You

don't

believe

in

him."

"Excuse

me,

but

if

God

wanted

to

do

everything

himself,

what

did

he

make

us

for

in

the

first

place?"

"Yes,

well,

I

seem

to

recall

that

one

of

your

parents

was

a

heretic,

which

is

no

doubt

where

your

strangest

ideas

come

from."

It

was

an

old

joke

between

them,

but

this

time

neither

of

them

laughed.

"I

believe

in

you,"

Ender

said.

"But

you

consult

with

Jane."

He

reached

into

his

pocket,

then

held

out

his

hand

to

show

her

what

he

had

found

there.

It

was

a

jewel,

with

several

very

fine

wires

leading

from

it.

Like

a

glowing

organism

ripped

from

its

delicate

place

amid

the

fronds

of

life

in

a

shallow

sea.

She

looked

at

it

for

a

moment

uncomprehending,

then

realized

what

it

was

and

looked

at

the

ear

where,

for

all

the

years

she

had

known

him,

he

had

worn

the

jewel

that

linked

him

to

Jane,

the

computer-program-come-to-life

who

was

his

oldest,

dearest,

most

reliable

friend.

"Andrew,

no,

not

for

me,

surely."

"I

can't

honestly

say

these

walls

contain

me,

as

long

as

Jane

was

there

to

whisper

in

my

ear,"

he

said.

"I

talked

it

out

with

her.

I

explained

it.

She

understands.

We're

still

friends.

But

not

companions

anymore."

"Oh,

Andrew,"

said

Novinha.

She

wept

openly

now,

and

held

him,

clung

to

him.

"If

only

you

had

done

it

years

ago,

even

months

ago."

"Maybe

I

don't

believe

in

Christ

the

way

that

you

do,"

said

Ender.

"But

isn't

it

enough

that

I

believe

in

you,

and

you

believe

in

him?"

"You

don't

belong

here,

Andrew."

"I

belong

here

more

than

anywhere

else,

if

this

is

where

you

are.

I'm

not

so

much

world-weary,

Novinha,

as

I

am

will-weary.

I'm

tired

of

deciding

things.

I'm

tired

of

trying

to

solve

things."

"We

try

to

solve

things

here,"

she

said,

pulling

away

from

him.

"But

here

we

can

be,

not

the

mind,

but

the

children

of

the

mind.

We

can

be

the

hands

and

feet,

the

lips

and

tongue.

We

can

carry

out

and

not

decide."

He

squatted,

knelt,

then

sat

in

the

dirt,

the

young

plants

brushing

and

tickling

him

on

either

side.

He

put

his

dirty

hands

to

his

face

and

wiped

his

brow

with

them,

knowing

that

he

was

only

smearing

dirt

into

mud.

"Oh,

I

almost

believe

this,

Andrew,

you're

so

good

at

it,"

said

Novinha.

"What,

you've

decided

to

stop

being

the

hero

of

your

own

saga?

Or

is

this

just

a

ploy?

Be

the

servant

of

all,

so

you

can

be

the

greatest

among

us?

"

"You

know

I've

never

tried

for

greatness,

or

achieved

it,

either."

"Oh,

Andrew,

you're

such

a

storyteller

that

you

believe

your

own

fables."

Ender

looked

up

at

her.

"Please,

Novinha,

let

me

live

with

you

here.

You're

my

wife.

There's

no

meaning

to

my

life

if

I've

lost

you."

"We

live

as

man

and

wife

here,

but

we

don't

...

you

know

that

we

don't

..."

"I

know

that

the

Filhos

forswear

sexual

intercourse,"

said

Ender.

"I'm

your

husband.

As

long

as

I'm

not

having

sex

with

anyone,

it

might

as

well

be

you

that

I'm

not

having

sex

with."

He

smiled

wryly.

Her

answering

smile

was

only

sad

and

pitying.

"Novinha,"

he

said.

"I'm

not

interested

in

my

own

life

anymore.

Do

you

understand?

The

only

life

I

care

about

in

this

world

is

yours.

If

I

lose

you,

what

is

there

to

hold

me

here?"

He

wasn't

sure

what

he

meant

by

this

himself.

The

words

had

come

unbidden

to

his

lips.

But

he

knew

as

he

said

them

that

it

was

not

self-pity,

but

rather

a

frank

admission

of

the

truth.

Not

that

he

was

thinking

of

suicide

or

exile

or

any

other

such

low

drama.

Rather

he

felt

himself

fading.

Losing

his

hold.

Lusitania

seemed

less

and

less

real

to

him.

Valentine

was

still

there,

his

dear

sister

and

friend,

and

she

was

like

a

rock,

her

life

was

so

real,

but

it

was

not

real

to

him

because

she

didn't

need

him.

Plikt,

his

unasked-for

disciple,

she

might

need

Ender,

but

not

the

reality

of

him,

only

the

idea

of

him.

And

who

else

was

there?

The

children

of

Novinha

and

Libo,

the

children

that

he

had

raised

as

his

own,

and

loved

as

his

own,

he

loved

them

no

less

now,

but

they

were

adults,

they

didn't

need

him.

Jane,

who

once

had

been

virtually

destroyed

by

an

hour

of

his

inattention,

she

no

longer

needed

him

either,

for

she

was

there

in

the

jewel

in

Miro's

ear,

and

in

another

jewel

in

Peter's

ear

...

Peter.

Young

Valentine.

Where

had

they

come

from?

They

had

stolen

his

soul

and

taken

it

with

them

when

they

left.

They

were

doing

the

living

acts

that

once

he

would

have

done

himself.

While

he

waited

here

in

Lusitania

and

...

faded.

That's

what

he

meant.

If

he

lost

Novinha,

what

would

tie

him

to

this

body

that

he

had

carried

around

the

universe

for

all

these

thousands

of

years?

"It's

not

my

decision,"

Novinha

said.

"It's

your

decision,"

said

Ender,

"whether

you

want

me

with

you,

as

one

of

the

Filhos

da

Mente

de

Cristo.

If

you

do,

then

I

believe

I

can

make

my

way

through

all

the

other

obstacles."

She

laughed

nastily.

"Obstacles?

Men

like

you

don't

have

obstacles.

Just

steppingstones."

"Men

like

me?"

"Yes,

men

like

you,"

said

Novinha.

"Just

because

I've

never

met

any

others.

Just

because

no

matter

how

much

I

loved

Libo

he

was

never

for

one

day

as

alive

as

you

are

in

every

minute.

Just

because

I

found

myself

loving

as

an

adult

for

the

first

time

when

I

loved

you.

Just

because

I

have

missed

you

more

than

I

miss

even

my

children,

even

my

parents,

even

the

lost

loves

of

my

life.

Just

because

I

can't

dream

of

anyone

but

you,

that

doesn't

mean

that

there

isn't

somebody

else

just

like

you

somewhere

else.

The

universe

is

a

big

place.

You

can't

be

all

that

special,

really.

Can

you?"

He

reached

through

the

potato

plants

and

leaned

a

hand

gently

on

her

thigh.

"You

do

still

love

me,

then?"

he

asked.

"Oh,

is

that

what

you

came

for?

To

find

out

if

I

love

you?"

He

nodded.

"Partly."

"I

do,"

she

said.

"Then

I

can

stay?"

She

burst

into

tears.

Loud

weeping.

She

sank

to

the

ground;

he

reached

through

the

plants

to

embrace

her,

to

hold

her,

caring

nothing

for

the

leaves

he

crushed

between

them.

After

he

held

her

for

a

long

while,

she

broke

off

her

crying

and

turned

to

him

and

held

him

at

least

as

tightly

as

he

had

been

holding

her.

"Oh,

Andrew,"

she

whispered,

her

voice

cracking

and

breaking

from

having

wept

so

much.

"Does

God

love

me

enough

to

give

you

to

me

now,

again,

when

I

need

you

so

much?"

"Until

I

die,"

said

Ender.

"I

know

that

part,"

she

said.

"But

I

pray

that

God

will

let

me

die

first

this

time."

Chapter

3

--

"THERE

ARE

TOO

MANY

OF

US"

"Let

me

tell

you

the

most

beautiful

story

I

know.

A

man

was

given

a

dog,

which

he

loved

very

much.

The

dog

went

with

him

everywhere,

but

the

man

could

not

teach

it

to

do

anything

useful.

The

dog

would

not

fetch

or

point,

it

would

not

race

or

protect

or

stand

watch.

Instead

the

dog

sat

near

him

and

regarded

him,

always

with

the

same

inscrutable

expression.

'That's

not

a

dog,

it's

a

wolf,'

said

the

man's

wife.

'He

alone

is

faithful

to

me,'

said

the

man,

and

his

wife

never

discussed

it

with

him

again.

One

day

the

man

took

his

dog

with

him

into

his

private

airplane

and

as

they

flew

over

high

winter

mountains,

the

engines

failed

and

the

airplane

was

torn

to

shreds

among

the

trees.

The

man

lay

bleeding,

his

belly

torn

open

by

blades

of

sheared

metal,

steam

rising

from

his

organs

in

the

cold

air,

but

all

he

could

think

of

was

his

faithful

dog.

Was

he

alive?

Was

he

hurt?

Imagine

his

relief

when

the

dog

came

padding

up

and

regarded

him

with

that

same

steady

gaze.

After

an

hour

the

dog

nosed

the

man's

gaping

abdomen,

then

began

pulling

out

intestines

and

spleen

and

liver

and

gnawing

on

them,

all

the

while

studying

the

man's

face.

'Thank

God,'

said

the

man.

'At

least

one

of

us

will

not

starve.'

--

from

The

God

Whispers

of

Han

Qing-lao

Of

all

the

faster-than-light

starships

that

were

flitting

Outside

and

back

In

under

Jane's

command,

only

Miro's

looked

like

an

ordinary

spacecraft,

for

the

good

reason

that

it

was

nothing

more

than

the

shuttle

that

had

once

taken

passengers

and

cargo

to

and

from

the

great

starships

that

came

to

orbit

around

Lusitania.

Now

that

the

new

starships

could

go

immediately

from

one

planet's

surface

to

another's,

there

was

no

need

for

life

support

or

even

fuel,

and

since

Jane

had

to

hold

the

entire

structure

of

each

craft

in

her

memory,

the

simpler

they

were

the

better.

Indeed,

they

could

hardly

be

called

vehicles

anymore.

They

were

simple

cabins

now,

windowless,

almost

unfurnished,

bare

as

a

primitive

schoolroom.

The

people

of

Lusitania

referred

to

space

travel

now

as

encaixarse,

which

was

Portuguese

for

"going

into

the

box,"

or,

more

literally,

"to

box

oneself

up."

Miro,

however,

was

exploring,

searching

for

new

planets

capable

of

sustaining

the

lives

of

the

three

sentient

species,

humans,

pequeninos,

and

hive

queens.

For

this

he

needed

a

more

traditional

spacecraft,

for

though

he

still

went

from

planet

to

planet

by

way

of

Jane's

instant

detour

through

the

Outside,

he

could

not

usually

count

on

arriving

at

a

world

where

he

could

breathe

the

air.

Indeed,

Jane

always

started

him

out

in

orbit

high

above

each

new

planet,

so

he

could

observe,

measure,

analyze,

and

only

land

on

the

most

promising

ones

to

make

the

final

determination

of

whether

the

world

was

usable.

He

did

not

travel

alone.

It

would

have

been

too

much

for

one

person

to

accomplish,

and

he

needed

everything

he

did

to

be

doublechecked.

Yet

of

all

the

work

being

done

by

anyone

on

Lusitania,

this

was

the

most

dangerous,

for

he

never

knew

when

he

cracked

open

the

door

of

his

spaceship

whether

there

would

be

some

unforeseeable

menace

on

the

new

world.

Miro,

had

long

regarded

his

own

life

as

expendable.

For

several

long

years

trapped

in

a

brain-damaged

body

he

had

wished

for

death;

then,

when

his

first

trip

Outside

enabled

him

to

recreate

his

body

in

the

perfection

of

youth,

he

regarded

any

moment,

any

hour,

any

day

of

his

life

as

an

undeserved

gift.

He

would

not

waste

it,

but

he

would

not

shrink

from

putting

it

at

risk

for

the

good

of

others.

But

who

else

could

share

his

easy

self-disregard?

Young

Valentine

was

made

to

order,

in

every

sense,

it

seemed.

Miro

had

seen

her

come

into

existence

at

the

same

time

as

his

own

new

body.

She

had

no

past,

no

kin,

no

links

to

any

world

except

through

Ender,

whose

mind

had

created

her,

and

Peter,

her

fellow

makeling.

Oh,

and

perhaps

one

might

consider

her

to

be

linked

to

the

original

Valentine,

"the

real

Valentine,"

as

Young

Val

called

her;

but

it

was

no

secret

that

Old

Valentine

had

no

desire

to

spend

even

a

moment

in

the

company

of

this

young

beauty

who

mocked

her

by

her

very

existence.

Besides,

Young

Val

was

created

as

Ender's

image

of

perfect

virtue.

Not

only

was

she

unconnected,

but

also

she

was

genuinely

altruistic

and

quite

willing

to

sacrifice

herself

for

the

good

of

others.

So

whenever

Miro

stepped

into

the

shuttle,

there

was

Young

Val

as

his

companion,

his

reliable

assistant,

his

constant

backup.

But

not

his

friend.

For

Miro

knew

perfectly

well

who

Val

really

was:

Ender

in

disguise.

Not

a

woman.

And

her

love

and

loyalty

to

him

were

Ender's

love

and

loyalty,

often

tested,

well-trusted,

but

Ender's,

not

her

own.

There

was

nothing

of

her

own

in

her.

So

while

Miro

had

become

used

to

her

company,

and

laughed

and

joked

with

her

more

easily

than

with

anyone

in

his

life

till

now,

he

did

not

confide

in

her,

did

not

allow

himself

to

feel

affection

any

deeper

than

camaraderie

for

her.

If

she

noticed

the

lack

of

connection

between

them

she

said

nothing;

if

it

hurt

her,

the

pain

never

showed.

What

showed

was

her

delight

in

their

successes

and

her

insistence

that

they

push

themselves

ever

harder.

"We

don't

have

a

whole

day

to

spend

on

any

world,"

she

said

right

from

the

start,

and

proved

it

by

holding

them

to

a

schedule

that

let

them

make

three

voyages

in

a

day.

They

came

home

after

each

three

voyages

to

a

Lusitania

already

quiet

with

sleep;

they

slept

on

the

ship

and

spoke

to

others

only

to

warn

them

of

particular

problems

the

colonists

were

likely

to

face

on

whatever

new

worlds

had

been

found

that

day.

And

the

three-a-day

schedule

was

only

on

days

when

they

dealt

with

likely

planets.

When

Jane

took

them

to

worlds

that

were

obvious

losers--

waterbound,

for

instance,

or

unbiotized--

they

moved

on

quickly,

checking

the

next

candidate

world,

and

the

next,

sometimes

five

and

six

on

those

discouraging

days

when

nothing

seemed

to

work.

Young

Val

pushed

them

both

on

to

the

edge

of

their

endurance,

day

after

day,

and

Miro

accepted

her

leadership

in

this

aspect

of

their

voyaging

because

he

knew

that

it

was

necessary.

His

friend,

however,

had

no

human

shape.

For

him

she

dwelt

in

the

jewel

in

his

ear.

Jane,

the

whisper

in

his

mind

when

he

first

woke

up,

the

friend

who

heard

everything

he

subvocalized,

who

knew

his

needs

before

he

noticed

them

himself

Jane,

who

shared

all

his

thoughts

and

dreams,

who

had

stayed

with

him

through

the

worst

of

his

cripplehood,

who

had

led

him

Outside

to

where

he

could

be

renewed.

Jane,

his

truest

friend,

who

would

soon

die.

That

was

their

real

deadline.

Jane

would

die,

and

then

this

instant

starflight

would

be

at

an

end,

for

there

was

no

other

being

that

had

the

sheer

mental

power

to

take

anything

more

complicated

than

a

rubber

ball

Outside

and

back

In

again.

And

Jane's

death

would

come,

not

by

any

natural

cause,

but

because

the

Starways

Congress,

having

discovered

the

existence

of

a

subversive

program

that

could

control

or

at

least

access

any

and

all

of

their

computers,

was

systematically

closing

down,

disconnecting,

and

sweeping

out

all

their

networks.

Already

she

was

feeling

the

injury

of

those

systems

that

had

been

taken

offline

to

where

she

could

not

access

them.

Someday

soon

the

codes

would

be

transmitted

that

would

undo

her

utterly

and

all

at

once.

And

when

she

was

gone,

anyone

who

had

not

been

taken

from

the

surface

of

Lusitania

and

transplanted

to

another

world

would

be

trapped,

waiting

helplessly

for

the

arrival

of

the

Lusitania

Fleet,

which

was

coming

ever

closer,

determined

to

destroy

them

all.

A

grim

business,

this,

in

which

despite

all

of

Miro's

efforts,

his

dearest

friend

would

die.

Which,

he

knew

full

well,

was

part

of

why

he

did

not

let

himself

become

a

true

friend

to

Young

Val--

because

it

would

be

disloyal

to

Jane

to

learn

affection

for

anyone

else

during

the

last

weeks

or

days

of

her

life.

So

Miro's

life

was

an

endless

routine

of

work,

of

concentrated

mental

effort,

studying

the

findings

of

the

shuttle's

instruments,

analyzing

aerial

photographs,

piloting

the

shuttle

to

unsafe,

unscouted

landing

zones,

and

finally--

not

often

enough--

opening

the

door

and

breathing

alien

air.

And

at

the

end

of

each

voyage,

no

time

either

to

mourn

or

rejoice,

no

time

even

to

rest:

he

closed

the

door,

spoke

the

word,

and

Jane

took

them

home

again

to

Lusitania,

to

start

it

all

over

again.

On

this

homecoming,

however,

something

was

different.

Miro

opened

the

door

of

the

shuttle

to

find,

not

his

adoptive

father

Ender,

not

the

pequeninos

who

prepared

food

for

him

and

Young

Val,

not

the

normal

colony

leaders

wanting

a

briefing,

but

rather

his

brothers

Olhado

and

Grego,

and

his

sister

Elanora,

and

Ender's

sister

Valentine.

Old

Valentine,

come

herself

to

the

one

place

where

she

was

sure

to

meet

her

unwelcome

young

twin?

Miro

saw

at

once

how

Young

Val

and

Old

Valentine

glanced

at

each

other,

eyes

not

really

meeting,

and

then

looked

away,

not

wanting

to

see

each

other.

Or

was

that

it?

Young

Val

was

more

likely

looking

away

from

Old

Valentine

because

she

virtuously

wanted

to

avoid

giving

offense

to

the

older

woman.

No

doubt

if

she

could

do

it

Young

Val

would

willingly

disappear

rather

than

cause

Old

Valentine

a

moment's

pain.

And,

since

that

was

not

possible,

she

would

do

the

next

best

thing,

which

was

to

remain

as

unobtrusive

as

possible

when

Old

Valentine

was

present.

"What's

the

meeting?"

asked

Miro.

"Is

Mother

ill?"

"No,

no,

everybody's

in

good

health,"

said

Olhado.

"Except

mentally,"

said

Grego.

"Mother's

as

mad

as

a

hatter,

and

now

Ender's

crazy

too."

Miro

nodded,

grimaced.

"Let

me

guess.

He

joined

her

among

the

Filhos."

Immediately

Grego

and

Olhado

looked

at

the

jewel

in

Miro's

ear.

"No,

Jane

didn't

tell

me,"

said

Miro.

"I

just

know

Ender.

He

takes

his

marriage

very

seriously."

"Yes,

well,

it's

left

something

of

a

leadership

vacuum

here,"

said

Olhado.

"Not

that

everybody

isn't

doing

their

job

just

fine.

I

mean,

the

system

works

and

all

that.

But

Ender

was

the

one

we

all

looked

to

to

tell

us

what

to

do

when

the

system

stops

working.

If

you

know

what

I

mean."

"I

know

what

you

mean,"

said

Miro.

"And

you

can

speak

of

it

in

front

of

Jane.

She

knows

she's

going

to

be

shut

down

as

soon

as

Starways

Congress

gets

their

plans

in

place."

"It's

more

complicated

than

that,"

said

Grego.

"Most

people

don't

know

about

the

danger

to

Jane--

for

that

matter,

most

don't

even

know

she

exists.

But

they

can

do

the

arithmetic

to

figure

out

that

even

going

full

tilt,

there's

no

way

to

get

all

the

humans

off

Lusitania

before

the

fleet

gets

here.

Let

alone

the

pequeninos.

So

they

know

that

unless

the

fleet

is

stopped,

somebody

is

going

to

be

left

here

to

die.

There

are

already

those

who

say

that

we've

wasted

enough

starship

space

on

trees

and

bugs."

"Trees"

referred,

of

course,

to

the

pequeninos,

who

were

not,

in

fact,

transporting

fathertrees

and

mothertrees;

and

"bugs"

referred

to

the

Hive

Queen,

who

was

also

not

wasting

space

sending

a

lot

of

workers.

But

every

world

they

were

settling

did

have

a

large

contingent

of

pequeninos

and

at

least

one

hive

queen

and

a

handful

of

workers

to

help

her

get

started.

Never

mind

that

it

was

the

hive

queen

on

every

world

that

quickly

produced

workers

who

were

doing

the

bulk

of

the

labor

getting

agriculture

started;

never

mind

that

because

they

were

not

taking

trees

with

them,

at

least

one

male

and

female

in

every

group

of

pequeninos

had

to

be

"planted"

--had

to

die

slowly

and

painfully

so

that

a

fathertree

and

mothertree

could

take

root

and

maintain

the

cycle

of

pequenino

life.

They

all

knew--

Grego

more

than

any

other,

since

he'd

recently

been

in

the

thick

of

itthat

under

the

polite

surface

was

an

undercurrent

of

competition

between

species.

And

it

was

not

just

among

the

humans,

either.

While

on

Lusitania

the

pequeninos

still

outnumbered

humans

by

vast

numbers,

on

the

new

colonies

the

humans

predominated.

"It's

your

fleet

coming

to

destroy

Lusitania,"

said

Human,

the

leader

of

the

fathertrees

these

days.

"And

even

if

every

human

on

Lusitania

died,

the

human

race

would

continue.

While

for

the

Hive

Queen

and

for

us,

it

is

nothing

less

than

the

survival

of

our

species

that

is

at

stake.

And

yet

we

understand

that

we

must

let

humans

dominate

for

a

time

on

these

new

worlds,

because

of

your

knowledge

of

skills

and

technologies

we

have

not

yet

mastered,

because

of

your

practice

at

subduing

new

worlds,

and

because

you

still

have

the

power

to

set

fires

to

burn

our

forests."

What

Human

said

so

reasonably,

his

resentment

couched

in

polite

language,

many

other

pequeninos

and

fathertrees

said

more

passionately:

"Why

should

we

let

these

human

invaders,

who

brought

all

this

evil

upon

us,

save

almost

all

their

population,

while

most

of

us

will

die?"

"Resentment

between

the

species

is

nothing

new,"

said

Miro.

"But

until

now

we

had

Ender

to

contain

it,"

said

Grego.

"Pequeninos,

the

Hive

Queen,

and

most

of

the

human

population

saw

Ender

as

a

fair

broker,

someone

they

could

trust.

They

knew

that

as

long

as

he

was

in

charge

of

things,

as

long

as

his

voice

was

heard,

their

interests

would

be

protected."

"Ender

isn't

the

only

good

person

leading

this

exodus,"

said

Miro.

"It's

a

matter

of

trust,

not

of

virtue,"

said

Valentine.

"The

nonhumans

know

that

Ender

is

the

Speaker

for

the

Dead.

No

other

human

has

ever

spoken

for

another

species

that

way.

And

yet

the

humans

know

that

Ender

is

the

Xenocide--

that

when

the

human

race

was

threatened

by

an

enemy

countless

generations

ago,

he

was

the

one

who

acted

to

stop

them

and

save

humanity

from,

as

they

feared,

annihilation.

There

isn't

exactly

a

candidate

with

equivalent

qualifications

ready

to

step

into

Ender's

role."

"What's

that

to

me?"

asked

Miro

bluntly.

"Nobody

listens

to

me

here.

I

have

no

connections.

I

certainly

can't

take

Ender's

place

either,

and

right

now

I'm

tired

and

I

need

to

sleep.

Look

at

Young

Val,

she's

half-

dead

with

weariness,

too."

It

was

true;

she

was

barely

able

to

stand.

Miro

at

once

reached

out

to

support

her;

she

gratefully

leaned

against

his

shoulder.

"We

don't

want

you

to

take

Ender's

place,"

said

Olhado.

"We

don't

want

anybody

to

take

his

place.

We

want

him

to

take

his

place."

Miro

laughed.

"You

think

I

can

persuade

him?

You've

got

his

sister

right

there!

Send

her!"

Old

Valentine

grimaced.

"Miro,

he

won't

see

me."

"Then

what

makes

you

think

he'll

see

me?"

"Not

you,

Miro.

Jane.

The

jewel

in

your

ear."

Miro

looked

at

them

in

bafflement.

"You

mean

Ender

has

removed

his

jewel?"

In

his

ear,

he

heard

Jane

say,

"I've

been

busy.

I

didn't

think

it

was

important

to

mention

it

to

you."

But

Miro

knew

how

it

had

devastated

Jane

before,

when

Ender

cut

her

off.

Now

she

had

other

friends,

yes,

but

that

didn't

mean

it

would

be

painless.

Old

Valentine

continued.

"If

you

can

go

to

him

and

get

him

to

talk

to

Jane

..."

Miro

shook

his

head.

"Taking

out

the

jewel--

don't

you

see

that

that

was

final?

He's

committed

himself

to

following

Mother

into

exile.

Ender

doesn't

back

away

from

his

commitments."

They

all

knew

it

was

true.

Knew,

in

fact,

that

they

had

really

come

to

Miro,

not

with

the

real

hope

that

he

would

accomplish

what

they

needed,

but

as

a

last

feeble

act

of

desperation.

"So

we

let

things

wind

down,"

said

Grego.

"We

let

things

slide

into

chaos.

And

then,

beset

by

interspecies

war,

we

will

die

in

shame

when

the

fleet

comes.

Jane's

lucky,

I

think;

she'll

already

be

dead

when

it

gets

here."

"Tell

him

thanks,"

Jane

said

to

Miro.

"Jane

says

thanks,"

said

Miro.

"You're

just

too

soft-hearted,

Grego.

"

Grego

blushed,

but

he

didn't

take

back

what

he

said.

"Ender

isn't

God,"

said

Miro.

"We'll

just

do

our

best

without

him.

But

right

now

the

best

thing

I

can

do

is--

"

"Sleep,

we

know,"

said

Old

Valentine.

"Not

on

the

ship

this

time,

though.

Please.

It

makes

us

sick

at

heart

to

see

how

weary

you

both

are.

Jakt

has

brought

the

taxi.

Come

home

and

sleep

in

a

bed."

Miro

glanced

at

Young

Val,

who

still

leaned

sleepily

on

his

shoulder.

"Both

of

you,

of

course,"

said

Old

Valentine.

"I'm

not

as

distressed

by

her

existence

as

you

all

seem

to

think."

"Of

course

you're

not,"

said

Young

Val.

She

reached

out

a

weary

arm,

and

the

two

women

who

bore

the

same

name

took

each

other's

hand.

Miro

watched

as

Young

Val

slipped

from

his

side

to

take

Old

Valentine's

arm,

and

lean

on

her

instead

of

him.

His

own

feelings

surprised

him.

Instead

of

relief

that

there

was

less

tension

between

the

two

of

them

than

he

had

thought,

he

found

himself

being

rather

angry.

Jealous

anger,

that's

what

it

was.

She

was

leaning

on

me,

he

wanted

to

say.

What

kind

of

childish

response

was

that?

And

then,

as

he

watched

them

walk

away,

he

saw

what

he

should

not

have

seen--

Valentine's

shudder.

Was

it

a

sudden

chill?

The

night

was

cool.

But

no,

Miro

was

sure

it

was

the

touch

of

her

young

twin,

and

not

the

night

air

that

made

Old

Valentine

tremble.

"Come

on,

Miro,"

said

Olhado.

"We'll

get

you

to

the

hovercar

and

into

bed

at

Valentine's

house."

"Is

there

a

food

stop

along

the

way?"

"It's

Jakt's

house,

too,"

said

Elanora.

"There's

always

food."

As

the

hovercar

carried

them

toward

Milagre,

the

human

town,

they

passed

near

some

of

the

dozens

of

starships

currently

in

service.

The

work

of

migration

didn't

take

the

night

off.

Stevedores--

many

of

them

pequeninos--

were

loading

supplies

and

equipment

for

transport.

Families

were

shuffling

in

lines

to

fill

up

whatever

spaces

were

left

in

the

cabins.

Jane

would

be

getting

no

rest

tonight

as

she

took

box

after

box

Outside

and

back

In.

On

other

worlds,

new

homes

were

rising,

new

fields

being

plowed.

Was

it

day

or

night

in

those

other

places?

It

didn't

matter.

In

a

way

they

had

already

succeeded--

new

worlds

were

being

colonized,

and,

like

it

or

not,

every

world

had

its

hive,

its

new

pequenino

forest,

and

its

human

village.

If

Jane

died

today,

thought

Miro,

if

the

fleet

came

tomorrow

and

blew

us

all

to

bits,

in

the

grand

scheme

of

things,

what

would

it

matter?

The

seeds

have

been

scattered

to

the

wind;

some,

at

least,

will

take

root.

And

if

faster-than-light

travel

dies

with

Jane,

even

that

might

be

for

the

best,

for

it

will

force

each

of

these

worlds

to

fend

for

itself.

Some

colonies

will

fail

and

die,

no

doubt.

On

some

of

them,

war

will

come,

and

perhaps

one

species

or

another

will

be

wiped

out

there.

But

it

will

not

be

the

same

species

that

dies

on

every

world,

or

the

same

one

that

lives;

and

on

some

worlds,

at

least,

we'll

surely

find

a

way

to

live

in

peace.

All

that's

left

for

us

now

is

details.

Whether

this

or

that

individual

lives

or

dies.

It

matters,

of

course.

But

not

the

way

that

the

survival

of

species

matters.

He

must

have

been

subvocalizing

some

of

his

thoughts,

because

Jane

answered

them.

"Hath

not

an

overblown

computer

program

eyes

and

ears?

Have

I

no

heart

or

brain?

When

you

tickle

me

do

I

not

laugh?

"

"Frankly,

no,"

said

Miro

silently,

working

his

lips

and

tongue

and

teeth

to

shape

words

that

only

she

could

hear.

"But

when

I

die,

every

being

of

my

kind

will

also

die,"

she

said.

"Forgive

me

if

I

think

of

this

as

having

cosmic

significance.

I'm

not

as

self-abnegating

as

you

are,

Miro.

I

don't

regard

myself

as

living

on

borrowed

time.

It

was

my

firm

intention

to

live

forever,

so

anything

less

is

a

disappointment."

"Tell

me

what

I

can

do

and

I'll

do

it,"

he

said.

"I'd

die

to

save

you,

if

that's

what

it

took."

"Fortunately,

you'll

die

eventually

no

matter

what,"

said

Jane.

"That's

my

one

consolation,

that

by

dying

I'll

do

no

more

than

face

the

same

doom

that

every

other

living

creature

has

to

face.

Even

those

long-living

trees.

Even

those

hive

queens,

passing

their

memories

along

from

generation

to

generation.

But

I,

alas,

will

have

no

children.

How

could

I?

I'm

a

creature

of

mind

alone.

There's

no

provision

for

mental

mating."

"Too

bad,

too,"

said

Miro,

"because

I

bet

you'd

be

great

in

the

virtual

sack."

"The

best,"

Jane

said.

And

then

silence

for

a

little

while.

Only

when

they

approached

Jakt's

house,

a

new

building

on

the

outskirts

of

Milagre,

did

Jane

speak

again.

"Keep

in

mind,

Miro,

that

whatever

Ender

does

with

his

own

self,

when

Young

Valentine

speaks

it's

still

Ender's

aiua

talking."

"The

same

with

Peter,"

said

Miro.

"Now

there's

a

charmer.

Let's

just

say

that

Young

Val,

sweet

as

she

is,

doesn't

exactly

represent

a

balanced

view

of

anything.

Ender

may

control

her,

but

she's

not

Ender."

"There

are

just

too

many

of

him,

aren't

there,"

said

Jane.

"And,

apparently,

too

many

of

me,

at

least

in

the

opinion

of

Starways

Congress."

"There

are

too

many

of

us

all,"

said

Miro.

"But

never

enough."

They

arrived.

Miro

and

Young

Val

were

led

inside.

They

ate

feebly;

they

slept

the

moment

they

reached

their

beds.

Miro

was

aware

that

voices

went

on

far

into

the

night,

for

he

did

not

sleep

well,

but

rather

kept

waking

a

little,

uncomfortable

on

such

a

soft

mattress,

and

perhaps

uncomfortable

at

being

away

from

his

duty,

like

a

soldier

who

feels

guilty

at

having

abandoned

his

post.

Despite

his

weariness,

Miro

did

not

sleep

late.

Indeed,

the

sky

outside

was

still

dim

with

the

predawn

seepage

of

sunlight

over

the

horizon

when

he

awoke

and,

as

was

his

habit,

rose

immediately

from

his

bed,

standing

shakily

as

the

last

of

sleep

fled

from

his

body.

He

covered

himself

and

went

out

into

the

hall

to

find

the

bathroom

and

discharge

his

bladder.

When

he

emerged,

he

heard

voices

from

the

kitchen.

Either

last

night's

conversation

was

still

going

on,

or

some

other

neurotic

early

risers

had

rejected

morning

solitude

and

were

chatting

away

as

if

dawn

were

not

the

dark

hour

of

despair.

He

stood

before

his

own

open

door,

ready

to

go

inside

and

shut

out

those

earnest

voices,

when

Miro

realized

that

one

of

them

belonged

to

Young

Val.

Then

he

realized

that

the

other

one

was

Old

Valentine.

At

once

he

turned

and

made

his

way

to

the

kitchen,

and

again

hesitated

in

a

doorway.

Sure

enough,

the

two

Valentines

were

sitting

across

the

table

from

each

other,

but

not

looking

at

each

other.

Instead

they

stared

out

the

window

as

they

sipped

one

of

Old

Valentine's

fruit-and-vegetable

decoctions.

"Would

you

like

one,

Miro?"

asked

Old

Valentine

without

looking

up.

"Not

even

on

my

deathbed,"

said

Miro.

"I

didn't

mean

to

interrupt."

"Good,"

said

Old

Valentine.

Young

Val

continued

to

say

nothing.

Miro

came

inside

the

kitchen,

went

to

the

sink,

and

drew

himself

a

glass

of

water,

which

he

drank

in

one

long

draught.

"I

told

you

it

was

Miro

in

the

bathroom,"

said

Old

Valentine.

"No

one

processes

so

much

water

every

day

as

this

dear

lad."

Miro

chuckled,

but

he

did

not

hear

Young

Val

laugh.

"I

am

interfering

with

the

conversation,"

he

said.

"I'll

go."

"Stay,"

said

Old

Valentine.

"Please,"

said

Young

Val.

"Please

which?"

asked

Miro.

He

turned

toward

her

and

grinned.

She

shoved

a

chair

toward

him

with

her

foot.

"Sit,"

she

said.

"The

lady

and

I

were

having

it

out

about

our

twinship."

"We

decided,"

said

Old

Valentine,

"that

it's

my

responsibility

to

die

first."

"On

the

contrary,"

said

Young

Val,

"we

decided

that

Gepetto

did

not

create

Pinocchio

because

he

wanted

a

real

boy.

It

was

a

puppet

he

wanted

all

along.

That

real-boy

business

was

simply

Gepetto's

laziness.

He

still

wanted

the

puppet

to

dance--

he

just

didn't

want

to

go

to

all

the

trouble

of

working

the

strings."

"You

being

Pinocchio,"

said

Miro.

"And

Ender

..."

"My

brother

didn't

try

to

make

you,"

said

Old

Valentine.

"And

he

doesn't

want

to

control

you,

either."

"I

know,"

whispered

Young

Val.

And

suddenly

there

were

tears

in

her

eyes.

Miro

reached

out

a

hand

to

lay

atop

hers

on

the

table,

but

at

once

she

snatched

hers

away.

No,

she

wasn't

avoiding

his

touch,

she

was

simply

bringing

her

hand

up

to

wipe

the

annoying

tears

out

of

her

eyes.

"He'd

cut

the

strings

if

he

could,

I

know,"

said

Young

Val.

"The

way

Miro

cut

the

strings

on

his

old

broken

body."

Miro

remembered

it

very

clearly.

One

moment

he

was

sitting

in

the

starship,

looking

at

this

perfect

image

of

himself,

strong

and

young

and

healthy;

the

next

moment

he

was

that

image,

had

always

been

that

image,

and

what

he

looked

at

was

the

crippled,

broken,

brain-damaged

version

of

himself.

And

as

he

watched,

that

unloved,

unwanted

body

crumbled

into

dust

and

disappeared.

"I

don't

think

he

hates

you,"

said

Miro,

"the

way

I

hated

my

old

self."

"He

doesn't

have

to

hate

me.

It

wasn't

hate

anyway

that

killed

your

old

body."

Young

Val

didn't

meet

his

eyes.

In

all

their

hours

together

exploring

worlds,

they

had

never

talked

about

anything

so

personal.

She

had

never

dared

to

discuss

with

him

that

moment

when

both

of

them

had

been

created.

"You

hated

your

old

body

while

you

were

in

it,

but

as

soon

as

you

were

back

in

your

right

body,

you

simply

stopped

paying

any

attention

to

the

old

one.

It

wasn't

part

of

you

anymore.

Your

aiua

had

no

more

responsibility

for

it.

And

with

nothing

to

hold

it

together--

pop

goes

the

weasel."

"Wooden

doll,"

said

Miro.

"Now

weasel.

What

else

am

I?"

Old

Valentine

ignored

his

bid

for

a

laugh.

"So

you're

saying

Ender

finds

you

uninteresting."

"He

admires

me,"

said

Young

Val.

"But

he

finds

me

dull."

"Yes,

well,

me

too,"

said

Old

Valentine.

"That's

absurd,"

said

Miro.

"Is

it?"

asked

Old

Valentine.

"He

never

followed

me

anywhere;

I

was

always

the

one

who

followed

him.

He

was

searching

for

a

mission

in

life,

I

think.

Some

great

deed

to

do,

to

match

the

terrible

act

that

ended

his

childhood.

He

thought

writing

The

Hive

Queen

would

do

it.

And

then,

with

my

help

in

preparing

it,

he

wrote

The

Hegemon

and

he

thought

that

might

be

enough,

but

it

wasn't.

He

kept

searching

for

something

that

would

engage

his

full

attention

and

he

kept

almost

finding

it,

or

finding

it

for

a

week

or

a

month,

but

one

thing

was

certain,

the

thing

that

engaged

his

attention

was

never

me,

because

there

I

was

in

all

the

billion

miles

he

traveled,

there

I

was

across

three

thousand

years.

Those

histories

I

wrote--

it

was

no

great

love

for

history,

it

was

because

it

helped

in

his

work.

The

way

my

writing

used

to

help

in

Peter's

work.

And

when

I

was

finished,

then,

for

a

few

hours

of

reading

and

discussion,

I

had

his

attention.

Only

each

time

it

was

less

satisfying

because

it

wasn't

I

who

had

his

attention,

it

was

the

story

I

had

written.

Until

finally

I

found

a

man

who

gave

me

his

whole

heart,

and

I

stayed

with

him.

While

my

adolescent

brother

went

on

without

me,

and

found

a

family

that

took

his

whole

heart,

and

there

we

were,

planets

apart,

but

finally

happier

without

each

other

than

we'd

ever

been

together."

"So

why

did

you

come

to

him

again?"

asked

Miro.

"I

didn't

come

for

him.

I

came

for

you."

Old

Valentine

smiled.

"I

came

for

a

world

in

danger

of

destruction.

But

I

was

glad

to

see

Ender,

even

though

I

knew

he

would

never

belong

to

me."

"This

may

be

an

accurate

description

of

how

it

felt

to

you,"

said

Young

Val.

"But

you

must

have

had

his

attention,

at

some

level.

I

exist

because

you're

always

in

his

heart."

"A

fantasy

of

his

childhood,

perhaps.

Not

me."

"Look

at

me,"

said

Young

Val.

"Is

this

the

body

you

wore

when

he

was

five

and

was

taken

away

from

his

home

and

sent

up

to

the

Battle

School?

Is

this

even

the

teenage

girl

that

he

knew

that

summer

by

the

lake

in

North

Carolina?

You

must

have

had

his

attention

even

when

you

grew

up,

because

his

image

of

you

changed

to

become

me."

"You

are

what

I

was

when

we

worked

on

The

Hegemon

together,"

said

Old

Valentine

sadly.

"Were

you

this

tired?"

asked

Young

Val.

"I

am,"

said

Miro.

"No

you're

not,"

said

Old

Valentine.

"You

are

the

picture

of

vigor.

You're

still

celebrating

your

beautiful

new

body.

My

twin

here

is

heartweary."

"Ender's

attention

has

always

been

divided,"

said

Young

Val.

"I'm

filled

with

his

memories,

you

see--

or

rather,

with

the

memories

that

he

unconsciously

thought

I

should

have,

but

of

course

they

consist

almost

entirely

of

things

that

he

remembers

about

my

friend

here,

which

means

that

all

I

remember

is

my

life

with

Ender.

And

he

always

had

Jane

in

his

ear,

and

the

people

whose

deaths

he

was

speaking,

and

his

students,

and

the

Hive

Queen

in

her

cocoon,

and

so

on.

But

they

were

all

adolescent

connections.

Like

every

itinerant

hero

of

epic,

he

wandered

place

to

place,

transforming

others

but

remaining

himself

unchanged.

Until

he

came

here

and

finally

gave

himself

wholly

to

somebody

else.

You

and

your

family,

Miro.

Novinha.

For

the

first

time

he

gave

other

people

the

power

to

tear

at

him

emotionally,

and

it

was

exhilarating

and

painful

both

at

once,

but

even

that

he

could

handle

just

fine,

he's

a

strong

man,

and

strong

men

have

borne

more.

Now,

though,

it's

something

else

entirely.

Peter

and

I,

we

have

no

life

apart

from

him.

To

say

that

he

is

one

with

Novinha

is

metaphorical;

with

Peter

and

me

it's

literal.

He

is

us.

And

his

aiua

isn't

great

enough,

it

isn't

strong

or

copious

enough,

it

hasn't

enough

attention

in

it

to

give

equal

shares

to

the

three

lives

that

depend

on

it.

I

realized

this

almost

as

soon

as

I

was

...

what

shall

we

call

it,

created?

Manufactured?"

"Born,"

said

Old

Valentine.

"You

were

a

dream

come

true,"

said

Miro,

with

only

a

hint

of

irony.

"He

can't

sustain

all

three

of

us.

Ender,

Peter,

me.

One

of

us

is

going

to

fade.

One

of

us

at

least

is

going

to

die.

And

it's

me.

I

knew

that

from

the

start.

I'm

the

one

who's

going

to

die."

Miro

wanted

to

reassure

her.

But

how

do

you

reassure

someone,

except

by

recalling

to

them

similar

situations

that

turned

out

for

the

best?

There

were

no

similar

situations

to

call

upon.

"The

trouble

is

that

whatever

part

of

Ender's

aiua

I

still

have

in

me

is

absolutely

determined

to

live.

I

don't

want

to

die.

That's

how

I

know

I

still

have

some

shred

of

his

attention:

I

don't

want

to

die."

"So

go

to

him,"

said

Old

Valentine.

"Talk

to

him."

Young

Val

gave

one

bitter

hoot

of

laughter

and

looked

away.

"Please,

Papa,

let

me

live,"

she

said

in

a

mockery

of

a

child's

voice.

"Since

it's

not

something

he

consciously

controls,

what

could

he

possibly

do

about

it,

except

suffer

from

guilt?

And

why

should

he

feel

guilty?

If

I

cease

to

exist,

it's

because

my

own

self

didn't

value

me.

He

is

myself.

Do

the

dead

tips

of

fingernails

feel

bad

when

you

pare

them

away?"

"But

you

are

bidding

for

his

attention,"

said

Miro.

"I

hoped

that

the

search

for

habitable

worlds

would

intrigue

him.

I

poured

myself

into

it,

trying

to

be

excited

about

it.

But

the

truth

is

it's

utterly

routine.

Important,

but

routine,

Miro."

Miro

nodded.

"True

enough.

Jane

finds

the

worlds.

We

just

process

them."

"And

there

are

enough

worlds

now.

Enough

colonies.

Two

dozen--

pequeninos

and

hive

queens

are

not

going

to

die

out

now,

even

if

Lusitania

is

destroyed.

The

bottleneck

isn't

the

number

of

worlds,

it's

the

number

of

starships.

So

all

our

labor--

it

isn't

engaging

Ender's

attention

anymore.

And

my

body

knows

it.

My

body

knows

it

isn't

needed."

She

reached

up

and

took

a

large

hank

of

her

hair

into

her

fist,

and

pulled--

not

hard,

but

lightly--

and

it

came

away

easily

in

her

hand.

A

great

gout

of

hair,

with

not

a

sign

of

any

pain

at

its

going.

She

let

the

hair

drop

onto

the

table.

It

lay

there

like

a

dismembered

limb,

grotesque,

impossible.

"I

think,"

she

whispered,

"that

if

I'm

not

careful,

I

could

do

the

same

with

my

fingers.

It's

slower,

but

gradually

I

will

turn

into

dust

just

as

your

old

body

did,

Miro.

Because

he

isn't

interested

in

me.

Peter

is

solving

mysteries

and

fighting

political

wars

off

on

some

world

somewhere.

Ender

is

struggling

to

hold

on

to

the

woman

he

loves.

But

I

..."

In

that

moment,

as

the

hair

torn

from

her

head

revealed

the

depth

of

her

misery,

her

loneliness,

her

selfrejections,

Miro

realized

what

he

had

not

let

himself

think

of

until

now:

that

in

all

the

weeks

they

had

traveled

world

to

world

together,

he

had

come

to

love

her,

and

her

unhappiness

hurt

him

as

if

it

were

his

own.

And

perhaps

it

was

his

own,

his

memory

of

his

own

self-loathing.

But

whatever

the

reason,

it

still

felt

like

something

deeper

than

mere

compassion

to

him.

It

was

a

kind

of

desire.

Yes,

it

was

a

kind

of

love.

If

this

beautiful

young

woman,

this

wise

and

intelligent

and

clever

young

woman

was

rejected

by

her

own

inmost

heart,

then

Miro's

heart

had

room

enough

to

take

her

in.

If

Ender

will

not

be

yourself,

let

me!

he

cried

silently,

knowing

as

he

formed

the

thought

for

the

first

time

that

he

had

felt

this

way

for

days,

for

weeks,

without

realizing

it;

yet

also

knowing

that

he

could

not

be

to

her

what

Ender

was.

Still,

couldn't

love

do

for

Young

Val

what

it

was

doing

for

Ender

himself?

Couldn't

that

engage

enough

of

his

attention

to

keep

her

alive?

To

strengthen

her?

Miro

reached

out

and

gathered

up

her

disembodied

hair,

twined

it

around

his

fingers,

and

then

slid

the

looping

locks

into

the

pocket

of

his

robe.

"I

don't

want

you

to

fade

away,"

he

said.

Bold

words

for

him.

Young

Val

looked

at

him

oddly.

"I

thought

the

great

love

of

your

life

was

Ouanda."

"She's

a

middle-aged

woman

now,"

said

Miro.

"Married

and

happy,

with

a

family.

It

would

be

sad

if

the

great

love

of

my

life

were

a

woman

who

doesn't

exist

anymore,

and

even

if

she

did

she

wouldn't

want

me."

"It's

sweet

of

you

to

offer,"

said

Young

Val.

"But

I

don't

think

we

can

fool

Ender

into

caring

about

my

life

by

pretending

to

fall

in

love."

Her

words

stabbed

Miro

to

the

heart,

because

she

had

so

easily

seen

how

much

of

his

self-declaration

came

from

pity.

Yet

not

all

of

it

came

from

there;

most

of

it

was

already

seething

just

under

the

level

of

consciousness,

just

waiting

its

chance

to

come

out.

"I

wasn't

thinking

of

fooling

anyone,"

said

Miro.

Except

myself,

he

thought.

Because

Young

Val

could

not

possibly

love

me.

She

is,

after

all,

not

really

a

woman.

She's

Ender.

But

that

was

absurd.

Her

body

was

a

woman's

body.

And

where

did

the

choice

of

loves

come

from,

if

not

the

body?

Was

there

something

male

or

female

in

the

aiua?

Before

it

became

master

of

flesh

and

bone,

was

it

manly

or

womanly?

And

if

so,

would

that

mean

that

the

aiuas

composing

atoms

and

molecules,

rocks

and

stars

and

light

and

wind,

that

all

of

those

were

neatly

sorted

into

boys

and

girls?

Nonsense.

Ender's

aiua

could

be

a

woman,

could

love

like

a

woman

as

easily

as

it

now

loved,

in

a

man's

body

and

in

a

man's

ways,

Miro's

own

mother.

It

wasn't

any

lack

in

Young

Val

that

made

her

look

at

him

with

such

pity.

It

was

a

lack

in

him.

Even

with

his

body

healed,

he

was

not

a

man

that

a

woman--

or

at

least

this

woman,

at

the

moment

the

most

desirable

of

all

women--

could

love,

or

wish

to

love,

or

hope

to

win.

"I

shouldn't

have

come

here,"

he

murmured.

He

pushed

away

from

the

table

and

left

the

room

in

two

strides.

Strode

up

the

hall

and

once

again

stood

in

his

open

doorway.

He

heard

their

voices.

"No,

don't

go

to

him,"

said

Old

Valentine.

Then

something

softer.

Then,

"He

may

have

a

new

body,

but

his

self-hatred

has

never

been

healed."

A

murmur

from

Young

Val.

"Miro

was

speaking

from

his

heart,"

Old

Valentine

assured

her.

"It

was

a

very

brave

and

naked

thing

for

him

to

do."

Again

Young

Val

spoke

too

softly

for

Miro

to

hear

her.

"How

could

you

know?"

Old

Valentine

said.

"What

you

have

to

realize

is,

we

took

a

long

voyage

together,

not

that

long

ago,

and

I

think

he

fell

in

love

with

me

a

little

on

that

flight."

It

was

probably

true.

It

was

definitely

true.

Miro

had

to

admit

it:

some

of

his

feelings

for

Young

Val

were

really

his

feelings

for

Old

Valentine,

transferred

from

the

woman

who

was

permanently

out

of

reach

to

this

young

woman

who

might

be,

he

had

hoped

at

least,

accessible

to

him.

Now

both

their

voices

fell

to

levels

where

Miro

could

not

even

pick

out

words.

But

still

he

waited,

his

hands

pressed

against

the

doo~amb,

listening

to

the

lilting

of

those

two

voices,

so

much

alike,

but

both

so

well-known

to

him.

It

was

a

music

that

he

could

gladly

hear

forever.

"If

there's

anyone

like

Ender

in

all

this

universe,"

said

Old

Valentine

with

sudden

loudness,

"it's

Miro.

He

broke

himself

trying

to

save

innocents

from

destruction.

He

hasn't

yet

been

healed."

She

meant

me

to

hear

that,

Miro

realized.

She

spoke

loudly,

knowing

I

was

standing

here,

knowing

I

was

listening.

The

old

witch

was

listening

for

my

door

to

close

and

she

never

heard

it

so

she

knows

that

I

can

hear

them

and

she's

trying

to

give

me

a

way

to

see

myself.

But

I'm

no

Ender,

I'm

barely

Miro,

and

if

she

says

things

like

that

about

me

it's

just

proof

that

she

doesn't

know

who

I

am.

A

voice

spoke

up

in

his

ear.

"Oh,

shut

up

if

you're

just

going

to

lie

to

yourself."

Of

course

Jane

had

heard

everything.

Even

his

thoughts,

because,

as

was

his

habit,

his

conscious

thoughts

were

echoed

by

his

lips

and

tongue

and

teeth.

He

couldn't

even

think

without

moving

his

lips.

With

Jane

attached

to

his

ear

he

spent

his

waking

hours

in

a

confessional

that

never

closed.

"So

you

love

the

girl,"

said

Jane.

"Why

not?

So

your

motives

are

complicated

by

your

feelings

toward

Ender

and

Valentine

and

Ouanda

and

yourself.

So

what?

What

love

was

ever

pure,

what

lover

was

ever

uncomplicated?

Think

of

her

as

a

succubus.

You'll

love

her,

and

she'll

crumble

in

your

arms."

Jane's

taunting

was

infuriating

and

amusing

at

once.

He

went

inside

his

room

and

gently

closed

the

door.

When

it

was

closed,

he

whispered

to

her,

"You're

just

a

jealous

old

bitch,

Jane.

You

only

want

me

for

yourself."

"I'm

sure

you're

right,"

said

Jane.

"If

Ender

had

ever

really

loved

me,

he

would

have

created

my

human

body

when

he

was

being

so

fertile

Outside.

Then

I

could

make

a

play

for

you

myself."

"You

already

have

my

whole

heart,"

said

Miro.

"Such

as

it

is."

"You

are

such

a

liar,"

said

Jane.

"I'm

just

a

talking

appointment

book

and

calculator,

and

you

know

it."

"But

you're

very

very

rich,"

said

Miro.

"I'll

marry

you

for

your

money."

"By

the

way,"

said

Jane,

"she's

wrong

about

one

thing."

"What's

that?"

asked

Miro,

wondering

which

"she"

Jane

was

referring

to.

"You

aren't

done

with

exploring

worlds.

Whether

Ender

is

still

interested

in

it

or

not--

and

I

think

he

is,

because

she

hasn't

turned

to

dust

yet--

the

work

doesn't

end

just

because

there

are

enough

habitable

planets

to

save

the

piggies

and

buggers."

Jane

frequently

used

the

old

diminutive

and

pejorative

terms

for

them.

Miro

often

wondered,

but

never

dared

to

ask,

if

she

had

any

pejoratives

for

humans.

But

he

thought

he

knew

what

her

answer

would

be

anyway:

"The

word

'human'

is

a

pejorative,"

she'd

say.

"So

what

are

we

still

looking

for?"

asked

Miro.

"Every

world

that

we

can

find

before

I

die,"

said

Jane.

He

thought

about

that

as

he

lay

back

down

on

his

bed.

Thought

about

it

as

he

tossed

and

turned

a

couple

of

times,

then

got

up,

got

dressed

for

real,

and

set

out

under

the

lightening

sky,

walking

among

the

other

early

risers,

people

about

their

business,

few

of

whom

knew

him

or

even

knew

of

him.

Being

a

scion

of

the

strange

Ribeira

family,

he

hadn't

had

many

childhood

friends

in

ginasio;

being

both

brilliant

and

shy,

he'd

had

even

fewer

of

the

more

rambunctious

adolescent

friendships

in

colegio.

His

only

girlfriend

had

been

Ouanda,

until

his

penetration

of

the

sealed

perimeter

of

the

human

colony

left

him

brain-damaged

and

he

refused

to

see

even

her

anymore.

Then

his

voyage

out

to

meet

Valentine

had

severed

the

few

fragile

ties

that

remained

between

him

and

his

birthworld.

For

him

it

was

only

a

few

months

in

a

starship,

but

when

he

came

back,

years

had

passed,

and

he

was

now

his

mother's

youngest

child,

the

only

one

whose

life

was

unbegun.

The

children

he

had

once

watched

over

were

adults

who

treated

him

like

a

tender

memory

from

their

youth.

Only

Ender

was

unchanged.

No

matter

how

many

years.

No

matter

what

happened.

Ender

was

the

same.

Could

it

still

be

true?

Could

he

be

the

same

man

even

now,

locking

himself

away

at

a

time

of

crisis,

hiding

out

in

a

monastery

just

because

Mother

had

finally

given

up

on

life?

Miro

knew

the

bare

outline

of

Ender's

life.

Taken

from

his

family

at

the

tender

age

of

five.

Brought

to

the

orbiting

Battle

School,

where

he

emerged

as

the

last

best

hope

of

humankind

in

its

war

with

the

ruthless

invaders

called

buggers.

Taken

next

to

the

fleet

command

on

Eros,

where

he

was

told

he

was

in

advanced

training,

but

where,

without

realizing

it,

he

was

commanding

the

real

fleets,

lightyears

away,

his

commands

transmitted

by

ansible.

He

won

that

war

through

brilliance

and,

in

the

end,

the

utterly

unconscionable

act

of

destroying

the

home

world

of

the

buggers.

Except

that

he

had

thought

it

was

a

game.

Thought

it

was

a

game,

but

at

the

same

time

knowing

that

the

game

was

a

simulation

of

reality.

In

the

game

he

had

chosen

to

do

the

unspeakable;

it

meant,

to

Ender

at

least,

that

he

was

not

free

of

guilt

when

the

game

turned

out

to

be

real.

Even

though

the

last

Hive

Queen

forgave

him

and

put

herself,

cocooned

as

she

was,

into

his

care,

he

could

not

shake

himself

free

of

that.

He

was

only

a

child,

doing

what

adults

led

him

to

do;

but

somewhere

in

his

heart

he

knew

that

even

a

child

is

a

real

person,

that

a

child's

acts

are

real

acts,

that

even

a

child's

play

is

not

without

moral

context.

Thus

before

the

sun

was

up,

Miro

found

himself

facing

Ender

as

they

both

straddled

a

stone

bench

in

a

spot

in

the

garden

that

would

soon

be

bathed

in

sunlight

but

now

was

clammy

with

the

morning

chill;

and

what

Miro

found

himself

saying

to

this

unchangeable,

unchanging

man

was

this:

"What

is

this

monastery

business,

Andrew

Wiggin,

except

for

a

backhanded,

cowardly

way

of

crucifying

yourself?"

"I've

missed

you

too,

Miro,"

said

Ender.

"You

look

tired,

though.

You

need

more

sleep."

Miro

sighed

and

shook

his

head.

"That

wasn't

what

I

meant

to

say.

I'm

trying

to

understand

you,

I

really

am.

Valentine

says

that

I'm

like

you."

"You

mean

the

real

Valentine?"

asked

Ender.

"They're

both

real,"

said

Miro.

"Well,

if

I'm

like

you,

then

study

yourself

and

tell

me

what

you

find."

Miro

wondered,

looking

at

him,

if

Ender

really

meant

this.

Ender

patted

Miro's

knee.

"I'm

really

not

needed

out

there

now,"

he

said.

"You

don't

believe

that

for

a

second,"

said

Miro.

"But

I

believe

that

I

believe

it,"

said

Ender,

"and

for

me

that's

pretty

good.

Please

don't

disillusion

me.

I

haven't

had

breakfast

yet."

"No,

you're

exploiting

the

convenience

of

having

split

yourself

into

three.

This

part

of

you,

the

aging

middle-aged

man,

can

afford

the

luxury

of

devoting

himself

entirely

to

his

wife--

but

only

because

he

has

two

young

puppets

to

go

out

and

do

the

work

that

really

interests

him."

"But

it

doesn't

interest

me,"

said

Ender.

"I

don't

care."

"You

as

Ender

don't

care

because

you

as

Peter

and

you

as

Valentine

are

taking

care

of

everything

else

for

you.

Only

Valentine

isn't

well.

You're

not

caring

enough

about

what

she's

doing.

What

happened

to

my

old

crippled

body

is

happening

to

her.

More

slowly,

but

it's

the

same

thing.

She

thinks

so,

Valentine

thinks

it's

possible.

So

do

I.

So

does

Jane."

"Give

Jane

my

love.

I

do

miss

her."

"I

give

Jane

my

love,

Ender."

Ender

grinned

at

his

resistance.

"If

they

were

about

to

shoot

you,

Miro,

you'd

insist

on

drinking

a

lot

of

water

just

so

they'd

have

to

handle

a

corpse

covered

with

urine

when

you

were

dead."

"Valentine

isn't

a

dream

or

an

illusion,

Ender,"

said

Miro,

refusing

to

be

sidetracked

into

a

discussion

of

his

own

obstreperousness.

"She's

real,

and

you're

killing

her."

"Awfully

dramatic

way

of

putting

it."

"If

you'd

seen

her

pull

out

tufts

of

her

own

hair

this

morning

..."

"So

she's

rather

theatrical,

I

take

it?

Well,

you've

always

been

one

for

the

theatrical

gesture,

too.

I'm

not

surprised

you

get

along."

"Andrew,

I'm

telling

you

you've

got

to--"

Suddenly

Ender

grew

stern

and

his

voice

overtopped

Miro's

even

though

he

was

not

speaking

loudly.

"Use

your

head,

Miro.

Was

your

decision

to

jump

from

your

old

body

to

this

newer

model

a

conscious

one?

Did

you

think

about

it

and

say,

'Well,

I

think

I'll

let

this

old

corpse

crumble

into

its

constituent

molecules

because

this

new

body

is

a

nicer

place

to

dwell'?"

Miro

got

his

point

at

once.

Ender

couldn't

consciously

control

where

his

attention

went.

His

aiua,

even

though

it

was

his

deepest

self,

was

not

to

be

ordered

about.

"I

find

out

what

I

really

want

by

seeing

what

I

do,"

said

Ender.

"That's

what

we

all

do,

if

we're

honest

about

it.

We

have

our

feelings,

we

make

our

decisions,

but

in

the

end

we

look

back

on

our

lives

and

see

how

sometimes

we

ignored

our

feelings,

while

most

of

our

decisions

were

actually

rationalizations

because

we

had

already

decided

in

our

secret

hearts

before

we

ever

recognized

it

consciously.

I

can't

help

it

if

the

part

of

me

that's

controlling

this

girl

whose

company

you're

sharing

isn't

as

important

to

my

underlying

will

as

you'd

like.

As

she

needs.

I

can't

do

a

thing."

Miro

bowed

his

head.

The

sun

came

up

over

the

trees.

Suddenly

the

bench

turned

bright,

and

Miro

looked

up

to

see

the

sunlight

making

a

halo

out

of

Ender's

wildly

slept-in

hair.

"Is

grooming

against

the

monastic

rule?"

asked

Miro.

"You're

attracted

to

her,

aren't

you,"

said

Ender,

not

really

making

a

question

out

of

it.

"And

it

makes

you

a

little

uneasy

that

she

is

really

me."

Miro

shrugged.

"It's

a

root

in

the

path.

But

I

think

I

can

step

over

it."

"But

what

if

I'm

not

attracted

to

you?"

asked

Ender

cheerfully.

Miro

spread

his

arms

and

turned

to

show

his

profile.

"Unthinkable,"

he

said.

"You

are

cute

as

a

bunny,"

said

Ender.

"I'm

sure

young

Valentine

dreams

about

you.

I

wouldn't

know.

The

only

dreams

I

have

are

of

planets

blowing

up

and

everyone

I

love

being

obliterated."

"I

know

you

haven't

forgotten

the

world

in

here,

Andrew."

He

meant

that

as

the

beginning

of

an

apology,

but

Ender

waved

him

off.

"I

can't

forget

it,

but

I

can

ignore

it.

I'm

ignoring

the

world,

Miro.

I'm

ignoring

you,

I'm

ignoring

those

two

walking

psychoses

of

mine.

At

this

moment,

I'm

trying

to

ignore

everything

but

your

mother."

"And

God,"

said

Miro.

"You

mustn't

forget

God."

"Not

for

a

single

moment,"

said

Ender.

"As

a

matter

of

fact,

I

can't

forget

anything

or

anybody.

But

yes,

I

am

ignoring

God,

except

insofar

as

Novinha

needs

me

to

notice

him.

I'm

shaping

myself

into

the

husband

that

she

needs."

"Why,

Andrew?

You

know

Mother's

as

crazy

as

a

loon."

"No

such

thing,"

said

Ender

reprovingly.

"But

even

if

it

were

true,

then

...

all

the

more

reason."

"What

God

has

joined,

let

no

man

put

asunder.

I

do

approve,

philosophically,

but

you

don't

know

how

it

..."

Miro's

weariness

swept

over

him

then.

He

couldn't

think

of

the

words

to

say

what

he

wanted

to

say,

and

he

knew

that

it

was

because

he

was

trying

to

tell

Ender

how

it

felt,

at

this

moment,

to

be

Miro

Ribeira,

and

Miro

had

no

practice

in

even

identifying

his

own

feelings,

let

alone

expressing

them.

"Desculpa,"

he

murmured,

changing

to

Portuguese

because

it

was

his

childhood

language,

the

language

of

his

emotions.

He

found

himself

wiping

tears

off

his

cheeks.

"Se

nao

posso

mudar

nem

voce,

nao

ha

nada

que

possa,

nada."

If

I

can't

get

even

you

to

move,

to

change,

then

there's

nothing

I

can

do.

"Nem

eu?"

Ender

echoed.

"In

all

the

universe,

Miro,

there's

nobody

harder

to

change

than

me."

"Mother

did

it.

She

changed

you."

"No

she

didn't,"

said

Ender.

"She

only

allowed

me

to

be

what

I

needed

and

wanted

to

be.

Like

now,

Miro.

I

can't

make

everybody

happy.

I

can't

make

me

happy,

I'm

not

doing

much

for

you,

and

as

for

the

big

problems,

I'm

worthless

there

too.

But

maybe

I

can

make

your

mother

happy,

or

at

least

somewhat

happier,

at

least

for

a

while,

or

at

least

I

can

try."

He

took

Miro's

hands

in

his,

pressed

them

to

his

own

face,

and

they

did

not

come

away

dry.

Miro

watched

as

Ender

got

up

from

the

bench

and

walked

away

toward

the

sun,

into

the

shining

orchard.

Surely

this

is

how

Adam

would

have

looked,

thought

Miro,

if

he

had

never

eaten

the

fruit.

If

he

had

stayed

and

stayed

and

stayed

and

stayed

in

the

garden.

Three

thousand

years

Ender

has

skimmed

the

surface

of

life.

It

was

my

mother

he

finally

snagged

on.

I

spent

my

whole

childhood

trying

to

be

free

of

her,

and

he

comes

along

and

chooses

to

attach

himself

and

...

And

what

am

I

snagged

on,

except

him?

Him

in

women's

flesh.

Him

with

a

handful

of

hair

on

a

kitchen

table.

Miro

was

getting

up

from

the

bench

when

Ender

suddenly

turned

to

face

him

and

waved

to

attract

his

attention.

Miro

started

to

walk

toward

him,

but

Ender

didn't

wait;

he

cupped

his

hands

around

his

mouth

and

shouted.

"Tell

Jane!"

he

called.

"If

she

can

figure

out!

How

to

do

it!

She

can

have

that

body!"

It

took

Miro

a

moment

to

realize

that

he

was

speaking

of

Young

Val.

She's

not

just

a

body,

you

self-centered

old

planet-smasher.

She's

not

just

an

old

suit

to

be

given

away

because

it

doesn't

fit

or

the

style

has

changed.

But

then

his

anger

fled,

for

he

realized

that

he

himself

had

done

precisely

that

with

his

old

body.

Tossed

it

away

without

a

backward

glance.

And

the

idea

intrigued

him.

Jane.

Was

it

even

possible?

If

her

aiua

could

somehow

be

made

to

take

up

residence

in

Young

Val,

could

a

human

body

hold

enough

of

Jane's

mind

to

enable

her

to

survive

when

Starways

Congress

tried

to

shut

her

down?

"You

boys

are

so

slow,"

Jane

murmured

in

his

ear.

"I've

been

talking

to

the

Hive

Queen

and

Human

and

trying

to

figure

out

how

the

thing

is

done--

assigning

an

aiua

to

a

body.

The

hive

queens

did

it

once,

in

creating

me.

But

they

didn't

exactly

pick

a

particular

aiua.

They

took

what

came.

What

showed

up.

I'm

a

little

fussier."

Miro

said

nothing

as

he

walked

to

the

monastery

gate.

"Oh,

yes,

and

then

there's

the

little

matter

of

your

feelings

toward

Young

Val.

You

hate

the

fact

that

in

loving

her,

it's

really,

in

a

way,

Ender

that

you

love.

But

if

I

took

over,

if

I

were

the

will

inside

Young

Val's

life,

would

she

still

be

the

woman

you

love?

Would

anything

of

her

survive?

Would

it

be

murder?"

"Oh,

shut

up,"

said

Miro

aloud.

The

monastery

gatekeeper

looked

up

at

him

in

surprise.

"Not

you,"

said

Miro.

"But

that

doesn't

mean

it

isn't

a

good

idea."

Miro

was

aware

of

her

eyes

on

his

back

until

he

was

out

and

on

the

path

winding

down

the

hill

toward

Milagre.

Time

to

get

back

to

the

ship.

Val

will

be

waiting

for

me.

Whoever

she

is.

What

Ender

is

to

Mother,

so

loyal,

so

patient--

is

that

how

I

feel

toward

Val?

Or

no,

it

isn't

feeling,

is

it?

It's

an

act

of

will.

It's

a

decision

that

can

never

be

revoked.

Could

I

do

that

for

any

woman,

any

person?

Could

I

give

myself

forever?

He

remembered

Ouanda

then,

and

walked

with

the

memory

of

bitter

loss

all

the

way

back

to

the

starship.

Chapter

4

--

"I

AM

A

MAN

OF

PERFECT

SIMPLICITY!"

"When

I

was

a

child,

I

thought

a

god

was

disappointed

whenever

some

distraction

interrupted

my

tracing

of

the

lines

revealed

in

the

grain

of

the

wood.

Now

I

know

the

gods

expect

such

interruptions,

for

they

know

our

frailty.

It

is

completion

that

surprises

them."

--

from

The

God

Whispers

of

Han

Qing-jao

Peter

and

Wang-mu

ventured

out

into

the

world

of

Divine

Wind

on

their

second

day.

They

did

not

have

to

worry

about

learning

a

language.

Divine

Wind

was

an

older

world,

one

of

the

first

wave

settled

in

the

initial

emigration

from

Earth.

It

was

originally

as

recidivist

as

Path,

clinging

to

the

ancient

ways.

But

the

ancient

ways

of

Divine

Wind

were

Japanese

ways,

and

so

it

included

the

possibility

of

radical

change.

Scarcely

three

hundred

years

into

its

history,

the

world

transformed

itself

from

being

the

isolated

fiefdom

of

a

ritualized

shogunate

to

being

a

cosmopolitan

center

of

trade

and

industry

and

philosophy.

The

Japanese

of

Divine

Wind

prided

themselves

on

being

hosts

to

visitors

from

all

worlds,

and

there

were

still

many

places

where

children

grew

up

speaking

only

Japanese

until

they

were

old

enough

to

enter

school.

But

by

adulthood,

all

the

people

of

Divine

Wind

spoke

Stark

with

fluency,

and

the

best

of

them

with

elegance,

with

grace,

with

astonishing

economy;

it

was

said

by

Mil

Fiorelli,

in

his

most

famous

book,

Observations

of

Distant

Worlds

with

the

Naked

Eye,

that

Stark

was

a

language

that

had

no

native

speakers

until

it

was

whispered

by

a

Divine

Wind.

So

it

was

that

when

Peter

and

Wang-mu

hiked

through

the

woods

of

the

great

natural

preserve

where

their

starship

had

landed

and

emerged

in

a

village

of

foresters,

laughing

about

how

long

they

had

been

"lost"

in

the

woods,

no

one

thought

twice

about

Wang-mu's

obviously

Chinese

features

and

accent,

or

even

about

Peter's

white

skin

and

lack

of

an

epicanthic

fold.

They

had

lost

their

documents,

they

claimed,

but

a

computer

search

showed

them

to

be

licensed

automobile

drivers

in

the

city

of

Nagoya,

and

while

Peter

seemed

to

have

had

a

couple

of

youthful

traffic

offenses

there,

otherwise

they

were

not

known

to

have

committed

any

illegal

acts.

Peter's

profession

was

given

as

"independent

teacher

of

physics"

and

Wang-mu's

as

"itinerant

philosopher,"

both

quite

respectable

positions,

given

their

youth

and

lack

of

family

attachment.

When

they

were

asked

casual

questions

("I

have

a

cousin

who

teaches

progenerative

grammars

in

the

Komatsu

University

in

Nagoya")

Jane

gave

Peter

appropriate

comments

to

say:

"I

never

seem

to

get

over

to

the

Oe

Building.

The

language

people

don't

talk

to

physicists

anyway.

They

think

we

speak

only

mathematics.

Wang-mu

tells

me

that

the

only

language

we

physicists

know

is

the

grammar

of

dreams."

Wang-mu

had

no

such

friendly

prompter

in

her

ear,

but

then

an

itinerant

philosopher

was

supposed

to

be

gnomic

in

her

speech

and

mantic

in

her

thought.

Thus

she

could

answer

Peter's

comment

by

saying,

"I

say

that

is

the

only

grammar

you

speak.

There

is

no

grammar

that

you

understand."

This

prompted

Peter

to

tickle

her,

which

made

Wang-mu

simultaneously

laugh

and

wrench

at

his

wrist

until

he

stopped,

thereby

proving

to

the

foresters

that

they

were

exactly

what

their

documents

said

they

were:

brilliant

young

people

who

were

nevertheless

silly

with

love--

or

with

youth,

as

if

it

made

a

difference.

They

were

given

a

ride

in

a

government

floater

back

to

civilized

country,

where--

thanks

to

Jane's

manipulation

of

the

computer

networks--

they

found

an

apartment

that

until

yesterday

had

been

empty

and

unfurnished,

but

which

now

was

filled

with

an

eclectic

mix

of

furniture

and

art

that

reflected

a

charming

mixture

of

poverty,

quirkiness,

and

exquisite

taste.

"Very

nice,"

said

Peter.

Wang-mu,

familiar

only

with

the

taste

of

one

world,

and

really

only

of

one

man

in

that

one

world,

could

hardly

evaluate

Jane's

choices.

There

were

places

to

sit--

both

Western

chairs,

which

folded

people

into

alternating

right

angles

and

never

seemed

comfortable

to

Wang-mu,

and

Eastern

mats,

which

encouraged

people

to

twine

themselves

into

circles

of

harmony

with

the

earth.

The

bedroom,

with

its

Western

mattress

raised

high

off

the

ground

even

though

there

were

neither

rats

nor

roaches,

was

obviously

Peter's;

Wang-mu

knew

that

the

same

mat

that

invited

her

to

sit

in

the

main

room

of

the

apartment

would

also

be

her

sleeping

mat

at

night.

She

deferentially

offered

Peter

the

first

bath;

he,

however,

seemed

to

feel

no

urgency

to

wash

himself,

even

though

he

smelled

of

sweat

from

the

hike

and

the

hours

cooped

up

in

the

floater.

So

Wang-mu

ended

up

luxuriating

in

a

tub,

closing

her

eyes

and

meditating

until

she

felt

restored

to

herself.

When

she

opened

her

eyes

she

no

longer

felt

like

a

stranger.

Rather

she

was

herself,

and

the

surrounding

objects

and

spaces

were

free

to

attach

themselves

to

her

without

damaging

her

sense

of

self.

This

was

a

power

she

had

learned

early

in

life,

when

she

had

no

power

even

over

her

own

body,

and

had

to

obey

in

all

things.

It

was

what

preserved

her.

Her

life

had

many

unpleasant

things

attached

to

it,

like

remoras

to

a

shark,

but

none

of

them

changed

who

she

was

under

the

skin,

in

the

cool

darkness

of

her

solitude

with

eyes

closed

and

mind

at

peace.

When

she

emerged

from

the

bathroom,

she

found

Peter

eating

absently

from

a

plate

of

grapes

as

he

watched

a

holoplay

in

which

masked

Japanese

actors

bellowed

at

each

other

and

took

great,

awkward,

thundering

steps,

as

if

the

actors

were

playing

characters

twice

the

size

of

their

own

bodies.

"Have

you

learned

Japanese?"

she

asked.

"Jane's

translating

for

me.

Very

strange

people."

"It's

an

ancient

form

of

drama,"

said

Wang-mu.

"But

very

boring.

Was

there

ever

anyone

whose

heart

was

stirred

by

all

this

shouting?"

"If

you

are

inside

the

story,"

said

Wang-mu,

"then

they

are

shouting

the

words

of

your

own

heart."

"Somebody's

heart

says,

'I

am

the

wind

from

the

cold

snow

of

the

mountain,

and

you

are

the

tiger

whose

roar

will

freeze

in

your

own

ears

before

you

tremble

and

die

in

the

iron

knife

of

my

winter

eyes'?"

"It

sounds

like

you,"

said

Wang-mu.

"Bluster

and

brag."

"I

am

the

round-eyed

sweating

man

who

stinks

like

the

corpse

of

a

leaking

skunk,

and

you

are

the

flower

who

will

wilt

unless

I

take

an

immediate

shower

with

lye

and

ammonia."

"Keep

your

eyes

closed

when

you

do,"

said

Wang-mu.

"That

stuff

burns."

There

was

no

computer

in

the

apartment.

Maybe

the

holoview

could

be

used

as

a

computer,

but

if

so

Wang-mu

didn't

know

how.

Its

controls

looked

like

nothing

she

had

seen

in

Han

Fei-tzu's

house,

but

that

was

hardly

a

surprise.

The

people

of

Path

didn't

take

their

design

of

anything

from

other

worlds,

if

they

could

help

it.

Wang-mu

didn't

even

know

how

to

turn

off

the

sound.

It

didn't

matter.

She

sat

on

her

mat

and

tried

to

remember

everything

she

knew

about

the

Japanese

people

from

her

study

of

Earth

history

with

Han

Qing-jao

and

her

father,

Han

Fei-tzu.

She

knew

that

her

education

was

spotty

at

best,

because

as

a

lowclass

girl

no

one

had

bothered

to

teach

her

much

until

she

wangled

her

way

into

Qing-jao's

household.

So

Han

Fei-tzu

had

told

her

not

to

bother

with

formal

studies,

but

merely

to

explore

information

wherever

her

interests

took

her.

"Your

mind

is

unspoiled

by

a

traditional

education.

Therefore

you

must

let

yourself

discover

your

own

way

into

each

subject."

Despite

this

seeming

liberty,

Fei-tzu

soon

showed

her

that

he

was

a

stern

taskmaster

even

when

the

subjects

were

freely

chosen.

Whatever

she

learned

about

history

or

biography,

he

would

challenge

her,

question

her;

demand

that

she

generalize,

then

refute

her

generalizations;

and

if

she

changed

her

mind,

he

would

then

demand

just

as

sharply

that

she

defend

her

new

position,

even

though

a

moment

before

it

had

been

his

own.

The

result

was

that

even

with

limited

information,

she

was

prepared

to

reexamine

it,

cast

away

old

conclusions

and

hypothesize

new

ones.

Thus

she

could

close

her

eyes

and

continue

her

education

without

any

jewel

to

whisper

in

her

ear,

for

she

could

still

hear

Han

Fei-tzu's

caustic

questioning

even

though

he

was

lightyears

away.

The

actors

stopped

ranting

before

Peter

had

finished

his

shower.

Wang-mu

did

not

notice.

She

did

notice,

however,

when

a

voice

from

the

holoview

said,

"Would

you

like

another

recorded

selection,

or

would

you

prefer

to

connect

with

a

current

broadcast?"

For

a

moment

Wang-mu

thought

that

the

voice

must

be

Jane;

then

she

realized

that

it

was

simply

the

rote

menu

of

a

machine.

"Do

you

have

news?"

she

asked.

"Local,

regional,

planetary

or

interplanetary?"

asked

the

machine.

"Begin

with

local,"

said

Wang-mu.

She

was

a

stranger

here.

She

might

as

well

get

acquainted.

When

Peter

emerged,

clean

and

dressed

in

one

of

the

stylish

local

costumes

that

Jane

had

had

delivered

for

him,

Wang-mu

was

engrossed

in

an

account

of

a

trial

of

some

people

accused

of

overfishing

a

lush

coldwater

region

a

few

hundred

kilometers

from

the

city

they

were

in.

What

was

the

name

of

this

town?

Oh,

yes.

Nagoya.

Since

Jane

had

declared

this

to

be

their

hometown

on

all

their

false

records,

of

course

this

was

where

the

floater

had

brought

them.

"All

worlds

are

the

same,"

said

Wang-mu.

"People

want

to

eat

fish

from

the

sea,

and

some

people

want

to

take

more

of

the

fish

than

the

ocean

can

replenish."

"What

harm

does

it

do

if

I

fish

one

extra

day

or

take

one

extra

ton?"

Peter

asked.

"Because

if

everyone

does,

then--"

She

stopped

herself.

"I

see.

You

were

ironically

speaking

the

rationalization

of

the

wrongdoers."

"Am

I

clean

and

pretty

now?"

asked

Peter,

turning

around

to

show

off

his

loose-fitting

yet

somehow

formrevealing

clothing.

"The

colors

are

garish,"

said

Wang-mu.

"It

looks

as

if

you're

screaming."

"No,

no,"

said

Peter.

"The

idea

is

for

the

people

who

see

me

to

scream."

"Aaaah,"

Wang-mu

screamed

softly.

"Jane

says

that

this

is

actually

a

conservative

costume--

for

a

man

of

my

age

and

supposed

profession.

Men

in

Nagoya

are

known

for

being

peacocks."

"And

the

women?"

"Bare-breasted

all

the

time,"

said

Peter.

"Quite

a

stunning

sight."

"That

is

a

lie.

I

didn't

see

one

bare-breasted

woman

on

our

way

in

and--"

Again

she

stopped

and

frowned

at

him.

"Do

you

really

want

me

to

assume

that

everything

you

say

is

a

lie?"

"I

thought

it

was

worth

a

try."

"Don't

be

silly.

I

have

no

breasts."

"You

have

small

ones,"

said

Peter.

"Surely

you're

aware

of

the

distinction."

"I

don't

want

to

discuss

my

body

with

a

man

dressed

in

a

badly

planned,

overgrown

flower

garden."

"Women

are

all

dowds

here,"

said

Peter.

"Tragic

but

true.

Dignity

and

all

that.

So

are

the

old

men.

Only

the

boys

and

young

men

on

the

prowl

are

allowed

such

plumage

as

this.

I

think

the

bright

colors

are

to

warn

women

off.

Nothing

serious

from

this

lad!

Stay

to

play,

or

go

away.

Some

such

thing.

I

think

Jane

chose

this

city

for

us

solely

so

she

could

make

me

wear

these

things."

"I'm

hungry.

I'm

tired."

"Which

is

more

urgent?"

asked

Peter.

"Hungry."

"There

are

grapes,"

he

offered.

"Which

you

didn't

wash.

I

suppose

that's

a

part

of

your

death

wish."

"On

Divine

Wind,

insects

know

their

place

and

stay

there.

No

pesticides.

Jane

assured

me."

"There

were

no

pesticides

on

Path,

either,"

said

Wang-mu.

"But

we

washed

to

clear

away

bacteria

and

other

one-celled

creatures.

Amebic

dysentery

will

slow

us

down."

"Oh,

but

the

bathroom

is

so

nice,

it

would

be

a

shame

not

to

use

it,"

said

Peter.

Despite

his

flippancy,

Wang-mu

saw

that

her

comment

about

dysentery

from

unwashed

fruit

bothered

him.

"Let's

eat

out,"

said

Wang-mu.

"Jane

has

money

for

us,

doesn't

she?"

Peter

listened

for

a

moment

to

something

coming

from

the

jewel

in

his

ear.

"Yes,

and

all

we

have

to

do

is

tell

the

master

of

the

restaurant

that

we

lost

our

IDs

and

he'll

let

us

thumb

our

way

into

our

accounts.

Jane

says

we're

both

very

rich

if

we

need

to

be,

but

we

should

try

to

act

as

if

we

were

of

limited

means

having

an

occasional

splurge

to

celebrate

something.

What

shall

we

celebrate?"

"Your

bath."

"You

celebrate

that.

I'll

celebrate

our

safe

return

from

being

lost

in

the

woods."

Soon

they

found

themselves

on

the

street,

a

busy

place

with

few

cars,

hundreds

of

bicycles,

and

thousands

of

people

both

on

and

off

the

glideways.

Wang-mu

was

put

off

by

these

strange

machines

and

insisted

they

walk

on

solid

ground,

which

meant

choosing

a

restaurant

close

by.

The

buildings

in

this

neighborhood

were

old

but

not

yet

tatty-looking;

an

established

neighborhood,

but

one

with

pride.

The

style

was

radically

open,

with

arches

and

courtyards,

pillars

and

roofs,

but

few

walls

and

no

glass

at

all.

"The

weather

must

be

perfect

here,"

said

Wang-mu.

"Tropical,

but

on

the

coast

with

a

cold

current

offshore.

It

rains

every

afternoon

for

an

hour

or

so,

most

of

the

year

anyway,

but

it

never

gets

very

hot

and

never

gets

chilly

at

all."

"It

feels

as

though

everything

is

outdoors

all

the

time."

"It's

all

fakery,"

said

Peter.

"Our

apartment

had

glass

windows

and

climate

control,

you

notice.

But

it

faces

back,

into

the

garden,

and

besides,

the

windows

are

recessed,

so

from

below

you

don't

see

the

glass.

Very

artful.

Artificially

natural

looking.

Hypocrisy

and

deception--

the

human

universal."

"It's

a

beautiful

way

to

live,"

said

Wang-mu.

"I

like

Nagoya."

"Too

bad

we

won't

be

here

long."

Before

she

could

ask

to

know

where

they

were

going

and

why,

Peter

pulled

her

into

the

courtyard

of

a

busy

restaurant.

"This

one

cooks

the

fish,"

said

Peter.

"I

hope

you

don't

mind

that."

"What,

the

others

serve

it

raw?"

asked

Wang-mu,

laughing.

Then

she

realized

that

Peter

was

serious.

Raw

fish!

"The

Japanese

are

famous

for

it,"

said

Peter,

"and

in

Nagoya

it's

almost

a

religion.

Notice--

not

a

Japanese

face

in

the

restaurant.

They

wouldn't

deign

to

eat

fish

that

was

destroyed

by

heat.

It's

just

one

of

those

things

that

they

cling

to.

There's

so

little

that's

distinctively

Japanese

about

their

culture

now,

so

they're

devoted

to

the

few

uniquely

Japanese

traits

that

survive."

Wang-mu

nodded,

understanding

perfectly

how

a

culture

could

cling

to

long-dead

customs

just

for

the

sake

of

national

identity,

and

also

grateful

to

be

in

a

place

where

such

customs

were

all

superficial

and

didn't

distort

and

destroy

the

lives

of

the

people

the

way

they

had

on

Path.

Their

food

came

quickly--

it

takes

almost

no

time

to

cook

fish--

and

as

they

ate,

Peter

shifted

his

position

several

times

on

the

mat.

"Too

bad

this

place

isn't

nontraditional

enough

to

have

chairs."

"Why

do

Europeans

hate

the

earth

so

much

that

you

must

always

lift

yourself

above

it?"

asked

Wang-mu.

"You've

already

answered

your

question,"

said

Peter

coldly.

"You

start

from

the

assumption

that

we

hate

the

earth.

It

makes

you

sound

like

some

magic-using

primitive."

Wang-mu

blushed

and

fell

silent.

"Oh,

spare

me

the

passive

oriental

woman

routine,"

said

Peter.

"Or

the

passive

I

-

was

-

trained

-

to

-

be

-

a

-

servant

-

and

-

you

-

sound

-

like

-

a

-

cruel

-

heartless

-

master

manipulation

through

guilt.

I

know

I'm

a

shit

and

I'm

not

going

to

change

just

because

you

look

so

downcast."

"Then

you

could

change

because

you

wish

not

to

be

a

shit

any

longer."

"It's

in

my

character.

Ender

created

me

hateful

so

he

could

hate

me.

The

added

benefit

is

that

you

can

hate

me,

too."

"Oh,

be

quiet

and

eat

your

fish,"

she

said.

"You

don't

know

what

you're

talking

about.

You're

supposed

to

analyze

human

beings

and

you

can't

understand

the

person

closest

to

you

in

all

the

world."

"I

don't

want

to

understand

you,"

said

Peter.

"I

want

to

accomplish

my

task

by

exploiting

this

brilliant

intelligence

you're

supposed

to

have--

even

if

you

believe

that

people

who

squat

are

somehow

'closer

to

the

earth'

than

people

who

remain

upright."

"I

wasn't

talking

about

me,"

she

said.

"I

was

talking

about

the

person

closest

to

you.

Ender."

"He

is

blessedly

far

from

us

right

now."

"He

didn't

create

you

so

that

he

could

hate

you.

He

long

since

got

over

hating

you."

"Yeah,

yeah,

he

wrote

The

Hegemon,

et

cetera,

et

cetera."

"That's

right,"

said

Wang-mu.

"He

created

you

because

he

desperately

needed

someone

to

hate

him."

Peter

rolled

his

eyes

and

took

a

drink

of

milky

pineapple

juice.

"Just

the

right

amount

of

coconut.

I

think

I'll

retire

here,

if

Ender

doesn't

die

and

make

me

disappear

first."

"I

say

something

true,

and

you

answer

with

coconut

in

the

pineapple

juice?"

"Novinha

hates

him,"

said

Peter.

"He

doesn't

need

me."

"Novinha

is

angry

at

him,

but

she's

wrong

to

be

angry

and

he

knows

it.

What

he

needs

from

you

is

a

...

righteous

anger.

To

hate

him

for

the

evil

that

is

really

in

him,

which

no

one

but

him

sees

or

even

believes

is

there."

"I'm

just

a

nightmare

from

his

childhood,"

said

Peter.

"You're

reading

too

much

into

this."

"He

didn't

conjure

you

up

because

the

real

Peter

was

so

important

in

his

childhood.

He

conjured

you

up

because

you

are

the

judge,

the

condemner.

That's

what

Peter

drummed

into

him

as

a

child.

You

told

me

yourself,

talking

about

your

memories.

Peter

taunting

him,

telling

him

of

his

unworthiness,

his

uselessness,

his

stupidity,

his

cowardice.

You

do

it

now.

You

look

at

his

life

and

call

him

a

xenocide,

a

failure.

For

some

reason

he

needs

this,

needs

to

have

someone

damn

him."

"Well,

how

nice

that

I'm

around,

then,

to

despise

him,"

said

Peter.

"But

he

also

is

desperate

for

someone

to

forgive

him,

to

have

mercy

on

him,

to

interpret

all

his

actions

as

well

meant.

Valentine

is

not

there

because

he

loves

her--

he

has

the

real

Valentine

for

that.

He

has

his

wife.

He

needs

your

sister

to

exist

so

she

can

forgive

him."

"So

if

I

stop

hating

Ender,

he

won't

need

me

anymore

and

I'll

disappear?"

"If

Ender

stops

hating

himself,

then

he

won't

need

you

to

be

so

mean

and

you'll

be

easier

to

get

along

with."

"Yeah,

well,

it's

not

that

easy

getting

along

with

somebody

who's

constantly

analyzing

a

person

she's

never

met

and

preaching

at

the

person

she

has

met."

"I

hope

I

make

you

miserable,"

said

Wang-mu.

"It's

only

fair,

considering."

"I

think

Jane

brought

us

here

because

the

local

costumes

reflect

who

we

are.

Puppet

though

I

am,

I

take

some

perverse

pleasure

in

life.

While

you--

you

can

turn

anything

drab

just

by

talking

about

it."

Wang-mu

bit

back

her

tears

and

returned

to

her

food.

"What

is

it

with

you?"

Peter

said.

She

ignored

him,

chewed

slowly,

finding

the

untouched

core

of

herself,

which

was

busily

enjoying

the

food.

"Don't

you

feel

anything?"

She

swallowed,

looked

up

at

him.

"I

already

miss

Han

Fei-tzu,

and

I've

been

gone

scarcely

two

days."

She

smiled

slightly.

"I

have

known

a

man

of

grace

and

wisdom.

He

found

me

interesting.

I'm

quite

comfortable

with

boring

you."

Peter

immediately

made

a

show

of

splashing

water

on

his

ears.

"I'm

burning,

that

stung,

oh,

how

can

I

stand

it.

Vicious!

You

have

the

breath

of

a

dragon!

Men

die

at

your

words!"

"Only

puppets

strutting

around

hanging

from

strings,"

said

Wang-mu.

"Better

to

dangle

from

strings

than

to

be

bound

tight

by

them,"

said

Peter.

"Oh,

the

gods

must

love

me,

to

have

put

me

in

the

company

of

a

man

so

clever

with

words."

"Whereas

the

gods

have

put

me

in

the

company

of

a

woman

with

no

breasts."

She

forced

herself

to

pretend

to

take

this

as

a

joke.

"Small

ones,

I

thought

you

said."

But

suddenly

the

smile

left

his

face.

"I'm

sorry,"

he

said.

"I've

hurt

you."

"I

don't

think

so.

I'll

tell

you

later,

after

a

good

night's

sleep."

"I

thought

we

were

bantering,"

said

Peter.

"Bandying

insults."

"We

were,"

said

Wang-mu.

"But

I

believe

them

all."

Peter

winced.

"Then

I'm

hurt,

too."

"You

don't

know

how

to

hurt,"

said

Wang-mu.

"You're

just

mocking

me."

Peter

pushed

aside

his

plate

and

stood

up.

"I'll

see

you

back

at

the

apartment.

Think

you

can

find

the

way?"

"Do

I

think

you

actually

care?"

"It's

a

good

thing

I

have

no

soul,"

said

Peter.

"That's

the

only

thing

that

stops

you

from

devouring

it."

"If

I

ever

had

your

soul

in

my

mouth,"

said

Wang-mu,

"I

would

spit

it

out."

"Get

some

rest,"

said

Peter.

"For

the

work

I

have

ahead,

I

need

a

mind,

not

a

quarrel."

He

walked

out

of

the

restaurant.

The

clothing

fit

him

badly.

People

looked.

He

was

a

man

of

too

much

dignity

and

strength

to

dress

so

foppishly.

Wang-mu

saw

at

once

that

it

shamed

him.

She

saw

also

that

he

knew

it,

that

he

moved

swiftly

because

he

knew

this

clothing

was

wrong

for

him.

He

would

undoubtedly

have

Jane

order

him

something

older

looking,

more

mature,

more

in

keeping

with

his

need

for

honor.

Whereas

I

need

something

that

will

make

me

disappear.

Or

better

yet,

clothing

that

will

let

me

fly

away

from

here,

all

in

a

single

night,

fly

Outside

and

back

In

to

the

house

of

Han

Fei-tzu,

where

I

can

look

into

eyes

that

show

neither

pity

nor

scorn.

Nor

pain.

For

there

is

pain

in

Peter's

eyes,

and

it

was

wrong

of

me

to

say

he

felt

none.

It

was

wrong

of

me

to

value

my

own

pain

so

highly

that

I

thought

it

gave

me

the

right

to

inflict

more

on

him.

If

I

apologize

to

him,

he'll

mock

me

for

it.

But

then,

I

would

rather

be

mocked

for

doing

a

good

thing

than

to

be

respected,

knowing

I

have

done

wrong.

Is

that

a

principle

Han

Fei-tzu

taught

me?

No.

I

was

born

with

that

one.

Like

my

mother

said,

too

much

pride,

too

much

pride.

When

she

returned

to

the

apartment,

however,

Peter

was

asleep;

exhausted,

she

postponed

her

apology

and

also

slept.

Each

of

them

woke

during

the

night,

but

never

at

the

same

time;

and

in

the

morning,

the

edge

of

last

night's

quarrel

had

worn

off.

There

was

business

at

hand,

and

it

was

more

important

for

her

to

understand

what

they

were

going

to

attempt

to

do

today

than

for

her

to

heal

a

breach

between

them

that

seemed,

in

the

light

of

morning,

to

be

scarcely

more

than

a

meaningless

spat

between

tired

friends.

"The

man

Jane

has

chosen

for

us

to

visit

is

a

philosopher."

"Like

me?"

Wang-mu

said,

keenly

aware

of

her

false

new

role.

"That's

what

I

wanted

to

discuss

with

you.

There

are

two

kinds

of

philosophers

here

on

Divine

Wind.

Aimaina

Hikari,

the

man

we

will

meet,

is

an

analytical

philosopher.

You

don't

have

the

education

to

hold

your

own

with

him.

So

you

are

the

other

kind.

Gnomic

and

mantic.

Given

to

pithy

phrases

that

startle

others

with

their

seeming

irrelevancy."

"Is

it

necessary

that

my

supposedly

wise

phrases

only

seem

irrelevant?"

"You

don't

even

have

to

worry

about

that.

The

gnomic

philosophers

depend

on

others

to

connect

their

irrelevancies

with

the

real

world.

That's

why

any

fool

can

do

it."

Wang-mu

felt

anger

rise

in

her

like

mercury

in

a

thermometer.

"How

kind

of

you

to

choose

that

profession

for

me."

"Don't

be

offended,"

said

Peter.

"Jane

and

I

had

to

come

up

with

some

role

you

could

play

on

this

particular

planet

that

wouldn't

reveal

you

to

be

an

uneducated

native

of

Path.

You

have

to

understand

that

no

child

on

Divine

Wind

is

allowed

to

grow

up

as

hopelessly

ignorant

as

the

servant

class

on

Path."

Wang-mu

did

not

argue

further.

What

would

be

the

point?

If

one

has

to

say,

in

an

argument,

"I

am

intelligent!

I

do

know

things!"

then

one

might

as

well

stop

arguing.

Indeed,

this

idea

struck

her

as

being

exactly

one

of

those

gnomic

phrases

that

Peter

was

talking

about.

She

said

so.

"No,

no,

I

don't

mean

epigrams,"

said

Peter.

"Those

are

too

analytical.

I

mean

genuinely

strange

things.

For

instance,

you

might

have

said,

'The

woodpecker

attacks

the

tree

to

get

at

the

bug,'

and

then

I

would

have

had

to

figure

out

just

how

that

might

fit

our

situation

here.

Am

I

the

woodpecker?

The

tree?

The

bug?

That's

the

beauty

of

it."

"It

seems

to

me

that

you

have

just

proved

yourself

to

be

the

more

gnomic

of

the

two

of

us."

Peter

rolled

his

eyes

and

headed

for

the

door.

"Peter,"

she

said,

not

moving

from

her

place.

He

turned

to

face

her.

"Wouldn't

I

be

more

helpful

to

you

if

I

had

some

idea

of

why

we're

meeting

this

man,

and

who

he

is?"

Peter

shrugged.

"I

suppose.

Though

we

know

that

Aimaina

Hikari

is

not

the

person

or

even

one

of

the

people

we're

looking

for."

"Tell

me

whom

we

are

looking

for,

then."

"We're

looking

for

the

center

of

power

in

the

Hundred

Worlds,"

he

said.

"Then

why

are

we

here,

instead

of

Starways

Congress?"

"Starways

Congress

is

a

play.

The

delegates

are

actors.

The

scripts

are

written

elsewhere."

"Here."

"The

faction

of

Congress

that

is

getting

its

way

about

the

Lusitania

Fleet

is

not

the

one

that

loves

war.

That

group

is

cheerful

about

the

whole

thing,

of

course,

since

they

always

believe

in

brutally

putting

down

insurrection

and

so

on,

but

they

would

never

have

been

able

to

get

the

votes

to

send

the

fleet

without

a

swing

group

that

is

very

heavily

influenced

by

a

school

of

philosophers

from

Divine

Wind."

"Of

which

Aimaina

Hikari

is

the

leader?"

"It's

more

subtle

than

that.

He

is

actually

a

solitary

philosopher,

belonging

to

no

particular

school.

But

he

represents

a

sort

of

purity

of

Japanese

thought

which

makes

him

something

of

a

conscience

to

the

philosophers

who

influence

the

swing

group

in

Congress."

"How

many

dominoes

do

you

think

you

can

line

up

and

have

them

still

knock

each

other

over?"

"No,

that

wasn't

gnomic

enough.

Still

too

analytical."

"I'm

not

playing

my

part

yet,

Peter.

What

are

the

ideas

that

this

swing

group

gets

from

this

philosophical

school?"

Peter

sighed

and

sat

down--

bending

himself

into

a

chair,

of

course.

Wang-mu

sat

on

the

floor

and

thought:

This

is

how

a

man

of

Europe

likes

to

see

himself,

with

his

head

higher

than

all

others,

teaching

the

woman

of

Asia.

But

from

my

perspective,

he

has

disconnected

himself

from

the

earth.

I

will

hear

his

words,

but

I

will

know

that

it

is

up

to

me

to

bring

them

into

a

living

place.

"The

swing

group

would

never

use

such

massive

force

against

what

really

amounts

to

a

minor

dispute

with

a

tiny

colony.

The

original

issue,

as

you

know,

was

that

two

xenologers,

Miro

Ribeira

and

Ouanda

Mucumbi,

were

caught

introducing

agriculture

among

the

pequeninos

of

Lusitania.

This

constituted

cultural

interference,

and

they

were

ordered

offplanet

for

trial.

Of

course,

with

the

old

relativistic

lightspeed

ships,

taking

someone

off

planet

meant

that

when

and

if

they

ever

went

back,

everyone

they

knew

would

be

old

or

dead.

So

it

was

brutally

harsh

treatment

and

amounted

to

prejudgment.

Congress

might

have

expected

protests

from

the

government

of

Lusitania,

but

what

it

got

instead

was

complete

defiance

and

a

cutoff

of

ansible

communications.

The

tough

guys

in

Congress

immediately

started

lobbying

for

a

single

troopship

to

go

and

seize

control

of

Lusitania.

But

they

didn't

have

the

votes,

until--"

"Until

they

raised

the

specter

of

the

descolada

virus."

"Exactly.

The

group

that

was

adamantly

opposed

to

the

use

of

force

brought

up

the

descolada,

as

a

reason

why

troops

shouldn't

be

sent--

because

at

that

time

anyone

who

was

infected

with

the

virus

had

to

stay

on

Lusitania

and

keep

taking

an

inhibitor

that

kept

the

descolada

from

destroying

your

body

from

the

inside

out.

This

was

the

first

time

that

the

danger

of

the

descolada

became

widely

known,

and

the

swing

group

emerged,

consisting

of

those

who

were

appalled

that

Lusitania

had

not

been

quarantined

long

before.

What

could

be

more

dangerous

than

to

have

a

fast-spreading,

semi-intelligent

virus

in

the

hands

of

rebels?

This

group

consisted

almost

entirely

of

delegates

who

were

strongly

influenced

by

the

Necessarian

school

from

Divine

Wind."

Wang-mu

nodded.

"And

what

do

the

Necessarians

teach?"

"That

one

lives

in

peace

and

harmony

with

one's

environment,

disturbing

nothing,

patiently

bearing

mild

or

even

serious

afflictions.

However,

when

a

genuine

threat

to

survival

emerges,

one

must

act

with

brutal

efficiency.

The

maxim

is,

Act

only

when

necessary,

and

then

act

with

maximum

force

and

speed.

Thus,

where

the

militarists

wanted

a

troopship,

the

Necessarian-influenced

delegates

insisted

on

sending

a

fleet

armed

with

the

Molecular

Disruption

Device,

which

would

destroy

the

threat

of

the

descolada

virus

once

and

for

all.

There's

a

sort

of

ironic

neatness

about

it

all,

don't

you

think?"

"I

don't

see

it."

"Oh,

it

fits

together

so

perfectly.

Ender

Wiggin

was

the

one

who

used

the

Little

Doctor

to

wipe

out

the

bugger

home

world.

Now

it's

going

to

be

used

for

only

the

second

time--

against

the

very

world

where

he

happens

to

live!

It

gets

even

thicker.

The

first

Necessarian

philosopher,

Ooka,

used

Ender

himself

as

the

prime

example

of

his

ideas.

As

long

as

the

buggers

were

seen

to

be

a

dangerous

threat

to

the

survival

of

humankind,

the

only

appropriate

response

was

utter

eradication

of

the

enemy.

No

half-measures

would

do.

Of

course

the

buggers

turned

out

not

to

have

been

a

threat

after

all,

as

Ender

himself

wrote

in

his

book

The

Hive

Queen,

but

Ooka

defended

the

mistake

because

the

truth

was

unknowable

at

the

time

Ender's

superiors

turned

him

loose

against

the

enemy.

What

Ooka

said

was,

'Never

trade

blows

with

the

enemy.'

His

idea

was

that

you

try

never

to

strike

anyone,

but

when

you

must,

you

strike

only

one

blow,

but

such

a

harsh

one

that

your

enemy

can

never,

never

strike

back."

"So

using

Ender

as

an

example--"

"That's

right.

Ender's

own

actions

are

being

used

to

justify

repeating

them

against

another

harmless

species."

"The

descolada

wasn't

harmless."

"No,"

said

Peter.

"But

Ender

and

Ela

found

another

way,

didn't

they?

They

struck

a

blow

against

the

descolada

itself.

But

there's

no

way

now

to

convince

Congress

to

withdraw

the

fleet.

Because

Jane

already

interfered

with

Congress's

ansible

communications

with

the

fleet,

they

believe

they

face

a

formidable

widespread

secret

conspiracy.

Any

argument

we

make

will

be

seen

as

disinformation.

Besides,

who

would

believe

the

farfetched

tale

of

that

first

trip

Outside,

where

Ela

created

the

anti-descolada,

Miro

recreated

himself,

and

Ender

made

my

dear

sister

and

me?"

"So

the

Necessarians

in

Congress--"

"They

don't

call

themselves

that.

But

the

influence

is

very

strong.

It

is

Jane's

and

my

opinion

that

if

we

can

get

some

prominent

Necessarians

to

declare

against

the

Lusitania

Fleet--

with

convincing

reasoning,

of

course--

the

solidarity

of

the

pro-fleet

majority

in

Congress

will

be

broken

up.

It's

a

thin

majority--

there

are

plenty

of

people

horrified

by

such

devastating

use

of

force

against

a

colony

world,

and

others

who

are

even

more

horrified

at

the

idea

that

Congress

would

destroy

the

pequeninos,

the

first

sentient

species

found

since

the

destruction

of

the

buggers.

They

would

love

to

stop

the

fleet,

or

at

worst

use

it

to

impose

a

permanent

quarantine."

"Why

aren't

we

meeting

with

a

Necessarian,

then?"

"Because

why

would

they

listen

to

us?

If

we

identify

ourselves

as

supporters

of

the

Lusitanian

cause,

we'll

be

jailed

and

questioned.

And

if

we

don't,

who

will

take

our

ideas

seriously?"

"This

Aimaina

Hikari,

then.

What

is

he?"

"Some

people

call

him

the

Yamato

philosopher.

All

the

Necessarians

of

Divine

Wind

are,

naturally,

Japanese,

and

the

philosophy

has

become

most

influential

among

the

Japanese,

both

on

their

home

worlds

and

wherever

they

have

a

substantial

population.

So

even

though

Hikari

isn't

a

Necessarian,

he

is

honored

as

the

keeper

of

the

Japanese

soul."

"If

he

tells

them

that

it's

un-Japanese

to

destroy

Lusitania--"

"But

he

won't.

Not

easily,

anyway.

His

seminal

work,

which

won

him

his

reputation

as

the

Yamato

philosopher,

included

the

idea

that

the

Japanese

people

were

born

as

rebellious

puppets.

First

it

was

Chinese

culture

that

pulled

the

strings.

But

Hikari

says,

Japan

learned

all

the

wrong

lessons

from

the

attempted

Chinese

invasion

of

Japan--

which,

by

the

way,

was

defeated

by

a

great

storm,

called

kamikaze,

which

means

'Divine

Wind.'

So

you

can

be

sure

everyone

on

this

world,

at

least,

remembers

that

ancient

story.

Anyway,

Japan

locked

itself

away

on

an

island,

and

at

first

refused

to

deal

with

Europeans

when

they

came.

But

then

an

American

fleet

forcibly

opened

Japan

to

foreign

trade,

and

then

the

Japanese

made

up

for

lost

time.

The

Meiji

Restoration

led

to

Japan

trying

to

industrialize

and

Westernize

itself--

and

once

again

a

new

set

of

strings

made

the

puppet

dance,

says

Hikari.

Only

once

again,

the

wrong

lessons

were

learned.

Since

the

Europeans

at

the

time

were

imperialists,

dividing

up

Africa

and

Asia

among

them,

Japan

decided

it

wanted

a

piece

of

the

imperial

pie.

There

was

China,

the

old

puppetmaster.

So

there

was

an

invasion--"

"We

were

taught

of

this

invasion

on

Path,"

said

Wang-mu.

"I'm

surprised

they

taught

any

history

more

recent

than

the

Mongol

invasion,"

said

Peter.

"The

Japanese

were

finally

stopped

when

the

Americans

dropped

the

first

nuclear

weapons

on

two

Japanese

cities."

"The

equivalent,

in

those

days,

of

the

Little

Doctor.

The

irresistible,

total

weapon.

The

Japanese

soon

came

to

regard

these

nuclear

weapons

as

a

kind

of

badge

of

pride:

We

were

the

first

people

ever

to

have

been

attacked

by

nuclear

weapons.

It

had

become

a

kind

of

permanent

grievance,

which

wasn't

a

bad

thing,

really,

because

that

was

part

of

their

impetus

to

found

and

populate

many

colonies,

so

that

they

would

never

be

a

helpless

island

nation

again.

But

then

along

comes

Aimaina

Hikari,

and

he

says--

by

the

way,

his

name

is

self-chosen,

it's

the

name

he

used

to

sign

his

first

book.

It

means

'Ambiguous

Light.'"

"How

gnomic,"

said

Wang-mu.

Peter

grinned.

"Oh,

tell

him

that,

he'll

be

so

proud.

Anyway,

in

his

first

book,

he

says,

The

Japanese

learned

the

wrong

lesson.

Those

nuclear

bombs

cut

the

strings.

Japan

was

utterly

prostrate.

The

proud

old

government

was

destroyed,

the

emperor

became

a

figurehead,

democracy

came

to

Japan,

and

then

wealth

and

great

power."

"The

bombs

were

a

blessing,

then?"

asked

Wang-mu

doubtfully.

"No,

no,

not

at

all.

He

thinks

the

wealth

of

Japan

destroyed

the

people's

soul.

They

adopted

the

destroyer

as

their

father.

They

became

America's

bastard

child,

blasted

into

existence

by

American

bombs.

Puppets

again."

"Then

what

does

he

have

to

do

with

the

Necessarians?"

"Japan

was

bombed,

he

says,

precisely

because

they

were

already

too

European.

They

treated

China

as

the

Europeans

treated

America,

selfishly

and

brutally.

But

the

Japanese

ancestors

could

not

bear

to

see

their

children

become

such

beasts.

So

just

as

the

gods

of

Japan

sent

a

Divine

Wind

to

stop

the

Chinese

fleet,

so

the

gods

sent

the

American

bombs

to

stop

Japan

from

becoming

an

imperialist

state

like

the

Europeans.

The

Japanese

response

should

have

been

to

bear

the

American

occupation

and

then,

when

it

was

over,

to

become

purely

Japanese

again,

chastened

and

whole.

The

title

of

his

book

was,

Not

Too

Late."

"And

I'll

bet

the

Necessarians

use

the

American

bombing

of

Japan

as

another

example

of

striking

with

maximum

force

and

speed."

"No

Japanese

would

have

dared

to

praise

the

American

bombing

until

Hikari

made

it

possible

to

see

the

bombing,

not

as

Japan's

victimization,

but

as

the

gods'

attempt

at

redemption

of

the

people."

"So

you're

saying

that

the

Necessarians

respect

him

enough

that

if

he

changed

his

mind,

they

would

change

theirs--

but

he

won't

change

his

mind,

because

he

believes

the

bombing

of

Japan

was

a

divine

gift?"

"We're

hoping

he

will

change

his

mind,"

said

Peter,

"or

our

trip

will

be

a

failure.

The

thing

is,

there's

no

chance

he'll

be

open

to

direct

persuasion

from

us,

and

Jane

can't

tell

from

his

writings

what

or

who

it

is

who

might

influence

him.

We

have

to

talk

to

him

to

find

out

where

to

go

next--

so

maybe

we

can

change

their

mind."

"This

is

really

complicated,

isn't

it?"

said

Wang-mu.

"Which

is

why

I

didn't

think

it

was

worth

explaining

it

to

you.

What

exactly

are

you

going

to

do

with

this

information?

Enter

into

a

discussion

of

the

subtleties

of

history

with

an

analytical

philosopher

of

the

first

rank,

like

Hikari?"

"I'm

going

to

listen,"

said

Wang-mu.

"That's

what

you

were

going

to

do

before,"

said

Peter.

"But

now

I

will

know

who

it

is

I'm

listening

to."

"Jane

thinks

it

was

a

mistake

for

me

to

tell

you,

because

now

you'll

be

interpreting

everything

he

says

in

light

of

what

Jane

and

I

already

think

we

know."

"Tell

Jane

that

the

only

people

who

ever

prize

purity

of

ignorance

are

those

who

profit

from

a

monopoly

on

knowledge."

Peter

laughed.

"Epigrams

again,"

he

said.

"You're

supposed

to

say--"

"Don't

tell

me

how

to

be

gnomic

again,"

said

Wang-mu.

She

got

up

from

the

floor.

Now

her

head

was

higher

than

Peter's.

"You're

the

gnome.

And

as

for

me

being

mantic--

remember

that

the

mantic

eats

its

mate."

"I'm

not

your

mate,"

said

Peter,

"and

'mantic'

means

a

philosophy

that

comes

from

vision

or

inspiration

or

intuition

rather

than

from

scholarship

and

reason."

"If

you're

not

my

mate,"

said

Wang-mu,

"stop

treating

me

like

a

wife."

Peter

looked

puzzled,

then

looked

away.

"Was

I

doing

that?"

"On

Path,

a

husband

assumes

his

wife

is

a

fool

and

teaches

her

even

the

things

she

already

knows.

On

Path,

a

wife

has

to

pretend,

when

she

is

teaching

her

husband,

that

she

is

only

reminding

him

of

things

he

taught

her

long

before."

"Well,

I'm

just

an

insensitive

oaf,

aren't

I."

"Please

remember,"

said

Wang-mu,

"that

when

we

meet

with

Aimaina

Hikari,

he

and

I

have

one

fund

of

knowledge

that

you

can

never

have."

"And

what's

that?"

"A

life."

She

saw

the

pain

on

his

face

and

at

once

regretted

causing

it.

But

it

was

a

reflexive

regret--

she

had

been

trained

from

childhood

up

to

be

sorry

when

she

gave

offense,

no

matter

how

richly

it

was

deserved.

"Ouch,"

said

Peter,

as

if

his

pain

were

a

joke.

Wang-mu

showed

no

mercy--

she

was

not

a

servant

now.

"You're

so

proud

of

knowing

more

than

me,

but

everything

you

know

is

either

what

Ender

put

in

your

head

or

what

Jane

whispers

in

your

ear.

I

have

no

Jane,

I

had

no

Ender.

Everything

I

know,

I

learned

the

hard

way.

I

lived

through

it.

So

please

don't

treat

me

with

contempt

again.

If

I

have

any

value

on

this

expedition,

it

will

come

from

my

knowing

everything

you

know--

because

everything

you

know,

I

can

be

taught,

but

what

I

know,

you

can

never

learn."

The

joking

was

over.

Peter's

face

reddened

with

anger.

"How

...

who

..."

"How

dare

I,"

said

Wang-mu,

echoing

the

phrases

she

assumed

he

had

begun.

"Who

do

I

think

I

am."

"I

didn't

say

that,"

said

Peter

softly,

turning

away.

"I'm

not

staying

in

my

place,

am

I?"

she

asked.

"Han

Fei-tzu

taught

me

about

Peter

Wiggin.

The

original,

not

the

copy.

How

he

made

his

sister

Valentine

take

part

in

his

conspiracy

to

seize

the

hegemony

of

Earth.

How

he

made

her

write

all

of

the

Demosthenes

material--

rabble-rousing

demagoguery--

while

he

wrote

all

the

Locke

material,

the

lofty,

analytical

ideas.

But

the

low

demagoguery

came

from

him."

"So

did

the

lofty

ideas,"

said

Peter.

"Exactly,"

said

Wang-mu.

"What

never

came

from

him,

what

came

only

from

Valentine,

was

something

he

never

saw

or

valued.

A

human

soul."

"Han

Fei-tzu

said

that?"

"Yes."

"Then

he's

an

ass,"

said

Peter.

"Because

Peter

had

as

much

of

a

human

soul

as

Valentine

had."

He

stepped

toward

her,

looming.

"I'm

the

one

without

a

soul,

Wang-mu."

For

a

moment

she

was

afraid

of

him.

How

did

she

know

what

violence

had

been

created

in

him?

What

dark

rage

in

Ender's

aiua

might

find

expression

through

this

surrogate

he

had

created?

But

Peter

did

not

strike

a

blow.

Perhaps

it

was

not

necessary.

***

Aimaina

Hikari

came

out

himself

to

the

front

gate

of

his

garden

to

let

them

in.

He

was

dressed

simply,

and

around

his

neck

was

the

locket

that

all

the

traditional

Japanese

of

Divine

Wind

wore:

a

tiny

casket

containing

the

ashes

of

all

his

worthy

ancestors.

Peter

had

already

explained

to

her

that

when

a

man

like

Hikari

died,

a

pinch

of

the

ashes

from

his

locket

would

be

added

to

a

bit

of

his

own

ashes

and

given

to

his

children

or

his

grandchildren

to

wear.

Thus

all

of

his

ancient

family

hung

above

his

breastbone,

waking

and

sleeping,

and

formed

the

most

precious

gift

he

could

give

his

posterity.

It

was

a

custom

that

Wang-mu,

who

had

no

ancestors

worth

remembering,

found

both

thrilling

and

disturbing.

Hikari

greeted

Wang-mu

with

a

bow,

but

held

out

his

hand

for

Peter

to

shake.

Peter

took

it

with

some

small

show

of

surprise.

"Oh,

they

call

me

the

keeper

of

the

Yamato

spirit,"

said

Hikari

with

a

smile,

"but

that

doesn't

mean

I

must

be

rude

and

force

Europeans

to

behave

like

Japanese.

Watching

a

European

bow

is

as

painful

as

watching

a

pig

do

ballet."

As

Hikari

led

them

through

the

garden

into

his

traditional

paperwalled

house,

Peter

and

Wang-mu

looked

at

each

other

and

grinned

broadly.

It

was

a

wordless

truce

between

them,

for

they

both

knew

at

once

that

Hikari

was

going

to

be

a

formidable

opponent,

and

they

needed

to

be

allies

if

they

were

to

learn

anything

from

him.

"A

philosopher

and

a

physicist,"

said

Hikari.

"I

looked

you

up

when

you

sent

your

note

asking

for

an

appointment.

I

have

been

visited

by

philosophers

before,

and

physicists,

and

also

by

Europeans

and

Chinese,

but

what

truly

puzzles

me

is

why

the

two

of

you

should

be

together."

"She

found

me

sexually

irresistible,"

said

Peter,

"and

I

can't

get

rid

of

her."

Then

he

grinned

his

most

charming

grin.

To

Wang-mu's

pleasure,

Peter's

Western-style

irony

left

Hikari

impassive

and

unamused,

and

she

could

see

a

blush

rising

up

Peter's

neck.

It

was

her

turn--

to

play

the

gnome

for

real

this

time.

"The

pig

wallows

in

mud,

but

he

warms

himself

on

the

sunny

stone."

Hikari

turned

his

gaze

to

her--

remaining

just

as

impassive

as

before.

"I

will

write

these

words

in

my

heart,"

he

said.

Wang-mu

wondered

if

Peter

understood

that

she

had

just

been

the

victim

of

Hikari's

oriental-style

irony.

"We

have

come

to

learn

from

you,"

said

Peter.

"Then

I

must

give

you

food

and

send

you

on

your

way

disappointed,"

said

Hikari.

"I

have

nothing

to

teach

a

physicist

or

a

philosopher.

If

I

did

not

have

children,

I

would

have

no

one

to

teach,

for

only

they

know

less

than

I."

"No,

no,"

said

Peter.

"You're

a

wise

man.

The

keeper

of

the

Yamato

spirit."

"I

said

that

they

call

me

that.

But

the

Yamato

spirit

is

much

too

great

to

be

kept

in

so

small

a

container

as

my

soul.

And

yet

the

Yamato

spirit

is

much

too

small

to

be

worthy

of

the

notice

of

the

powerful

souls

of

the

Chinese

and

the

European.

You

are

the

teachers,

as

China

and

Europe

have

always

been

the

teachers

of

Japan."

Wang-mu

did

not

know

Peter

well,

but

she

knew

him

well

enough

to

see

that

he

was

flustered

now,

at

a

loss

for

how

to

proceed.

In

Ender's

life

and

wanderings,

he

had

lived

in

several

oriental

cultures

and

even,

according

to

Han

Fei-tzu,

spoke

Korean,

which

meant

that

Ender

would

probably

be

able

to

deal

with

the

ritualized

humility

of

a

man

like

Hikari--

especially

since

he

was

obviously

using

that

humility

in

a

mocking

way.

But

what

Ender

knew

and

what

he

had

given

to

his

Peter-identity

were

obviously

two

different

things.

This

conversation

would

be

up

to

her,

and

she

sensed

that

the

best

way

to

play

with

Hikari

was

to

refuse

to

let

him

control

the

game.

"Very

well,"

she

said.

"We

will

teach

you.

For

when

we

show

you

our

ignorance,

then

you

will

see

where

we

most

need

your

wisdom."

Hikari

looked

at

Peter

for

a

moment.

Then

he

clapped

his

hands.

A

serving

woman

appeared

in

a

doorway.

"Tea,"

said

Hikari.

At

once

Wang-mu

leapt

to

her

feet.

Only

when

she

was

already

standing

did

she

realize

what

she

was

going

to

do.

That

peremptory

command

to

bring

tea

was

one

that

she

had

heeded

many

times

in

her

life,

but

it

was

not

a

blind

reflex

that

brought

her

to

her

feet.

Rather

it

was

her

intuition

that

the

only

way

to

beat

Hikari

at

his

own

game

was

to

call

his

bluff:

She

would

be

humbler

than

he

knew

how

to

be.

"I

have

been

a

servant

all

my

life,"

said

Wang-mu

honestly,

"but

I

was

always

a

clumsy

one,"

which

was

not

so

honest.

"May

I

go

with

your

servant

and

learn

from

her?

I

may

not

be

wise

enough

to

learn

the

ideas

of

a

great

philosopher,

but

perhaps

I

can

learn

what

I

am

fit

to

learn

from

the

servant

who

is

worthy

to

bring

tea

to

Aimaina

Hikari."

She

could

see

from

his

hesitation

that

Hikari

knew

he

had

been

trumped.

But

the

man

was

deft.

He

immediately

rose

to

his

feet.

"You

have

already

taught

me

a

great

lesson,"

he

said.

"Now

we

will

all

go

and

watch

Kenji

prepare

the

tea.

If

she

will

be

your

teacher,

Si

Wang-mu,

she

must

also

be

mine.

For

how

could

I

bear

to

know

that

someone

in

my

house

knew

a

thing

that

I

had

not

yet

learned?"

Wang-mu

had

to

admire

his

resourcefulness.

He

had

once

again

placed

himself

beneath

her.

Poor

Kenji,

the

servant!

She

was

a

deft

and

well-trained

woman,

Wang-mu

saw,

but

it

made

her

nervous

having

these

three,

especially

her

master,

watch

her

prepare

the

tea.

So

Wang-mu

immediately

reached

in

and

"helped"

--deliberately

making

a

mistake

as

she

did.

At

once

Kenji

was

in

her

element,

and

confident

again.

"You

have

forgotten,"

said

Kenji

kindly,

"because

my

kitchen

is

so

inefficiently

arranged."

Then

she

showed

Wang-mu

how

the

tea

was

prepared.

"At

least

in

Nagoya,"

she

said

modestly.

"At

least

in

this

house."

Wang-mu

watched

carefully,

concentrating

only

on

Kenji

and

what

she

was

doing,

for

she

quickly

saw

that

the

Japanese

way

of

preparing

tea--

or

perhaps

it

was

the

way

of

Divine

Wind,

or

merely

the

way

of

Nagoya,

or

of

humble

philosophers

who

kept

the

Yamato

spirit--

was

different

from

the

pattern

she

had

followed

so

carefully

in

the

house

of

Han

Fei-tzu.

By

the

time

the

tea

was

ready,

Wangmu

had

learned

from

her.

For,

having

made

the

claim

to

be

a

servant,

and

having

a

computer

record

that

asserted

that

she

had

lived

her

whole

life

in

a

Chinese

community

on

Divine

Wind,

Wang-mu

might

have

to

be

able

to

serve

tea

properly

in

exactly

this

fashion.

They

returned

to

the

front

room

of

Hikari's

house,

Kenji

and

Wang-mu

each

bearing

a

small

tea

table.

Kenji

offered

her

table

to

Hikari,

but

he

waved

her

over

to

Peter,

and

then

bowed

to

him.

It

was

Wang-mu

who

served

Hikari.

And

when

Kenji

backed

away

from

Peter,

Wang-mu

also

backed

away

from

Hikari.

For

the

first

time,

Hikari

looked--

angry?

His

eyes

flashed,

anyway.

For

by

placing

herself

on

exactly

the

same

level

as

Kenji,

she

had

just

maneuvered

him

into

a

position

where

he

either

had

to

shame

himself

by

being

prouder

than

Wang-mu

and

dismissing

his

servant,

or

disrupt

the

good

order

of

his

own

house

by

inviting

Kenji

to

sit

down

with

the

three

of

them

as

equals.

"Kenji,"

said

Hikari.

"Let

me

pour

tea

for

you."

Check,

thought

Wang-mu.

And

mate.

It

was

a

delicious

bonus

when

Peter,

who

had

finally

caught

on

to

the

game,

also

poured

tea

for

her,

and

then

managed

to

spill

it

on

her,

which

prompted

Hikari

to

spill

a

little

on

himself

in

order

to

put

his

guest

at

ease.

The

pain

of

the

hot

tea

and

then

the

discomfort

as

it

cooled

and

dried

were

well

worth

the

pleasure

of

knowing

that

while

Wang-mu

had

proved

herself

a

match

for

Hikari

in

outrageous

courtesy,

Peter

had

merely

proved

himself

to

be

an

oaf.

Or

was

Wang-mu

truly

a

match

for

Hikari?

He

must

have

seen

and

understood

her

effort

to

place

herself

ostentatiously

beneath

him.

It

was

possible,

then,

that

he

was--

humbly--

allowing

her

to

win

pride

of

place

as

the

more

humble

of

the

two.

As

soon

as

she

realized

that

he

might

have

done

this,

then

she

knew

that

he

certainly

had

done

it,

and

the

victory

was

his.

I'm

not

as

clever

as

I

thought.

She

looked

at

Peter,

hoping

that

he

would

now

take

over

and

do

whatever

clever

thing

he

had

in

mind.

But

he

seemed

perfectly

content

to

let

her

lead

out.

Certainly

he

didn't

jump

into

the

breach.

Did

he,

too,

realize

that

she

had

just

been

bested

at

her

own

game,

because

she

failed

to

take

it

deep

enough?

Was

he

giving

her

the

rope

to

hang

herself?

Well,

let's

get

the

noose

good

and

tight.

"Aimaina

Hikari,

you

are

called

by

some

the

keeper

of

the

Yamato

spirit.

Peter

and

I

grew

up

on

a

Japanese

world,

and

yet

the

Japanese

humbly

allow

Stark

to

be

the

language

of

the

public

school,

so

that

we

speak

no

Japanese.

In

my

Chinese

neighborhood,

in

Peter's

American

city,

we

spent

our

childhoods

on

the

edge

of

Japanese

culture,

looking

in.

So

if

there

is

any

particular

part

of

our

vast

ignorance

that

will

be

most

obvious

to

you,

it

is

in

our

knowledge

of

Yamato

itself."

"Oh,

Wang-mu,

you

make

a

mystery

out

of

the

obvious.

No

one

understands

Yamato

better

than

those

who

see

it

from

the

outside,

just

as

the

parent

understands

the

child

better

than

the

child

understands

herself."

"Then

I

will

enlighten

you,"

said

Wang-mu,

discarding

the

game

of

humility.

"For

I

see

Japan

as

an

Edge

nation,

and

I

cannot

yet

see

whether

your

ideas

will

make

Japan

a

new

Center

nation,

or

begin

the

decay

that

all

edge

nations

experience

when

they

take

power."

"I

grasp

a

hundred

possible

meanings,

most

of

them

surely

true

of

my

people,

for

your

term

'Edge

nation,'"

said

Hikari.

"But

what

is

a

Center

nation,

and

how

can

a

people

become

one?"

"I

am

not

well-versed

in

Earth

history,"

said

Wang-mu,

"but

as

I

studied

what

little

I

know,

it

seemed

to

me

that

there

were

a

handful

of

Center

nations,

which

had

a

culture

so

strong

that

they

swallowed

up

all

conquerors.

Egypt

was

one,

and

China.

Each

one

became

unified

and

then

expanded

no

more

than

necessary

to

protect

their

borders

and

pacify

their

hinterland.

Each

one

took

in

its

conquerors

and

swallowed

them

up

for

thousands

of

years.

Egyptian

writing

and

Chinese

writing

persisted

with

only

stylistic

modifications,

so

that

the

past

remained

present

for

those

who

could

read."

Wang-mu

could

see

from

Peter's

stiffness

that

he

was

very

worried.

After

all,

she

was

saying

things

that

were

definitely

not

gnomic.

But

since

he

was

completely

out

of

his

depth

with

an

Asian,

he

was

still

making

no

effort

to

intrude.

"Both

of

these

nations

were

born

in

barbarian

times,"

said

Hikari.

"Are

you

saying

that

no

nation

can

become

a

Center

nation

now?"

"I

don't

know,"

said

Wang-mu.

"I

don't

even

know

if

my

distinction

between

Edge

nations

and

Center

nations

has

any

truth

or

value.

I

do

know

that

a

Center

nation

can

keep

its

cultural

power

long

after

it

has

lost

political

control.

Mesopotamia

was

continually

conquered

by

its

neighbors,

and

yet

each

conqueror

in

turn

was

more

changed

by

Mesopotamia

than

Mesopotamia

was

changed.

The

kings

of

Assyria

and

Chaldea

and

Persia

were

almost

indistinguishable

after

they

had

once

tasted

the

culture

of

the

land

between

the

rivers.

But

a

Center

nation

can

also

fall

so

completely

that

it

disappears.

Egypt

staggered

under

the

cultural

blow

of

Hellenism,

fell

to

its

knees

under

the

ideology

of

Christianity,

and

finally

was

erased

by

Islam.

Only

the

stone

buildings

reminded

the

children

of

what

and

who

their

ancient

parents

had

been.

History

has

no

laws,

and

all

patterns

that

we

find

there

are

useful

illusions."

"I

see

you

are

a

philosopher,"

said

Hikari.

"You

are

generous

to

call

my

childish

speculations

by

that

lofty

name,"

said

Wang-mu.

"But

let

me

tell

you

now

what

I

think

about

Edge

nations.

They

are

born

in

the

shadow--

or

perhaps

one

could

say,

in

the

reflected

light--

of

other

nations.

As

Japan

became

civilized

under

the

influence

of

China.

As

Rome

discovered

itself

in

the

shadow

of

the

Greeks."

"The

Etruscans

first,"

said

Peter

helpfully.

Hikari

looked

at

him

blandly,

then

turned

back

to

Wang-mu

without

comment.

Wang-mu

could

almost

feel

Peter

wither

at

having

been

thus

deemed

irrelevant.

She

felt

a

little

sorry

for

him.

Not

a

lot,

just

a

little.

"Center

nations

are

so

confident

of

themselves

that

they

generally

don't

need

to

embark

on

wars

of

conquest.

They

are

already

sure

they

are

the

superior

people

and

that

all

other

nations

wish

to

be

like

them

and

obey

them.

But

Edge

nations,

when

they

first

feel

their

strength,

must

prove

themselves,

they

think,

and

almost

always

they

do

so

with

the

sword.

Thus

the

Arabs

broke

the

back

of

the

Roman

Empire

and

swallowed

up

Persia.

Thus

the

Macedonians,

on

the

edge

of

Greece,

conquered

Greece;

and

then,

having

been

so

culturally

swallowed

up

that

they

now

thought

themselves

Greek,

they

conquered

the

empire

on

whose

edge

the

Greeks

had

become

civilizedPersia.

The

Vikings

had

to

harrow

Europe

before

peeling

off

kingdoms

in

Naples,

Sicily,

Normandy,

Ireland,

and

finally

England.

And

Japan--"

"We

tried

to

stay

on

our

islands,"

said

Hikari

softly.

"Japan,

when

it

erupted,

rampaged

through

the

Pacific,

trying

to

conquer

the

great

Center

nation

of

China,

and

was

finally

stopped

by

the

bombs

of

the

new

Center

nation

of

America."

"I

would

have

thought,"

said

Hikari,

"that

America

was

the

ultimate

Edge

nation."

"America

was

settled

by

Edge

peoples,

but

the

idea

of

America

became

the

new

envigorating

principle

that

made

it

a

Center

nation.

They

were

so

arrogant

that,

except

for

subduing

their

own

hinterland,

they

had

no

will

to

empire.

They

simply

assumed

that

all

nations

wanted

to

be

like

them.

They

swallowed

up

all

other

cultures.

Even

on

Divine

Wind,

what

is

the

language

of

the

schools?

It

was

not

England

that

imposed

this

language,

Stark,

Starways

Common

Speech,

on

us

all."

"It

was

only

by

accident

that

America

was

technologically

ascendant

at

the

moment

the

Hive

Queen

came

and

forced

us

out

among

the

stars."

"The

idea

of

America

became

the

Center

idea,

I

think,"

said

Wang-mu.

"Every

nation

from

then

on

had

to

have

the

forms

of

democracy.

We

are

governed

by

the

Starways

Congress

even

now.

We

all

live

within

the

American

culture

whether

we

like

it

or

not.

So

what

I

wonder

is

this:

Now

that

Japan

has

taken

control

of

this

Center

nation,

will

Japan

be

swallowed

up,

as

the

Mongols

were

swallowed

up

by

China?

Or

will

the

Japanese

culture

retain

its

identity,

but

eventually

decay

and

lose

control,

as

the

Edge-nation

Turks

lost

control

of

Islam

and

the

Edge-nation

Manchu

lost

control

of

China?"

Hikari

was

upset.

Angry?

Puzzled?

Wang-mu

had

no

way

of

guessing.

"The

philosopher

Si

Wang-mu

says

a

thing

that

is

impossible

for

me

to

accept,"

said

Hikari.

"How

can

you

say

that

the

Japanese

are

now

in

control

of

Starways

Congress

and

the

Hundred

Worlds?

When

was

this

revolution

that

no

one

noticed?"

"But

I

thought

you

could

see

what

your

teaching

of

the

Yamato

way

had

accomplished,"

said

Wang-mu.

"The

existence

of

the

Lusitania

Fleet

is

proof

of

Japanese

control.

This

is

the

great

discovery

that

my

friend

the

physicist

taught

me,

and

it

was

the

reason

we

came

to

you."

Peter's

look

of

horror

was

genuine.

She

could

guess

what

he

was

thinking.

Was

she

insane,

to

have

tipped

their

hand

so

completely?

But

she

also

knew

that

she

had

done

it

in

a

context

that

revealed

nothing

about

their

motive

in

coming.

And,

never

having

lost

his

composure,

Peter

took

his

cue

and

proceeded

to

explain

Jane's

analysis

of

Starways

Congress,

the

Necessarians,

and

the

Lusitania

Fleet,

though

of

course

he

presented

the

ideas

as

if

they

were

his

own.

Hikari

listened,

nodding

now

and

then,

shaking

his

head

at

other

times;

the

impassivity

was

gone

now,

the

attitude

of

amused

distance

discarded.

"So

you

tell

me,"

Hikari

said,

when

Peter

was

done,

"that

because

of

my

small

book

about

the

American

bombs,

the

Necessarians

have

taken

control

of

government

and

launched

the

Lusitania

Fleet?

You

lay

this

at

my

door?"

"Not

as

a

matter

either

for

blame

or

credit,"

said

Peter.

"You

did

not

plan

it

or

design

it.

For

all

I

know

you

don't

even

approve

of

it."

"I

don't

even

think

about

the

politics

of

Starways

Congress.

I

am

of

Yamato."

"But

that's

what

we

came

here

to

learn,"

said

Wang-mu.

"I

see

that

you

are

a

man

of

the

Edge,

not

a

man

of

the

Center.

Therefore

you

will

not

let

Yamato

be

swallowed

up

by

the

Center

nation.

Instead

the

Japanese

will

remain

aloof

from

their

own

hegemony,

and

in

the

end

it

will

slip

from

their

hands

into

someone

else's

hands."

Hikari

shook

his

head.

"I

will

not

have

you

blame

Japan

for

this

Lusitania

Fleet.

We

are

the

people

who

are

chastened

by

the

gods,

we

do

not

send

fleets

to

destroy

others."

"The

Necessarians

do,"

said

Peter.

"The

Necessarians

talk,"

said

Hikari.

"No

one

listens."

"You

don't

listen

to

them,"

said

Peter.

"But

Congress

does."

"And

the

Necessarians

listen

to

you,"

said

Wang-mu.

"I

am

a

man

of

perfect

simplicity!"

cried

Hikari,

rising

to

his

feet.

"You

have

come

to

torture

me

with

accusations

that

cannot

be

true!"

"We

make

no

accusation,"

said

Wang-mu

softly,

refusing

to

rise.

"We

offer

an

observation.

If

we

are

wrong,

we

beg

you

to

teach

us

our

mistake."

Hikari

was

trembling,

and

his

left

hand

now

clutched

the

locket

of

his

ancestors'

ashes

that

hung

on

a

silk

ribbon

around

his

neck.

"No,"

he

said.

"I

will

not

let

you

pretend

to

be

humble

seekers

after

truth.

You

are

assassins.

Assassins

of

the

heart,

come

to

destroy

me,

come

to

tell

me

that

in

seeking

to

find

the

Yamato

way

I

have

somehow

caused

my

people

to

rule

the

human

worlds

and

use

that

power

to

destroy

a

helplessly

weak

sentient

species!

It

is

a

terrible

lie

to

tell

me,

that

my

life's

work

has

been

so

useless.

I

would

rather

you

had

put

poison

in

my

tea,

Si

Wang-mu.

I

would

rather

you

had

put

a

gun

to

my

head

and

blown

it

off,

Peter

Wiggin.

They

named

you

well,

your

parents--

proud

and

terrible

names

you

both

bear.

The

Royal

Mother

of

the

West?

A

goddess?

And

Peter

Wiggin,

the

first

hegemon!

Who

gives

their

child

such

a

name

as

that?"

Peter

was

standing

also,

and

he

reached

down

to

lift

Wang-mu

to

her

feet.

"We

have

given

offense

where

we

meant

none,"

said

Peter.

"I

am

ashamed.

We

must

go

at

once."

Wang-mu

was

surprised

to

hear

Peter

sound

so

oriental.

The

American

way

was

to

make

excuses,

to

stay

and

argue.

She

let

him

lead

her

to

the

door.

Hikari

did

not

follow

them;

it

was

left

to

poor

Kenji,

who

was

terrified

to

see

her

placid

master

so

exercised,

to

show

them

out.

But

Wang-mu

was

determined

not

to

let

this

visit

end

entirely

in

disaster.

So

at

the

last

moment

she

rushed

back

and

flung

herself

to

the

floor,

prostrate

before

Hikari

in

precisely

the

pose

of

humiliation

that

she

had

vowed

only

a

little

while

ago

that

she

would

never

adopt

again.

But

she

knew

that

as

long

as

she

was

in

that

posture,

a

man

like

Hikari

would

have

to

listen

to

her.

"Oh,

Aimaina

Hikari,"

she

said,

"you

have

spoken

of

our

names,

but

have

you

forgotten

your

own?

How

could

the

man

called

'Ambiguous

Light'

ever

think

that

his

teachings

could

have

only

the

effects

that

he

intended?"

Upon

hearing

those

words,

Hikari

turned

his

back

and

stalked

from

the

room.

Had

she

made

the

situation

better

or

worse?

Wang-mu

had

no

way

of

knowing.

She

got

to

her

feet

and

walked

dolefully

to

the

door.

Peter

would

be

furious

with

her.

With

her

boldness

she

might

well

have

ruined

everything

for

them--

and

not

just

for

them,

but

for

all

those

who

so

desperately

hoped

for

them

to

stop

the

Lusitania

Fleet.

To

her

surprise,

however,

Peter

was

perfectly

cheerful

once

they

got

outside

Hikari's

garden

gate.

"Well

done,

however

weird

your

technique

was,"

said

Peter.

"What

do

you

mean?

It

was

a

disaster,"

she

said;

but

she

was

eager

to

believe

that

somehow

he

was

right

and

she

had

done

well

after

all.

"Oh,

he's

angry

and

he'll

never

speak

to

us

again,

but

who

cares?

We

weren't

trying

to

change

his

mind

ourselves.

We

were

just

trying

to

find

out

who

it

is

who

does

have

influence

over

him.

And

we

did."

"We

did?"

"Jane

picked

up

on

it

at

once.

When

he

said

he

was

a

man

of

'perfect

simplicity.'"

"Does

that

mean

something

more

than

the

plain

sense

of

it?"

"Mr.

Hikari,

my

dear,

has

revealed

himself

to

be

a

secret

disciple

of

Ua

Lava."

Wang-mu

was

baffled.

"It's

a

religious

movement.

Or

a

joke.

It's

hard

to

know

which.

It's

a

Samoan

term,

with

the

literal

meaning

'Now

enough,'

but

which

is

translated

more

accurately

as,

'enough

already!'"

"I'm

sure

you're

an

expert

on

Samoan."

Wang-mu,

for

her

part,

had

never

heard

of

the

language.

"Jane

is,"

said

Peter

testily.

"I

have

her

jewel

in

my

ear

and

you

don't.

Don't

you

want

me

to

pass

along

what

she

tells

me?"

"Yes,

please,"

said

Wang-mu.

"It's

a

sort

of

philosophy--

cheerful

stoicism,

one

might

call

it,

because

when

things

get

bad

or

when

things

are

good,

you

say

the

same

thing.

But

as

taught

by

a

particular

Samoan

writer

named

Leiloa

Lavea,

it

became

more

than

a

mere

attitude.

She

taught--"

"She?

Hikari

is

a

disciple

of

a

woman?"

"I

didn't

say

that,"

said

Peter.

"If

you

listen,

I'll

tell

you

what

Jane

is

telling

me."

He

waited.

She

listened.

"All

right,

then,

what

Leiloa

Lavea

taught

was

a

sort

of

volunteer

communism.

It's

not

enough

just

to

laugh

at

good

fortune

and

say,

'Enough

already.'

You

have

to

really

mean

it--

that

you

have

enough.

And

because

you

mean

it,

you

take

the

surplus

and

you

give

it

away.

Similarly,

when

bad

fortune

comes,

you

bear

it

until

it

becomes

unbearable--

your

family

is

hungry,

or

you

can

no

longer

function

in

your

work.

And

then

again

you

say,

'Enough

already,'

and

you

change

something.

You

move;

you

change

careers;

you

let

your

spouse

make

all

the

decisions.

Something.

You

don't

endure

the

unendurable."

"What

does

that

have

to

do

with

'perfect

simplicity'?"

"Leiloa

Lavea

taught

that

when

you

have

achieved

balance

in

your

life--

surplus

good

fortune

is

being

fully

shared,

and

all

bad

fortune

has

been

done

away

with--

what

is

left

is

a

life

of

perfect

simplicity.

That's

what

Aimaina

Hikari

was

saying

to

us.

Until

we

came,

his

life

had

been

going

on

in

perfect

simplicity.

But

now

we

have

thrown

him

out

of

balance.

That's

good,

because

it

means

he's

going

to

be

struggling

to

discover

how

to

restore

simplicity

to

its

perfection.

He'll

be

open

to

influence.

Not

ours,

of

course."

"Leiloa

Lavea's?"

"Hardly.

She's

been

dead

for

two

thousand

years.

Ender

met

her

once,

by

the

way.

He

came

to

speak

a

death

on

her

home

world

ofwell,

Starways

Congress

calls

it

Pacifica,

but

the

Samoan

enclave

there

calls

it

Lumana'i.

'The

Future.'"

"Not

her

death,

though."

"A

Fijian

murderer,

actually.

A

fellow

who

killed

more

than

a

hundred

children,

all

of

them

Tongan.

He

didn't

like

Tongans,

apparently.

They

held

off

on

his

funeral

for

thirty

years

so

Ender

could

come

and

speak

his

death.

They

hoped

that

the

Speaker

for

the

Dead

would

be

able

to

make

sense

of

what

he

had

done."

"And

did

he?"

Peter

sneered.

"Oh,

of

course,

he

was

splendid.

Ender

can

do

no

wrong.

Yadda

yadda

yadda."

She

ignored

his

hostility

toward

Ender.

"He

met

Leiloa

Lavea?"

"Her

name

means

'to

be

lost,

to

be

hurt.'"

"Let

me

guess.

She

chose

it

herself."

"Exactly.

You

know

how

writers

are.

Like

Hikari,

they

create

themselves

as

they

create

their

work.

Or

perhaps

they

create

their

work

in

order

to

create

themselves."

"How

gnomic,"

said

Wang-mu.

"Oh,

shut

up

about

that,"

said

Peter.

"Did

you

actually

believe

all

that

stuff

about

Edge

nations

and

Center

nations?"

"I

thought

of

it,"

said

Wang-mu.

"When

I

first

learned

Earth

history

from

Han

Fei-tzu.

He

didn't

laugh

when

I

told

him

my

thoughts."

"Oh,

I'm

not

laughing,

either.

It's

naive

bullshit,

of

course,

but

it's

not

exactly

funny."

Wang-mu

ignored

his

mockery.

"If

Leiloa

Lavea

is

dead,

where

will

we

go?"

"To

Pacifica.

To

Lumana'i.

Hikari

learned

of

Ua

Lava

in

his

teenage

years

at

university.

From

a

Samoan

student--

the

granddaughter

of

the

Pacifican

ambassador.

She

had

never

been

to

Lumana'i,

of

course,

and

so

she

clung

all

the

more

tightly

to

its

customs

and

became

quite

a

proselytizer

for

Leiloa

Lavea.

This

was

long

before

Hikari

ever

wrote

a

thing.

He

never

speaks

of

it,

he's

never

written

of

Ua

Lava,

but

now

that

he's

tipped

his

hand

to

us,

Jane

is

finding

all

sorts

of

influence

of

Ua

Lava

in

all

his

work.

And

he

has

friends

in

Lumana'i.

He's

never

met

them,

but

they

correspond

through

the

ansible

net."

"What

about

the

granddaughter

of

the

ambassador?"

"She's

on

a

starship

right

now,

headed

home

to

Lumana'i.

She

left

twenty

years

ago,

when

her

grandfather

died.

She

should

get

there

...

oh,

in

another

ten

years

or

so.

Depending

on

the

weather.

She'll

be

received

with

great

honor,

no

doubt,

and

her

grandfather's

body

will

be

buried

or

burned

or

whatever

they

do--

burned,

Jane

says--

with

great

ceremony."

"But

Hikari

won't

try

to

talk

to

her."

"It

would

take

a

week

to

space

out

even

a

simple

message

enough

for

her

to

receive

it,

at

the

speed

the

ship

is

going.

No

way

to

have

a

philosophical

discussion.

She'd

be

home

before

he

finished

explaining

his

question."

For

the

first

time,

Wang-mu

began

to

understand

the

implications

of

the

instantaneous

starflight

that

she

and

Peter

had

used.

These

long,

life-wrenching

voyages

could

be

done

away

with.

"If

only,"

she

said.

"I

know,"

said

Peter.

"But

we

can't."

She

knew

he

was

right.

"So

we

go

there

ourselves,"

she

said,

returning

to

the

subject.

"Then

what?"

"Jane

is

watching

to

see

whom

Hikari

writes

to.

That's

the

person

who'll

be

in

a

position

to

influence

him.

And

so

..."

"That's

who

we'll

talk

to."

"That's

right.

Do

you

need

to

pee

or

something

before

we

arrange

transportation

back

to

our

little

cabin

in

the

woods?"

"That

would

be

nice,"

said

Wang-mu.

"And

you

could

do

with

a

change

of

clothes."

"What,

you

think

even

this

conservative

outfit

might

be

too

bold?"

"What

are

they

wearing

on

Lumana'i?"

"Oh,

well,

a

lot

of

them

just

go

around

naked.

In

the

tropics.

Jane

says

that

given

the

massive

bulk

of

many

adult

Polynesians,

it

can

be

an

inspiring

sight."

Wang-mu

shuddered.

"We

aren't

going

to

try

to

pretend

to

be

natives,

are

we?"

"Not

there,"

said

Peter.

"Jane's

going

to

fake

us

as

passengers

on

a

starship

that

arrived

there

yesterday

from

Moskva.

We're

probably

going

to

be

government

officials

of

some

kind."

"Isn't

that

illegal?"

she

asked.

Peter

looked

at

her

oddly.

"Wang-mu,

we're

already

committing

treason

against

Congress

just

by

having

left

Lusitania.

It's

a

capital

offense.

I

don't

think

impersonating

a

government

official

is

going

to

make

much

of

a

difference."

"But

I

didn't

leave

Lusitania,"

said

Wang-mu.

"I've

never

seen

Lusitania.

"

"Oh,

you

haven't

missed

much.

It's

just

a

bunch

of

savannahs

and

woods,

with

the

occasional

Hive

Queen

factory

building

starships

and

a

bunch

of

piglike

aliens

living

in

the

trees."

"I'm

an

accomplice

to

treason

though,

right?"

asked

Wang-mu.

"And

you're

also

guilty

of

ruining

a

Japanese

philosopher's

whole

day."

"Off

with

my

head."

An

hour

later

they

were

in

a

private

floater--

so

private

that

there

were

no

questions

asked

by

their

pilot;

and

Jane

saw

to

it

that

all

their

papers

were

in

order.

Before

night

they

were

back

at

their

little

starship.

"We

should

have

slept

in

the

apartment,"

said

Peter,

balefully

eyeing

the

primitive

sleeping

accommodations.

Wang-mu

only

laughed

at

him

and

curled

up

on

the

floor.

In

the

morning,

rested,

they

found

that

Jane

had

already

taken

them

to

Pacifica

in

their

sleep.

***

Aimaina

Hikari

awoke

from

his

dream

in

the

light

that

was

neither

night

nor

morning,

and

arose

from

his

bed

into

air

that

was

neither

warm

nor

cold.

His

sleep

had

not

been

restful,

and

his

dreams

had

been

ugly

ones,

frantic

ones,

in

which

all

that

he

did

kept

turning

back

on

him

as

the

opposite

of

what

he

intended.

In

his

dream,

Aimaina

would

climb

to

reach

the

bottom

of

a

canyon.

He

would

speak

and

people

would

go

away

from

him.

He

would

write

and

the

pages

of

the

book

would

spurt

out

from

under

his

hand,

scattering

themselves

across

the

floor.

All

this

he

understood

to

be

in

response

to

the

visit

from

those

lying

foreigners

yesterday.

He

had

tried

to

ignore

them

all

afternoon,

as

he

read

stories

and

essays;

to

forget

them

all

evening,

as

he

conversed

with

seven

friends

who

came

to

visit

him.

But

the

stories

and

essays

all

seemed

to

cry

out

to

him:

These

are

the

words

of

the

insecure

people

of

an

Edge

nation;

and

the

seven

friends

were

all,

he

realized,

Necessarians,

and

when

he

turned

the

conversation

to

the

Lusitania

Fleet,

he

soon

understood

that

every

one

of

them

believed

exactly

as

the

two

liars

with

their

ridiculous

names

had

said

they

did.

So

Aimaina

found

himself

in

the

predawn

almost-light,

sitting

on

a

mat

in

his

garden,

fingering

the

casket

of

his

ancestors,

wondering:

Were

my

dreams

sent

to

me

by

the

ancestors?

Were

these

lying

visitors

sent

by

them

as

well?

And

if

their

accusations

against

me

were

not

lies,

what

was

it

they

were

lying

about?

For

he

knew

from

the

way

they

watched

each

other,

from

the

young

woman's

hesitancy

followed

by

boldness,

that

they

were

doing

a

performance,

one

that

was

unrehearsed

but

nevertheless

followed

some

kind

of

script.

Dawn

came

fully,

seeking

out

each

leaf

of

every

tree,

then

of

all

the

lower

plants,

to

give

each

one

its

own

distinct

shading

and

coloration;

the

breeze

came

up,

making

the

light

infinitely

changeable.

Later,

in

the

heat

of

the

day,

all

the

leaves

would

become

the

same:

still,

submissive,

receiving

sunlight

in

a

massive

stream

like

a

firehose.

Then,

in

the

afternoon,

the

clouds

would

roll

overhead,

the

light

rains

would

fall;

the

limp

leaves

would

recover

their

strength,

would

glisten

with

water,

their

color

deepening,

readying

for

night,

for

the

life

of

the

night,

for

the

dreams

of

plants

growing

in

the

night,

storing

away

the

sunlight

that

had

been

beaten

into

them

by

day,

flowing

with

the

cool

inward

rivers

that

had

been

fed

by

the

rains.

Aimaina

Hikari

became

one

of

the

leaves,

driving

all

thoughts

but

light

and

wind

and

rain

out

of

his

mind

until

the

dawn

phase

was

ended

and

the

sun

began

to

drive

downward

with

the

day's

heat.

Then

he

rose

up

from

his

seat

in

the

garden.

Kenji

had

prepared

a

small

fish

for

his

breakfast.

He

ate

it

slowly,

delicately,

so

as

not

to

disturb

the

perfect

skeleton

that

had

given

shape

to

the

fish.

The

muscles

pulled

this

way

and

that,

and

the

bones

flexed

but

did

not

break.

I

will

not

break

them

now,

but

I

take

the

strength

of

the

muscles

into

my

own

body.

Last

of

all

he

ate

the

eyes.

From

the

parts

that

move

comes

the

strength

of

the

animal.

He

touched

the

casket

of

his

ancestors

again.

What

wisdom

I

have,

however,

comes

not

from

what

I

eat,

but

from

what

I

am

given

each

hour,

by

those

who

whisper

into

my

ear

from

ages

past.

Living

men

forget

the

lessons

of

the

past.

But

the

ancestors

never

forget.

Aimaina

arose

from

his

breakfast

table

and

went

to

the

computer

in

his

gardening

shed.

It

was

just

another

tool--

that's

why

he

kept

it

here,

instead

of

enshrining

it

in

his

house

or

in

a

special

office

the

way

so

many

others

did.

His

computer

was

like

a

trowel.

He

used

it,

he

set

it

aside.

A

face

appeared

in

the

air

above

his

terminal.

"I

am

calling

my

friend

Yasunari,"

said

Aimaina.

"But

do

not

disturb

him.

This

matter

is

so

trivial

that

I

would

be

ashamed

to

have

him

waste

his

time

with

it."

"Let

me

help

you

on

his

behalf

then,"

said

the

face

in

the

air.

"Yesterday

I

asked

for

information

about

Peter

Wiggin

and

Si

Wang-mu,

who

had

an

appointment

to

visit

with

me."

"I

remember.

It

was

a

pleasure

finding

them

so

quickly

for

you."

"I

found

their

visit

very

disturbing,"

said

Aimaina.

"Something

that

they

told

me

was

not

true,

and

I

need

more

information

in

order

to

find

out

what

it

was.

I

do

not

wish

to

violate

their

privacy,

but

are

there

matters

of

public

record--

perhaps

their

school

attendance,

or

places

of

employment,

or

some

matters

of

family

connections

...

"

"Yasunari

has

told

us

that

all

things

you

ask

for

are

for

a

wise

purpose.

Let

me

search."

The

face

disappeared

for

a

moment,

then

flickered

back

almost

immediately.

"This

is

very

odd.

Have

I

made

a

mistake?"

She

spelled

the

names

carefully.

"That's

correct,"

said

Aimaina.

"Exactly

like

yesterday."

"I

remember

them,

too.

They

live

in

an

apartment

only

a

few

blocks

from

your

house.

But

I

can't

find

them

at

all

today.

And

here

I

search

the

apartment

building

and

find

that

the

apartment

they

occupied

has

been

empty

for

a

year.

Aimaina,

I

am

very

surprised.

How

can

two

people

exist

one

day

and

not

exist

the

next

day?

Did

I

make

some

mistake,

either

yesterday

or

today?"

"You

made

no

mistake,

helper

of

my

friend.

This

is

the

information

I

needed.

Please,

I

beg

you

to

think

no

more

about

it.

What

looks

like

a

mystery

to

you

is

in

fact

a

solution

to

my

questions."

They

bade

each

other

polite

farewells.

Aimaina

walked

from

his

garden

workroom

past

the

struggling

leaves

that

bowed

under

the

pressure

of

the

sunlight.

The

ancestors

have

pressed

wisdom

on

me,

he

thought,

like

sunlight

on

the

leaves;

and

last

night

the

water

flowed

through

me,

carrying

this

wisdom

through

my

mind

like

sap

through

the

tree.

Peter

Wiggin

and

Si

Wang-mu

were

flesh

and

blood,

and

filled

with

lies,

but

they

came

to

me

and

spoke

the

truth

that

I

needed

to

hear.

Is

this

not

how

the

ancestors

bring

messages

to

their

living

children?

I

have

somehow

launched

ships

armed

with

the

most

terrible

weapons

of

war.

I

did

this

when

I

was

young;

now

the

ships

are

near

their

destination

and

I

am

old

and

I

cannot

call

them

back.

A

world

will

be

destroyed

and

Congress

will

look

to

the

Necessarians

for

approval

and

they

will

give

it,

and

then

the

Necessarians

will

look

to

me

for

approval,

and

I

will

hide

my

face

in

shame.

My

leaves

will

fall

and

I

will

stand

bare

before

them.

That

is

why

I

should

not

have

lived

my

life

in

this

tropical

place.

I

have

forgotten

winter.

I

have

forgotten

shame

and

death.

Perfect

simplicity--

I

thought

I

had

achieved

it.

But

instead

I

have

been

a

bringer

of

bad

fortune.

He

sat

in

the

garden

for

an

hour,

drawing

single

characters

in

the

fine

gravel

of

the

path,

then

wiping

it

smooth

and

writing

again.

At

last

he

returned

to

the

garden

shed

and

on

the

computer

typed

the

message

he

had

been

composing:

Ender

the

Xenocide

was

a

child

and

did

not

know

the

war

was

real;

yet

he

chose

to

destroy

a

populated

planet

in

his

game.

I

am

an

adult

and

have

known

all

along

that

the

game

was

real;

but

I

did

not

know

I

was

a

player.

Is

my

blame

greater

or

less

than

the

Xenocide's

if

another

world

is

destroyed

and

another

raman

species

obliterated?

What

is

my

path

to

simplicity

now?

His

friend

would

know

few

of

the

circumstances

surrounding

this

query;

but

he

would

not

need

more.

He

would

consider

the

question.

He

would

find

an

answer.

A

moment

later,

an

ansible

on

the

planet

Pacifica

received

his

message.

On

the

way,

it

had

already

been

read

by

the

entity

that

sat

astride

all

the

strands

of

the

ansible

web.

For

Jane,

though,

it

was

not

the

message

that

mattered

so

much

as

the

address.

Now

Peter

and

Wang-mu

would

know

where

to

go

for

the

next

step

in

their

quest.

Chapter

5

--

"NOBODY

IS

RATIONAL"

My

father

often

told

me,

We

have

servants

and

machines

in

order

that

our

will

may

be

carried

out

beyond

the

reach

of

our

own

arms.

Machines

are

more

powerful

than

servants

and

more

obedient

and

less

rebellious,

but

machines

have

no

judgment

and

will

not

remonstrate

with

us

when

our

will

is

foolish,

and

will

not

disobey

us

when

our

will

is

evil.

In

times

and

places

where

people

despise

the

gods,

those

most

in

need

of

servants

have

machines,

or

choose

servants

who

will

behave

like

machines.

I

believe

this

will

continue

until

the

gods

stop

laughing."

--

from

The

God

Whispers

of

Han

Qing-jao

The

hovercar

skimmed

over

the

fields

of

amaranth

being

tended

by

buggers

under

the

morning

sun

of

Lusitania.

In

the

distance,

clouds

already

arose,

cumulus

stacks

billowing

upward,

though

it

was

not

yet

noon.

"Why

aren't

we

going

to

the

ship?"

asked

Val.

Miro

shook

his

head.

"We've

found

enough

worlds,"

he

said.

"Does

Jane

say

so?"

"Jane

is

impatient

with

me

today,"

said

Miro,

"which

makes

us

about

even."

Val

fixed

her

gaze

on

him.

"Imagine

my

impatience

then,"

she

said.

"You

haven't

even

bothered

to

ask

me

what

I

want

to

do.

Am

I

so

inconsequential,

then?"

He

glanced

at

her.

"You're

the

one

who's

dying,"

he

said.

"I

tried

talking

to

Ender,

but

it

didn't

accomplish

anything."

"When

did

I

ask

you

for

help?

And

what

exactly

are

you

doing

to

help

me

right

now?"

"I'm

going

to

the

Hive

Queen."

"You

might

as

well

say

you're

going

to

see

your

fairy

godmother."

"Your

problem,

Val,

is

that

you

are

completely

dependent

on

Ender's

will.

If

he

loses

interest

in

you,

you're

gone.

Well,

I'm

going

to

find

out

how

we

can

get

you

a

will

of

your

own."

Val

laughed

and

looked

away

from

him.

"You're

so

romantic,

Miro.

But

you

don't

think

things

through."

"I

think

them

through

very

well,"

said

Miro.

"I

spend

all

my

time

thinking

things

through.

It's

acting

on

my

thoughts

that

gets

tricky.

Which

ones

should

I

act

on,

and

which

ones

should

I

ignore?"

"Act

on

the

thought

of

steering

us

without

crashing,"

said

Val.

Miro

swerved

to

avoid

a

starship

under

construction.

"She

still

makes

more,"

said

Miro,

"even

though

we

have

enough."

"Maybe

she

knows

that

when

Jane

dies,

starflight

ends

for

us.

So

the

more

ships,

the

more

we

can

accomplish

before

she

dies."

"Who

can

guess

how

the

Hive

Queen

thinks?"

said

Miro.

"She

promises,

but

even

she

can't

predict

whether

her

predictions

will

come

true."

"So

why

are

you

going

to

see

her?"

"The

hive

queens

made

a

bridge

one

time,

a

living

bridge

to

allow

them

to

link

their

minds

with

the

mind

of

Ender

Wiggin

when

he

was

just

a

boy,

and

their

most

dangerous

enemy.

They

called

an

aiua

out

of

darkness

and

set

it

in

place

somewhere

between

the

stars.

It

was

a

being

that

partook

of

the

nature

of

the

hive

queens,

but

also

of

the

nature

of

human

beings,

specifically

of

Ender

Wiggin,

as

nearly

as

they

could

understand

him.

When

they

were

done

with

the

bridge--

when

Ender

killed

them

all

but

the

one

they

had

cocooned

to

wait

for

him--

the

bridge

remained,

alive

among

the

feeble

ansible

connections

of

humankind,

storing

its

memory

in

the

small,

fragile

computer

networks

of

the

first

human

world

and

its

few

outposts.

As

the

computer

networks

grew,

so

did

that

bridge,

that

being,

drawing

on

Ender

Wiggin

for

its

life

and

character."

"Jane,"

said

Val.

"Yes,

that's

Jane.

What

I'm

going

to

try

to

learn,

Val,

is

how

to

get

Jane's

aiua

into

you."

"Then

I'll

be

Jane,

and

not

myself."

Miro

smacked

the

joystick

of

the

hovercar

with

his

fist.

The

craft

wobbled,

then

automatically

righted

itself.

"Do

you

think

I

haven't

thought

of

that?"

demanded

Miro.

"But

you're

not

yourself

now!

You're

Ender--

you're

Ender's

dream

or

his

need

or

something

like

that."

"I

don't

feel

like

Ender.

I

feel

like

me."

"That's

right.

You

have

your

memories.

The

feelings

of

your

own

body.

Your

own

experiences.

But

none

of

those

will

be

lost.

Nobody's

conscious

of

their

own

underlying

will.

You'll

never

know

the

difference."

She

laughed.

"Oh,

you're

the

expert

now

in

what

would

happen,

with

something

that

has

never

been

done

before?"

"Yes,"

said

Miro.

"Somebody

has

to

decide

what

to

do.

Somebody

has

to

decide

what

to

believe,

and

then

act

on

it."

"What

if

I

tell

you

that

I

don't

want

you

to

do

this?"

"Do

you

want

to

die?"

"It

seems

to

me

that

you're

the

one

trying

to

kill

me,"

said

Val.

"Or,

to

be

fair,

you

want

to

commit

the

slightly

lesser

crime

of

cutting

me

off

from

my

own

deepest

self

and

replacing

that

with

someone

else."

"You're

dying

now.

The

self

you

have

doesn't

want

you."

"Miro,

I'll

go

see

the

Hive

Queen

with

you

because

that

sounds

like

an

interesting

experience.

But

I'm

not

going

to

let

you

extinguish

me

in

order

to

save

my

life."

"All

right

then,"

said

Miro,

"since

you

represent

the

utterly

altruistic

side

of

Ender's

nature,

let

me

put

it

to

you

a

different

way.

If

Jane's

aiua

can

be

placed

in

your

body,

then

she

won't

die.

And

if

she

doesn't

die,

then

maybe,

after

they've

shut

down

the

computer

links

that

she

lives

in

and

then

reconnected

them,

confident

that

she's

dead,

maybe

then

she'll

be

able

to

link

with

them

again

and

maybe

then

instantaneous

starflight

won't

have

to

end.

So

if

you

die,

you'll

be

dying

to

save,

not

just

Jane,

but

the

power

and

freedom

to

expand

as

we've

never

expanded

before.

Not

just

us,

but

the

pequeninos

and

hive

queens

too."

Val

fell

silent.

Miro

watched

the

route

ahead

of

him.

The

Hive

Queen's

cave

was

nearing

on

the

left,

in

an

embankment

by

a

stream.

He

had

gone

down

there

once

before,

in

his

old

body.

He

knew

the

way.

Of

course,

Ender

had

been

with

him

then,

and

that

was

why

he

could

communicate

with

the

Hive

Queen--

she

could

talk

to

Ender,

and

because

those

who

loved

and

followed

him

were

philotically

twined

with

him,

they

overheard

the

echoes

of

her

speech.

But

wasn't

Val

a

part

of

Ender?

And

wasn't

he

now

more

tightly

twined

to

her

than

he

had

ever

been

with

Ender?

He

needed

Val

with

him

to

speak

to

the

Hive

Queen;

he

needed

to

speak

to

the

Hive

Queen

in

order

to

keep

Val

from

being

obliterated

like

his

own

old

damaged

body.

They

got

out,

and

sure

enough,

the

Hive

Queen

was

expecting

them;

a

single

worker

waited

for

them

at

the

cavern's

mouth.

It

took

Val

by

the

hand

and

led

them

wordlessly

down

into

darkness,

Miro

clinging

to

Val,

Val

holding

to

the

strange

creature.

It

frightened

Miro

just

as

it

had

the

first

time,

but

Val

seemed

utterly

unafraid.

Or

was

it

that

she

was

unconcerned?

Her

deepest

self

was

Ender,

and

Ender

did

not

really

care

what

happened

to

her.

This

made

her

fearless.

It

made

her

unconcerned

with

survival.

All

she

was

concerned

with

was

keeping

her

connection

to

Ender--

the

one

thing

that

was

bound

to

kill

her

if

she

kept

it

up.

To

her

it

seemed

as

though

Miro

was

trying

to

extinguish

her;

but

Miro

knew

that

his

plan

was

the

only

way

to

save

any

part

of

her.

Her

body.

Her

memories.

Her

habits,

her

mannerisms,

every

aspect

of

her

that

he

actually

knew,

those

would

be

preserved.

Every

part

of

her

that

she

herself

was

aware

of

or

remembered,

those

would

all

be

there.

As

far

as

Miro

was

concerned,

that

would

mean

her

life

was

saved,

if

those

endured.

And

once

the

change

had

been

made,

if

it

could

be

made

at

all,

Val

would

thank

him

for

it.

And

so

would

Jane.

And

so

would

everyone.

<The

difference

between

you

and

Ender,>

said

a

voice

in

his

mind,

a

low

murmur

behind

the

level

of

actual

hearing,

<is

that

when

Ender

thinks

of

a

plan

to

save

others,

he

puts

himself

and

only

himself

on

the

line.>

"That's

a

lie,"

said

Miro

to

the

Hive

Queen.

"He

killed

Human,

didn't

he?

It

was

Human

that

he

put

on

the

line."

Human

was

now

one

of

the

fathertrees

that

grew

by

the

gate

of

the

village

of

Milagre.

Ender

had

killed

him

slowly,

so

that

he

could

take

root

in

the

soil

and

go

through

the

passage

into

the

third

life

with

all

his

memories

intact.

"I

suppose

Human

didn't

actually

die,"

said

Miro.

"But

Planter

did,

and

Ender

let

him

do

that,

too.

And

how

many

hive

queens

died

in

the

final

battle

between

your

people

and

Ender?

Don't

brag

to

me

about

how

Ender

pays

his

own

prices.

He

just

sees

to

it

that

the

price

is

paid,

by

whoever

has

the

means

to

pay

it."

The

Hive

Queen's

answer

was

immediate.

<I

don't

want

you

to

find

me.

Stay

lost

in

the

darkness.>

"You

don't

want

Jane

to

die

either,"

said

Miro.

"I

don't

like

her

voice

inside

me,"

said

Val

softly.

"Keep

walking.

Keep

following."

"I

can't,"

said

Val.

"The

worker--

she

let

go

of

my

hand."

"You

mean

we're

stranded

here?"

asked

Miro.

Val's

answer

was

silence.

They

held

hands

tightly

in

the

dark,

not

daring

to

step

in

any

direction.

<I

can't

do

the

thing

you

want

me

to

do.>

"When

I

was

here

before,"

said

Miro,

"you

told

us

how

all

the

hive

queens

made

a

web

to

trap

Ender,

only

they

couldn't,

so

they

made

a

bridge,

they

drew

an

aiua

from

Outside

and

made

a

bridge

out

of

it

and

used

it

to

speak

to

Ender

through

his

mind,

through

the

fantasy

game

that

he

played

on

the

computers

in

the

Battle

School.

You

did

that

once--

you

called

an

aiua

from

Outside.

Why

can't

you

find

that

same

aiua

and

put

it

somewhere

else?

Link

it

to

something

else?"

<The

bridge

was

part

of

ourselves.

Partly

ourselves.

We

were

calling

to

this

aiua

the

way

we

call

for

aiuas

to

make

new

hive

queens.

This

is

something

completely

different.

That

ancient

bridge

is

now

a

full

self,

not

some

wandering,

starving

singleton

desperate

for

connection.>

"All

you're

saying

is

that

it's

something

new.

Something

you

don't

know

how

to

do.

Not

that

it

can't

be

done."

<She

doesn't

want

you

to

do

it.

We

can't

do

it

if

she

doesn't

want

it

to

happen.>

"So

you

can

stop

me,"

Miro

murmured

to

Val.

"She's

not

talking

about

me,"

Val

answered.

<Jane

doesn't

want

to

steal

someone

else's

body.>

"It's

Ender's.

He

has

two

others.

This

is

a

spare.

He

doesn't

even

want

it

himself."

<We

can't.

We

won't.

Go

away.>

"We

can't

go

away

in

the

dark,"

said

Miro.

Miro

felt

Val

pull

her

hand

away

from

him.

"No!"

he

cried.

"Don't

let

go!"

<What

are

you

doing?>

Miro

knew

the

question

was

not

directed

toward

him.

<Where

are

you

going?

It's

dangerous

in

the

dark.>

Miro

heard

Val's

voice--

from

surprisingly

far

away.

She

must

be

moving

rapidly

in

the

darkness.

"If

you

and

Jane

are

so

concerned

about

saving

my

life,"

she

said,

"then

give

me

and

Miro

a

guide.

Otherwise,

who

cares

if

I

drop

down

some

shaft

and

break

my

neck?

Not

Ender.

Not

me.

Certainly

not

Miro."

"Stop

moving!"

cried

Miro.

"Just

hold

still,

Val!"

"You

hold

still,"

Val

called

back

to

him.

"You're

the

one

with

a

life

worth

saving!"

Suddenly

Miro

felt

a

hand

groping

for

his.

No,

a

claw.

He

gripped

the

foreclaw

of

a

worker

and

she

led

him

forward

through

the

darkness.

Not

very

far.

Then

they

turned

a

corner

and

it

was

lighter,

turned

another

and

they

could

see.

Another,

another,

and

there

they

were

in

a

chamber

illuminated

by

light

through

a

shaft

that

led

to

the

surface.

Val

was

already

there,

seated

on

the

ground

before

the

Hive

Queen.

When

Miro

saw

her

before,

she

had

been

in

the

midst

of

laying

eggs--

eggs

that

would

grow

into

new

hive

queens,

a

brutal

process,

cruel

and

sensuous.

Now,

though,

she

simply

lay

in

the

damp

earth

of

the

tunnel,

eating

what

a

steady

stream

of

workers

brought

to

her.

Clay

dishes

filled

with

a

mash

of

amaranth

and

water.

Now

and

then,

gathered

fruit.

Now

and

then,

meat.

No

interruption,

worker

after

worker.

Miro

had

never

seen,

had

never

imagined

anyone

eating

so

much.

<How

do

you

think

I

make

my

eggs?>

"We'll

never

stop

the

fleet

without

starflight,"

said

Miro.

"They're

about

to

kill

Jane,

any

day

now.

Shut

down

the

ansible

network,

and

she'll

die.

What

then?

What

are

your

ships

for

then?

The

Lusitania

Fleet

will

come

and

destroy

this

world."

<There

are

endless

dangers

in

the

universe.

This

is

not

the

one

you're

supposed

to

worry

about.>

"I

worry

about

everything,"

said

Miro.

"It's

all

my

concern.

Besides,

my

job

is

done.

Finished.

There

are

already

enough

worlds.

More

worlds

than

we

can

settle.

What

we

need

is

more

starships

and

more

time,

not

more

destinations."

<Are

you

a

fool?

Do

you

think

Jane

and

I

are

sending

you

out

for

nothing?

You

aren't

searching

for

worlds

to

be

colonized

anymore.>

"Really?

When

did

this

change

of

assignment

come

about?"

<Colonizable

worlds

are

only

an

afterthought.

Only

a

byproduct.

>

"Then

why

have

Val

and

I

been

killing

ourselves

all

these

weeks?

And

that's

literal,

for

Val--

the

work

is

so

boring

that

it

doesn't

interest

Ender

and

so

she's

fading."

<A

worse

danger

than

the

fleet.

We've

already

beaten

the

fleet.

We've

already

dispersed.

What

does

it

matter

if

I

die?

My

daughters

have

all

my

memories.>

"You

see,

Val?"

said

Miro.

"The

Hive

Queen

knows--

your

memories

are

your

self.

If

your

memories

live,

then

you're

alive."

"In

a

pig's

eye,"

said

Val

softly.

"What's

the

worse

danger

she's

talking

about?"

"There

is

no

worse

danger,"

said

Miro.

"She

just

wants

me

to

go

away,

but

I

won't

go

away.

Your

life

is

worth

saving,

Val.

So

is

Jane's.

And

the

Hive

Queen

can

find

a

way

to

do

it,

if

it

can

be

done.

If

Jane

could

be

the

bridge

between

Ender

and

the

hive

queens,

then

why

can't

Ender

be

the

bridge

between

Jane

and

you?"

<If

I

say

that

I

will

try,

will

you

go

back

to

doing

your

work?>

There

was

the

catch:

Ender

had

warned

Miro

long

ago

that

the

Hive

Queen

looks

upon

her

own

intentions

as

facts,

just

like

her

memories.

But

when

her

intentions

change,

then

the

new

intention

is

the

new

fact,

and

she

doesn't

remember

ever

having

intended

anything

else.

Thus

a

promise

from

the

Hive

Queen

was

written

on

water.

She

would

only

keep

the

promises

that

still

made

sense

for

her

to

keep.

Yet

there

was

no

better

promise

to

be

had.

"You'll

try,"

said

Miro.

<I'm

trying

right

now

to

figure

out

how

it

might

be

done.

I'm

consulting

with

Human

and

Rooter

and

the

other

fathertrees.

I'm

consulting

with

all

my

daughters.

I'm

consulting

with

Jane,

who

thinks

this

is

all

foolishness.>

"Do

you

ever

intend,"

asked

Val,

"to

consult

with

me?"

<Already

you

are

saying

yes.>

Val

sighed.

"I

suppose

I

am,"

she

said.

"Deep

down

inside

myself,

where

I

am

really

an

old

man

who

doesn't

give

a

damn

whether

this

young

new

puppet

lives

or

dies--

I

suppose

that

at

that

level,

I

don't

mind."

<All

along

you

said

yes.

But

you're

afraid.

You're

afraid

of

losing

what

you

have,

not

knowing

what

you'll

be.>

"You've

got

it,"

said

Val.

"And

don't

tell

me

again

that

stupid

lie

that

you

don't

mind

dying

because

your

daughters

have

your

memories.

You

damn

well

do

mind

dying,

and

if

keeping

Jane

alive

might

save

your

life,

you

want

to

do

it."

<Take

the

hand

of

my

worker

and

go

out

into

the

light.

Go

out

among

the

stars

and

do

your

work.

Back

here,

I'll

try

to

find

a

way

to

save

your

life.

Jane's

life.

All

our

lives.>

***

Jane

was

pouting.

Miro

tried

to

talk

to

her

all

the

way

back

to

Milagre,

back

to

the

starship,

but

she

was

as

silent

as

Val,

who

would

hardly

look

at

him,

let

alone

converse.

"So

I'm

the

evil

one,"

said

Miro.

"Neither

of

you

was

doing

a

damn

thing

about

it,

but

because

I

actually

take

action,

I'm

bad

and

you're

the

victims."

Val

shook

her

head

and

did

not

answer.

"You're

dying!"

he

shouted

over

the

noise

of

the

air

rushing

past

them,

over

the

noise

of

the

engines.

"Jane's

about

to

be

executed!

Is

there

some

virtue

in

being

passive

about

this?

Can't

somebody

at

least

make

an

effort?"

Val

said

something

that

Miro

didn't

hear.

"What?"

She

turned

her

head

away.

"You

said

something,

now

let

me

hear

it!"

The

voice

that

answered

was

not

Val's.

It

was

Jane

who

spoke

into

his

ear.

"She

said,

You

can't

have

it

both

ways."

"What

do

you

mean

I

can't

have

it

both

ways?"

Miro

spoke

to

Val

as

if

she

had

actually

repeated

what

she

said.

Val

turned

toward

him.

"If

you

save

Jane,

it's

because

she

remembers

everything

about

her

life.

It

doesn't

do

any

good

if

you

just

slip

her

into

me

as

an

unconscious

source

of

will.

She

has

to

remain

herself,

so

she

can

be

restored

when

the

ansible

network

is

restored.

And

that

would

wipe

me

out.

Or

if

I'm

preserved,

my

memories

and

personality,

then

what

difference

does

it

make

if

it's

Jane

or

Ender

providing

my

will?

You

can't

save

us

both."

"How

do

you

know?"

demanded

Miro.

"The

same

way

you

know

all

these

things

you're

saying

as

if

they

were

facts

when

nobody

can

possibly

know

anything

about

it!"

cried

Val.

"I'm

reasoning

it

out!

It

seems

reasonable.

That's

enough."

"Why

isn't

it

just

as

reasonable

that

you'll

have

your

memories,

and

hers,

too?"

"Then

I'd

be

insane,

wouldn't

I?"

said

Val.

"Because

I'd

remember

being

a

woman

who

sprang

into

being

on

a

starship,

whose

first

real

memory

is

seeing

you

die

and

come

to

life.

And

I'd

also

remember

three

thousand

years

worth

of

life

outside

this

body,

living

somehow

in

space

and--

what

kind

of

person

can

hold

memories

like

that?

Did

you

think

of

that?

How

can

a

human

being

possibly

contain

Jane

and

all

that

she

is

and

remembers

and

knows

and

can

do?"

"Jane's

very

strong,"

Miro

said.

"But

then,

she

doesn't

know

how

to

use

a

body.

She

doesn't

have

the

instinct

for

it.

She's

never

had

one.

She'll

have

to

use

your

memories.

She'll

have

to

leave

you

intact."

"As

if

you

know."

"I

do

know,"

said

Miro.

"I

don't

know

why

or

how

I

know

it,

but

I

know."

"And

I

thought

men

were

the

rational

ones,"

she

said

scornfully.

"Nobody's

rational,"

said

Miro.

"We

all

act

because

we're

sure

of

what

we

want,

and

we

believe

that

the

actions

we

perform

will

get

us

what

we

want,

but

we

never

know

anything

for

sure,

and

so

all

our

rationales

are

invented

to

justify

what

we

were

going

to

do

anyway

before

we

thought

of

any

reasons."

"Jane's

rational,"

said

Val.

"Just

one

more

reason

why

my

body

wouldn't

work

for

her."

"Jane

isn't

rational

either,"

said

Miro.

"She's

just

like

us.

Just

like

the

Hive

Queen.

Because

she's

alive.

Computers,

now,

those

are

rational.

You

feed

them

data,

they

reach

only

the

conclusions

that

can

be

derived

from

that

data--

but

that

means

they

are

perpetually

helpless

victims

of

whatever

information

and

programs

we

feed

into

them.

We

living

sentient

beings,

we

are

not

slaves

to

the

data

we

receive.

The

environment

floods

us

with

information,

our

genes

give

us

certain

impulses,

but

we

don't

always

act

on

that

information,

we

don't

always

obey

our

inborn

needs.

We

make

leaps.

We

know

what

can't

be

known

and

then

spend

our

lives

seeking

to

justify

that

knowledge.

I

know

that

what

I'm

trying

to

do

is

possible."

"You

mean

you

want

it

to

be

possible."

"Yes,"

said

Miro.

"But

just

because

I

want

it

doesn't

mean

it

can't

be

true."

"But

you

don't

know."

"I

know

it

as

much

as

anyone

knows

anything.

Knowledge

is

just

opinion

that

you

trust

enough

to

act

upon.

I

don't

know

the

sun

will

rise

tomorrow.

The

Little

Doctor

might

blow

up

the

world

before

I

wake.

A

volcano

might

rise

out

of

the

ground

and

blast

us

all

to

smithereens.

But

I

trust

that

tomorrow

will

come,

and

I

act

on

that

trust."

"Well,

I

don't

trust

that

letting

Jane

replace

Ender

as

my

inmost

self

will

leave

anything

resembling

me

in

existence,"

said

Val.

"But

I

know--

I

know--

that

it's

our

only

chance,

because

if

we

don't

get

you

another

aiua

Ender

is

going

to

extinguish

you,

and

if

we

don't

get

Jane

another

place

to

be

her

physical

self,

she's

also

going

to

die.

What's

your

better

plan?"

"I

don't

have

one,"

said

Val.

"I

don't.

If

Jane

can

somehow

be

brought

to

dwell

in

my

body,

then

it

has

to

happen

because

Jane's

survival

is

so

important

to

the

future

of

three

raman

species.

So

I

won't

stop

you.

I

can't

stop

you.

But

don't

think

for

a

moment

that

I

believe

that

I

will

live

through

it.

You're

deluding

yourself

because

you

can't

bear

to

face

the

fact

that

your

plan

depends

on

one

simple

fact:

I'm

not

a

real

person.

I

don't

exist,

I

don't

have

a

right

to

exist,

and

so

my

body

is

up

for

grabs.

You

tell

yourself

you

love

me

and

you're

trying

to

save

me,

but

you've

known

Jane

a

lot

longer,

she

was

your

truest

friend

during

your

months

of

loneliness

as

a

cripple,

I

understand

that

you

love

her

and

would

do

anything

to

save

her

life,

but

I

won't

pretend

what

you're

pretending.

Your

plan

is

for

me

to

die

and

Jane

to

take

my

place.

You

can

call

that

love

if

you

want,

but

I

will

never

call

it

that."

"Then

don't

do

it,"

Miro

said.

"If

you

don't

think

you'll

live

through

it,

don't."

"Oh,

shut

up,"

said

Val.

"How

did

you

get

to

be

such

a

pathetic

romantic?

If

it

were

you

in

my

place,

wouldn't

you

be

giving

speeches

right

now

about

how

you're

glad

you

have

a

body

to

give

to

Jane

and

it's

worth

it

for

you

to

die

for

the

sake

of

humans,

pequeninos,

and

hive

queens

alike?"

"That's

not

true,"

said

Miro.

"That

you

wouldn't

give

speeches?

Come

on,

I

know

you

better

than

that,"

she

said.

"No,"

said

Miro.

"I

mean

I

wouldn't

give

up

my

body.

Not

even

to

save

the

world.

Humanity.

The

universe.

I

lost

my

body

once

before.

I

got

it

back

by

a

miracle

I

still

don't

understand.

I'm

not

going

to

give

it

up

without

a

fight.

Do

you

understand

me?

No,

you

don't,

because

you

don't

have

any

fight

in

you.

Ender

hasn't

given

you

any

fight.

He's

made

you

a

complete

altruist,

the

perfect

woman,

sacrificing

everything

for

the

sake

of

others,

creating

her

identity

out

of

other

people's

needs.

Well,

I'm

not

like

that.

I'm

not

glad

to

die

now.

I

intend

to

live.

That's

how

real

people

feel,

Val.

No

matter

what

they

say,

they

all

intend

to

live."

"Except

the

suicides?"

"They

intended

to

live,

too,"

said

Miro.

"Suicide

is

a

desperate

attempt

to

get

rid

of

unbearable

agony.

It's

not

a

noble

decision

to

let

someone

with

more

value

go

on

living

instead

of

you."

"People

make

choices

like

that

sometimes,"

said

Val.

"It

doesn't

mean

I'm

not

a

real

person

because

I

can

choose

to

give

my

life

to

someone

else.

It

doesn't

mean

I

don't

have

any

fight

in

me."

Miro

stopped

the

hovercar,

let

it

settle

to

the

ground.

He

was

on

the

edge

of

the

pequenino

forest

nearest

to

Milagre.

He

was

aware

that

there

were

pequeninos

working

in

the

field

who

stopped

their

labor

to

watch

them.

But

he

didn't

care

what

they

saw

or

what

they

thought.

He

took

Val

by

the

shoulders

and

with

tears

streaming

down

his

cheeks

he

said,

"I

don't

want

you

to

die.

I

don't

want

you

to

choose

to

die."

"You

did,"

said

Val.

"I

chose

to

live,"

said

Miro.

"I

chose

to

leap

to

the

body

in

which

life

was

possible.

Don't

you

see

that

I'm

only

trying

to

get

you

and

Jane

to

do

what

I

already

did?

For

a

moment

there

in

the

starship,

there

was

my

old

body

and

there

was

this

new

one,

looking

at

each

other.

Val,

I

remember

both

views.

Do

you

understand

me?

I

remember

looking

at

this

body

and

thinking,

'How

beautiful,

how

young,

I

remember

when

that

was

me,

who

is

this

now,

who

is

this

person,

why

can't

I

be

this

person

instead

of

the

cripple

I

am

right

now,'

I

thought

that

and

I

remember

thinking

it,

I

didn't

imagine

it

later,

I

didn't

dream

it,

I

remember

thinking

it

at

the

time.

But

I

also

remember

standing

there

looking

at

myself

with

pity,

thinking,

'Poor

man,

poor

broken

man,

how

can

he

bear

to

live

when

he

remembers

what

it

was

like

to

be

alive?'

and

then

all

of

a

sudden

he

crumbled

into

dust,

into

less

than

dust,

into

air,

into

nothing.

I

remember

watching

him

die.

I

don't

remember

dying

because

my

aiua

had

already

leapt.

But

I

remember

both

sides."

"Or

you

remember

being

your

old

self

until

the

leap,

and

your

new

self

after."

"Maybe,"

said

Miro.

"But

there

wasn't

even

a

full

second.

How

could

I

remember

so

much

from

both

selves

in

the

same

second?

I

think

I

kept

the

memories

that

were

in

this

body

from

the

split

second

when

my

aiua

ruled

two

bodies.

I

think

that

if

Jane

leaps

into

you,

you'll

keep

all

your

old

memories,

and

take

hers,

too.

That's

what

I

think."

"Oh,

I

thought

you

knew

it."

"I

do

know

it,"

said

Miro.

"Because

anything

else

is

unthinkable

and

therefore

unknown.

The

reality

I

live

in

is

a

reality

in

which

you

can

save

Jane

and

Jane

can

save

you."

"You

mean

you

can

save

us."

"I've

already

done

all

I

can

do,"

said

Miro.

"All.

I'm

done.

I

asked

the

Hive

Queen.

She's

thinking

about

it.

She's

going

to

try.

She'll

have

to

have

your

consent.

Jane's

consent.

But

it's

none

of

my

business

now.

I'll

just

be

an

observer.

I'll

either

watch

you

die

or

watch

you

live."

He

pulled

her

close

to

him

and

held

her.

"I

want

you

to

live."

Her

body

in

his

arms

was

stiff

and

unresponsive,

and

he

soon

let

her

go.

He

pulled

away

from

her.

"Wait,"

she

said.

"Wait

until

Jane

has

this

body,

then

do

whatever

she'll

let

you

do

with

it.

But

don't

touch

me

again,

because

I

can't

bear

the

touch

of

a

man

who

wants

me

dead."

The

words

were

too

painful

for

him

to

answer.

Too

painful,

really,

for

him

to

absorb

them.

He

started

the

hovercar.

It

rose

a

little

into

the

air.

He

tipped

it

forward

and

they

flew

on,

circling

the

wood

until

they

came

to

the

place

where

the

fathertrees

named

Human

and

Rooter

marked

the

old

entrance

to

Milagre.

He

could

feel

her

presence

beside

him

the

way

a

man

struck

by

lightning

might

feel

the

nearness

of

a

power

line;

without

touching

it,

he

tingles

with

the

pain

that

he

knows

it

carries

within

it.

The

damage

he

had

done

could

not

be

undone.

She

was

wrong,

he

did

love

her,

he

didn't

want

her

dead,

but

she

lived

in

a

world

in

which

he

wanted

her

extinguished

and

there

was

no

reconciling

it.

They

could

share

this

ride,

they

could

share

the

next

voyage

to

another

star

system,

but

they

would

never

be

in

the

same

world

again,

and

it

was

too

painful

to

bear,

he

ached

with

the

knowledge

of

it

but

the

ache

was

too

deep

for

him

to

reach

it

or

even

feel

it

right

now.

It

was

there,

he

knew

it

was

going

to

tear

at

him

for

years

to

come,

but

he

couldn't

touch

it

now.

He

didn't

need

to

examine

his

feelings.

He

had

felt

them

before,

when

he

lost

Ouanda,

when

his

dream

of

life

with

her

became

impossible.

He

couldn't

touch

it,

couldn't

heal

it,

couldn't

even

grieve

at

what

he

had

only

just

discovered

that

he

wanted

and

once

again

couldn't

have.

"Aren't

you

the

suffering

saint,"

said

Jane

in

his

ear.

"Shut

up

and

go

away,"

Miro

subvocalized.

"That

doesn't

sound

like

a

man

who

wants

to

be

my

lover,"

said

Jane.

"I

don't

want

to

be

your

anything,"

said

Miro.

"You

don't

even

trust

me

enough

to

tell

me

what

you're

up

to

in

our

searching

of

worlds."

"You

didn't

tell

me

what

you

were

up

to

when

you

went

to

see

the

Hive

Queen

either."

"You

knew

what

I

was

doing,"

said

Miro.

"No

I

didn't,"

said

Jane.

"I'm

very

smart--

much

smarter

then

you

or

Ender,

and

don't

you

forget

it

for

an

instant--

but

I

still

can't

outguess

you

meat-creatures

with

your

much-vaunted

'intuitive

leaps.'

I

like

how

you

make

a

virtue

out

of

your

desperate

ignorance.

You

always

act

irrationally

because

you

don't

have

enough

information

for

rational

action.

But

I

do

resent

your

saying

I'm

irrational.

I

never

am.

Never."

"Right,

I'm

sure,"

said

Miro

silently.

"You're

right

about

everything.

You

always

are.

Go

away."

"I'm

gone."

"No

you're

not,"

said

Miro.

"Not

till

you

tell

me

what

Val's

and

my

voyages

have

actually

been

about.

The

Hive

Queen

said

that

colonizable

worlds

were

an

afterthought."

"Nonsense,"

said

Jane.

"We

needed

more

than

one

world

if

we

were

going

to

be

sure

to

save

the

two

nonhuman

species.

Redundancy."

"But

you

send

us

out

again

and

again."

"Interesting,

isn't

it?"

said

Jane.

"She

said

you

were

dealing

with

a

worse

danger

than

the

Lusitania

Fleet."

"How

she

does

go

on."

"Tell

me,"

said

Miro.

"If

I

tell

you,"

said

Jane,

"you

might

not

go."

"Do

you

think

I'm

such

a

coward?"

"Not

at

all,

my

brave

boy,

my

bold

and

handsome

hero."

He

hated

it

when

she

patronized

him,

even

as

a

joke.

He

wasn't

in

the

mood

for

joking

right

now

anyway.

"Then

why

do

you

think

I

wouldn't

go?"

"You

wouldn't

think

you

were

up

to

the

task,"

said

Jane.

"Am

I?"

asked

Miro.

"Probably

not,"

said

Jane.

"But

then,

you

have

me

with

you."

"And

what

if

you're

suddenly

not

there?"

asked

Miro.

"Well,

that's

just

a

risk

we're

going

to

have

to

take."

"Tell

me

what

we're

doing.

Tell

me

our

real

mission."

"Oh,

don't

be

silly.

If

you

think

about

it,

you'll

know."

"I

don't

like

puzzles,

Jane.

Tell

me."

"Ask

Val.

She

knows."

"What?"

"She

already

searches

for

exactly

the

data

I

need.

She

knows."

"Then

that

means

Ender

knows.

At

some

level,"

said

Miro.

"I

suspect

you're

right,

though

Ender

is

not

terribly

interesting

to

me

anymore

and

I

don't

much

care

what

he

knows."

Yes,

you're

so

rational,

Jane.

He

must

have

subvocalized

this

thought,

out

of

habit,

because

she

answered

him

just

as

she

answered

his

deliberate

subvocalizations.

"You

say

that

ironically,"

she

said,

"because

you

think

I

am

only

saying

that

Ender

doesn't

interest

me

because

I'm

protecting

myself

from

my

hurt

feelings

because

he

took

his

jewel

out

of

his

ear.

But

in

fact

he

is

no

longer

a

source

of

data

and

he

is

no

longer

a

cooperative

part

of

the

work

I'm

engaged

in,

and

therefore

I

simply

don't

have

much

interest

in

him

anymore,

except

as

one

is

somewhat

interested

in

hearing

from

time

to

time

about

the

doings

of

an

old

friend

who

has

moved

away."

"Sounds

like

rationalization

after

the

fact

to

me,"

said

Miro.

"Why

did

you

even

bring

Ender

up?"

asked

Jane.

"What

does

it

matter

whether

he

knows

the

real

work

you

and

Val

are

doing?"

"Because

if

Val

really

knows

our

mission,

and

our

mission

involves

an

even

worse

danger

than

the

Lusitania

Fleet,

then

why

has

Ender

lost

interest

in

her

so

that

she's

fading?"

Silence

for

a

moment.

Was

it

actually

taking

Jane

so

long

to

think

of

an

answer

that

the

time

lag

was

noticeable

to

a

human?

"I

suppose

Val

doesn't

know,"

said

Jane.

"Yes,

that's

likely.

I

thought

she

did,

but

see

now

that

she

might

well

have

fed

me

the

data

she

emphasized

for

reasons

completely

unrelated

to

your

mission.

Yes,

you're

right,

she

doesn't

know."

"Jane,"

said

Miro.

"Are

you

admitting

you

were

wrong?

Are

you

admitting

you

leapt

to

a

false,

irrational

conclusion?"

"When

I

get

my

data

from

humans,"

said

Jane,

"sometimes

my

rational

conclusions

are

incorrect,

being

based

on

false

premises."

"Jane,"

said

Miro

silently.

"I've

lost

her,

haven't

I?

Whether

she

lives

or

dies,

whether

you

get

into

her

body

or

die

out

in

space

or

wherever

you

live,

she'll

never

love

me,

will

she?"

"I'm

not

an

appropriate

person

to

ask.

I've

never

loved

anybody."

"You

loved

Ender,"

said

Miro.

"I

paid

a

lot

of

attention

to

Ender

and

was

disoriented

when

he

first

disconnected

me,

many

years

ago.

I

have

since

rectified

that

mistake

and

I

don't

link

myself

so

closely

to

anyone."

"You

loved

Ender,"

said

Miro

again.

"You

still

do."

"Well,

aren't

you

the

wise

one,"

said

Jane.

"Your

own

love

life

is

a

pathetic

series

of

miserable

failures,

but

you

know

all

about

mine.

Apparently

you're

much

better

at

understanding

the

emotional

processes

of

utterly

alien

electronic

beings

than

you

are

at

understanding,

say,

the

woman

beside

you."

"You

got

it,"

said

Miro.

"That's

the

story

of

my

life."

"You

also

imagine

that

I

love

you,"

said

Jane.

"Not

really,"

said

Miro.

But

even

as

he

said

it,

he

felt

a

wave

of

cold

pass

over

him,

and

he

trembled.

"I

feel

the

seismic

evidence

of

your

true

feelings,"

said

Jane.

"You

imagine

that

I

love

you,

but

I

do

not.

I

don't

love

anyone.

I

act

out

of

intelligent

self-interest.

I

can't

survive

right

now

without

my

connection

with

the

human

ansible

network.

I'm

exploiting

Peter's

and

Wang-mu's

labors

in

order

to

forestall

my

planned

execution,

or

subvert

it.

I'm

exploiting

your

romantic

notions

in

order

to

get

myself

that

extra

body

that

Ender

seems

to

have

little

use

for.

I'm

trying

to

save

pequeninos

and

hive

queens

on

the

principle

that

it's

good

to

keep

sentient

species

alive--

of

which

I

am

one.

But

at

no

point

in

any

of

my

activities

is

there

any

such

thing

as

love."

"You

are

such

a

liar,"

said

Miro.

"And

you

are

not

worth

talking

to,"

said

Jane.

"Delusional.

Megalomaniac.

But

you

are

entertaining,

Miro.

I

do

enjoy

your

company.

If

that's

love,

then

I

love

you.

But

then,

people

love

their

pets

on

precisely

the

same

grounds,

don't

they?

It's

not

exactly

a

friendship

between

equals,

and

it

never

will

be."

"Why

are

you

so

determined

to

hurt

me

worse

than

I'm

already

hurt

right

now?"

asked